Review: Whistle (dir. by Corin Hardy)


“Blow the whistle, hear the sound, meet your death.” — Ivy Raymore

Whistle is a supernatural horror flick that dropped earlier this year, blending ancient curses with high school drama in a way that’s equal parts thrilling and eye-rolling. Directed by Corin Hardy, known for his gritty work on The Nun, and penned by Owen Egerton, it stars a young cast including Dafne Keen, Sophie Nélisse, and a scene-stealing Michelle Fairley as the quirky occult expert Ivy. The premise hooks you right away: detention-bound teens uncover an Aztec death whistle in a locker, and blowing it unleashes personalized visions of doom that stalk them.

The setup grabs you fast during a basketball game gone wrong, then shifts to transfer student Chrys (Dafne Keen) inheriting the cursed locker, sparking tension with jock Dean and his crew. A fight lands them in detention with Chrys’s cousin Rel, Dean’s girlfriend Grace, and shy Ellie. The teacher blows the skull-shaped whistle first, triggering chaos as each teen hears its shriek and glimpses their fate. From there, the group scrambles to understand the Olmec artifact’s power via eccentric Ivy (Michelle Fairley), who explains it summons “your death” literally through blood transfers and ritual rules.

Creature designs and practical effects shine brightest, with Hardy’s blend of gore and CGI crafting uniquely horrifying apparitions. The sound of the whistle—recreated from real Aztec artifacts—pierces like a skull-rattling wail, amping dread in dim lockers and foggy mirrors. Fairley steals scenes with comic relief, delivering lore on fake deaths and curse-breaking without killing the vibe; her folksy energy balances the teen angst perfectly.

The young cast delivers solidly. Keen grounds Chrys as the tough-yet-vulnerable leader, facing shadows tied to family trauma. Nélisse’s Ellie builds from quiet panic to fierce resolve, providing emotional punch. Sky Yang and Jhaleil Swaby nail the bully dynamics as Rel and Dean, while Percy White adds unhinged flair as a youth pastor caught in the curse. The script flirts with clichés like the heart-of-gold jock and final girl trope, but the over-the-top energy keeps it fun and unpretentious.

That said, Whistle stumbles into familiar horror traps. The high school backdrop feels like a slasher remix—detention squabbles, locker gimmick, mean-girl vibes—echoing Final Destination or The Craft without bold twists. Mid-film research drags pacing; Ivy’s info-dump, though entertaining, stalls momentum, and the “briefly die to escape” mechanic comes off contrived, like a gamey cheat code. Some kills hit hard, others rush by, diluting impact, and the finale piles on twists that strain credulity—survivors shrug it off months later like it was just a bad weekend.

Visually, Hardy crafts a moody aesthetic: shadows twist ordinary halls into labyrinths, with cinematography leaning on clever lighting and claustrophobic spaces. Lorne Balfe’s score mixes tribal drums and synth stabs to boost jump scares effectively. Sound design stands out, weaving shrieks with breaths and splatters for immersion. A few CGI bits look video-game flat up close, yanking you out occasionally.

Thematically, it teases fate vs. free will—deaths as inevitable yet choice-shaped—but skims the surface. Chrys’s guilt hints at deeper regrets, and the blood-transfer idea mirrors passing trauma in teen circles, but gore overshadows substance. Compared to Hardy’s The Hallow, which wove folklore into intimate family chills, Whistle chases spectacle over depth. It’s not sloppy, just popcorn-first.

At 98 minutes, it’s taut without bloating, fully earning its R with bloody language and viscera. As casual viewing, it’s prime B-tier horror—gory, goofy, guilty-pleasure material that delivers scares and chuckles without apology.

If you dig supernatural slashers like Freaky or Totally KillerWhistle slots in neatly with its cursed-artifact hook and teen chaos. It skips reinvention for reliable thrills, held back by thin arcs and tropes, but elevated by committed kills and charm. Fire it up late-night for blood-soaked fun—no brains required, though a whistle might help muffle the screams. Just skip anything skull-shaped in your locker.

Trailer: Final Destination Bloodlines Teaser


Looks like Death is up to its shenanigans once again with Final Destination Bloodlines. Just when we thought it was safe to go about our lives without having to worry about Death’s penchant for complex Rube Goldbergesque plans to kill some people it looks like we spoke too soon.

On May 16, 2025, Death runs in the family and wearing a nose ring may not be the best thing when Death’s around. Here we have the first teaser trailer for Final Destination Bloodlines.

Horror Trailer: The Curse of La Llorona


The Curse of La Llorona

Every culture has it’s own folktales and scary stories to tell around the campfire in the dark. Coming from the Philippines I know of many scary folk stories and monsters that’s unique to my culture. As the world has become more modern these dark tales have morphed into urban legends new and old.

What all these dark folk tales and urban legends have in common is the theme of death and suffering. One such urban legend, or a dark folk story among the Latino community, is the tale of “La Llorona” or the Weeping Woman.

This April 2019, James Wan of The Conjuring fame will bring to the bigscreen an adaptation of the tale of the “La Llorona.” This should be of much interest not just to me but to fellow co-founder of the site, Lisa Marie, who has such a huge interest in the subject of the Weeping Woman.

The Curse of La Llorona arrives with its first official poster as seen above and it’s first trailer below.

Horror Trailer: Pet Sematary


Pet Sematary

It looks like one of the advantages of It being such a success in the box-office in 2017 was the return of Stephen King film adaptations. It’s not just in the theaters that we’ve seen this latest run in Stephen King films, but on streaming services like Netflix (Gerald’s Game and 1922) and Hulu (Castle Rock series).

Now we have the first trailer for the remake of the Stephen King cult classic film Pet Sematary set to come out early April 2019. The film will star Jason Clarke in the role of Louis Creed with John Lithgow playing the role of Jud Crandall (a role made famous by the late, great Fred Gwynne).

One thing that the trailer has shown me that I approve of is the fact they finally cast the correct cat in the role of the Creed family’s beloved cat Church. The original film a Russian Blue was picked for the role when in the book it was a Maine Coon. From a quick glimpse in the trailer it looks like we’re getting a pissed off Maine Coon in the role of Church.

Horror Scenes I Love: The Beyond


The Beyond

Lisa has written in detail how much she enjoys Fulci’s The Beyond. From it’s Lovecraftian themes of otherworldly dangers to Fulci’s stylistic choice of focusing on characters’ eyes and blindness.

Others also love how Fulci is able to combine not just the grand guignol sequences that his films have become famous (or infamous depending on how one judges horror films) with an ethereal look to the visuals that borders the line between being dream-like and nightmarish.

This particular scene doesn’t have that grand guignol panache of Fulci’s more dynamic scenes, but it does give a hint to the desolation and etheric sense one feels seeing that empty causeway with just Liza driving on it then suddenly seeing Emily and her guide dog just standing there at the lane divider.

While I have always had a boyhood crush when it comes to Catriona McColl, I must admit that Cinzia Monreale was quite beautiful in this film even with the weird contacts she wore to show her as having being blinded by what she saw in the beyond.

Teaser Trailer: Chilling Adventures of Sabrina (Netflix)


Chilling Adventures of Sabrina

With each passing year since they decided to purchase and/or create original content for their streaming service, Netflix has continued to pump out more and more content to varying degrees of quality and success. For every Stranger Things or House of Cards, there would be 10 or so mediocre to just awful content, yet these are still content that the hundreds of millions of Netflix subscribers will watch.

Even now, shows that have been cancelled by the traditional networks have found a second life on Netflix to continue the series, albeit in a more streamlined version. There are no 20-24 episode seasons on Netflix. They prefer their series to be binge-able 10-13 episodes per season.

This October 26, just in time for Halloween, Netflix subscribers (plus those who borrow their friend’s account to watch Netflix) will see a new reinterpretation of the Sabrina the Teenage Witch. Just like CW Network’s Riverdale, this new Sabrina series on Netflix will have a much more darker take on the character that fans of the 1990’s series grew watching would be used to.

Kiernan Shipka of Mad Men will headline the series as the title character and if this teaser trailer is of any indication the series will definitely delve into much darker territory than the previous Sabrina series that aired on ABC.

I know one thing, I have a feeling that Lisa Marie will eat up this series, if just because of the last shot of the teaser trailer.

Halloween TV Havoc!: Boris Karloff in “The Crystal Ball” (from THE VEIL TV Series, 1958)


gary loggins's avatarcracked rear viewer

You all remember Boris Karloff’s pre-THRILLER supernatural anthology series THE VEIL, right? Of course you don’t!! That’s because it never aired! It was being filmed at Hal Roach Studios when they went belly up, and only 10 episodes were filmed. Karloff had a role in most of the episodes, including this spooky oddity entitled “The Crystal Ball”, presented here for your Halloween enjoyment. (The series itself is available through Something Weird Video for all you Karloff Kollectors!):

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