Today’s song of the day comes from the greatest Canadian film ever, 1980’s Prom Night!
Seriously, try to get this tune out of your head! This should be the new national anthem.
Today’s song of the day comes from the greatest Canadian film ever, 1980’s Prom Night!
Seriously, try to get this tune out of your head! This should be the new national anthem.
I’m not even a hockey fan and I’m cheering right now! 3 Days ago, the U.S. women’s hockey team defeated Canada and won a gold medal at the Winter Olympics. Today, the men’s hockey team did the same thing.
I have tears in my eyes and you better believe I have a song of the day.
Sing it!
Free Bird
If I leave here tomorrow
Would you still remember me?
For I must be traveling on, now
‘Cause there’s too many places
I’ve got to see
But, if I stayed here with you, girl
Things just couldn’t be the same
‘Cause I’m as free as a bird now
And this bird, you’ll can not change
Oh, oh, oh, oh, oh
And the bird you cannot change
And this bird you cannot change
Lord knows, I can’t change
Bye, bye, baby it’s been a sweet love
Yeah, yeah
Though this feeling I can’t change
But please don’t take it so badly
‘Cause the Lord knows
I’m to blame
But, if I stayed here with you girl
Things just couldn’t be the same
‘Cause I’m as free as a bird now
And this bird, you’ll can not change
Oh, oh, oh, oh, oh
And this bird you cannot change
And this bird you cannot change
Lord knows, I can’t change
Lord help me, I can’t change
Lord I can’t change
Won’t you fly high, free bird, yeah?
(commence awesome triple guitar solos)
After sharing a scene from Manhunter, there was no way I couldn’t pick this for today’s song of the day.
Since today would have been Robert Altman’s 101st birthday, it only seems right that today’s song of the day should come from his best film. In this scene from 1975’s Nashville, Keith Carradine sings I’m Easy as Altman’s camera finds each of his lovers in the audience, all convinced that Carradine is singing expressly to them.
This song won Nashville it’s only Oscar. It also made Keith, who wrote the song, the only Oscar winner amongst the fabled Carradine family.
Today’s song of the day is from Crystal Method. Though Keep Hope Alive was featured in the film The Replacement Killers, it was actually inspired by a 1992 speech from Jesse Jackson, which is heard throughout the song.
Given the fact that today is the birthday of both John Hughes and Molly Ringwald, it seems obvious what today’s song of the day should be.
Hey, hey, hey, hey
Ooh, woah
Won’t you come see about me?
I’ll be alone, dancing, you know it, baby
Tell me your troubles and doubts
Giving everything inside and out and
Love’s strange, so real in the dark
Think of the tender things that we were working on
Slow change may pull us apart
When the light gets into your heart, baby
Don’t you, forget about me
Don’t, don’t, don’t, don’t
Don’t you, forget about me
Will you stand above me?
Look my way, never love me
Rain keeps falling, rain keeps falling
Down, down, down
Will you recognize me?
Call my name or walk on by
Rain keeps falling, rain keeps falling
Down, down, down, down
Hey, hey, hey, hey
Ooh, woah
Don’t you try and pretend
It’s my feeling we’ll win in the end
I won’t harm you or touch your defenses
Vanity and security, ah
Don’t you forget about me
I’ll be alone, dancing, you know it, baby
Going to take you apart
I’ll put us back together at heart, baby
Don’t you, forget about me
Don’t, don’t, don’t, don’t
Don’t you, forget about me
As you walk on by
Will you call my name?
As you walk on by
Will you call my name?
When you walk away
Or will you walk away?
Will you walk on by?
Come on, call my name
Will you call my name?
I say
La, la-la-la-la, la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la, la-la-la-la
La-la-la-la-la-la-la-la-la-la
La-la-la-la, la-la-la-la
La-la-la-la-la-la-la-la-la-la
When you walk on by
And you call my name
When you walk on by
Today, we celebrate Mardi Gras with a song that was featured in the first James Bond film to take place in New Orleans!
Robert Duvall missed out on his chance to play Haven Hamilton in Robert Altman’s Nashville but 8 years later, he gave a performance as a country musician that would him his only Oscar.
This is from 1983’s Tender Mercies.
Robert Duvall, RIP

There’s something timeless about Taylor Dayne’s “Love Will Lead You Back.” It’s one of those late‑’80s power ballads that seems to wrap you in equal parts heartbreak and hope. The production has that cinematic touch — sweeping keys, smooth percussion, and Dayne’s powerhouse vocals soaring right at the emotional peak. You can practically imagine it playing in the background of a classic movie breakup scene, the kind where one person turns away but everyone watching knows they’ll find their way back to each other.
What really hits about this song is how honest it feels about love’s cycles — that idea that no matter how far two people drift, fate has a way of reconnecting them when the time is right. Dayne’s delivery balances vulnerability and strength; she’s not begging, she’s believing. The lyrics have that emotional confidence that was so characteristic of ballads from that era, blending idealism and maturity in a way that feels comforting even decades later.
Listening to it now, the song carries a kind of nostalgic magic. It brings you back to a time when love songs weren’t afraid to be grand and achingly sincere. Maybe it’s the warm analog production or the fearless emotion in Dayne’s voice, but it reminds you how music used to make you stop for a moment — just to feel. It’s a track that doesn’t just tell you love will lead you back; it makes you believe it.
Love Will Lead You Back
Saying goodbye is never an easy thing
But you never said that you’d stay forever
So if you must go, well darlin’, I’ll set you free
But I know in time that we’ll be together
Oh, I won’t try to stop you now from leaving
‘Cause in my heart I know
Love will lead you back
Someday I just know that
Love will lead you back to my arms
Where you belong
I’m sure, sure as stars are shining
One day you will find me again
It won’t be long
One of these days our love will lead you back
One of these nights
Well, I’ll hear your voice again
You’re gonna say
Oh, how much you miss me
You’ll walk out this door
But someday you’ll walk back in
Oh, darling I know
Oh, I know this will be
Sometimes it takes
Some time out on your own now
To find your way back home
Love will lead you back
Someday I just know that
Love will lead you back to my arms
Where you belong
I’m sure, sure as the stars are shining
One day you will find me again
It won’t be long
One of these days our love will lead you back
But I won’t try to stop you now from leaving
‘Cause in my heart I know, oh yeah
Love will lead you back
Someday I just know that
Love will lead you back to my arms
Where you belong
I’m sure, sure as stars are shining
One day you will find me again
It won’t be long
One of these days our love will lead you back, oh yeah
Love will lead you back
Someday I just know that
Love will lead you back to my arms
It won’t be long
One of these days our love will lead you back

There’s something instantly recognizable about Gregory Abbott’s “Shake You Down.” From that opening synth line to the smooth, almost whispered vocals, it feels like pure ’80s romance bottled into four silky minutes. This wasn’t a loud song — it didn’t need to be. Abbott’s voice doesn’t demand attention; it draws you in with that gentle charm that made it the perfect track for dimly lit gym floors, disco balls spinning, and teenagers swaying in slow circles, trying not to step on each other’s shoes.
What made “Shake You Down” stand out wasn’t just the melody but how effortlessly seductive it was without ever being explicit. The song oozes quiet confidence — cool, easy, and slightly shy — the way the best R&B hits of the era did. It’s the kind of tune that made every listener feel like they were starring in their own movie moment: that hesitant glance, that first slow dance, that unspoken “this might be something” energy. Even now, it triggers a rush of nostalgia for a more innocent kind of intimacy.
Decades later, it’s no wonder “Shake You Down” still sneaks its way into prom playlists and retro nights. It doesn’t chase trends or rely on flashy production — it’s just a solid, soulful groove that makes you want to close your eyes and sway. For anyone who grew up in the ’80s or ’90s, hearing those first notes is like being transported back to a simpler time when a slow song at the end of the night could mean everything.
Shake You Down
Girl, I’ve been watching you
From so far across the floor, now, baby
That’s nothing new, I’ve watched you
So many times before, now, baby
I see that look in your eyes (look in your eyes)
And what it’s telling me
And you know, ooh girl, that I’m not shy
I’m glad you picked up on my telepathy, now, baby
You read my mind (you know you did)
Girl, I wanna shake you down (oh well, oh well)
I can give you all the lovin’ you need
(I’m gonna love you)
Come on, let me take you down (oh, baby)
We’ll go all the way to Heaven
Ooh, I been missing you
And the way you make me feel inside
What can I do? I can tell you’ve got your pride now, baby
Come to me (oh well, oh well)
Let me ease your mind (oh babe)
I’ve got the remedy, yes I do
Now give me just a little time
I wanna rock you down
(I can give you all the lovin’ you need)
I’m gonna love you
(Come on, let me take you down)
Oh well, oh well
(We’ll go all the way to Heaven)
Girl, I’ve been missing you
And you know, it’s funny
Every time I get to feelin’ this way
I wish I had you near me
I wanna reach out and touch you
I can’t stop thinking of the things we do
The way you call me “baby” when I’m holding you
I shake and I shiver when I know you’re near
Then you whisper in my ear (oh baby, well, well)
Oh baby
(I can give you all the lovin’ you need)
I’m gonna love you
(Come on, let me take you down)
Oh well, oh well
(We’ll go all the way to Heaven)
Eeny-meeny-miny-mo (you read my mind)
Come on, girl, let’s shock the show (girl, I wanna shake you down)
(I can give you all the lovin’ you need)
Roses are red and violets are blue
I’m gonna rock this world for you
Hey baby
(We’ll go all the way to Heaven)
(You read my mind)
Girl, I wanna shake you down
I can give you all the lovin’ you need
Come on, let me take you down
We’ll go all the way to Heaven