The Loan Arranger”

Posted on May 1, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Oh, hey, Charo’s back.

Episode 4.15 “First Voyage, Last Voyage/April, the Ninny/The Loan Arranger”

(Dir by Roger Duchowny, originally aired on January 17th, 1981)

April’s back!

Played by Charo, April Lopez was one of the few recurring characters on The Love Boat. Whereas other actors appeared frequently but always as different characters, Charo was always April whenever she boarded The Love Boat. The first time she boarded the ship, she did so as a stowaway. The next two times, she boarded as the cruise’s entertainment. This season, however, April boards as someone who has grown tired of show business. When last we saw her, April was in love with a guy named Tex and planning on playing Las Vegas. However, when April boards this time, she quickly informs both Julie and Isaac that she and Tex are no longer a couple and Vegas didn’t work out because she was expected to play her guitar while naked.

(“They could have at least gotten you a cello,” Isaac replies.)

April wants a new career, which she gets when she meets Ty Younger (Larry Linville), who is wealthy but who also has two bratty kids who are always chasing off their nannies. They can’t chase off April, who understands that the best way to calm a bratty child is to grab your guitar and sing to them at night. April gives up show business to become a nanny but I don’t think it’ll last. April is too impulsive to settle down, and Ty’s kids really are the worst. (As well, Charo and Larry Linville didn’t exactly generate a lot of heat in their scenes together.) April may leave the boat with a new family but hopefully, she’ll return alone in the fifth season.

Speaking of the worst, Cindy Simmons (Maureen McCormick) is dying but her parents (Ty Hardin and Kathleen Nolan) haven’t gotten around to telling her yet. Cindy thinks that she’s made a full recovery from her recent illness. Her parents don’t want to upset Cindy but when Cindy meets and falls in love with Paul Harris (Jay Thomas), they realize that they’re going to have to tell Cindy the truth. Poor Cindy! Fortunately, this is The Love Boat and Paul isn’t going to let a little thing like impending death get in the way of romance. I’ve lost track of how many times I’ve seen Maureen McCormick on both The Love Boat and Fantasy Island. For this episode, McCormick does a pretty good job with her role and she and Jay Thomas make for an attractive couple.

“I guess I’m still getting my sea legs,” Cindy says to Paul.

“Your legs look mighty fine to me,” Paul replies.

That’s about as witty as things get on this cruise.

Finally, Joey (Richard Kline) is a mob enforcer who has been sent to collect a debt owed by Tony Patacchio, a gambling addict. However, Joey gets distracted when he meets a woman named Antoinette (Lisa Hartman) who enjoys gambling. Joey falls for Antoinette and, unable to find Tony, he even spends the night in her cabin. Hmmm …. Tony …. Antoinette …. Toni….

Yes, Joey has fallen in love with the person he was supposed to rough up. Fortunately, Joey is willing to fix a poker game so that Toni can win enough of his money to pay off her debt. When Toni realizes that Joey lost his money to her on purpose, she declares that she can’t take his money. “If we were married,” Joey says, “It would be our money.”

Richard Kline is not a particularly believable debt collector. (Tony Soprano would have tossed him in a dumpster.) It’s also strange that his boss would send him to collect a debt without bothering to give him a physical description of the person he was supposed to intimidate. The whole storyline was full of holes but I’m surprised to say that I did end up rooting Kline and Hartman to get together. The two of them had enough chemistry to overcome the fact that their story made very little sense.

Previously, whenever Charo was a guest star, she dominated the entire episode, for better or worse. With this episode, she seems kind of bored with the whole thing, as if Charo was just as fed up with show business as April. Instead, it was Maureen McCormick and Jay Thomas who dominated the episode with Richard Kline and Lisa Hartman also getting their share of good scenes. It makes for a bit of an uneven episode but I defy anyone not to feel something when Paul declares that he wants to spend the rest of Cindy’s life with her. Mixing romantic melodrama and goofy comedy is what made The Love Boat a treasure of American pop culture.

A Blast From The Past: Dragnet 1968 3.1 “Public Affairs: DR-07” (dir by Jack Webb)

Posted on May 1, 2024 by Lisa Marie Bowman

May 1st is a day of many holidays, including Law Day.

President Dwight D. Eisenhower first proclaimed May 1st to be Law Day in 1958 and apparently, it’s been celebrated every year since. On Law Day, Americans are meant to reflect on the role of law in the foundation of the nation and also consider its importance to the social order.

To observe this year’s Law Day, I’m happy to present our readers with my favorite episode of Dragnet 1968.

Dragnet began as a radio program in 1949 before making it’s way over to television in 1951. Each episode starred (and the majority were directed by) Jack Webb, who played a no-nonsense cop named Joe Friday. Friday narrated every episode, dropping trivia about the history of Los Angeles while also showing viewers how the cops went about catching criminals. Despite what is commonly believed, Joe Friday never said, “Just the facts, ma’m,” but he did investigate each case with the cool determination of a professional who kept his emotions under control. The majority of Dragnet’s episodes were based on actual cases that were worked by the LAPD, hence the opening declaration of, “The story you are about to see is true.”

On television, Dragnet originally ran from 1951 to 1959, during which time Dragnet also became the first television series to be adapted into a feature film. Jack Webb decided to relaunch Dragnet in 1966 and he produced a made-for-television movie that followed Friday and his latest partner, the far more talkative Bill Gannon (Harry Morgan), as they worked multiple cases over the course of one long weekend. That made-for-television movie led to a series that ran from 1967 to 1970.

The second television series is the best-remembered version of Dragnet, beloved for its scenes of Friday and Gannon debating the issues with a motely collection of hippies, campus radicals, and pipe-smoking academics. Jack Webb viewed Friday as being the voice of the common American, who supported the troops, supported the president, and who wanted to spend the weekend grilling in peace. Friday was the middle-aged suburbanite who wanted to the kids to stay off the grass, whether it was on his front lawn or being sold on a college campus. These episodes were often campy. It’s hard not to smile while listening to Friday and Gannon deadpan their way through conversations with flakey long-haired hippies. It was often obvious that the writers of Dragnet had never actually had any experiences with the hippies, beyond what they saw on the evening news. And yet, as silly as things often were, the show is an interesting time capsule of the time in which it was made. If nothing else, it’s a chance to see the 60s through the eyes of the other side.

My favorite episode was the show’s third season premiere. It originally aired on September 19th, 1968 and it features Joe and Gannon appearing on a talk show. The subject of the show: “The Fuzz Who Needs Them?” Joe and Gannon argue on behalf of the fuzz. Appearing on the other side of the panel are a pipe-smoking academic (Stacy Harris) and the publisher (Howard Hesseman, credited as Don Sturdy) of an underground newspaper. Questions are asked from the audience. John Dietz (played by Lou Wagner, who also plays Harlan Arliss on CHiPs) wants to know why drug are illegal. Mondo Mabamba (Dick Anthony Williams) wears blue glasses and demands to know why the cops are always sitting in squad cars. Overseeing the show is the evil Chuck Bligh (Anthony Eisley). Friday struggles to hold back his disgust as the newspaper publisher throws a “Make Love Not War” pin at him.

This an interesting episode, if just because both sides are allowed to make their case and, in a rarity for Dragnet, neither Friday nor Gannon change anyone’s mind. On the one hand, the academic and the publisher are both portrayed as being fairly obnoxious. On the other hand, Howard Hesseman delivers his lines with such sharpness that his character cannot be as easily dismissed as the usual Dragnet hippie. Chuck Bligh’s talk show predicts the political panel shows of today and it’s interesting to see how we’re still debating many of the same issues that were raised in this episode.

Here is today’s Blast From The Past:

Late Night Retro Television Review: Baywatch Nights 2.2 “The Creature”

Posted on April 30, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on You tube!

Mitch, Griff, and Ryan search for an amphibian hybrid.

Episode 2.2 “The Creature”

(Dir by David W. Hagar, originally aired on October 6th, 1996)

The Creature of the title is a young blonde woman (played by Shelli Lether) who has spent her entire life locked away in a secret lab. One night, a security guard decides that he wants to get to know The Creature better. The Creature responds by killing both him and his co-worker. She escapes from the lab, running into the California night.

Mitch and Ryan are brought to the lab by the mysterious Diamont Teague, who explains that he’s not sure what was going on at the lab but whatever was housed in the building has escaped. Mitch leaves to track down the Creature. (He recruits Griff to help him out.) Meanwhile, Ryan stays at the lab and looks through magnifying scopes and studies slides and computer read-outs and eventually, she figures out that the lab was the focus of a DNA experiment. The creature is half-amphibian and half-human.

“Can we do that?” Mitch asks when Ryan calls him.

“Apparently so,” Ryan calmly replies.

(Seriously, Ryan’s so cool.)

It also turns out that Mitch and Griff are not the only people who are searching for the Creature. There are also a group of soldiers that are determined to track down the Creature, destroy it, and cover up the fact that it was created in the first place. Mitch, needless to say, is not happy about that. Mitch is a lifeguard and, as a lifeguard, he believes in guarding every life, even the life of a humanoid amphibian who murders anyone who approaches her.

And, if this was Baywatch, Mitch probably would have saved the Creature. But this is Baywatch Nights and the night is darker than the day. The Creature gets blown up in a tunnel but it appears that all of the soldiers get blown up with her. Take that, Feds! As for Mitch, he gets out of the tunnel just in time and makes a slow motion jump as the explosion erupts behind him. A chastened and mournful Mitch then announces that he’s going home as the sun rises over the horizon. Hey, Mitch — don’t forget to call Ryan and let her know that she can leave the lab.

After last week’s disappointing second season premiere, The Creature is the first classic episode of Baywatch Nights‘s supernatural season. The action moves quickly and through multiple locations. (The Creature may not know much about the world but she’s still drawn to a club.) The story is ludicrous enough to be entertaining. Shelli Lether is surprisingly sympathetic as the murderous Creature. Even Hasselhoff throws his heart into his attempts to convince the soldiers not to destroy the Creature. This episode was fun and dumb in a very likable way.

Next week, Mitch battles another sea monster!

Retro Television Review: Fantasy Island 4.23 “Man-Beast/Ole Island Opry”

Posted on April 30, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion.

This week, we learn something new about the Island.

Episode 4.23 “Man-Beast/Ole Island Opry”

(Dir by George W. Brooks, originally aired on May 16th, 1981)

Did you know that Fantasy Island is home to a world-famous country music venue?

Yes, I’m talking about the Ole Island Opry! Operated by Lottie McFadden (Anne Francis), the Ole Island Opry is a mainstay of the Island, even though it’s never been mentioned before. Lottie says that everyone from Charley Pride to Hank Williams to Dolly Parton has played at the Ole Island Opry.

If you’re anything like me, you’re saying, “What the heck?”

I mean, seriously, why have we never heard of this place before? How many country music fans live on the Island? Why would established artists be so eager to play at a venue that’s sitting on an isolated island? And how big is this Island anyway? With the fishing village, the native villages, the downtown area that we see sometimes, the children’s side of the Island, the ancient castles, the isolated mansions, the Ole Island Opry, and all the magical portals, Fantasy Island has got to be at least the size of New Zealand.

These questions go unanswered, as usual. Instead, the episode focuses on Charlie Rowlands (Jimmy Dean), who was an up-and-coming country music star until his wife died and he gave up stardom to raise his daughter, Jennie (Wendy Schaal). Charlie is an old friend of Lottie’s and his fantasy is for Jennie to make her singing debut at the Ole Island Opry.

What Charlie doesn’t know is that Jennie has a fantasy of her own. She wants her father to stop pressuring her to become a singer so that she can focus on her love of photography! Mr. Roarke is able to grant both fantasies. Jennie sings but is really bad and her father finally realizes that she’s not meant to be a country-western star. Instead, Jennie asks her father to come up on stage and sing a song. Charlie sings King of the Road and, despite being a bit older than the usual up-and-comer, he gets a recording contract. He also wins the love of Lottie, who leaves the Island with him. As for Jennie, she can now attend a Yankee art school without feeling guilty. Yay!

Jimmy Dean gave a charming performance but otherwise, this fantasy was just silly. Perhaps it would have worked if Charlie and his daughter had stepped into the past and found themselves in Nashville in the 40s but having Jennie make her debut (and farewell) at the “Ole Island Opry” just required a bit too much of a suspension of disbelief. As well, Mr. Roarke has a habit of combining people’s fantasies without giving them any advance warning. It always seem to work out okay but I still think Mr. Roarke is lucky that he hasn’t gotten sued by a guest who didn’t want to share their fantasy with anyone else.

The other fantasy featured David (David Hedison) and Elizabeth Tabori (Carol Lynley) coming to the Island in an attempt to cure David of a recurring nightmare that he’s been having, one in which Elizabeth and he are in a dark cave and Elizabeth is terrified of something. Mr. Roarke quickly deduces that David is a werewolf. David can be cured by a very rare plant. Unfortunately, it will take the plant a few days to arrive so David will have to survive two full moons on Fantasy Island.

As with most of this show’s horror-themed fantasies, this fantasy was simple but fun. The werewolf makeup was pretty basic but David Hedison poured himself into the role of the tortured David Tabori. Fortunately, the magic flower arrives just in time to curse David of his ancestral curse.

As David and Elizabeth leave, Tattoo says that David must have been crazy because werewolves don’t exist. Suddenly, Tattoo realizes that he’s turning into a werewolf. Roarke has a good laugh as the end credits roll.

This week was another uneven trip to the Island. It’s interesting that, even with a werewolf on the loose, everyone still braved the night to attend the show at the Ole Island Opry. Fantasy Island is a strange place and I wouldn’t have it any other way.

Late Night Retro Television Review: CHiPs 2.2 “The Volunteers”

Posted on April 29, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!

This week, we’ve got ourselves a convoy!

Episode 2.2 “The Volunteers”

(Dir by John Florea, originally aired on September 23rd, 1978)

After a high-speed chase causes a robbery suspect to crash his car into a chemical storage facility (which subsequently explodes), three truckers have to get their trucks full of chlorine gas to the next available facility. Unfortunately, it’s a 170-mile drive over rough terrain and it’s a very hot day. If the gas gets to hot, it’ll explode. If It doesn’t get to the storage facility in time, it’ll explode. In fact, it appears that just about anything can make chlorine gas explode. Californians might love chlorine for their pool but they don’t want it in the air.

Getraer assigns Ponch, Baker, Baricza, and Jane Turner to escort the trucks to the facility. Jane Turner (Rana Ford) is a new member of the highway patrol. She drives a squad car and she’s the first woman and only the second black person who we’ve seen working for the highway patrol on this show. She doesn’t really do much in this episode and, about halfway through, she breaks off from the main group to help deal with a highway pile-up. For that matter, Getraer and Baricza end up vanishing as well. As usual, it’s all on Ponch and Baker.

Despite the danger of a chemical spill killing the population of Los Angeles county, Ponch spends most of this episode trying to get laid. The episode opens with him leering at a jogging stewardess (Anna Upstrom) and then bragging about how he has a date with her later that night.

“She doesn’t smoke, drink, or dance,” Ponch says.

“What are you two going to do?” Baker earnestly asks.

Ponch arches his eyebrow and grins.

But Ponch is soon distracted by one of the truck drivers, a woman named Robbie Davis (Katherine Cannon), who is quick to yell that not only can she drive a truck but she can vote as well. Ponch arches his eyebrow and grins. Baker gets in on the action by saying, “Prettiest little truck driver I’ve ever seen.”

Robbie’s father (Tige Andrews) and the other trucker (Sam Brodie) all totally think Robbie should hook up with Ponch but they’re still amused when, late in the episode, Ponch accepts a ride from a blonde in a convertible. Ponch arches and eyebrow and grins as he gets in the car. WE GET IT, PONCH!

It’s not easy transporting chlorine gas. Along with rough desert terrain, there’s also a group of beer-drinking rednecks who drive by in a pickup truck and threaten to shoot one of the tanks. All of that drunk driving leads to another multi-car pile-up. For some reason, one of the vehicles in the pile-up was transporting a tiger, which promptly gets loose and enters a grocery store. Ponch and Baker grab raw meat from the butcher’s station and use it to trick the tiger into entering an office. After they shut the door, the owner of the store yells at them for wasting meat. There’s also a town puts up a roadblock to keep the trucks from coming through because they don’t want chlorine gas getting into the air. And then there’s an avalanche, which causes chlorine gas to leak out of Robbie’s truck, sending her to the hospital.

Considering everything that happens in this episode, it’s odd that it all feels rather boring. The best episodes of CHiPs focus on fast motorcycles and beautiful scenery. This episode featured slow-moving trucks and the desert. Bleh. I hate the desert. This episode also featured a lot of interaction between Robbie, her father, and their friend. In fact, they were so prominently featured that it wouldn’t surprise me if this episode was meant to be a backdoor pilot for a trucking show. (This episode aired in 1978, which was a big year for trucker movies.) But the Davis family just wasn’t that interesting.

This episode didn’t really capture my attention. Hopefully, next week will see a return of fast bikes and nice scenery.

Retro Television Review: Miami Vice 2.12 “Phil the Shill”

Posted on April 29, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

The Vice Squad goes after Phil Collins!

Episode 2.11 “Phil the Shill”

(Dir by John Nicolella, originally aired on December 13th, 1985)

Switek and Zito call in sick so that they can go to the taping of a silly game show called Rat Race. While Zito sits in the audience, Switek answers trivia questions about Elvis and competes in an obstacle course race with his spacey opponent (Emo Phillips). Hosting the show is the very effusive and very British Phil Mayhew (Phil Collins).

As we already know, Switek knows everything about Elvis. And he’s in better shape than Emo Phillips so, when it comes time for the obstacle course, he reaches and hits his buzzer first. But Switek’s buzzer doesn’t go off. Emo’s buzzer works and Emo proceeds to robotically recite a complex string of Elvis trivia.

To his horror, Switek realizes that the quiz show was fixed!

Switek and Zito decide that they want to take down Phil and reveal his con artist ways. Unfortunately, for them, the rest of the Squad doesn’t care. Crockett, in particular, is annoyed that Switek pretended to be sick to get a night off of work. However, it then turns out that Phil has hooked up with Sarah MacPhail (Kyra Sedgwick), the girlfriend and business partner of Tony Rivers (Michael Margotta), a drug dealer that Crockett has spent months trying to set up.

It’s time to call in Izzy and have him pretend to be an interior decorator so that Phil can be tricked into throwing a party that can be attended by …. SONNY BURNETT AND RICO COOPER! Listen, I know I mention that a lot but I just can’t let it go …. how are Sonny and Rico able to maintain their undercover identities when they’re constantly arresting major drug dealers and taking part in DEA busts? How come it never occurs to the criminals that dealer Sonny Burnett might have something in common with cop Sonny Crockett? Does no one ever notice that Sonny Burnett drives the same car and wears the same white suit as Sonny Crockett?

This was a bit of an odd episode. It was obviously written so that Phil Collins (whose In The Air Tonight set the mood for the entire series) could play Phil Mayhew. And while Phil Collins does not appear to have been an actor of amazing range, he still does a good job as the weaselly Phil Mayhew. The Phil scenes are played for humor while the scenes with Tony Rivers definitely are not. Tony is a violent sociopath who casually kills several people over the course of the episode. Scenes of Switek pouting about the game show feel awkward when combined with scenes of Tony machine gunning two drug dealers. Collins does a good job within his range and Michael Margotta is an energetic villain. However, the best performance in this episode actually comes from Kyra Sedgwick, who does a great job as someone who eventually turns out to be just as ruthless and dangerous her boyfriend.

This is a fast-paced and energetic episode, one that moves quickly enough that the viewer doesn’t really have time to consider the oddness of Phil Mayhew getting involved with the same drug dealer that Crockett happens to be investigating. Personally, I’m always happy when the members of the supporting cast get to do something more than just stand in the background. Switek and Zito are a good team.

Late Night Retro Television Review: Degrassi Junior High 3.2 “Can’t Live With ‘Em: Part 2”

Posted on April 28, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989! The series can be streamed on YouTube!

The tragedy of Wheels continues.

Episode 3.2 “Can’t Live With ‘Em: Part Two”

(Dir by Kit Hood, originally aired on November 28th, 1988)

What a sad episode!

Much as with the previous episode, several storylines play out over the course of this episode. For the most part, this episode is all about setting up the rest of the season. Among the things that happen:

Lucy starts to hang out with Paul (Michael Blake), a student at Borden High and she stops hanging out with her best friend, L.D.

Arthur, who has taken to wearing a white scarf to school, finally admits to Yick that his family is rich and that he has been buying and selling stock in a company called Repco. Yick responds by demanding that Arthur pay for their food when they go to the local diner.

Shane hears Spike talking to Liz about how much she misses having free time. As soon as Spike gets home from school, she has to look after baby Emma while Spike’s mother goes to work. Shane approaches Spike and says that he knows that she doesn’t want to talk to him but he’s still going to give her half of his allowance and get a part-time job to help her pay for a babysitter for Emma.

Nancy and Kathleen are still running for school president and getting aggressive in their campaigning. Kathleen confesses to Melanie that she’s scared she’s going to lose. Melanie points out that, even if she does come in second, Kathleen will still be Vice President. Kathleen replies that she doesn’t want to be the second-in-command. She wants it all.

(Kathleen is rarely portrayed sympathetically on this show but I totally related to how she felt.)

Scooter and Bartholomew Bond debate whether Superman is better than Spider-Man.

Even with all that going on, this episode is dominated by Wheels. Last week, Wheels was informed that his parents had been killed by a drunk driver. This week found him struggling with anger, depression, and survivor’s guilt. He was supposed to be with his parents when they were going to the movies and if had gone with them instead of sneaking out to Joey’s house, Wheels probably would have died with his parents. Wheels is haunted by a nightmare in which he wakes up to find his parents coming home from the movies.

“I thought you were dead!” Wheels says.

“We are,” his mother replies.

Wheels doesn’t know what’s going to happen. Wheels is only 14 so living on his own is not an option. His grandmother and grandfather live miles away so if Wheels goes to live with them, it’ll mean abandoning his entire life in Toronto but that might be better than having to enter the foster system.

When Wheels returns to school, no one knows how to talk to him. Not even Snake is willing to approach him. Only Joey tries to talk to Wheels. The first time, Joey hands Wheels the demo tape that they made for the Zit Remedy. Wheels breaks the tape. The next time that Joey approaches Wheels, Wheels beats him up in the school hallway. Joey — and this is why everyone loves him — doesn’t get angry at Wheels. When Wheels finally approaches him and apologizes, Joey tells Wheels that he can beat him up whenever he needs to.

“I’m scared,” Wheels says.

Joey hugs him as the end credits role.

Awwwwwww!

This episode was Degrassi at its best, offering a lot of heartfelt emotions but no easy solutions. Neil Hope (who had lost his own father right before shooting this episode) gives a heart-breaking performance as Wheels and Pat Mastroianni reminds us that, underneath Joey’s bluster, he’s a good person who truly cares about his friends. Just as with last week, this episode is even more tragic if you know what’s destined to happen to the characters later on in the series. For now, though, I’m just going to be happy that Wheels had a friend like Joey.

Late Night Retro Television Review: Check It Out! 2.4 “Operation Bannister”

Posted on April 27, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!

This week, Howard has an operation …. maybe.

Episode 2.4 “Operation Bannister”

(Dir by Alan Erlich, originally aired on October 24th, 1986)

A foolish attempt to impress a blonde customer by lifting and carrying a crate full of bottles lands Howard in the hospital. He’s scheduled to have a hernia operation. It should be a simple procedure but there’s a problem. Howard’s a wimp.

Seriously, Howard spends this entire episode in a state of panic. First, he has to deal with an ER doctor who is — *gasp* — a woman! Then he discovers that the doctor who will be operating on him is barely out of medical school and looks like he’s about 16 years of age. Then, he discovers that his roommate at the hospital is full of horror stories. I guess it’s a good thing that Howard knows how to escape from hospitals because he ends up doing it several times. Of course, every time, he’s promptly recaptured and sent back for his operation.

This episode ends on a curious note, with the store’s staff putting on a “welcome back” party three days after Howard’s operation just for Howard to reveal that he once again escaped from the hospital and, instead of getting the operation, he spent three days hiding out in a hotel. He didn’t even let Edna know what he had done. Two burly orderlies show up at the store and drag Howard back to the hospital as the end credits roll.

So, did Howard ever actually have the operation? I’m going to assume that he did but it’s interesting that the episode leaves the storyline unresolved. Instead of being about the operation, the episode instead becomes a meditation on fear and the foolishness of trying to escape fate. Howard is very good at running away from his problem but, no matter how hard he tires, the orderlies always track him down. Like the Grim Reaper, Canadian hospital orderlies cannot be escaped.

I hate hospitals so I could relate a bit more to this episode than some of the other episodes that I’ve seen of this show. As an American who gets tired of hearing about every other country’s supposedly perfect health care system, I appreciated that this episode showed that hospitals suck no matter what country you’re in.

That said, I have to admit that, while watching, I got a bit annoyed with Howard. I mean, first off, he shouldn’t have tried to pick up that crate to begin with. Secondly, if you don’t want to have the operation, don’t have it. Don’t keep returning to the hospital just because Edna and a bunch of orderlies yell at you. And if you do decide to return to the hospital, own that choice and stick around until the operation’s done. I understood Howard’s feelings but he still came across as being a bit of a wimp in this episode. Nobody likes a wimp.

Next week, according to the imdb, Howard’s niece will make an appearance. Let’s hope she has more guts than her uncle.

Lisa Marie’s Week In Television: 4/21/24 — 4/27/24

Posted on April 27, 2024 by Lisa Marie Bowman

Baby On Board (YouTube)

I wrote about Baby on Board here!

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!

Check It Out! (YouTube)

My review of this week’s episode will drop in about 90 minutes.

CHiPs (Freevee)

I wrote about CHiPs here!

Degrassi Junior High (YouTube)

I wrote about Degrassi Junior High here! Poor Wheels.

Dr. Phil (YouTube)

On Sunday, I watched an episode in which Dr. Phil confronted a pathological liar named Brittany. She stormed off stage. The audience gasped.

On Monday, I watched a two-part episode featuring a crazy woman who insisted that both of her children were paranoid schizophrenic. Dr. Phil said he would help her if she agreed to delete her YouTube channel. “No,” the woman replied. The audience gasped.

On Tuesday, I watched a two-part episode in which a man was falsely accused by his ex-wife and mother-in-law of sexually abusing his daughter. What a toxic family! I mean, the guy was kind of a jerk but no one deserves to be falsely accused of something like that.

On Wednesday, I watched a divorced couple yell at each other over who was responsible for their son’s video game addiction.

On Thursday, I watched a two-part episode in which a masseuse named Tarek came on the show to try to clear his name after he was accused of sexually assaulting 18 of his clients. Tarek asked to be on the show and demanded to take a polygraph exam. What was weird about that was the fact that Tarek was obviously guilty and a terrible liar. No one was shocked when he failed the polygraph.

Later, I watched an episode about a mother-in-law who accused her son’s wife of being the “spawn of Satan.” Yikes! The wife was actually very nice and had the patience of a saint.

On Friday morning, I watched an episode in which Phil got annoyed with a teenage girl who hoped that getting pregnant would lead to her getting her own reality show.

On Saturday, I watched an episode featuring a young woman who insisted that her mother had kidnapped her son. The young woman wanted to sue her parents but she also wanted them to lend her the money for the attorney.

Dragnet (YouTube)

On Sunday, I watched my favorite episode of this old cop show. Friday and Gannon appeared on a talk show and debated an underground newspaper editor and a sociologist. Someday, I’ll write a full-length review of this episode because, from a historical point of view, it’s really is spectacular.

I followed this up with my second favorite episode, in which Friday enrolled in night school and promptly arrested one of his classmates.

Fantasy Island (Daily Motion)

I wrote about Fantasy Island here!

Friday the 13th: The Series (YouTube)

I wrote about Friday the 13th here!

Highway to Heaven (Freevee)

I wrote about Highway to Heaven here!

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Miami Vice (Prime)

I wrote about Miami Vice here!

Monsters (YouTube)

I wrote about Monsters here!

Snub UK (Night Flight Plus)

I watched an episode of this old music show on Friday night. The music videos were enjoyably trippy.

T and T (Tubi)

I wrote about T and T here.

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

World’s Most Evil Killers (YouTube)

On Friday, I watched an episode about Arizona’s Baseline Killer. He was definitely evil and he was a killer so I guess the show delivered what it promised.

World’s Most Evil Prisoners (YouTube)

On Wednesday morning, I watched a profile of Christa Pike, the youngest inmate on Tennessee’s Death Row. And yes, Christa Pike did appear to be really, really evil. As a fellow redhead, I was upset to see a member of the 2% behaving so badly.

On Friday, I watched an episode about T.D. Bingham, a leader of the Aryan Brotherhood. He was definitely a scary guy, as well as being an evil prisoner. So, just as with World’s Most Evil Killers, this show delivered what it promised.

Retro Television Review: Welcome Back Kotter 3.19 “Epstein’s Term Paper”

Posted on April 27, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!

This week, it’s term paper time!

Episode 3.19 “Epstein’s Term Paper”

(Dir by Bob Claver, originally aired on January 19th,1978)

It’s term paper time!

Freddie Washington’s term paper is on the Dust Bowl, which he turns in despite the fact that, as he explains it, “Dust killed my grandma.”

Vinnie’s term paper is on the Irish Potato Famine. Vinnie thinks that the potato famine had something to do with no one in Ireland being able to eat French fries.

Arnold Horshack’s paper is on Joseph Stalin and the Purges, despite the fact that Horshack doesn’t know who Stalin was.

As Gabe tells Julie when she stops by his classroom for lunch, he’s really impressed with all the term papers. In fact, he is concerned because he’s too impressed. The Sweathogs have never been A-students so why are they now turning in perfect term papers? Gabe, however, is looking forward to reading Epstein’s term paper on FDR. Eleven years ago, Gabe turned in a term paper on FDR in which he described FDR as being a “white knight.”

Julie takes one look at Epstein’s term paper and mentions that Epstein used the exact same phrase.

Yes, you guessed it. The Sweathogs bought a bunch of old test papers from Carvelli (Charles Fleischer) and attempted to pass them off their own. Only Angie wrote her own term paper. She got a B minus, which she is happy about. Vinnie, Horshack, Freddie, and Epstein all gets F’s. They’re not happy about it because they spent five dollars apiece for those papers.

“I could have written it myself,” Vinnie says, “and gotten an F for free!”

Gabe, however, tells the Sweathogs that he’ll give them one final chance to write new term papers. Gabe explains that just because he turned in a term paper on FDR, that doesn’t mean that he wrote it. So I guess the lesson here is that Gabe cheated and now he’s a teacher so cheating isn’t the end of the world.

Considering the subject matter and the fact that Gabe usually tries to encourage the Sweathogs to not take shortcuts, this was a surprisingly slight episode. One gets the feeling that, if this story had been used during the first season, Gabe would have been a lot more upset about the fake term papers and he would have encouraged the Sweathogs to believe in themselves and their abilities. However, in the third season, everything was treated as a big joke. Gabe no longer seems that concerned about the Sweathogs realizing that they’re capable of being more than just Sweathogs. Watching this episode, I couldn’t help but think about how the Sweathogs lost their edge halfway through the second season. They used to be believable as delinquents, albeit goofy ones. By the time the third season began, they had all been reduced to a series of catch phrases and gimmicks. Robert Hegyes had some funny moments in this episode but it’s still hard not miss the old Epstein, the one who voted most likely to take a life.

As for this episode’s opening and closing jokes, Gabe told Mr. Woodman about his Uncle Murrow the biologist. Woodman was not amused. Later, Gabe tried to tell Julie about his Uncle Joe, just for Julie to shout out the punchline before he finished. Gabe was not amused.