Late Night Retro Television Review: Highway to Heaven 3.13 “Basinger’s New York”

Posted on February 13, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

New York, New York, it’s a heckuva town….

Episode 3.13 “Basinger’s New York”

(Dir by Michael Landon, originally aired on December 17th, 1986)

It’s Christmas in New York and veteran news columnist Jed Basinger (Richard Mulligan) has no idea what to write about. Basinger has been recording the lives of the people of New York City for decades and he’s finally reached the point where he fears that there may not be anything good left to write about. In short, Jed Basinger is a cynic and we know what this show thinks of cynicism!

While Basinger walks down a cold city sidewalk, he suddenly discovers Jonathan and Mark walking beside him. Basinger worries that they’re fans, looking to harass him or tell him a long story that they think he should write about. Instead, Jonathan introduces himself as an angel and explains that he’s here to show Basinger all the good things happening in the city.

I have to admit that I always groan a little whenever an episode of this show starts with Jonathan admitting that he’s angel. The episodes where Jonathan makes no effort to hide his identity are usually the weakest, if just because they tend to be a bit more preachy than the typical episode of Highway to Heaven. (Despite its reputation, Highway to Heaven was usually more earnest than preachy.) Once Jonathan says those three words — “I’m an angel,” — the viewer is immediately aware that this episode has a message and it’s not going to be a subtle one either.

Jonathan, Mark, and Basinger make their way through New York. They meet a cab driver who just wants to be reunited with his son. They meet the saintly homeless people who live on the streets and take care of each other in their own quirky way. They meet a nice cop. They meet not one but two women who are in labor and who end up at the same hospital. One woman is poor and turned away because she doesn’t have insurance (which, technically, I think is illegal under federal law but whatever). The other woman is the wife of a U.S. Senator who announces that she refuses to give birth in a hospital that turns away the poor. Luckily, Basinger is there and threatens to write about it. The scene in the hospital is typical of this episode. It’s well-meaning but so heavy-handed that it’s nowhere near as effective as it should have been. If I was in labor, would I take the time to demand that the hospital treat all of its patients fairly? I’d like to think so but, realistically, my mind would probably be on other things. Luckily, Basinger gets to write his column, despite showing up late at the newspaper. It turns out that the presses went down while Basinger learned a lesson about New York and kindness.

I can’t really be too critical of this episode because its heart was in the right place. That was this show’s biggest strength. Michael Landon really did seem to believe he could make the world a better place, one episode at a time. That said, this episode was a bit too heavy-handed for my tastes. But again, how can I be too critical of a show about Christmas miracles?

Retro Television Review: Malibu CA 2.2 “Jason’s Song”

Posted on February 13, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!

I know that’s the first season cast but I don’t care.

This week …. ugh.

Episode 2.2 “Jason’s Song”

(Dir by Gary Shimokawa, originally aired on October 16th, 1999)

Lisa is just the worst!

No, silly, not me! I’m the best. I’m talking about Lisa, the newest character on this show. Lisa is the medical student who was hired to work as a waitress at the restaurant. This week’s episode finds her desperately looking for an apartment and moving in with …. Traycee! The problem is that Lisa can’t stand Traycee because Traycee loves the color pink and is a careless driver. What’s wrong with that? I love the color pink and …. well, I am a good driver. But still, Lisa throws such a fit over moving in with Traycee and Marquita Terry (who plays Lisa) gives such a cartoonishly over-the-top performance in the role that you can kind of end up feeling that Lisa is …. well, she’s the worst.

Things are resolved when Lisa throws one of Traycee’s possessions of the balcony in frustration. I hate to say it but, even though it’s only been a few hours since I watched the episode, I cannot remember what exactly Lisa threw. Was it a CD? Let’s say it was a CD because I refuse to rewatch this episode because, as I will discuss in the next paragraph, this episode deeply offended me. The important thing is that, when the cop shows up at the apartment looking for who threw the whatever at him, Traycee takes the blame and …. GOES TO JAIL! (Editor’s Note: I checked and it was a CD. — Erin)

See, that’s why I’m not going to rewatch this episode. Getting arrested and going to jail is a big deal. Lisa allowed Traycee to potentially get a criminal record. If the show wants me to sympathize with Lisa then Lisa should have gone to the police and told the truth and dealt with the consequences. Lisa was the one dumb enough to throw whatever it was that she threw. This is on Lisa and I don’t care how frustrated she was, she’s the one was an idiot. Instead, Lisa stays at the apartment and paints one door pink and puts up some fake hearts. When Traycee returns …. FROM JAIL! …. she is overjoyed. Lisa and Traycee are friends. Yay? No, no yay. TRAYCEE WENT TO JAIL FOR YOU! Traycee probably got charged with a misdemeanor and had to pay a fine. Someone probably had to bail her out. Throwing something off of a balcony and hitting a cop is not a little thing. Someone with that little self-control should not be a doctor. Lisa spends almost this entire episode shaking with rage. Was no one directing this episode? Was no one asking for a second take? What the Hell was going on?

While this was going on, Jason pursued his musical career and fell under the influence of Jesse Mercer (Rex Smith), who was once in a band with Jason and Scott’s father. (The Disco Dudes, I think they were called.) Jesse proves to be a bad influence. Recently promoted to night manager and having been given a laptop by his father, Jason sells the laptop for a new guitar. What a prick. Jesse agrees to play a fundraiser for the lifeguards but bails at the last minute. Don’t worry. Jason has a guitar and he’s learned an important lesson.

This storyline actually featured a pretty good performance from Rex Smith but it was hard not to notice that it was basically just the Fabolous Belding Boys with Edward Blatchford (now cast not as the cool Belding brother but instead as Jason and Scott’s dorky father) playing the role that Dennis Haskins originally played. If that sentence doesn’t make sense to you, you’ve never watched Saved By The Bell and you’re lucky.

Ugh, this show.

Late Night Retro Television Reviews: Monsters 3.9 “The Young and the Headless”

Posted on February 12, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, Monsters loses its head of another series.

Episode 3.9 “The Young and the Headless”

(Dir by Tom Abrams, originally aired on November 25th, 1990)

As you can tell from the title, this episode of Monsters is meant to be a parody of soap operas. Two scientists, Victoria (Karen Valentine) and Edward (George Reinhardt), have been have been married ever since Victoria’s lunkhead ex-boyfriend, Hunk (John Schiappa), disappeared while on a soldier of fortune mission. However, when Hunk suddenly returns, Victoria and George are left with a dilemma, especially after Edward tricks Hunk into killing himself and then removes his head.

Victoria and George decide to reanimate the headless Hunk, bringing him back to life with microchips. (Sure, why not?) They treat the headless Hunk as a servant but it turns out that Hunk doesn’t need a brain to get his revenge.

The plot was nonsense but the episode did have good performances and a memorable monster in headless Hunk. I think the main problem is that the episode tried very hard to parody the soap opera genre but, since most soap operas are already self-parodies that cheerfully embrace the melodrama and make no attempt to pretend to be realistic, a lot of the humor fell flat. It’s hard to make fun of a genre that is, for the most part, defined by its self-awareness.

Retro Television Review: The Love Boat 5.17 “The Return of the Captain’s Lady/Love Ain’t Illegal/The Irresistible Man”

Posted on February 12, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

It’s time for another trip on The Love Boat! We’re a little late setting sail today but it happens. Let’s see what’s happening on this cruise….

Episode 5.17 “The Return of the Captain’s Lady/Love Ain’t Illegal/The Irresistible Man”

(Dir by Howard Morris, originally aired on February 6th, 1982)

This week’s cruise is all about people being stupid.

For instance, George Boggs (Dick Martin) wants to embezzle some money from his company but he can’t run the risk of his business partner, Irwin (Robert Mandan), finding out. So, George tells his secretary, Marge (Phyllis Davis), to keep Irwin distracted while George steals the money. However, Marge really does fall for Irwin. This was a very predictable storyline and it suffered from Dick Martin continually mugging for the camera and acting so obviously guilty that there was no way that the entire world wouldn’t have noticed what he was doing. Still, if you’re a fan of sitcoms from the 70s and 80s, it’s always interesting to see Robert Mandan playing a sympathetic character for a change.

Things get even dumber when Doug Bridges (Linwood Boomer) decides that the best way to get Pam (Lydia Cornell) to notice him would be to fake being pulled into a broom closet and kissed by an amorous woman who then, in Doug’s telling of the story, runs off and disappears. Soon, the entire ship is looking for Doug’s mystery woman. Why this would get Pam to like Doug, I’m not sure. Pam’s best friend (Pat Klous) does like Doug so she pretends to be the mystery woman. Of course, Doug can’t reveal that she’s lying because that would mean revealing that he was lying and …. as I said, this story was dumb. Dumb, dumb, dumb!

Finally, Captain Stubing’s ex-fiancé, Linda (Pat Crowley) boards the ship and the Captain is super excited! He starts to rekindle their relationship and soon, he’s even thinking of proposing. Yay! Vicki’s finally going to have a stepmom …. oh wait. Hold on. It turns out that Linda’s married and she just boarded the boat and allowed herself to be romanced by the Captain without telling him any of this because …. reasons, I guess? I mean, don’t get me wrong. Linda is not happy with her marriage and is in the process of getting a divorce but she doesn’t tell any of that to the Captain. Merrill thinks that Linda is single and ready to get married. Nope, Linda was just looking for a fling and is not ready to get married again. Poor Merrill! At least he has the crew looking out for him….

Ugh. This episode. Listen, I am more than willing to suspend my disbelief when it comes to this show. Usually, I absolutely love The Love Boat. But usually there’s at least one sort of funny or sweet story to go along with the ones that are less memorable. None of the stories worked on this cruise and that’s a shame. That said, I’ll be back next week. The Love Boat promises something for everyone, afterall.

Late Night Retro Television Review: Pacific Blue 1.6 “Takedown”

Posted on February 11, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

Who cares? Roll the opening credits.

Episode 1.6 “Takedown”

(Dir by Terrence O’Hara, originally aired on April 6th, 1996)

Three dangerous criminals are holding up stores in …. oh Hell. Where does this show take place? I know it’s in California but what’s the name of the town? Malibu? Is that it? Hold on, let me check with Wikipedia….

SANTA MONICA! That’s where this show takes place.

See, that’s the type of show that Pacific Blue is. I am now six episodes into this show and I’m still can’t tell you where it specifically takes place. It’s not that they haven’t mentioned that the show is set in Santa Monica. And considering that I even attended Saint Monica School for a semester, you would think that I would be able to remember it. But Pacific Blue is such a generic show that it’s difficult to really remember a thing about it. It fades from your memory within seconds of being watched. About the only thing that really sticks with the viewer about this show is how stupid everyone looks on their bicycles with their tight white shirts and their blue shorts. The fact that Rick Rossovich plays their leader with a perpetual air of grim determination only serves to make them seem even more ridiculous. Cops are supposed to look intimidating. That’s one reason why a lot of people don’t like them. These cops just look like the type of douchebags you dread getting stuck behind in traffic.

As for this episode, three dangerous criminals are holding up stores in Santa Monica. Somehow, they always manage to escape right before the cops show up. Maybe that’s because the cops are all on bicycles and they have to steer across crowded sidewalks without even having the benefit of a siren to tell people to get out of the way. What’s odd is that no one ever seems to notice the criminals until they pull out their guns. These are three extremely scruffy criminals, all of whom are clad in clothes that don’t appear to have been washed in days. Are you seriously telling me no one would notice that on the beach in San Diego or wherever this freaking show takes place?

If I was a store owner who got robbed at gunsight and who then called the police, nothing would piss me off more than having the bicycle cops respond. Seriously, you need a car to chase criminals! All the criminals have to do is wait for the bike cops to pull a muscle or ride over a stick in the middle of the road and then they’ll be home free. If I get robbed, give me the real cops!

TC gets upset when one of the criminals points a gun at him. Lt. Palermo encourages him to stop being stoic and get in touch with his feelings and …. oh, who cares? Freaking bicycle cops. While that’s going on, Chris takes a creative writing class and dates her professor (Zach Galligan). From what we hear of Chris’s literary efforts, she has no talent whatsoever. She was such a bad writer that I literally got angry while she reading her story. I wanted the professor to throw something at her. Also, Victor del Toro falls in love with a model (Krista Allen) and even gets a date with her, despite his dumbass bicycle.

Where does this show take place again? Malibu?

Anyway, this was just another episode about the most useless cops ever.

Retro Television Review: Fantasy Island 6.5 “Everybody Goes to Gilley’s/Face of Fire”

Posted on February 11, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, Fantasy Island goes country.

Episode 6.5 “Everybody Goes to Gilley’s/Face of Fire”

(Dir by Jerome Courtland, originally aired on November 20th, 1982)

Mickey Gilley is a country-western singer who comes to Fantasy Island because he wants to finally become a star after years of struggling. Tattoo, who is a huge country music fan, puts on a cowboy hat and decides that he’ll be Gilley’s “exclusive manager.” Not so fast, Mr. Roarke says. Apparently, there’s a country-western bar on the other side of the Island and the owner, Mr. Sherwood (Dennis Cole), has a fantasy of finally having a successful bar. Roarke arranges for Gilley and Sherwood to become partners. Gilley is a star whenever he performs in Sherwood’s bar. In the end, Sherwood and Gilley leave the Island together with Sherwood as Gilley’s new manager.

I’m not a huge country music fan so I have to admit that, until I watched this episode, I had no idea who Mickey Gilley was. (In fact, in my first draft of this review, I repeatedly called him “Dennis Gilley,” so that tells you how much I know about county-western singers.) Gilley actually was a country music star, one who did spend several years toiling away in small clubs before he finally found success. This role was autobiographical for him. It’s a bit odd that he plays himself but maybe he was a big deal in 1982. As I said, country music is not my area of expertise and 1982 is a bit before my time. What I can say is that, on the show, Gilley was portrayed in a way that kind of made him seem like a jerk. I mean, the nonstop complaining and all the demands! “I’m not here for romance,” he tells Roarke at one point. Don’t tell Mr. Roarke how to do his job, Gilley!

The other storyline was a take on Jane Eyre. Jean Harrigan (Lynn Redgrave) is from Nevada, despite being totally English. She needs a million dollars. A mysterious rich guy (David Hedison) offers it to her if she can survive a weekend at his home. His crazy wife is locked away in a bedroom. She ends up catching on fire towards the end of the episode, freeing things up for Jean and the rich guy. What’s interesting is that the rich guy says that he originally met Jean when his car broke down in the Nevada desert and Jean gave him a ride. What’s interesting about this is that, when the legendary Howard Hughes died, a man named Melvin Dummar claimed that he had once given Hughes a ride after coming across him stranded in the Nevada desert and, in return, Hughes left him a good deal of his fortune. Dummar even produced a will in support of his claim. The courts ruled the will to have been a forgery and Dummar never received his money, though there still are people out there who defend “the Dummar will” and claims that he was telling the truth about meeting Hughes. Fortunately, Jean does get her money and a chance to spend some time with the totally charming and handsome David Hedison.

(Hedison was also the best Felix Leiter, appearing in Live and Let Die and License to Kill.)

Perhaps not surprisingly, I preferred the gothic story to the country music story. I appreciated that Tattoo got to do something this episode. The scene where he declares himself to be Gilley’s manager felt like a throwback to the show’s earlier seasons. This journey to the Island was a mixed bag for me, though overall it was a pleasant trip.

Late Night Retro Television Review: CHiPs 3.8 “Hot Wheels”

Posted on February 11, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

Last night’s review of CHiPs was pre-empted by a sudden storm. Here it is now, in its entirety,

Episode 3.8 “Hot Wheels”

(Dir by John Florea, originally aired on November 3rd, 1979)

Ponch is still in the hospital, recovering from last week’s accident. Still, because he’s Ponch, he’s the one who figures out that a bunch of disgruntled fireman are using city trucks to commit their jewelry thefts. Hey, wait a minute. Last week’s episode was also about jewelry thefts. Admittedly, CHiPs was a show that tended to recycle plots but, even by CHiPs standards, this is one of those coincidences that leaves you wondering what exactly was going on in the writer’s room.

Actually, it’s easy to guess. Erik Estrada really was injured while filming an episode. The cast that he wears throughout this episode was real and, as easy as it can be to make fun of his overexpressive acting and his tendency to lose his shirt every other scene, you do have to respect that Estrada showed to film this episode at all. With Estrada injured, one gets the feeling that this episode, just like last week’s, was quickly rewritten to cover the situation.

Baker gets a temporary partner in this episode. It’s the return of his former motorcycle mate, John Clayton! Clayton was apparently Baker’s partner before Ponch. Clayton has a reputation for being a practical joker, It’s all anyone can talk about. Clayton is a legendary prankster! They really want us to know that Clayton’s a fun guy before he shows up and we discover that he’s played by Andrew Robinson, the actor who is best-known for playing the Scorpio Killer in Dirty Harry. Robinson wears a mustache as Clayton, probably in an attempt to keep 1979 audiences from looking at the screen and going, “Hey, I remember that guy hijacking a school bus!”

(I should mention that Andrew Robinson himself was a committed pacifist when he filmed Dirty Harry, to the extent that he actually flinched whenever he had to shoot the killer’s gun and he actually traumatized himself while filming the school bus hijack. He actually sounds like a pretty nice guy who just happened to play one of the most loathsome screen villains of all time.)

Baker works with Clayton and it must be said that Larry Wilcox does seem to be noticeably happier when he’s acting opposite Robinson than he ever did when he was acting opposite Estrada. The episode features Clayton performing a heroic and dangerous rescue at one point and it’s easy to see that that scene was originally conceived with Estrada in mind. It’s also easy to imagine Estrada flashing his big grin at the end of the scene while Robinson, on the other hand, plays up the fact that anyone, even a dedicated cop, would be absolutely exhausted after all that.

Robinson does a good job as Clayton and it’s always fun to see Martin Kove play a villain on show like this. This was a good episode. Estrada, I assume, will be back on his bike next week.

Retro Television Review: Miami Vice 3.17 “The Afternoon Plane”

Posted on February 10, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Tubbs has an adventure!

Episode 3.17 “The Afternoon Plane”

(Dir by David Jackson, originally aired on February 20th, 1987)

While attending a New Age-y wedding with his latest girlfriend Alicia (Maria McDonald), Tubbs wins a vacation to a tropical island!

It’s about time something …. well, I was going to say something good but honestly, I guess we should just be happy that anything is happening to Tubbs at all. When this show started, Tubbs was the audience surrogate. He was the one who came down to Miami and learned about the drug scene. We saw Miami through his eyes. But, by the time the third season rolled around, it was pretty clear that Miami Vice hard largely become the Crockett show. Don Johnson was the star and Philip Michael Thomas often seemed like a supporting character. Tubbs may have been cooler than Switek but, often times, both of them took a backseat to Crockett. This week, however, Tubbs finally get his own episode. Crockett shows up for a few minutes at the start of the episode and that’s it. This is the Tubbs show!

Of course, it turns out that the vacation does not go the way that Tubbs was expecting. He runs into a drug dealer named Leon Wolf (Vincent D’Onofrio, making his television acting debut), someone who Tubbs previously put in jail. Tubbs soon discovers that his old enemies, the Calderone family, are on the Island and they’re looking forward to getting their revenge on Tubbs. Tubbs, of course, has no legal jurisdiction on the island and the local police certainly aren’t going to help him out. In fact, many people on the island resent Tubbs because they blame America’s war on drugs for their poverty. Drug smuggling is big business and it provides an income to a lot of people who would starve otherwise.

Orlando Calderone (John Leguizamo) is coming on the next afternoon plane and no one is willing to defy Orlando by helping Tubbs get off the island. The episode becomes a Caribbean High Noon, with the clock ticking down and no one willing to stand up and help the endangered law man. There are some on the island who want to fight back and drive away the Calderones. But no one is willing to take the chance.

It would have been a lot more compelling if Orlando had been played by someone other than John Leguizamo, who is just as cartoonishly unconvincing here as he was the first time that he appeared on the show. I know that Miami Vice was early in Leguizamo’s career but his performance here is so unconvincing that it really does make the Calderones just seem like a bunch of low-level punks instead of a feared criminal syndicate. The final gun battle between Tubbs and the Calderones is handled well-enough but it’s never quite as compelling as it would be if Orlando Calderone was actually an intimidating villain. In typical Miami Vice fashion, Alicia is seriously wounded in the battle. It pays not to get involved with either Tubbs or Crockett.

This episode was a slight change of pace. Apparently, everyone but Philip Michael Thomas got to take some time off during filming and, as a result, Thomas gets to show his own unique style as Rico Tubbs. Still, this episode was never as compelling as it needed to be. Hopefully, we are now done with the Calderones.

The 2025 Super Bowl: Some Commercial Thoughts

Posted on February 9, 2025 by Lisa Marie Bowman

In previous years, after the Super Bowl, I’ve listed my favorite ads of the night. I’m not going to do that this year because, quite frankly, I don’t have enough ads to list. This year, the Super Bowl was boring. The game was boring and the ads were boring. There were barely any new movie trailers. In previous years, Leonard and I exhausted ourselves trying to keep up with and share all of the Super Bowl movie spots. This year, we could take things easy.

As for the game …. listen, I’m not a football person. Our longtime readers know that. Usually, when I’m bored with a football game, I assume it’s because I’m just not into football. But this year, the game was so slow that even my colleagues here at TSL got bored with it. While the biggest game of the year was being played in New Orleans, we largely used the game as background noise as we talked about everything from HBO’s True Detective to whether or not it was acceptable to nuke all of your enemies in Civ. Once I realized that there weren’t going to be any big commercials, I immediately started thinking about relaxing in a hot tub for an hour or two. It turned out to be a little less than an hour because it’s cold outside, folks!

What a disappointing game. I can’t believe that I actually pre-empted my retro television reviews for that thing. Oh well! Live and learn.

Actually, now that I think about it, there was one commercial that I really liked, just because it featured a horse.

I’ve seen some speculation online that the commercials were safe and predictable this year because ad agencies are still adjusting to how to advertise in the second Trump era. That’s possible. It’s been a long time since I’ve seen Super Bowl commercials that were so determinedly nonpartisan. In the past, I think the general assumption that advertisers made was that the country was full of politically active young people with a lot of spending money and, as a result, it only made sense to tailor commercials to them. Hence, we got Zachary Quinto dramatically reading the ending of 1984 for Amazon Audible and Kylie Jenner defusing tensions at a protest by giving a Pepsi to a cop. We got a commercial for a migraine medicine in which the main character was able to go to a protest because her migraine cleared up. There was even a commercial featuring a teenage girl leading an environmental rally because she had the confidence that went along with having clear skin. All the online complaining was taken as a badge of honor. “We’re making the right people mad,” as the saying goes. But, with the recent elections, it’s now kind of obvious that the supposedly leftward tilt of the country was much overestimated. It felt like the ads this year were trying to reclaim the middle, nonpartisan ground that was originally abandoned in 2017. They did so by playing everything safe. As a result, none of the commercials this year were controversial but, at the same time, none of them were particularly interesting either. It says something about how bland things were that the most talked about commercial was another one of those flaky “He Gets Us” commercials, which feel like almost a parody of the shallow understanding most people have of theology.

(Incidentally, we watched the game on Tubi. Tubi did a very good job of streaming the game, with none of the trouble that Netflix has had with its live events.)

In other words, the Super Bowl was boring this year but I did enjoy watching it with my TSL colleagues. And I love horses! And now, on with the rest of 2025!

Lisa Marie’s Week In Television: 2/2/25 — 2/8/25

Posted on February 8, 2025 by Lisa Marie Bowman

Here’s a few thoughts on what I watched this week.

Abbott Elementary (Wednesday Night, ABC)

I’m one episode behind as far as Abbott goes. This week, I watched the golf course episode but I still need to watch the science fair episode. I’ll do it tomorrow before the Super Bowl. As always, the episode made me laugh. The show has done marginally better with the gentrification subplot than it did with the charter school storyline a few seasons ago.

Dark (Netflix)

Case and I continuing to watch this creepy German show. This is the only show I’ve ever seen that’s actually held my attention while the characters discuss physics.

Hell’s Kitchen (Fox, Thursday Night)

And we have a winner! Kyle’s door open and he is the latest chef to win a season of Hell’s Kitchen. I did like Kyle but I have to admit that I lost interest in this season after both Brandon and Egypt were eliminated. I still can’t see Kyle as a head chef. Brandon had a bad night and Egypt lost an arbitrary contest but I still feel like either one of them would have been a better winner. That said, anyone who has ever tasted my cooking knows that I wouldn’t have even made it past the first 10 minutes of the first episode of Hell’s Kitchen. Congratulations to Kyle on his victory and on proving people like me, who were pretty dismissive of his chances at first, wrong.

King of the Hill (Hulu)

I watched the episode where Bill’s touchdown record was broken and, with Hank’s encouragement, Bill rejoined the high school team in an effort to win it back. “You the man, Bill …. don’t look down at your leg.”

Kitchen Nightmares (Fox, Tuesday Night)

Chef Ramsay was, again, in New Orleans this week. The New Orleans shows have been kind of boring. None of the restaurants have really been that appealing, either before or after their makeover. You have to wonder how many times Chef Ramsay is going to have to invite an ex-football player to come and convince people to do their job. It’s kind of funny how the only thing many of these restaurants really need is for a former member of the Saints to show up for five minutes.

After being bored with the trip to New Orleans, I hopped on Tubi and revisited the Amy’s Baking Company episodes from seasons 6 and 7. Now that was classic Ramsay chaos! I like it when Chef Ramsay is nice to the chefs on Hell’s Kitchen but, when it comes to Kitchen Nightmares, I just want him to rip the place apart!

Scamanda (Hulu)

On Wednesday, I watched the first episode of this NBC docuseries about a woman who pretended to have cancer and who swindled a lot of people out of a lot of money. It was an interesting episode. People pretending to be sick to get money from people is hardly a new phenomena but it was interesting to see not only how far Amanda took it but also how gullible people really were. (They really wanted to believe.) The film did have a few regrettable reenactments, including a truly risible one of a bunch of churchgoers literally throwing money at Amanda’s feet. Still, it’s an interesting story.

Watched and reviewed: