The 2025 Super Bowl: Some Commercial Thoughts

Posted on February 9, 2025 by Lisa Marie Bowman

In previous years, after the Super Bowl, I’ve listed my favorite ads of the night. I’m not going to do that this year because, quite frankly, I don’t have enough ads to list. This year, the Super Bowl was boring. The game was boring and the ads were boring. There were barely any new movie trailers. In previous years, Leonard and I exhausted ourselves trying to keep up with and share all of the Super Bowl movie spots. This year, we could take things easy.

As for the game …. listen, I’m not a football person. Our longtime readers know that. Usually, when I’m bored with a football game, I assume it’s because I’m just not into football. But this year, the game was so slow that even my colleagues here at TSL got bored with it. While the biggest game of the year was being played in New Orleans, we largely used the game as background noise as we talked about everything from HBO’s True Detective to whether or not it was acceptable to nuke all of your enemies in Civ. Once I realized that there weren’t going to be any big commercials, I immediately started thinking about relaxing in a hot tub for an hour or two. It turned out to be a little less than an hour because it’s cold outside, folks!

What a disappointing game. I can’t believe that I actually pre-empted my retro television reviews for that thing. Oh well! Live and learn.

Actually, now that I think about it, there was one commercial that I really liked, just because it featured a horse.

I’ve seen some speculation online that the commercials were safe and predictable this year because ad agencies are still adjusting to how to advertise in the second Trump era. That’s possible. It’s been a long time since I’ve seen Super Bowl commercials that were so determinedly nonpartisan. In the past, I think the general assumption that advertisers made was that the country was full of politically active young people with a lot of spending money and, as a result, it only made sense to tailor commercials to them. Hence, we got Zachary Quinto dramatically reading the ending of 1984 for Amazon Audible and Kylie Jenner defusing tensions at a protest by giving a Pepsi to a cop. We got a commercial for a migraine medicine in which the main character was able to go to a protest because her migraine cleared up. There was even a commercial featuring a teenage girl leading an environmental rally because she had the confidence that went along with having clear skin. All the online complaining was taken as a badge of honor. “We’re making the right people mad,” as the saying goes. But, with the recent elections, it’s now kind of obvious that the supposedly leftward tilt of the country was much overestimated. It felt like the ads this year were trying to reclaim the middle, nonpartisan ground that was originally abandoned in 2017. They did so by playing everything safe. As a result, none of the commercials this year were controversial but, at the same time, none of them were particularly interesting either. It says something about how bland things were that the most talked about commercial was another one of those flaky “He Gets Us” commercials, which feel like almost a parody of the shallow understanding most people have of theology.

(Incidentally, we watched the game on Tubi. Tubi did a very good job of streaming the game, with none of the trouble that Netflix has had with its live events.)

In other words, the Super Bowl was boring this year but I did enjoy watching it with my TSL colleagues. And I love horses! And now, on with the rest of 2025!

Lisa Marie’s Week In Television: 2/2/25 — 2/8/25

Posted on February 8, 2025 by Lisa Marie Bowman

Here’s a few thoughts on what I watched this week.

Abbott Elementary (Wednesday Night, ABC)

I’m one episode behind as far as Abbott goes. This week, I watched the golf course episode but I still need to watch the science fair episode. I’ll do it tomorrow before the Super Bowl. As always, the episode made me laugh. The show has done marginally better with the gentrification subplot than it did with the charter school storyline a few seasons ago.

Dark (Netflix)

Case and I continuing to watch this creepy German show. This is the only show I’ve ever seen that’s actually held my attention while the characters discuss physics.

Hell’s Kitchen (Fox, Thursday Night)

And we have a winner! Kyle’s door open and he is the latest chef to win a season of Hell’s Kitchen. I did like Kyle but I have to admit that I lost interest in this season after both Brandon and Egypt were eliminated. I still can’t see Kyle as a head chef. Brandon had a bad night and Egypt lost an arbitrary contest but I still feel like either one of them would have been a better winner. That said, anyone who has ever tasted my cooking knows that I wouldn’t have even made it past the first 10 minutes of the first episode of Hell’s Kitchen. Congratulations to Kyle on his victory and on proving people like me, who were pretty dismissive of his chances at first, wrong.

King of the Hill (Hulu)

I watched the episode where Bill’s touchdown record was broken and, with Hank’s encouragement, Bill rejoined the high school team in an effort to win it back. “You the man, Bill …. don’t look down at your leg.”

Kitchen Nightmares (Fox, Tuesday Night)

Chef Ramsay was, again, in New Orleans this week. The New Orleans shows have been kind of boring. None of the restaurants have really been that appealing, either before or after their makeover. You have to wonder how many times Chef Ramsay is going to have to invite an ex-football player to come and convince people to do their job. It’s kind of funny how the only thing many of these restaurants really need is for a former member of the Saints to show up for five minutes.

After being bored with the trip to New Orleans, I hopped on Tubi and revisited the Amy’s Baking Company episodes from seasons 6 and 7. Now that was classic Ramsay chaos! I like it when Chef Ramsay is nice to the chefs on Hell’s Kitchen but, when it comes to Kitchen Nightmares, I just want him to rip the place apart!

Scamanda (Hulu)

On Wednesday, I watched the first episode of this NBC docuseries about a woman who pretended to have cancer and who swindled a lot of people out of a lot of money. It was an interesting episode. People pretending to be sick to get money from people is hardly a new phenomena but it was interesting to see not only how far Amanda took it but also how gullible people really were. (They really wanted to believe.) The film did have a few regrettable reenactments, including a truly risible one of a bunch of churchgoers literally throwing money at Amanda’s feet. Still, it’s an interesting story.

Watched and reviewed:

Late Night Retro Television Review: Friday the 13th: The Series 3.1 and 3.2 “The Prophecies”

Posted on February 7, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, we start season 3!

Episode 3.1 and 3.2 “The Prophecies”

(Dir by Tom McLoughlin, originally aired on October 7th, 1989)

The third season starts with a 90-minute episode, one that was split into two parts when the show was later re-aired. It’s a rather strange episode, one that takes the Curious Goods crew far from Canada and one that also see Ryan transformed into a…. well, we’ll get to that.

When the episode starts, Ryan is in a state of shock because he recently ran into his mother (Jill Frappier) while visiting the grave of his brother. His mother walked out on Ryan and his father after the death of Ryan’s brother and the reunion between the two leaves Ryan feeling conflicted. As he blames himself for both the death of his brother and his father, he can’t help but wonder what he would do if he had the opportunity to do everything over again.

Meanwhile, Micki is running the antique store with none other than Johnny Ventura. Last season, Micki disliked Johnny and she had ever right to as Johnny tended to be a little bit stalker-ish in his behavior towards her. But, with the start of this season, it appears that all has been forgiven.

As for Jack, he’s in a small town in France. He received a letter from Sister Adele (Marie-France Lambert) telling him about some apocalyptic visions that she’s been having. Those visions are largely the result of fallen angel Asteroth (Fritz Weaver), who is determined to bring the AntiChrist into the world by following the step laid out in the Books of Lucifer. He has to kill a nun and he’s decided that Adele is that nun. However, Asteroth cannot get to her.

But then Jack gets shoved down a flight of stairs and ends up in the hospital. Ryan, Micki, and Johnny fly over to France. Ryan is promptly possessed by the Devil and he murders Sister Adele! But now, for some reason, Asteroth also needs to murder a young girl who seems to know Ryan and whose presence in the episode is never really explained. In order to free Ryan from being possessed, it’s necessary to transform him back into a small child. Eventually, God gets tired of all this and Asteroth bursts into flame.

The ending is a bit ambiguous about what this all means but I do know that this was John D. LeMay’s last episode and that Johnny Ventura will become a series regular as well. (Steven Monarque, who played Johnny, is still listed as a guest star in this episode.) So, I guess Ryan, who no longer has any memory of Micki or any of his Curious Goods adventures, is going to go live with his mother and grow up again and I’d love to know how Jack and Micki are going to explain that to his mom.

This was a weird way to write Ryan out of the show. (If anything, Ryan sacrificing himself to save Micki and/or Jack would have made much more sense and been just as powerful an ending.) But, with all that mind, this was still a good episode. While the episode did not film in France, it does feature some location work in Quebec and those scenes are full of ominous atmosphere. Fritz Weaver was an appropriately creepy Asteroth. Speaking of being creepy, John D. LeMay did a great job playing possessed Ryan. This episode was not always easy to follow but it was scary and atmospheric and it worked surprisingly well.

Bye, Ryan! I’ll miss you.

Retro Television Review: St. Elsewhere 1.11 “Graveyard”

Posted on February 7, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, a handful of doctors save two patients and lose one.

Episode 1.11 “Graveyard”

(Dir by Victor Lobl, originally aired on January 18th, 1983)

It’s the graveyard shift at St. Eligius. The halls and the cafeteria are dark. The ER is oddly calm. There are only a few patients to be looked after and most of the doctors are playing poker and talking about the rather boring subject of Dr. Samuels’s love life.

Only a handful of the series regulars make an appearance in this episode but that’s fine. This episode actually provides a nice break from having to keep track of where everyone is. Unfortunately, as I already said, a lot of this episode is centered around the character of Dr. Samuels. Nothing against the late David Birney, who did a perfectly acceptable job in the role, but Dr. Ben Samuels is just not that interesting of a character. He’s a dedicated surgeon who feels too much, drinks too much, and wants to sleep with his colleagues. That’s fine but I grew up watching General Hospital. I’ve seen a hundred doctors just like Samuels on television.

To me, the far more interesting characters are the people like David Morse’s Jack Morrison or Ed Begley, Jr’s Victor Ehrlich or even Terence Knox’s Peter White. They’re doctors who screw up and aren’t always brilliant and sometimes say the wrong things. They feel like real people whereas Dr. Samuels just feels like a cliche, a holdover from some other medical show. Samuels is not a particularly compelling character and, when I did some research, I was not surprised to discover that David Birney only appeared on one season of the show.

G.W. Bailey’s Hugh Beale also only appeared in the first season and that’s a shame because Bailey’s performance as Beale has been one of the first season’s real pleasures. Bailey plays Beale as a compassionate man who often pretends to be more naive than he is. As a Southerner, he’s an outsider on this Boston-set show and, being an outsider, he can often relate to the patients in the psych ward. Of course, that still doesn’t stop Dr. Beale’s main patient, Ralph the Birdman, from throwing himself off the roof of the hospital in this episode. To be honest, I already suspected things weren’t going to go well for Ralph on this show but his suicidal jump still upset me. As annoying as the character was, he was also finally making some progress. He finally admitted he wasn’t a bird. And then he proved it by showing that he couldn’t fly.

While Ralph plunged to his death, Dr. Samuels saved a gunshot victim (played by Tom Hulce). And Jack allowed the father (James Hong) of one of his comatose patients to perform a Chinese ritual that led to the patient waking up and eventually walking into the cafeteria, where the doctors were playing poker. “Who ordered the Chinese?” Fiscus asked and …. ugh. Not cool, Fiscus.

It was a night of triumph and tragedy. Ralph died but Dr. Samuels and Dr. Paxton agreed to give their relationship another try which …. eh. I don’t care about Samuels and Paxton. For the most part, though, I liked this episode. The smaller cast made it easier to keep track of things and the poker game banter reminded me that the doctors are all people too. Still, I have to feel bad for Ralph. All he wanted to do was fly.

Late Night Retro Television Review: Highway to Heaven 3.12 “Oh Lucky Man!”

Posted on February 6, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

It’s time to work at another youth center!

Episode 3.12 “Oh Lucky Man!”

(Dir by Dan Gordon, originally aired on December 10th, 1986)

Jonathan and Mark are working at a youth center …. again!

Don’t get me wrong. There’s nothing wrong with Jonathan and Mark working at a youth center. From what I’ve seen of this show, Michael Landon seemed to have a natural rapport with kids and Victor French’s grouchiness was always put to good use whenever he had to deal with someone younger. It’s just hard not to notice that Jonathan and Mark seemed to go to several youth centers each episode and they almost always dealt with exact same issue. Some kid is angry or insecure. He may not have a father in his life. Jonathan helps the kid admit his anger and learn to trust whoever wanted to adopt him. Usually, this seemed to involve helping the kid find the courage to play a sport or something similar.

In this episode, the youth center is run by an ex-con named Jake (Thalmus Rasulal). Mark was the one who arrested Jake and sent him to prison but Jake so impressed Mark with how he turned his life around that Mark ended up testifying in favor of giving Jake parole. Jake opened up a youth center to “keep the kids out of the gangs.” And again, there’s nothing wrong with that. I admire anyone who comes out of prison and attempts to do something good for their community. One of the truly shameful things about our justice system is that it’s been forgotten that prison is meant to rehabilitate. We focus so much on punishment that we end up forgetting that we’re supposed to be a nation built on second chances. Jake has made something out of himself and now, he’s giving back.

(And yes, that is your When Did Lisa Marie Become A Bleeding Heart? moment of the week,)

The problem is that his youth center desperately needs money. It looks like everything is going to be alright when Mark wins $5,000,000 while taking the kids out for lunch. Mark plans to give the money to the youth center. He also plans to be there for a troubled kid named Brady (Ian Michael Giatti). But when Mark is approached by Nina Van Slyke (Shannon Tweed), those plans change. Nina claims to be the head of a charity and she convinces Mark that her charity could do a lot more good with the money than the youth center. Mark finds himself falling in love with Nina and he even tells Jonathan that they’re partnership might be over. However, Nina is actually a con artist who just wants to take Mark’s money for herself.

Will Mark see the error of his ways? Of course! And he’ll apologize to Brady for missing Brady’s big game and he’ll keep the youth center open by giving the money to Jake. This is Highway to Heaven. There’s not a cynical note to be found in this show.

That said, this episode was a bit uneven with the soap opera-like scenes of Nina and her partner (Roy Thinnes) plotting to cheat Mark never gelling with the more earnest scenes of Jonathan helping out at the youth center. As always, this episode was well-intentioned and about as sincere as you can get. The strength of this show is that it’s so sincere. But Shannon Tweed felt like she was acting in a totally different show from Highway to Heaven. As a result, this episode never quite came together as a cohesive unit.

Oh well. At least Brady’s going to get a family!

Retro Television Review: Malibu, CA 2.1 “Race Your Dream”

Posted on February 6, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!

It’s the second season but I’m too lazy to change the graphic. Sorry, not sorry.

Today we begin season 2 of the bane of my existence.

Episode 2.1 “Race Your Dream”

(Dir by Gary Shimokawa, originally aired on October 9th, 1999)

The second season of Malibu CA starts with a few changes.

It’s firmly established that Scott and Jason are no longer in high school so I guess they graduated and, instead of going to college, they’re still working as busboys at their Dad’s restaurant. I don’t know what type of message that sends but it’s probably not a good one. (Also, I guess the show decided to forget about Scott having a job as a sportscaster.)

Murray is now working at the restaurant as well.

Priscilla Inga Taylor has officially joined the cast. Gina May is no longer on the show. Sam actually went to college after graduating.

Stads is still on the show and somehow, she’s even bitchier than usual in this episode. And when I say “bitchy,’ I don’t mean that she’s an empowering diva who won’t let anyone stand in her way. I mean that she’s whiny and in a bad mood for now particular reason.

Lisa Jones (Marquita Terry) is a medical student who gets a job as a waitress at the restaurant. You’d think I would relate to her since we share the same name but nope. During her job interview, she specifically points out that no one else at the restaurant is doing a good job. It’s true but still kind of rude. Admittedly, I’ve never had to actually interview for a job but it seems like criticizing the place where you want to work would be a mistake. That’s especially true if you’re interviewing for a job that literally thousands of other people could do.

Scott has a crush on Lisa. Lisa thinks Scott is a slacker. Jason lies and says that Scott is in training for the U.S. Olympic try-outs. WHAT!? That’s what he came up with! Maybe he could point out that Scott had a job as a sportscaster. Or maybe he could reveal that Scott is the assistant manager of the restaurant. Instead, he said that Scott is trying out for the OLYMPIC SWIM TEAM! SERIOUSLY, LET THAT SINK IN!

Of course, Saved By The Bell: The New Class had an entire season where everyone on the show was a member of the swim team so maybe Peter Engel just had a thing for swimming.

Lisa is friends with someone who actually is a competitive swimmer. She introduced him to Scott. Scott gets challenged to a race. Scott agrees. He loses but only barely because …. WHAT!? SCOTT IS SWIMMING AGAINST AN OLYMPIC ATHLETE! What the Hell was wrong with our Olympic team in the 90s that a member of it could nearly get beaten by some Malibu beach bum? WHAT THE HELL!?

THE SHOW IS STUPID! STUPID! STUPID! STUPID MINDS!

Anyway, Lisa is impressed that Scott tried. And Scott is told that there’s an outside chance that he actually could make the Olympics if he starts training….

SERIOUSLY, THIS IS SO STUPID! Not even One World was this stupid! Not even Hang Time had the audacity to suggest its characters were going to magically make the Olympic team. (It is true that Scott is revealed to have been a good swimmer in high school. I’m a good dancer. It still doesn’t mean I’m joining The Paris Opera Ballet anytime soon.)

So, basically, season two is going to be the same as season one.

Brad’s Song of the Day – Guns N’ Roses and a memory of “Patience”

Posted on February 6, 2025 by Bradley Crain

Today is Axl Rose’s 63rd birthday, which reminded me of a very interesting memory I had of the first time I heard the song “Patience.”

I grew up on Gospel music and Country music, but late in the 80’s I attended a summer camp called Project Caves where we learned about and explored various caverns in North Arkansas. While there, we were paired up with roommates from across the state. As I was getting to know my roommate on the first night, he shared his favorite current music album with me, which happened to be Appetite for Destruction by Guns N’ Roses. He had his cassette with him so we listened to it. And needless to say, I immediately loved it, especially the song “Sweet Child o’ Mine.” I also loved “Welcome to the Jungle” and “Paradise City,” and we listened to the album almost on repeat over those couple of weeks. By the time I got back home to Toad Suck, I had “Sweet Child o’ Mine” memorized word for word and note for note. I couldn’t wait to tell my brother and sister about the songs. At first they kind of teased me and called me “heavy metal man,” but it wasn’t long before they were listening to (and loving) those songs as well.

Music awards shows were a big deal around our house in the 80’s because that’s where we got to watch our favorite singers and bands perform. I remember The American Music Awards show being advertised, with one of their live performances to be provided by Guns N’ Roses. For historical reference, the show was on January 30, 1989, and I had recently turned 15. Giddy with excitement, my brother, my sister and I made sure we were in front of the TV that night so we could watch the group perform one of our favorite songs. Which would it be… Sweet Child o’ Mine, Paradise City, Welcome to the Jungle???

And then the performance started with Axl Rose whistling the slowest song imaginable, the song we’d all come to know as “Patience,” which would be released as a new single a few months later. We all looked at each other like WTF?! We listened to the song together in disappointment, but I do kinda remember liking the part at the end even that night. In full disclosure, the song would go on to grow on me, and I even like the song now, but it was NOT the song we were looking for that night. We still bring that up to each other and laugh at times.

Today, however, I share that performance with you! Happy birthday, Axl! And enjoy, my friends!

Late Night Retro Television Review: Monsters 3.8 “Shave and a Haircut, Two Bites”

Posted on February 5, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

Who needs a haircut?

(What is it with today’s reviews and hair?)

Episode 3.8 “Shave and a Haircut, Two Bites”

(Dir by John Strysik, originally aired on November 18th, 1990)

Tom (played by a young Matt LeBlanc) stands in front of an old timey barbershop and remembers when he was a teenager and he learned the truth about the place. His friend, Kevin (Wil Wheaton), lived across the street from the barbershop and was convinced that the two elderly barbers who owned the place were actually vampires. Kevin pointed out the customers were going inside with big jars of blood and then coming with little jars of blood. Tommy remained skeptical. I’m not sure why. Jars of blood are a HUGE red flag. Still, Tommy warned Kevin that if he continued to follow his vampire theory, he would probably get kicked out of all of his honors classes. That was a risk that Kevin was willing to take.

Tommy and Kevin snuck into the barbershop one night and searched for evidence of vampires. Kevin was serious while Tommy treated the whole thing as just being a big joke. They were caught by the two barbers, Mr. Innes (John O’Leary) and Dr. D’Onofrio (Al Mancini), who revealed that they were not vampires. Instead, they were just two guys who worshipped a giant slug creature who lived in the basement. The slug creature stayed alive by drinking the blood that was brought into the barbershop. In return, it offered up a smaller amount of its blood for the donors to drink. The blood apparently allowed to people to live for a very long time. So, I guess they were vampires but not really.

In the present, Tom gets a shave and a haircut and allows Kevin to draw some of his blood. Then Kevin gets in the barber chair and Tom picks up the razor blade. They both have noticeable scars on their neck.

This was an odd episode. It was full of atmosphere and Tom’s voice over contributed to the creepy vibe. It was generally well-acted. Not even Wil Wheaton was too annoying. The premise of the episode was intriguing but the episode’s pay-off fell a little flat. I was happy that the show did something other than vampires but the weird slug creature really wasn’t that compelling either. It felt like something out a Lovecraft short story but Lovecraft’s style of horror always works better when it’s something that the reader has to imagine as opposed to actually seeing. This episode played out like an odd dream. Even the ending feels like a fragment from a bigger narrative that has been lost to time.

Overall, though, I liked this episode and I appreciated the strange atmosphere. Monsters was always the most fun when it was weird and this episode was definitely that.

Retro Television Review: The Love Boat 5.16 “Green, But Not Jolly/Past Perfect Love/Instant Family”

Posted on February 5, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, Julie wears a wig!

Episode 5.16 “Green, But Not Jolly/Past Perfect Love/Instant Family”

(Dir by Richard Kinon, originally aired on January 30th, 1982)

“Where’s Julie?” Captain Stubing demands and he’s got good reason. The Love Boat is only a few minutes away from setting sail. The passengers are checking in and being given directions to their cabins. And yet, Julie McCoy — the cruise director — is nowhere to be seen!

Fire him, Captain! Seriously, she’s been erratic this entire season and she seems to have a permanent cold so it’s time to get a new cruise director.

Julie shows up at the last minute. She reveals that she’s late because she went to see her hair dresser. And now, she’s a platinum blonde! She says that she’s proud of her new look. The rest of the crew pretends to like it. As for those of us watching, it’s hard not to notice that Julie is actually just wearing a very obvious wig.

Watching this episode, I couldn’t help but think about the fact that, according to a documentary about the show that I recently watched on Tubi, Lauren Tewes was dealing with a fairly serious cocaine problem during the fifth season. I don’t say that suggest anything bad about Lauren Tewes. From what I’ve read, cocaine was everywhere in the 80s and she’s hardly the only performer from the time to get into trouble with it. (Tewes, it should be noted, went to rehab and cleaned herself up.) Instead, I point that out because a lot of Julie’s actions during the fifth season seem as if they’re best explained by Julie being under the influence. The moodiness, the impulsivity, the fact that she suddenly doesn’t seem to be all that focused on her job, I think Julie had a problem! Her hair isn’t platinum blonde. It’s cocaine white!

Gopher eventually works up the courage to tell her that her new hair color is not flattering. (And, to be honest, he’s right.) Gopher gives her some hair dye that he picked up — uh oh! — and Julie uses it — JULIE, WHAT ARE YOU DOING!? — and she wakes up the next morning with green hair. Julie spends the rest of the cruise in her cabin while the rest of the crew feels guilty. Even Vicki has a hard time talking to Julie with her green hair. Then the rest of the cruse decides to die their hair green in solidarity with Julie, just to discover hat Julie’s hair has gone back to its natural color….

Yeah, it’s silly but I kind of enjoyed the storyline. I like stories about the crew and the members of the cast had enough chemistry that they could even carry a story as silly as this one. They’re a fun group to watch.

As for the other two stories, Lynda Day George boards the ship with her hyperactive son (a young Corey Feldman). She meets a high school coach (John Philip Law) who is not scared by her son. This was a predictable story but I’m a horror fan and an Italian movie fan so seeing George, Feldman, and Law interacting made up for any narrative flaws.

The third story starred Bert Convy and Tanya Roberts and it was about reincarnation. I don’t believe reincarnation, mostly because people who claim to remember their past lives never remember anything boring. Instead, they always remember being members of French royalty or the mistress of a Spanish pirate. As for this story, Convy lies and tries to convince Roberts that they were lovers in a past life. But then he has black-and-white visions of a chandelier falling on Roberts. Maybe they were once lovers at another time! Honestly, who cares?

This was an above average cruise. I’m glad Julie finally took off that wig.

SHANE (The TV Series) – Episode 6: Killer in the Valley (originally aired October 15th, 1966)

Posted on February 5, 2025 by Bradley Crain

Episode 6 begins with Shane (David Carradine) and Marian Starett (Jill Ireland) riding their horses out on the far reaches of the ranch. While enjoying the beauty of the land, they come across a very sick man in a wagon. He seems to be running a high fever. As they check into the situation, they find out that the man’s wife is in the back of the wagon dead. Shane realizes that it’s more than likely that the couple has a deadly disease. The man dies shortly after, so they bury them and burn the wagons.

After returning back to the house, Marian starts coming down with a fever of her own. Shane sends Tom Starett (Tom Tully) to Sam’s general store to get quidine, the medicine they will need to treat Marian. Unfortunately, Sam is all out of quidine, so they’ll have to wait until Barney the medicine drummer (Joseph Campanella) gets to town the next day. Tom takes a room in Sam’s hotel to wait. When local cattle rancher, Rufe Ryker (Burt Freed), gets wind of the fact that the Starett’s are needing quidine, he starts asking questions and finds out that Marian is sick. He decides he needs the quidine for his own farm just in case there’s an outbreak in the valley. When Barney the medicine drummer finally arrives in town, he immediately smells money and decides to hold out to the highest bidder, which means the wealthy Ryker will get the supply, leaving the Starett’s and everyone else out in the cold. When Tom reports this to Shane, and with Marian getting worse by the second, Shane decides he’s got to do something to get the medicine Marian needs, even kill if he has to. To hell with Ryker or anyone else who tries to stop him!

This episode of SHANE reminded me of two very specific times in my life when I actually witnessed my fellow man either taking advantage of a terrible situation or panicking in a way that shows complete disregard for their friends and neighbors. The first time was the Arkansas ice storm of 2000. Beginning on Christmas Day of 2000, this once in a century ice storm descended upon our state, resulting in mass electrical outages in our community. I lived in town so my electricity was restored after three long days. I remember hearing of houses “out in the county” that did without electricity for weeks. There was a local business who had an inventory of generators. They promptly doubled the price of their generators and took advantage of their neighbors who were in a critical situation. The second time was when I lived through the COVID epidemic and witnessed people taking every roll of toilet paper and every drop of water they could find from the local grocery stores. Unfortunately the combination of fear, panic, greed and selfishness can bring out the very worst sides of our human nature!

The bad reminders aside, I enjoyed Episode 6 of SHANE. It was nice to see Shane and Marian away from the ranch together just enjoying the afternoon and talking. It was unfortunate that they were interrupted by the plague. It’s also in this episode that we get to see Shane and Marian kiss for the first time. Of course she was delirious with the fever and thinking she was talking to her dead husband Joe, but it was still Shane that she kissed and that counts for something! It was also nice seeing Shane go to town, kick some ass, and reveal the medicine drummer for the greedy coward that he is. And just for good measure, Ryker decided to kick his ass too. I liked that. I’d even go as far as saying that Episode 6 is one of the best episodes of SHANE yet. I’m still enjoying the series and look forward to episode 7!