A Few Thoughts on The X-Files 10.3 “Mulder & Scully Meet The Were-Monster”


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After watching last night’s episode of The X-Files, I finally feel like I’m starting to get it.  You have to realize that I came into this revival with only a casual knowledge of what the whole show was about.  Since I didn’t watch the show when it originally aired and have only seen a few reruns (and the movies, neither of which did much for me), I’ve often felt rather detached from all the excitement that’s been generated by the revival.

And the previous two episode did not help.  My Struggle was a mess.  The second episode was a definite improvement but still, it did not exactly blow me away.  I watched these episodes and I assumed that The X-Files was one of those revivals that would largely succeed only on the strength of nostalgia for the show it once was.

But then I watched last night’s episode, the wonderfully titled Mulder & Scully Meet The Were-Monster.  After two episodes that occasionally felt as if they were straining a bit too hard to be taken seriously, Mulder & Scully Meet The Were-Monster was a comedic deconstruction of the whole “cult-show-about-paranormal-investigators” genre.  While never quite slipping into the realm of self-parody, the episode had a lot of fun with the conventions of the show.

It also had a lot of fun with David Duchovny’s performance as Fox Mulder.  Duchovny is one of those confident actors who is always more likable when he’s befuddled.  A good deal of the pleasure of last night’s episode came from watching Mulder literally stumble through the plot.

As for the plot itself, it was wonderfully nonsensical.  Someone is murdering random people.  Is it a frightening lizard-like creature that some of the locals have spotted?  Well, there is a lizard-like creature but he’s not the murderer.  The murderer is Pasha, a sociopathic animal control officer, played by the always welcome Kumail Nanjiani.  You pretty much know that Pasha is the murderer from the minute you see him, if just because there’s no other reason for him to be played by a familiar actor.  When Pasha is unmasked as the killer and arrested, he starts to give the usual lengthy explanation for his crimes, just to be ignored by Mulder.  Mulder mentions that he’s sick of serial killer profiling.  Take that, Criminal Minds!

The Were-Monster of the title was played by Rhys Darby, who we all remember and love as Murray on The Flight of the Conchords.  It turns out that the Were-Monster was a lizard creature who was bit by a man and who now cursed to turn into a man whenever the sun rises.  Whenever the Were-Monster transforms into Guy Mann (that’s the name it uses!), he has to worry about stuff like holding down a job and impressing other people by lying about his sex life.  Poor Guy!  But, at least he wasn’t a murderer and at least he wasn’t successful in his attempt to convince Mulder to kill him.

(You can’t kill Murray!  He was the last Bret!)

Hopefully, the quality and sheer fun of Mulder & Scully And The Were-Monster is a sign of things to come as far as the remaining episodes of The X-Files are concerned.

 

Here’s What Won At The SAG Awards


Howdy, y’all!  The SAG Awards were given out tonight but I did not see it because I was busy down at City Limits Texas, watching Joey Green and Luke Wade and gettin’ my country on!  (Boots and denim, y’all!)  So, I missed the show but I can still post the winners!  Spotlight won the SAG equivalent of Best Picture so it looks like right now, the best picture race is pretty much between that film and the PGA winner, The Big Short.  But what if George Miller or Alejandro Inarritu ends up winnin’ at the DGA?  This Oscar race is gettin’ as unpredictable as a cow chewin’ magic mushrooms.  Yee haw!

ANYWAY, here’s the winners!

BEST PERFORMANCE BY A CAST ENSEMBLE – Spotlight
BEST PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE – Leonardo DiCaprio in “The Revenant”
BEST PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE – Brie Larson in “Room”
BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE – Idris Elba in “Beasts of No Nation”
BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE – Alicia Vikander in “The Danish Girl”
BEST PERFORMANCE BY A CAST ENSEMBLE IN A DRAMA SERIES – “Downton Abbey
BEST PERFORMANCE BY A MALE ACTOR IN A DRAMA SERIES – Kevin Spacey in “House of Cards”
BEST PERFORMANCE BY A FEMALE ACTOR IN A DRAMA SERIES – Viola Davis in “How to Get Away with Murder”
BEST PERFORMANCE BY A CAST ENSEMBLE IN A COMEDY SERIES – “Orange is the New Black
BEST PERFORMANCE BY A MALE ACTOR IN A COMEDY SERIES – Jeffrey Tambor in “Transparent”
BEST PERFORMANCE BY A FEMALE ACTOR IN A COMEDY SERIES – Uzo Aduba in “Orange is the New Black”
BEST PERFORMANCE BY AN ACTOR IN A TV MOVIE OR MINI-SERIES – Idris Elba in “Luther”
BEST PERFORMANCE BY A FEMALE ACTOR IN A TV MOVIE OR MINI-SERIES – Queen Latifah in “Bessie”
BEST PERFORMANCE BY A STUNT ENSEMBLE IN A MOTION PICTURE – Mad Max: Fury Road
BEST PERFORMANCE BY A STUNT ENSEMBLE IN A COMEDY OR DRAMA SERIES – “Game of Thrones
LIFETIME ACHIEVEMENT AWARD – Carol Burnett

(By the way, y’all, I love you all…)

A Few Thoughts On … The X-Files 10.2 “Founder’s Mutation”


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Last night, I promised that I wait for the second episode of The X-Files revival before passing too much judgment on the series as a whole.  One reason why that was an easy promise to make was that the 2nd episode was scheduled to air less than 24 hours after the first one.  And since I’m coming down with a cold, I was home and able to watch that 2nd episode.

The 2nd episode was a definite improvement over the first.  For one thing, it told an actual story that felt like more than just a collection of hastily compiled scenes.  There were still some weaknesses, though I’ve been told that some people consider these weaknesses to be strengths.  For instance, I will never be a fan of the muttering.  I understand that this is a show about secrets and conspiracies and that people dealing with secrets often speak in low voices but seriously, I could not hear about half of the dialogue.  Beyond that, the episode still suffered from some of the bad editing that marred My Struggle.  With the exception of Mulder’s fantasy about his son, the final few minutes of the show especially felt a bit hasty and abrupt.

There were other moments when I was painfully aware that this was a revival of a show that went off the air 14 years ago.  The opening credits featured pictures of David Duchovny and Gillian Anderson from the original series and it was a bit jarring to realize just how much these two have aged over the past decade.  As I watched Mulder and Scully investigating a mysterious death and a mad scientist, it was hard not to notice that both of them seemed to be moving a bit slower than they did in the past.

And then there was the scene in which a potential witness mistook Mulder for being gay.  That scene felt very 1999.

But otherwise, the 2nd episode worked pretty well.  It was nothing great but it had a few creepy moments and the scene in the pool totally freaked me out.  (Not to mention the sheer length of the blade the Scully pulled out of that guy’s ear.)  If nothing else, it seems to indicate that, should The X-Files revival go on past these 6 episodes, it will be a solid enough show.  It may never be great but it will be entertaining enough.

As for my favorite part of tonight’s episode, it was when Scully and then Mulder imagined what would have happened if they hadn’t given their son William up for adoption.  (On twitter, I suggested that the baby should be called Sculder but apparently, everyone’s sticking with William.)  It was interesting to note that both Scully and Mulder fantasized about having an ideal relationship with their son but, in both cases, that fantasy ended with a moment of sudden terror.  If nothing else, it showed the psychological effects of not being able to trust anyone or anything.

William will probably show up before this season ends.  I imagine it will be in the final episode and things will probably wrap up with one of those open-ended finales that will make fans of the show scream, “Bring back The X-Files!  We promise we’ll buy anything advertised during the show!”

Anyway, based on the 2nd episode, I would say The X-Files has earned its revival.

A Few Thoughts on … Lucifer 1.1 (“The Pilot”)


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So, earlier tonight, I watched the first episode Lucifer.  Lucifer is the new cop show on Fox.  It’s about an eccentric crime solver who uses unorthodox methods to solve crimes and his partner, with whom he shares sexual tension and the occasional sardonic aside.  It sounds a lot like Elementary, Castle, the X-Files revival, and a whole lot of other TV shows of the past, present, and future as well.

The main difference between Lucifer and those other shows is that the title character is the Devil.  That’s right.  The Devil has gone from starring in Milton’s Paradise Lost to working with the LAPD to solve crimes.

(In high school, one of my best friends read Paradise Lost and ended up getting a huge crush on Satan.  I wonder if she watched Lucifer tonight.)

From what I understand, Lucifer is loosely based on a comic book series in which Lucifer gets bored with ruling Hell and comes to Los Angeles, where he runs a piano bar and spends a lot of time considering whether or not there really is such a thing as free will.  And that actually sounds pretty interesting.  That sounds like it would make for an edgy, thought-provoking series.

What is not particularly interesting is the idea that Lucifer would come to Los Angeles, open a piano bar, and then decide to spend his time helping the LAPD solve crimes.  It really sounds like the punchline to an overtold joke, doesn’t it?  “She’s a non-nonsense detective.  He’s the Prince of Darkness.  Together, they fight crime.”

There were a few things that I did like about the pilot.  I liked the fact that it opened and closed with No Rest For The Wicked, even though that song’s going to be stuck in my head for the next few days.  I thought Lauren German did a pretty good job as Detective Chloe Dancer.  There were a few scenes — mostly the ones that featured Lucifer hanging out at his piano bar — that were shot and acted in a entertainingly over-the-top style.  I like the idea that Lucifer can terrify people whenever he feels like it.  I think Tom Ellis could be really good in the title role but not if the series insists on straight-jacketing him into a typical “eccentric detective” role.

My advice to this show?  Get Chloe Dancer out of the LAPD as quickly as possible.  The character has potential and I can easily imagine Lauren German and Tom Ellis developing a really amazing chemistry but having to deal with a case-a-week format is going to rob this show of everything that could potentially make it special.  So, get Chloe off of the LAPD.  Have her work as a head of security for Lucifer’s bar or something.  Keep them together but forget about solving crimes.  Instead, allow Lucifer to truly explore the philosophical and theological concepts that were merely hinted at in the pilot.  It might not win the show a huge audience but it will win it a loyal and intelligent audience.  At the very least, it should be enough to score 6 seasons and a movie.

Lucifer has potential but not as a cop show.

A Few Thoughts On … The X-Files 1.1 (“My Struggle”)


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Tonight, after a football game that apparently everyone but me was super excited about, the first episode of The X-Files revival premiered on Fox.  The episode was called My Struggle, I watched it, and now I’m going to offer up just a few thoughts on it.

Why just a few?

Well, first off, it’s just the first of six episodes.  As I watched tonight, I had to keep reminding myself that My Struggle was just the first episode and you really can’t say much about a show based on just the first episode.  My Struggle felt rushed but then again, it had a lot to do.  It had to reintroduce Mulder and Scully, it had to lay the foundation for the rest of the series, it had to introduce a few new characters, and it had to leave the audience intrigued enough to actually watch the 2nd episode.  It was a balancing act that My Struggle often struggled to maintain but I’ve also been told, by people who have claimed to have seen it, that tomorrow’s episode is going to be a lot better.

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So, I am going to try to put off passing judgment on The X-Files until I at least see that second episode.  When you’re a critic, putting off judgment goes against your every natural instinct but that’s what I am going to try to do.

I should also admit that, unlike apparently everyone else in the world, I am hardly an expert on The X-Files.  I’ve seen reruns but I didn’t watch the show regularly when it originally aired.  When I think of The X-Files, my first thought will always be laughing at the opening of the first movie, which featured a kid falling into an underground cave in North Texas.  (As a resident of North Texas, I can assure you that we don’t have caves and the last thing you’re going to see in Dallas is a mountain on the horizon.)

My Struggle started out well.  I enjoyed the pre-credits scene, where David Duchovny explained everything that had happened in the past.  Along with telling us about the previous series, he also talked about the history of UFO sightings and Duchovny’s hypnotic delivery was perfect.

I was a bit less impressed with what immediately followed the credits.  The early scenes, of Mulder and Scully meeting talk show host Tad O’Malley (Joel McHale), felt extremely forced.  I found myself wondering how long I was going to have to listen to Mulder and O’Malley debate gun control.  The attempt at political satire was predictable and tedious.  But I stuck with it because … well, it’s Joel McHale.  Who doesn’t love Joel McHale?

For the first half of the episode, I was bored out of my mind.  It was too talky and all the mumbling was getting on my nerves.  Gillian Anderson — who was so brilliant in The Fall — seemed totally bored and I was not feeling any of that famous chemistry between her and Duchovny.

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But then, things started to get better.  O’Malley showed Mulder a flying saucer that had been made from alien technology and not only did Mulder get excited but the previously stone-faced David Duchovny finally started to show some emotion.  He got excited and his excitement was fun to watch.

And then we got a lengthy monologue from Tad O’Malley, one that basically explained how the military-industrial complex uses alien technology to secretly (and not-so-secretly) rule America and being the lover of history and conspiracy theories that I am, I was absolutely enthralled.  (Though, if the show really had guts, it would have featured a clip of Barack Obama during the conspiracy montage, to go along with the clip of George W. Bush.)  That monologue really saved the episode for me.

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In fact, as I watched, I realized that I may by a skeptic about many things but I am definitely pro-paranoia.  Paranoia makes for a better and more thrilling story and, hopefully, that’s what this new version of The X-Files will continue to focus on.

So, overall, this was a very uneven hour of television.  But I’m still definitely going to set the DVR to record the next episode.

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2015 In Review: 16 Good Things I Saw On Television


Last night, as I was trying to write up my annual list of the good things that I saw on TV during the previous year, I realized that I was struggling a bit to come up with enough entries to justify doing a list.  The more I thought about it, the more apparent it became that I watched a lot less TV than usual last year.

(Though I did manage to watch a lot of Lifetime movies…)

Furthermore, when I do think about what I saw on television last year, a lot of my memories deal with being annoyed.  I find myself fixating on those terrible Liberty Mutual Insurance Commercials and that stupid advertisement where they wouldn’t stop saying, “The Tobin Stance…” and especially that Taco Bell commercial with those horrible hipsters, Mary and Dominic, talking about how much they love breakfast tacos.

BLEH!

But, that said, there were still a few things worth praising!  (Hope is never totally lost…)  And here they are in no particular order:

1) South Park Had One Of Its Greatest Seasons Ever!

Seriously, 2015 saw South Park have one of its greatest seasons ever.  Trey and Matt took on the excesses of PC Culture and ended up providing one of the most important and incisive critiques of 21st Century America ever.  At a time when political and cultural criticism is growing increasingly dreary and predictable, South Park delivered a much-needed jolt to the system and reminded of us why satire and humor are so important in the first place.  Perhaps the best part of this season was watching dreary PC-obsessed critics desperately trying to figure out how to praise this season without acknowledging that they were the ones being satirized.

2) UnReal

One of the best shows on television premiered on the Lifetime network.  UnReal took us behind the scenes of a Bachelor-type series and provided the ultimate take down of reality television.  I love reality TV but I loved UnReal even more.

Enjoy Jacksonville, Ash.

3) Ash vs. Evil Dead

Save us, Groovy Bruce!

4) Agent Carter

Agent Carter didn’t get as much attention as it deserved during its 8-episode short season.  I loved the show’s retro look, I loved the way it satirized 40s style sexism, I loved the dashing Dominic Cooper as Iron Man’s father, and most of all, I loved Hayley Atwell as Peggy Carter!  The overrated Supergirl has been getting a lot of attention as an empowering comic book show but honestly, Agent Carter did it first, did it with style and wit, and did it a 100 times better.

5) Show Me A Hero

At times, this HBO miniseries was a bit too heavy-handed for my taste.  But overall, it was a fascinating look at municipal politics and racism up north.  (Yes, there are racists up north, as much as people refuse to admit it.)  Plus, Oscar Isaac gave a great performance as an initially idealistic politician who is literally destroyed by his attempt to do the right thing.

6) Unbreakable Kimmy Schmidt

HBO pretty much fell apart this year (The Brink?  Ballers?) but, fortunately, Netflix was there to offer up some of the best original programming of the year.  Kimmy Schmidt is brilliantly hilarious and gives Elle Kemper a role that is finally worthy of her talents.

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7) Jessica Jones

Again, who needs Supergirl when you’ve got Jessica Jones?

8) Glenn lived on The Walking Dead!

Actually, I don’t know if that’s a good thing or a bad thing.  To be honest, having Glenn survive that zombie attack totally goes against everything that The Walking Dead previously stood for.  After all, this was the show where anyone could die.  It didn’t matter if you were likable or popular or if the sight of you being ripped into pieces would traumatize the viewers.  Under the previously established rules of the show, Glenn should have died.  And yet, he didn’t.  And I can’t complain because, seriously — was anyone really ready to see Glenn die?  That said, if Glenn somehow escapes certain death a second time, it’ll be a problem.

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9) Degrassi Was Picked Up By Netflix!

Oh my God, I was so upset when I heard that my beloved Degrassi would no longer be airing on TeenNick.  I’ve always said that the day when there were no more episodes of Degrassi would be the day that I would finally have to admit to being an adult.  Fortunately, Netflix picked up Degrassi so I got to put off adulthood for at least another year.

10) More Old People TV Networks

I’m a history nerd so I love all of these TV networks that only show reruns of old people TV shows.  I may never get to personally experience what it was like to be alive in the 1970s but I can a rerun on an Old People TV Network and get a taste.  And happily, it seems like there’s a new Old People TV network every day!  Seriously, I’m getting quite an education.

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11) Mario Bava and Lucio Fulci on TCM

Last year, they showed both Shock and The House By The Cemetery on TCM!  Finally, Bava and Fulci are getting the respect they deserve.  Now, if only TCM would show a Jean Rollin film…

12) Speaking of TCM…

Actually, I just love TCM in general.  It’s without a doubt the greatest thing in the world!

13) Debate Counter-Programming

Seriously, I am so happy that there is always something else for me to watch while everyone else in the world is watching a Presidential debate.  My main fear is that, in the future, all of the networks will decide to simultaneously air the debates (like they occasionally do with charity fund raisers) and there will be no escape from the droning emptiness of it all.

(Seriously, I could imagine them doing it.  “These debates are damn important…”  Whatever.)

14) One of my tweets appeared on TV!

Seriously that was pretty neat, even if I did turn out to be 100% incorrect in my prediction.

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15) I trashed The Leisure Class and sent at least one troll into a rage spiral!

Seriously, never underestimate how much some people love the unlovable!  My oddly controversial review of the Project Greenlight film really rubbed some people the wrong way.  That some people felt so strongly about it is both alarming and amusing.

16) Dancing Sharks at The Super Bowl!

That was in 2015, wasn’t it?

Dance, Shark, dance!

Dance, Shark, dance!

Tomorrow, I’ll continue my look back at 2015 with my ten favorite non-fiction books of the year!

Previous Entries In The Best of 2015:

  1. Valerie Troutman’s 25 Best, Worst, and Gems I Saw in 2015
  2. Necromoonyeti’s Top 15 Metal Albums of 2015
  3. 2015 In Review: The Best of SyFy
  4. 2015 in Review: The Best of Lifetime
  5. 2015 In Review: Lisa’s Picks For The 16 Worst Films of 2015
  6. 2015 in Review: Lisa Marie’s 10 Favorite Songs of 2015

 

Review: Ash vs. Evil Dead 1.5 “The Host”


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Just forty minutes ago, I was in the process of deciding what I was going to wear to a Christmas party tomorrow night when I suddenly realized that I had yet to write up a review of the latest episode of Ash vs. Evil Dead.

AGCK!

Seriously, I was shocked and ashamed of myself.  It’s not just the fact that I take some earned pride in being consistent as far as my reviews are concerned.  There was also the fact that The Host was one of the best episodes of Ash vs. Evil Dead so far.

It’s also one of the most important because The Host is perhaps the first episode not to solely focus on Ash and Bruce Campbell.  Don’t get me wrong.  I love Bruce Campbell and I imagine you do as well.  Bruce will always be the main reason that we watch Ash Vs. Evil Dead.  But, at the same time, Ash is not the only character on the show.  There’s also Kelly and Pablo.  While Dana DeLorenzo and Ray Santiago have both had some strong moments, both Kelly and especially Pablo have largely existed in Ash’s shadow, with Kelly briefly capturing the spotlight during the 2nd episode.  With The Host, Pablo finally got his chance to shine.

And really, when I rewatched The Host, it was hard not to feel that the show itself was specifically acknowledging that Pablo and Kelly needed an opportunity to establish their own identities outside of just being Ash’s sidekicks.  This episode, after all, opened up with Ash bound and gagged (which, as we all know, is probably the only way to keep Ash from talking).  For fifteen minutes, Ash was incapacitated and Kelly and Pablo finally got their moment.

And both Dana DeLorenzo and Ray Santiago made the most of it.  The highlight of this episode was definitely watching the very earnest Pablo interact with the possessed Kelly.  There was actually something rather touching about the way Pablo nervously interacted with the suddenly aggressive Kelly.  I was half-convinced that Kelly would be able to talk him into sucking on the barrel of that shotgun, just because Pablo seemed to be so genuinely upset about saying no to her.  For the first time in this series, Pablo was something more than just Ash’s sidekick.  During The Host, he finally emerged as an individual with a personality all of his own.

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And it’s actually a pretty appealing personality.  Pablo may not be any smarter than Ash but he’s still a lot less destructive.  Assuming that he can ever get over his blind hero worship, Pablo could actually be a very good influence on Ash.  You need Ash to save the world from the Deadites but you also need Pablo to save the world from Ash.

Speaking of Ash, he did eventually get untied.  With the help of Pablo and Pablo’s uncle, he finally managed to get that demon to leave Kelly’s body.  Of course, the Brujo was killed during the exorcism but that’s to be expected.  With the exception of Pablo and Kelly, anyone who helps Ash ends up getting killed.  That’s just the way it goes.  At least the Brujo died an honorable death in a worth episode.

There are only five episode left of Ash vs. Evil Dead!  Who will Ash end up getting killed next?

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Review: Ash vs. Evil Dead 1.4 “Brujo”


Pablo (Ray Santiago), Ash (Bruce Campbell), and Kelly (Dana DeLorenzo) in Ash vs. Evil Dead

Pablo (Ray Santiago), Ash (Bruce Campbell), and Kelly (Dana DeLorenzo) in Ash vs. Evil Dead

With this being a week full of birthdays and holidays, it took me a while to finally get around to watching Brujo, the fourth episode of the Starz original series, Ash vs. Evil Dead. However, I’m happy to say that I just watched it and here are a few thoughts.

Hopefully, these will be coherent thoughts. As I sit here typing this, it’s 4 in the morning and I’m only half awake. But then again, Ash vs. Evil Dead is the perfect show to watch when you’re only half awake. First off, the show itself is wonderfully uncomplicated. The Deadites spend their time chasing Ash. Ash spends his time saying anything that pops into his head. Pablo spends his time idolizing Ash. Kelly spends her time wondering how she got stuck in this mess. Whenever things do get complicated, it’s because Ash has done something stupid. To quote Brujo, when it comes to Ash, “the flame is dim, but it flickers.”

Secondly, Ash vs. Evil Dead is pretty much nonstop mayhem. This episode, for instance, opened with Ash in a car chase and then moved on to Ruby (Lucy Lawless) stomping on the head of a Deadite. In doing so, Ruby saved the life of Fisher (Jill Marie Jones), the state trooper who was previously left handcuffed in harm’s way by Ash. Among other things, this episode revealed that Ruby is the daughter of Professor Knowby and blames Ash for the death of her family in Evil Dead 2. Ruby, it turns out, has also been hauling around Ash’s possessed hand in the back of her car.

Seriously, how could you sleep through that?

The majority of tonight’s episode dealt with Brujo leading Ash on a drug-fueled vision quest. We got to see the inside of Ash’s mind and … oh my God. Seriously, it was everything I was expecting it to be and more. Ash’s mind was revealed to be a cluttered collection of 80s music, 80s porn, 80s television, 80s cars, and nonstop retail employment. It’s a world where every magazine is Playboy, every song has a lengthy guitar solo, and there’s way too much neon.

When, as a part of his vision quest, Ash found himself blind, he heard the voice of Brujo telling him to calm down.

“Stop being a little bitch,” Brujo told him.

“You’re being a bitch, dude!” Ash snapped back.

Oh, Ash – don’t ever change.

During Ash’s quest/trip, he not only found himself in his ideal location – Jacksonville, Florida – but he also suddenly once again had two hands. “Brujo!” Ash exclaimed, staring down at his two hands, “I need two beers!”

While all this was going on, we got a fun scene of Pablo and Kelly making Ash a new prosthetic hand. Up until this point, Pablo and Kelly have both existed in Ash’s shadow but, in these scenes, they both got a chance to establish their own characters and their own chemistry and it was charming to watch.

Unfortunately, we then discovered that Kelly was possessed by Eligos, the frightening demon that Ash made the mistake of summoning during the last episode. If you’ll remember, it originally appeared that Kelly got rid of Eligos by hitting him with The Necronomicon. At the time, I felt that was a bit too simple of a way to banish Eligos and it turns out that I was right. Instead of returning to Hell, Eligos entered Kelly and eventually, he showed up in Ash’s trip. Suddenly, Ash’s idealized dream world of Jacksonville, Florida turned into the nightmarish stockroom of Value Mart and Ash had to do battle with Eligos.

And, to his credit, Ash appeared to have the upper hand on Eligos. However, defeating Eligos in his mind also meant that Ash was strangling Kelly in the real world. Pablo came to the rescue, hitting Ash in the back of his head and apparently knocking him out. As this episode came to a close, Ash was still unconscious, Kelly was still possessed, Fisher and Ruby was still driving around with Ash’s hand in the back seat, and nobody seemed to be doing much about the Deadite invasion…

Hmmm…actually, I guess Ash vs. Evil Dead isn’t quite as simple as I said.   Seriously, things are starting to get downright complicated.

Anyway, as for the episode itself, I liked it but then again, I’ve liked every episode of Ash vs. Evil Dead. I’ve read some complaints that the series has yet to settle on a consistent tone but quite frankly, I think that’s one reason why Ash vs. Evil Dead is so enjoyable. It is joyfully and unapologetically messy and inconsistent. There’s no way you can predict what’s going to happen because literally anything can happen and probably will. The show is completely insane and totally excessive but it’s anchored by Bruce Campbell’s lead performance. In a world where there is no logic, Ash Williams is king.

You don’t watch a show like Ash vs. Evil Dead because it makes sense. You watch because it features Bruce Campbell saying things like, “You’re a bitch, dude.” So far, Ash vs. Evil Dead has totally delivered.

Enjoy Jacksonville, Ash.

Enjoy Jacksonville, Ash.