What If Lisa Had All The Power: 2018 Emmys Edition


Hi, everyone!

I meant to do this a lot earlier in the month but with the combination of the 4th of July and some other things I had to attend to, I didn’t get the chance until now.  In just a few hours, the 2018 Emmy nominations will be announced.  Hopefully, it’ll be a good morning for Twin Peaks!

Anyway, here’s who and what I would nominate in the major Emmy categories if I had all the power.  Please notice that I just said major categories.  There’s like hundreds of different Emmy categories, the majority of which aren’t ever awarded during the prime time awards show.  As much as I’d love to post every single category, it’s late and I’m not sure that you really care who I think should win Outstanding Art Direction For An Informational Program, 30 Minutes Or Shorter.

Anyway, here are my picks.  Obviously, I’ve only nominated films and TV shows that I actually watched during the 2017-2018 season.  For the most part, I also limited myself to the shows and performers that have actually been submitted for Emmy consideration.  You can see a full list of all the submissions here.

Anyway, here are my nominees.  (Winners are in bold.)

Programming

Best Comedy Series

Atlanta,

Barry,

Brooklyn Nine-Nine,

The End of the Fucking World,

GLOW,

New Girl,

Silicon Valley,

Young Sheldon

Best Drama Series

The Americans,

Game of Thrones,

The Crown

Legion,

Ozark,

Stranger Things,

Trust,

Westworld

Outstanding Limited Series

The Alienist,

American Vandal,

The Assassination of Gianni Versace: American Crime Story,

Genius: Picasso,

Howard’s End,

Picnic at Hanging Rock,

The Terror,

Twin Peaks: The Return

Outstanding Television Movie

(I cheated with this category.  Jesus Christ Superstar was submitted in the category of Outstanding Variety Special.  I felt it belonged here and since it’s my list, I went with it.)

Cocaine Godmother,

I Am Elizabeth Smart,

Jesus Christ Superstar,

Psych: The Movie,

Sharknado 5,

The Tale,

USS Calllister (Black Mirror)

When Love Kills: The Falacia Blakely Story

Outstanding Reality Competition Program

The Amazing Race,

The Bachelorette,

Big Brother: Celebrity Edition,

Dancing With The Stars,

Hell’s Kitchen,

Project Runway,

Survivor,

World of Dance

 

Performers

Best Actor (Comedy)

Bruce Campbell in Ash Vs. Evil Dead

Donald Glover in Atlanta

Bill Hader in Barry

Pete Holmes in Crashing

Alex Lawther in The End of the Fucking World

Andy Samberg in Brooklyn Nine-Nine

Best Actor (Drama)

Jason Bateman in Ozark

Tom Ellis in Lucifer

James Franco in The Deuce

Ed Harris in Westworld

Donald Sutherland in Trust

Jeffrey Wright in Westworld

Best Actor (Limited Series)

Antonio Banderas in Genius: Picasso

Daniel Bruhl in The Alienist

Darren Criss in The Assassination of Gianni Versace: American Crime Story

Tyler Kitsch in Waco

Kyle MacLachlan in Twin Peaks: The Return

Jimmy Tatro in American Vandal

Best Actor (Movie)

Matthew Broderick in A Christmas Story Live!

Dule Hill in Psych: The Movie

John Legend in Jesus Christ Superstar

Al Pacino in Paterno

Jesse Plemons in USS Callister (Black Mirror)

James Roday in Psych: The Movie

Best Actress (Comedy)

Jessica Barden in The End Of The Fucking World

Melissa Barrera in Vida

Alison Brie in GLOW

Zooey Deschanel in New Girl

Justina Machado in One Day At A Time

Ella Purnell in Sweetbitter

Best Actress (Drama)

Claire Danes in Homeland

Claire Foy in The Crown

Rose McIver in iZombie

Krysten Ritter in Marvel’s Jessica Jones

Keri Russell in The Americans

Evan Rachel Wood in Westworld

Best Actress (Limited Series)

Hayley Atwell in Howard’s End

Natalie Dormer in Picnic at Hanging Rock

Jennifer Ferrin Mosiac

Anna Friel in The Girlfriend Experience

Sarah Gadon in Alias Grace

Louisa Krause in The Girlfriend Experience

Best Actress (Movie)

Alana Boden in I Am Elizabeth Smart

Laura Dern in The Tale

Parisa Fitz-Henley in Harry & Meghan: A Royal Romance

Kelly MacDonald in The Child In Time (Masterpiece Theater)

Maya Rudolph in A Christmas Story Live!

Catherine Zeta-Jones in Cocaine Godmother

Best Supporting Actor (Comedy)

Andre Braugher in Brooklyn Nine Nine

Brian Tyree Henry in Atlanta

Marc Maron in GLOW

Stephen Root in Barry

Henry Winkler in Barry

Zach Woods in Silicon Valley

Best Supporting Actor (Drama)

Peter Dinklage in Game of Thrones

Noah Emmerich in The Americans

Brendan Fraser in Trust

James Marsden in Westworld

Zahn McClarnon in Westworld

Matt Smith in The Crown

Best Supporting Actor (Limited Series)

Tyler Alvarez in American Vandal

Miguel Ferrer in Twin Peaks: The Return

Robert Forster in Twin Peaks: The Return

Michael Horse in Twin Peaks: The Return

David Lynch in Twin Peaks: The Return

Finn Wittrock in The Assassination of Gianni Versace: American Crime Story

Best Supporting Actor (Movie)

Corbin Bernsen in Psych: The Movie

Brandon Victor Dixon in Jesus Christ Superstar

Aldis Hodge in Black Museum (Black Mirror)

Jason Ritter in The Tale

Jimmi Simpson in USS Callister (Black Mirror)

Skeet Ulrich in I Am Elizabeth Smart

Best Supporting Actress (Comedy)

Stephanie Beartriz in Brooklyn Nine-Nine

Suzanne Cryer in Silicon Valley

Sarah Goldberg in Barry

Rita Moreno in One Day At A Time

Zoe Perry in Young Sheldon

Hannah Simone in New Girl

Best Supporting Actress (Drama)

Summer Bishil in The Magicians

Lena Headey in Game of Thrones

Margo Martindale in The Americans

Thandie Newton in Westworld

Aubrey Plaza in Legion

Tessa Thompson in Westworld

Best Supporting Actress (Limited Series)

Penelope Cruz in The Assassination of Gianni Versace: American Crime Story

Laura Dern in Twin Peaks: The Return

Dakota Fanning in The Alienist

Judith Light in The Assassination of Gianni Versace: American Crime Story

Julia Ormond in Howards End

Naomi Watts in Twin Peaks: The Return

Best Supporting Actress (Movie)

Sara Bareilles in Jesus Christ Superstar Live in Concert

Ellen Burstyn in The Tale

Michaela Coel in USS Callister (Black Mirror)

Anna Gasteyer in A Christmas Story Live!

Anjelica Huston in The Watcher In The Woods

Letitia Wright in Black Museum (Black Mirror)

Best Guest Actor (Comedy)

Bill Burr in Crashing

Josh Hamilton in Sweetbitter

Lee Majors in Ash vs. Evil Dead

Wallace Shawn in Young Sheldon

Danny Trejo in Brooklyn Nine-Nine

Gerald Webb in Barry

Best Guest Actor (Drama)

Michael C. Hall in The Crown

C. Thomas Howell in Marvel’s The Punisher

Matthew Modine in Stranger Things

Denis O’Hare in American Masters

Jimmi Simpson in Westworld

Jonathan Tucker in Westworld

Best Guest Actress (Comedy)

Gail Bean in Atlanta

Rashida Jones in Portlandia

Nasim Pedrad in Brooklyn Nine-Nine

Sheridan Piece in One Day At A Time

Elizabeth Perkins in GLOW

Wrenn Schmidt in Sweetbitter

Best Guest Actress (Drama)

Jodi Balfour in The Crown

Donatella Finocchiaro in Trust

Marlee Matlin in The Magicians

Lily Rabe in Legion 

Diana Rigg in Game of Thrones

Mageina Tovah in The Magicians

A Few Thoughts on … Lucifer 1.1 (“The Pilot”)


Lucifer

So, earlier tonight, I watched the first episode Lucifer.  Lucifer is the new cop show on Fox.  It’s about an eccentric crime solver who uses unorthodox methods to solve crimes and his partner, with whom he shares sexual tension and the occasional sardonic aside.  It sounds a lot like Elementary, Castle, the X-Files revival, and a whole lot of other TV shows of the past, present, and future as well.

The main difference between Lucifer and those other shows is that the title character is the Devil.  That’s right.  The Devil has gone from starring in Milton’s Paradise Lost to working with the LAPD to solve crimes.

(In high school, one of my best friends read Paradise Lost and ended up getting a huge crush on Satan.  I wonder if she watched Lucifer tonight.)

From what I understand, Lucifer is loosely based on a comic book series in which Lucifer gets bored with ruling Hell and comes to Los Angeles, where he runs a piano bar and spends a lot of time considering whether or not there really is such a thing as free will.  And that actually sounds pretty interesting.  That sounds like it would make for an edgy, thought-provoking series.

What is not particularly interesting is the idea that Lucifer would come to Los Angeles, open a piano bar, and then decide to spend his time helping the LAPD solve crimes.  It really sounds like the punchline to an overtold joke, doesn’t it?  “She’s a non-nonsense detective.  He’s the Prince of Darkness.  Together, they fight crime.”

There were a few things that I did like about the pilot.  I liked the fact that it opened and closed with No Rest For The Wicked, even though that song’s going to be stuck in my head for the next few days.  I thought Lauren German did a pretty good job as Detective Chloe Dancer.  There were a few scenes — mostly the ones that featured Lucifer hanging out at his piano bar — that were shot and acted in a entertainingly over-the-top style.  I like the idea that Lucifer can terrify people whenever he feels like it.  I think Tom Ellis could be really good in the title role but not if the series insists on straight-jacketing him into a typical “eccentric detective” role.

My advice to this show?  Get Chloe Dancer out of the LAPD as quickly as possible.  The character has potential and I can easily imagine Lauren German and Tom Ellis developing a really amazing chemistry but having to deal with a case-a-week format is going to rob this show of everything that could potentially make it special.  So, get Chloe off of the LAPD.  Have her work as a head of security for Lucifer’s bar or something.  Keep them together but forget about solving crimes.  Instead, allow Lucifer to truly explore the philosophical and theological concepts that were merely hinted at in the pilot.  It might not win the show a huge audience but it will win it a loyal and intelligent audience.  At the very least, it should be enough to score 6 seasons and a movie.

Lucifer has potential but not as a cop show.

Horror Scenes I Love: The Prophecy (dir. by Gregory Widen)


What is it about stories of angels and demons that makes people gravitate towards them. One doesn’t even have to be religious to feel a sense of curiosity towards such stories. Is it because deep down we put some sort of faith that we’re being watched over by the One who created us. I’m not religious, but I always found stories about angels and their rebellion against God quite interesting. It’s the age-old tale of love, betrayal and redemption on a cosmic and divine scale. It’s from one such story that I find the latest “Scenes I Love”.

The film The Prophecy was one I had already reviewed a while back and whenever I come across it on cable I tend to drop whatever I’m doing and watch it. I go into much more detail why I enjoy this film very much in my review of it. This time I like to share one scene from the film that hints at just how much more epic this film could’ve been if it was a full-blown novel. It helps that the performance by Viggo Mortensen as Lucifer shows that even in 1995 he was already a great actor who hasn’t been discovered yet. While it’s deserving to say that Christopher Walken owned this film with his work in it I’d say Mortensen’s portrayal of The First Angel, The Morningstar and God’s Most Favored was something I wish a film could be made around.

Song of the Day: Control the Divine (by Blind Guardian)


Latest song of the day once again comes courtesy from the German power metal lads of Blind Guardian. This time around the song chosen comes from their latest album which has already seen a European release and set to drop in North America in August 24, 2010. The song I’ve picked from their latest album, “At the Edge of Time”, is the seventh track: “Control the Divine”.

This latest album’s sound harkens back to Blind Guardian’s seventh full-length album, “A Night at the Opera”, which brought the band into the realm of epic power metal and some progressive rock elements which showed the band willing to experiment with their sound to come up with some new hybrid style. “Control the Divine” definitely combines the epic power and proggy sounds evident in ANATO. While it doesn’t have the old-school speed metal riffs of “Tanelorn (Into the Void)” (second track in the new album), the mid-tempo of “Control the Divine” remains consistent throughout the song from André’s lead guitar to Ehmke’s drumming. But it’s the singing of lead vocalist Hansi Kürsch which makes this song my overall favorite in the album.

Kürsch has a distinct singing voice and with his penchant for overdubbing his vocals to create Blind Guardian’s epic sound of having a “huge chorus” singing along (there’s not just Hansi) definitely fits in well with the song’s lyrics. Lyrics which tells within a span of 5mins and 25secs John Milton’s epic poem, Paradise Lost. The song tells of Lucifer’s downfall, to the rebellion in Heaven against God, and right up to the Lord of the Morningstar’s bitter brooding and vow to destroy God’s chosen (humans). That sounds  quite a lot to put into a song which is just under five-and-a-half minutes long, but Blind Guardian accomplished it.

Oh yeah, this song also has a very kick-ass melody.

Control the Divine

For what I was
I’m doomed to be
The tempter and the secret foe
Cause I am hell and hell is me
Pure hate will grow

Still I claim to be the chosen one and
Still I claim
This is rebellion rising

[Bridge 1]
First amongst equals
We’re bound to no law
There’s no one before us
Ethereal sons
Now disobey
Awake and arise
You’ll be free

[Chorus]
How can we take it away
From someone who has no right?
No right to control the divine
Night shall invade
Suspicion awakes
Wherefore He’s greater than I

[Lead: Andre]

Stay silent
Until the end of the world
So just like slaves we may deem him
Dead silence
Until the end of the world
Hence from this moment we’re doomed
I feel
It hurts though
Disburdened spirits we will be
I’ve learned my lesson
Pure and sore
An offer divine

We’re far beneath them
They consider us slaves
They steal our pride
Don’t trust them blindly
Cause truth they conceal
As it seems
I’ll reign
Cause here in my tower
Impassioned, I’ll show you a way

[Bridge 2]
I can feel your hallowed rage
Now enter my realm
Awake and arise, you’ll be free

[Chorus]
How can we take it away
From someone who has no right?
No right to control the divine
Night shall invade
Suspicion awakes
Wherefore He’s greater than I

[Solo: Andre]

[Bridge 3]
Descend – just keep moving
All things shall proceed
It’s freedom you’re choosing
Preserve our hate
Eternalize
Awake and arise
You’ll be free

[Chorus]
How can we take it away
From someone who has no right?
No right to control the divine
Night shall invade
Suspicion awakes
Wherefore He’s greater than I
How can we take it away
From someone who has no right?
No right to control the divine
Night shall invade
Suspicion awakes
Wherefore He’s greater than I