Retro Television Review: St. Elsewhere 3.2 “Playing God: Part Two”

Posted on November 28, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, the hospital is a depressing place.

Episode 3.2 “Playing God: Part Two”

(Dir by Bruce Paltrow, originally aired on September 26th, 1984)

There was a lot going on in this episode.

Sister Domenica demanded that Sister Theresa be taken off of life support and she threatened to sue the hospital if it didn’t happen. This led to Dr. Westphall telling another long and depressing story about his dead wife. I don’t mean to be flippant about anyone’s tragedies but it’s hard not to notice that almost everything seems to lead to Westphall telling a depressing story. Westphall is one of the most saddest television characters that I’ve ever come across.

The nurses are closer to striking. A labor negotiator named Richard Clarendon (Herb Edelman) is brought in by the nurses and it’s hard not to notice that he looks a lot like Helen Rosenthal’s ex-husband. I think I can already guess where this is heading.

A sick child was brought in by a woman (Tammy Grimes) who claimed to be his fairy godmother. This gave Fiscus an excuse to get a consultation from Kathy Martin, who has abandoned the morgue for psychiatry and who is no longer dressing exclusively in black.

At home, Dr. Craig struggled with impotence. At the hospital, Dr. Ehrlich gave an awkward lecture about whether or not one can have sex after heart surgery.

The firefighters are still recovering from their burns.

Clancy got an abortion, despite Morrison’s objections.

And yet, all that drama was overshadowed by the fact that the Dr. Peter White — the drug-addicted rapist who nearly killed more than a few patients due to his own incompetence — is once again walking the halls of St. Eligius. White won his lawsuit. I’m not really sure that I understand what the basis of his lawsuit was. St. Eligius could only ask a select number of residents to return and, even if you overlook the fact that White was accused of rape, it’s not as if Dr. White was ever an especially competent doctor. It would seem that just his struggle with drug addiction would be enough to justify not asking him to return. And yet, somehow, Dr. Peter White is once again a resident at St. Eligius. (The ruling was probably handed down by a Carter judge.)

“You just can’t admit that you were wrong about me!” White snaps at Westphall.

Westphall replies that White is a terrible human being and not worthy of being a doctor and that he will not be allowed to work with any patients at the hospital. And, for once, I wanted to cheer Dr. Westphall. He may be depressing but he understands exactly who and what Peter White is.

Whatever the future may hold for the hospital, I have a feeling that it’s not going to be happy. Two episodes in and the third season has already settled into a pit of melancholy. That said, melancholy is perhaps the right mood for a medical show. When it comes to hospitals, there aren’t many happy endings.

Guilty Pleasure #86: The Horror at 37,000 Feet (dir by David Lowell Rich)

Posted on October 9, 2025 by Lisa Marie Bowman

I imagine that it should go without saying that, if you’re on an airplane and you’re flying high above the ground, the last thing that you want to deal with is a bunch of angry ghost druids.

And yet, that’s exactly what happens in this made-for-TV horror film from 1973.

The ghost druids are upset because two architects (played by Roy Thinnes and Jane Merrow) have traveled to England, specifically so that they can supervise the deconstruction of ancient druid altar. Now, they’re flying the pieces of the altar back over the ocean so that the altar can be reconstructed in the United States. The spirits of the ancient druids aren’t happy about being moved so they start doing everything they can to make the journey difficult.

First, they attempt to freeze the plane. When that doesn’t work, they decide to rip it in half. One of the passengers, Mrs. Pinder (Tammy Grimes), suggests that maybe the druids will settle down if they’re offered a sacrifice. When the druids reject an offer of a doll, the passengers start to wonder if maybe the spirits would be happier with a human sacrifice.

Although some of the passengers are reluctant to buy into the whole sacrifice thing, a few of them do start to come around. For instance, there’s a perpetually angry businessman who is played by Buddy Ebsen. Once he realizes that the druids aren’t going anywhere, he has no problem with the idea of a human sacrifice. There’s also a cowboy played by Will Hutchins. If sacrificing a human is what he has to do to have another chance to ride the range, that’s what he’s going to do. Paul Winfield plays a distinguished doctor who tries to keep everyone calm while Chuck Connors is stuck in the cockpit, trying to keep the plane in the air while his passengers and crew debate the ethics of human sacrifice.

And then there’s William Shatner.

Shatner plays a former priest who has lost his faith. From the minute he gets on the plane, he starts drinking and he doesn’t stop for almost the entire movie. It doesn’t matter what’s happening on the plane, Shatner always has a glass in his hand. Playing a character who never has anything positive to say, Shatner smirks through the entire film. Shatner delivers all of his lines in his standard halfting and overdramatic fashion and it’s something of a wonder to behold. Shatner has said that The Horror At 37,000 Feet may be the worst movie in which he ever appeared and just one look at his filmography will show why this is such a bold statement.

The Horror at 37,000 Feet is definitely a film of its time. The plane comes complete with a swinging cocktail lounge, William Shatner wears a turtle neck, and all of the flight attendants wear boots and miniskirts. Everything about this film screams 1973. It’s an incredibly silly but undeniably fun movie. With a running time of only 73 minutes, the pace is fast and the druids don’t waste any time getting down to business. The film’s on YouTube so check it out the next time you’ve an hour and 13 minutes to kill.

Previous Guilty Pleasures

Horror on the Lens: The Horror at 37,000 Feet (dir by David Lowell Rich)

Posted on October 27, 2024 by Lisa Marie Bowman

Today, we have the 1973 made-for-TV movie, The Horror at 37,000 Feet. This film starts off like a typical disaster film, with a collection of familiar celebrities catching a flight from Heathrow Airport. What they don’t know is that celebrity is not the only thing flying across the ocean! There’s a sacrificial altar sitting in the baggage hold and soon, all sorts of strange things are happening! Truly, it’s a horror at 37,000 feet!

This film is silly and perhaps even a little bit dumb but it’s also definitely a lot of fun. To be honest, when you’ve got William Shatner playing an ex-priest who is wondering what happened to his faith, how can you go wrong? Along with Shatner, keep an eye out for Chuck Conners, Buddy Ebsen, Roy Thinnes, Paul Winfield, Tammy Grimes, and France Nuyen. Basically, every TV actor who needed a job in 1973 boarded The Horror at 37,000 Feet.

Happy October and enjoy The Horror at 37,000 Feet!

Retro Television Reviews: The Love Boat 2.17 “Second Chance / Don’t Push Me / Like Father, Like Son”

Posted on June 7, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week’s episode of The Love Boat is all about second chances!

Episode 2.17 “Second Chance / Don’t Push Me / Like Father, Like Son”

(Dir by Allen Baron, originally aired on January 27th, 1979)

As usual, this week’s episode presents us with three different stories involving people on the cruise. Two of them aren’t that interesting and I’m going to deal with them first.

Fred Beery (Roddy McDowall) is a nerdy guy who is sailing on The Love Boat to get away from his clingy, marriage-obsessed girlfriend, Christine (Tammy Grimes). However, Christine shows up at the last minute and boards the boat with Fred. Fred suddenly starts sneezing. When Christine asks Fred to marry her, he sneezes and, for some reason, she assumes that was his way of saying yes. Fred goes to Doc Bricker and wonders if he could be allergic to Christine. Doc says that people can be allergic to one another. Fred is excited because this gives him an excuse not to marry Christine. But then Fred changes his mind and discovers that he’s no longer allergic to Christine. However, Christine now finds Fred to be too clingy and doesn’t want to marry him and …. well, that’s pretty much the storyline.

This was a bit of an annoying storyline. Even with Roddy McDowall in the role, Fred was not particularly likable. Fred’s refusal to get married and his sudden “allergy” was played for laughs but, when seen today, it’s hard not to feel that Fred is basically deep in denial. If this episode were made today, it would end with Fred finding the courage to come out and Christine realizing the real reason why he didn’t want to marry her. But, since it was made in the 70s, it ends with Fred begging Christine to give him a second chance.

The second storyline featured Robert Mandan and Randolph Mantooth as a father and a son who were both in love with the same woman (Cathy Lee Crosby). Crosby, however, was far more attracted to the older Mandan than the younger (and, it seemed, alcoholic) Mantooth. In the end, Mantooth made peace with the idea of the woman he loved becoming his stepmother. It sounds like the premise of a Lifetime movie.

But enough about those stories. The story that actually worked featured Debbi Morgan as Stephanie Jackson, a recent parolee who Isaac convinced the Captain to hire to work in the gift shop. When some pearl earrings go missing, Stephanie is the number one suspect because she was previously arrested for shoplifting. Isaac has to figure out if Stephanie stole the jewelry or if she still deserves her second chance. Eventually, it is revealed that Stephanie did steal the earrings but she also returned them hours later, locking them up in the gift shop’s safe. Stephanie nearly returned to her criminal ways but had a change of heart. After hearing her confession, the Captain tells Stephanie that she did the right thing and that she will continue to work at the gift shop.

I actually liked this storyline. Some of that was because Debbi Morgan gave a good performance as Stephanie. But also I liked the fact that The Love Boat was highlighting the importance of helping out the formerly incarcerated. Too often, when people get out of prison, they find themselves without any opportunities. Most businesses and stores will always find an excuse not to hire someone with a criminal record and, as a result, those recently released are not left with many options beyond returning to a life of crime. If we’re going to insist that prison is about rehabilitation than we have to be willing to give the formerly incarcerated a chance to prove that they’ve been rehabilitated. The Love Boat may have been a rather silly show but, with this episode, it sailed with an important message.

Next week: The Love Boat hosts a high school reunion!

Horror on the Lens: The Horror at 37,000 Feet (dir by David Lowell Rich)

Posted on October 1, 2022 by Lisa Marie Bowman

Hi there and welcome to October! This is our favorite time of the year here at the Shattered Lens because October is our annual horrorthon! For the past several years (seriously, we’ve been doing this for a while), we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music. That’s a tradition that I’m looking forward to helping to continue this year.

To start things off, we have the 1973 made-for-TV movie, The Horror at 37,000 Feet. This film starts off like a typical disaster film, with a collection of familiar celebrities catching a flight from Heathrow Airport. What they don’t know is that celebrity is not the only thing flying across the ocean! There’s a sacrificial altar sitting in the baggage hold and soon, all sorts of strange things are happening! Truly, it’s a horror at 37,000 feet!

Happy October and enjoy The Horror at 37,000 Feet!

Backstreet Justice (1994, directed by Chris McIntyre)

Posted on January 25, 2020 by Jedadiah Leland

“These straight-to-video, schlocky films I was getting were giving me an ulcer, basically because I was the only one on the set that cared about anything… Between that and my biological clock, I decided to give it all away.”

— Linda Kozlowksi, on why she retired from acting

When Linda Kozlowski talked about the “shlocky films” that soured her on acting, Backstreet Justice was probably high on the list. Kozlowski may have found fame co-starring with her then-husband Paul Hogan in the Crocodile Dundee films but, in Backstreet Justice, there’s neither an Australian nor a sense of humor to be found.

Kozlowski plays Keri Finnegan, a tough and streetwise private investigator in Philadelphia. Her late father was a policeman who was accused of corruption while her mentor (Hector Elizondo) is the district attorney. Most of the cops hate Keri, especially Captain Giarusso (Paul Sorvino). The one exception is her lover, Nick Donovan (John Shea).

The residents of Philadelphia’s worst neighborhood have hired Keri to protect them. For the past two years, a murderer has lurked among them. With the police showing no interest in solving the crimes, the neighborhood turns to Keri. Keri’s investigation leads her to believe that the murders are being carried out be corrupt cops but Keri isn’t prepared for just how far up the corruption goes.

For a straight-to-video film, Backstreet Justice has a surprisingly good cast, with Paul Sorvino, Hector Elizondo, John Shea, Tammy Grimes, and Viveca Lindfors all appearing in supporting roles. Linda Kozlowski holds her own opposite her better-known co-stars and is believable in the film’s many action scenes. The movie has a good sense of urban squalor and captures the desperation of people living in a dying neighborhood. The main problem with the film is that the central mystery is never that interesting and the solution is one that most people will see coming from miles away. For all the violence and scenes of people chasing each other, Backstreet Justice is still a boring movie.

With the exception of one surprisingly explicit sex scene, Backstreet Justice could easily pass for a made-for-TV film or a pilot for a Keri Finnegan television series. Instead, it was just another straight-to-video thriller and another reason for the talented Linda Kozlowski to leave acting behind. Her final film appearance was in 2001’s Crocodile Dundee in Los Angeles.