Lisa Reviews The Monday Night Premieres: Bob Hearts Abishola, All Rise, Bluff City Law, Prodigal Son


Monday night was the start of the new network primetime special, a tradition that seems rather quaint now that we’re officially in the age of streaming and binging.  Still, this is the week that the five major U.S. broadcast television networks attempt to prove that they’re still relevant by trotting out their new shows. Despite the fact that none of these new shows sound that interesting, I’ve decided that I’m going to try to watch and review the first episode of each new series this season.  Who knows?  Maybe something will surprise me.

Tonight, I watched four network premieres.

Bob Hearts Abishola (CBS)

This is the latest sitcom from Chuck Lorre.  Billy Gardell plays Bob, who owns a compression sock company in Detroit.  After the stress of dealing with family and his company leads to him having a heart attack, he ends up in the hospital.  He also ends up falling for Abishola (Folake Olowofoyeku), a Nigerian nurse who does’t seem like she wants anything to do with him.  In the pilot, this led to Bob going to Abishola’s apartment and then back to the hospital, all so he could present her with the gift of socks.

Though the show is being advertised as being an unlikely love story and a look at the immigrant experience in 21st century America, the pilot mostly seemed to be obsessed with the idea that people saying “sock” is inherent funny.  Hence, the entire pilot was basically: “Socks, socks, socks, socks, socks, socks, socks.”  It got old rather quickly.  In the end, you ended up feeling sorry for Abishola because Bob and his socks just wouldn’t go away.

Honestly, it would be nice if this was a better show because it has the potential to explore a lot of issues that are typically not explored on network television but in the end, the first episode just didn’t work for me.

All Rise (CBS)

Finally!  A court show named after the most obnoxious part of any hearing.  Seriously, there is nothing that annoys me more than the sound of a bailiff shouting, “ALL RISE!”  When I hear that, I’m just like, “Why should I have to stand just because a judge is taking their time sitting down?”

Anyway, All Rise takes place in Los Angeles.  It’s a show about a new judge (Simone Missick) and how she wastes taxpayer money by refusing to accept plea deals and forcing certain cases to go trial.  Of course, there’s a handsome prosecutor with daddy issues (Wilson Bethel) and an idealistic public defender (Jessica Camacho) and an upstanding bailiff (J. Alex Brinson) who gets to say, “All rise!”  There’s also an older judge (Marg Helgenberger) and a no-nonsense judicial assistant (Ruthie Ann Miles) and I assume there will be a weekly collection of quirky defendants.

The pilot for All Rise was predictable but occasionally compelling.  Simone Missick was likable in the lead role and both Wilson Bethel and Jessica Camacho did a good job of finding some nuance with their otherwise stereotypical roles.  (Wilson Bethel especially did a good job.)  The writing was a bit heavy-handed and, considering that next week’s episode is called Long Day’s Journey Into ICE, that doesn’t look like it’s going to change any time soon.  All Rise is a show that tries to be political but deep down, what the show really wants to be is a legal soap opera.  If it tones down the politics and embraces the melodrama, All Rise could be a guilty pleasure.

Bluff City Law (NBC)

The night’s second legal premiere, Bluff City Law is about an activist attorney (Jimmy Smits) and his estranged daughter (Caitlin McGee).  McGee abandons her corporate law job so that she can work with her father.  The pilot featured a court case and it had a happy ending but I kept getting distracted by Jimmy Smits’s hair, which was dyed jet black and may have been a toupee.  Hopefully, this will be addressed in a future episode.  I was also distracted by Smits’s laughable attempt to do a Southern accent.  Bluff City Law is taking place in Memphis, which means that everyone listens to the blues after court.

Anyway, Bluff City Law was definitely the worst of Monday’s new shows, full of heavy-handed dialogue and sermonizing.  When we first meet Smits’s character, he’s making his ex-wife’s funeral all about himself and that pretty much set the tone for the entire show.

Judging from the pilot, Bluff City Law is one of those shows that’s so full of self-righteous fury that it’ll probably make you root for the evil, faceless corporations that are being sued.  GO BIG EVIL CORP!

(Also is Memphis known as Bluff City?  If so, that’s the worst nickname I’ve ever head.)

Prodigal Son (Fox)

Fresh from The Walking Dead, where he played the the least interesting person to ever be named Jesus, Tom Payne starts as Malcolm Bright.  Malcolm is a criminal profiler whose father was the notorious serial killer known as The Surgeon (Michael Sheen).  The Surgeon is locked up now, presumably for the crime of having a really boring nickname.

As for Malcolm, having been kicked out of the FBI, he now works with the NYPD and uses his father’s expertise to track down other serial killers.  Despite Malcolm’s desire to be free from his father, his job makes that impossible.  In other words, Malcolm is tortured hero and that means that the pilot has a lot of earth tones and angsty drama.

Prodigal Son has potential, largely due to the fact that Michael Sheen is obviously having a ball playing the Surgeon.  My fear, based on the first episode, is that the show is going to become just another police procedural with a haunted protagonist.  I am so sick of tortured protagonists and how they’re always standing around looking depressed about everything.  Hopefully, the show will fully embrace the absurdity of its concept and go totally over the top with it.  In short, less police work and more Michael Sheen.

In Conclusion

Out of the four new shows that I watched tonight …. well, I can’t say that I’ll be setting the DVR for any of them.  Prodigal Son is elevated by Michael Sheen but it still feels too much like a rip-off of Dexter, Hannibal, and Criminal Minds for me to get too excited about it.  All Rise might be fun if it can avoid being preachy.  Bob Hearts Abishola probably won’t get any better than it was tonight but it might survive for a season or two just because it’s a Monday show and no one expects much from Monday.   As for Bluff City Law …. seriously, what is up with Jimmy Smits’s hair?

Here Are the 2019 Emmy Winners!


I was happy to see Chernobyl win.  Otherwise, the Emmys never interest me as much as the Oscars.

Here’s a list of tonight’s winners:

Best Supporting Actor (Comedy) — Tony Shalhoub, The Marvelous Mrs. Maisel

Best Supporting Actress (Comedy) — Alex Borstein, The Marvelous Mrs. Maisel

Best Writing (Comedy Series) — Phoebe Waller-Bridge, Fleabag

Best Directing (Comedy Series) — Harry Bradbeer, Fleabag

Best Actor (Comedy) — Bill Hader, Barry

Best Actress (Comedy) — Phoebe Waller-Bridge, Fleabag (Should have been Julia Louis-Dreyfus for Veep)

Outstanding Reality Competition Program — RuPaul’s Drag Race

Best Supporting Actress (Movie or Limited Series) — Patricia Arquette, The Act

Best Director (Movie or Limited Series) — Johan Renck, Chernobyl

Best Supporting Actor (Movie or Limited Series) — Ben Whishaw, A Very English Scandal

Writing for a Limited Series or Movie — Craig Mazin, Chernobyl

Best Actor (Movie or Limited Series) — Jharrel Jerome, When They See Us

Best Movie — Black Mirror: Bandersnatch

Best Actress (Movie or Miniseries) — Michelle Williams, Fosse/Verdon

Best Limited Series — Chernobyl

Outstanding Writing For A Variety Series — Last Week Tonight With John Oliver (really?)

Outstanding Variety Sketch Series: Saturday Night Live (should have been Documentary Now)

Outstanding Variety Talk Series: Last Week Tonight With John Oliver (at least it wasn’t Samantha Bee)

Best Supporting Actor (Drama) — Peter Dinklage (Game of Thrones)

Best Writing (Drama) — Jesse Armstrong, Succession

Best Supporting Actress (Drama) — Julia Garner, Ozark

Best Actor (Drama) — Billy Rose, Pose

Best Directing (Drama) — Jason Bateman, Ozark

Best Actress (Drama) — Jodie Comer, Killing Eve

Best Comedy Series — Fleabag (should have been Veep or Barry)

Best Drama Series — Game of Thrones

 

What If Lisa Had All The Power: 2019 Emmy Nominations Edition


In a few hours, the 2019 Emmy nominations will be announced!

Since I love awards and I love making lists, it’s an annual tradition that I list who and what would be nominated if I had all the power.  Keep in mind that what you’re seeing below are not necessarily my predictions of what or who will actually be nominated.  Many of the shows listed below will probably be ignored tomorrow morning.  Instead, this is a list of the nominees and winners if I was the one who was solely responsible for picking them.

Because I got off to a late start this year, I’m only listing the major categories below.  I may go back and do a full, 100-category list sometime tomorrow.  Who knows?  I do love making lists.

Anyway, here’s what would be nominated and what would win if I had all the power!  (Winners are listed in bold.)

(Want to see who and what was nominated for Emmy consideration this year?  Click here!)

(Want to see my picks for last year?  Click here!)

(Want to see my picks for 2012?  I know, that’s kinda random.  Anyway, click here!)

Programming

Outstanding Comedy Series

Barry

Brooklyn Nine-Nine

GLOW

It’s Always Sunny In Philadelphia

The Marvelous Mrs. Maisel

One Day At A Time

Veep

Vida

Outstanding Drama Series

Better Call Saul

Dynasty

Flack

Game of Thrones

The Magicians

My Brilliant Friend

Ozark

You

Outstanding Limited Series

Chernobyl

Fosse/Verdon

The Haunting of Hill House

I Am The Night

Maniac

Sharp Objects

True Detective

A Very English Scandal

Outstanding Television Movie

The Bad Seed

Bandersnatch (Black Mirror)

Brexit

Deadwood

King Lear

Native Son

No One Would Tell

O.G.

Performer

Outstanding Lead Actor in a Comedy Series

Iain Armitage in Young Sheldon

Ted Danson in The Good Place

Bill Hader in Barry

Pete Holmes in Crashing

Glenn Howerton in A.P. Bio

Andy Samberg in Brooklyn Nine Nine

Outstanding Lead Actor in a Drama Series

Penn Badgley in You

Jason Bateman in Ozark

James Franco in The Deuce

John Krasinski in Tom Clancy’s Jack Ryan

Bob Odenkirk in Better Call Saul

Dominic West in The Affair

Outstanding Lead Actor In a Limited Series

Hugh Grant in A Very English Scandal

Jared Harris in Chernobyl

Jonah Hill in Maniac

Chris Pine in I Am The Night

Sam Rockwell in Fosse/Verdon

Henry Thomas in The Haunting of Hill House

Outstanding Lead Actor In An Original Movie

Benedict Cumberbatch in Brexit

Anthony Hopkins in King Lear

Rob Lowe in The Bad Seed

Ian McShane in Deadwood

Timothy Olyphant in Deadwood

Jeffrey Wright in O.G.

Outstanding Lead Actress In A Comedy Series

Melissa Barrera in Vida

Kristen Bell in The Good Place

Alison Brie in GLOW

Rachel Brosnahan in The Marvelous Mrs. Maisel

Julia Louis-Dreyfus in Veep

Zoe Perry in Young Sheldon

Outstanding Lead Actress in A Drama Series

Emilia Clarke in Game of Thrones

Gaia Girace in My Brilliant Friend

Maggie Gyllenhaal in The Deuce

Laura Linney in Ozark

Margherita Mazzucco in My Brilliant Friend

Anna Paquin in Flack

Outstanding Lead Actress in a Limited Series

Amy Adams in Sharp Objects

India Eisley in I Am The Night

Carla Gugino in The Haunting of Hill House

Charlotte Hope in The Spanish Princess

Emma Stone in Maniac

Michelle Williams in Fosse/Verdon

Outstanding Lead Actress in an Original Movie

Shannen Doherty in No One Would Tell

Chelsea Frei in Victoria Gotti: My Father’s Daughter

McKenna Grace in The Bad Seed

Paula Malcolmson in Deadwood

Molly Parker in Deadwood

Christina Ricci in Escaping The Madhouse: The Nellie Bly Story

Outstanding Supporting Actor In A Comedy Series

Fred Armisen in Documentary Now!

Andre Braugher in Brooklyn Nine Nine

Anthony Carrigan in Barry

Tony Hale in Veep

Sam Richardson in Veep

Stephen Root in Barry

Outstanding Supporting Actor In A Drama Series

Jonathan Banks in Better Call Saul

Nikolaj Coster-Waldau in Game of Thrones

Peter Dinklage in Game of Thrones

Giancarlo Esposito in Better Call Saul

Peter Mullan in Ozark

Luca Padovan in You

Outstanding Supporting Actor In A Limited Series

Stephen Dorff in True Detective

Timothy Hutton in The Haunting of Hill House

Chris Messina in Sharp Objects

Stellan Skarsgard in Chernobyl

Justin Thereoux in Maniac

Ben Whishaw in A Very English Scandal

Outstanding Supporting Actor In An Original Movie

Jim Broadbent in King Lear

Bill Camp in Native Son

Theothus Carter in O.G.

Rory Kinnear in Brexit

Gerald McRaney in Deadwood

Will Poulter in Bandersnatch (Black Mirror)

Outstanding Supporting Actress in A Comedy Series

Caroline Aaron in The Marvelous Mrs. Maisel

Alex Borstein in The Marvelous Mrs. Maisel

Anna Chlumsky in Veep

Sarah Goldberg in Barry

Rita Moreno in One Day At A Time

Sarah Sutherland in Veep

Outstanding Supporting Actress In A Drama Series

Summer Bishil in The Magicians

Elisa Del Genio in My Brilliant Friend

Julia Garner in Ozark

Lena Headey in Game of Thrones

Elizabeth Lail in You

Shay Mitchell in You

Outstanding Supporting Actress In A Limited Series

Jessie Buckley in Chernobyl

Patricia Clarkson in Sharp Objects

Sally Field in Maniac

Patricia Hodge in A Very English Scandal

Connie Nielsen in I Am The Night

Emily Watson in Chernobyl

Outstanding Supporting Actress In An Original Movie

Kim Dickens in Deadwood

Florence Pugh in King Lear

Margaret Qualley in Favorite Son

Emma Thompson in King Lear

Emily Watson in King Lear

Robin Weigert in Deadwood

 

Here’s The Trailer For The Dark Crystal: Age of Resistance!


Stoners rejoice!

Netflix has a Dark Crystal series that will be dropping on August 30th, 2019.  The series will be ten episodes long and will apparently explore the world of the original film.  The theme appears to be one of rebellion.  Then again, rebellion appears to be the theme of everything nowadays.  Even the authority figures say that they’re rebelling against something.  I guess it truly is …. THE AGE OF RESISTANCE!

Anyway, someone will undoubtedly review this show for the site so hopefully, it’ll be good.  Or, at the very least, it’ll be better than the second season of Chilling Adventures of Sabrina.  Seriously, we deserve a Carribbean cruise after making it through that.

Here’s the Dark Crystal trailer!  I hope you’ll trip like I do while watching it.

(Someone out there will get the joke and that’s all that matters.)

TV Review: Chilling Adventures of Sabrina 2.8 “The Mandrake” (dir by Kevin Sullivan)


When last we checked in on the adventures of the Greendale’s most boring family of witches, Sabrina had been resurrected as some sort of witch messiah and was planning on revealing the truth of her powers to all of Roz’s church friends when she was suddenly stopped by Harvey.  Harvey cried out, “If you ever loved me, stop!”  That got a look from both Roz and Nick, not to mention Sabrina.

Anyway, it turned out that Harvey found a wall painting of Sabrina in the mines and apparently, the painting indicated that Sabrina was destined to be the herald of Hell and bring about the apocalypse.

“Am I evil!?” Sabrina asked.

The 8th episode of the 2nd season of Chilling Adventures of Sabrina attempted to answer this question and, as is typical with this show, the results were mixed.  In order to try to exorcise the evil out of her, Sabrina convinced Ambrose to help her create a duplicate Sabrina, a “mandrake.”  The Mandrake Sabrina would have all of her powers but none of her humanity and the plan was for the real Sabrina to kill the fake Sabrina 24 hours after creating it.  This would not only vanquish whatever evil that Sabrina had inside of her but it would also deprive her of both her powers and her immortality.  In short, Sabrina would become a normal mortal but, at the same time, she also wouldn’t end the world.

Sounds like a good plan, right?

Of course, it didn’t work like that, largely due to the fact that Sabrina is incredibly incompetent.  While Sabrina managed to create the Mandrake, she didn’t do a very good job of keeping track of it.  This led to the Evil Sabrina wandering around Greendale and exploiting all of her friends’s insecurities and weaknesses.  Of course, since Sabrina only has three friends, this means that the Mandrake just tracked down Harvey, Roz, and Theo.  If Harvey, Roz, and Theo were complex characters (as opposed to thinly drawn caricatures), it would be potentially interesting to see how the Mandrake manipulated them and tried to use their weaknesses against them.  But, as I’ve been saying since this season began, there’s not much to say about the members of Sabrina’s supporting cast.  Everyone has one or two traits that are used to define them.  Of course, Roz is going to be insecure about her relationship with Harvey and her eyesight because that’s really the only two things that Roz has going on in her life.  The show’s refusal to dig any deeper into its supporting cast remains one of its most glaring flaws.

On the plus side, the Mandrake’s plan to create duplicates of Harvey, Roz, and Theo did lead to a nice homage to Invasion of the Body Snatchers and Kiernan Shipka did a great job playing both Sabrina and her evil twin.  As is usually the case with this series, Kiernan Shipka’s efforts to hold this uneven episode together were nothing less than heroic.

When the episode wasn’t dealing with Sabrina and her Mandrake, it was focusing on Father Blackwood’s attempts to break away from the Church of Night and join the Church of Judas.  It was …. well, not very interesting.  Meanwhile, Mrs. Wardwell sent a reanimated scarecrow to kill Sabrina.  The scarecrow failed, of course but Sabrina has now finally figured out that Wardwell is her enemy.  Considering that Mrs. Wardwell has never been a subtle antagonist, you have to wonder how dumb Sabrina is to have only now figured this out.

Anyway, I actually liked this episode a little bit more than the previous one.  It had all the usual flaws that we’ve come to expect from this series but Kiernan Shipka’s evil turn as the Mandrake elevated the episode.  As usual, Kiernan Shipka remains the show’s greatest strength.  At times, it’s the show’s only strength.

Up next, Case finished up season 2 by reviewing the finale!

TV Review: Chilling Adventures of Sabrina 2.7 “The Miracles of Sabrina Spellman” (dir by Antonio Negret)


GOOD GOD, CAN SOMEONE IN GREENDALE TURN ON A FREAKING LIGHT!?

As you may have guessed from the introduction, I am once again reviewing Chilling Adventures of Sabrina.  I will be reviewing the seventh and eighth episodes of the 2nd season and then Case will be back with us, covering the big finale.  If you’ve read any of my previous reviews, you know that one of my huge issues with this show is that no one in this damn town — even the mortals — seems to know how to flip a light switch.  Visually and thematically, this is one dark show.

It’s also, especially during season 2, been a rather dull show.  Watching it, one gets the feeling that the writers ran out of ideas halfway through season 1.  Yes, everyone worships Satan.  Yes, they’re all witches and warlocks.  That should be interesting but trust this show to make the dark arts seem boring and rather tedious.  “What the Heaven’s happened!?”  Aunt Hilda (Lucy Davis) exclaims at the start of the show when she sees as seriously, perhaps fatally, wounded Sabrina and replacing “Hell” with “Heaven” is supposed to be shocking but, at this point, who cares?

The show’s main strength has always been Kiernan Shipka’s performance Sabrina.  She’s always been able to bring life to even the laziest of dialogue but this episode comes close to defeating even the normally reliable Shipka.  Kiernan Shipka has always kept the show grounded but this episode sent her up into the air.

While the previous episode ended with Sabrina nearly dead, this episode opens with Sabrina coming back to life and becoming not only a healer but also a messianic figure.  Sabrina not only heals Ambrose but she also prevents him from being executed.  And it says a lot of about this show’s flaws that I wouldn’t have minded if Amrbose’s head had been chopped off.  If nothing else, it would have meant no longer having to listen to him whine about every little thing.  Sabrina also gives Roz back her eyesight, so I guess that subplot’s resolved.  Roz is no longer blind and yay, I guess.  Roz is a flat, one-demensional character.  You didn’t care when she went blind and you’re not going to care that she can now see.  By that same token, you’re not going to care when Aunt Zelda is freed from the spell that Blackwood’s put her under because, again, she’s just Zelda and she’s not that interesting.

Anyway, now that Sabrina has returned from the dead and can magically do whatever the script requires her to do at any given moment, she wants to spread her father’s gospel and bring together mortals and humans.  Alone among the students at the Academy, Nick Scratch thinks that’s a good idea and I’d be worried about that if I cared about Nick and Sabrina as a couple….

Really, this was a surprisingly uninvolving episode.  I’m not even going to discuss Harvey and Theo in the mines or Ms. Wardwell creating a servant in her bathtub.  Nor am I going to talk about the rat that a possessed Zelda drops in a meat grinder.  It all plays out very slowly and it mostly plays out in the dark and it doesn’t work because none of these characters feel like they’re worth all the trouble.

As I pointed out earlier, even Kiernan Shipka stuggled during this episode.  Over the course of one episode, Sabrina goes from being a teenager trying to find her place in the world to being some sort of witch messiah and, in the process, she becomes self-righteous and a bit dull.  The episode ends with Sabrina looking at a cave painting, a prophecy that proclaims her to be the herald of Hell.

“I’m evil!” Sabrina says, shocked.

And who knows?  Maybe she is.  But seriously, who cares?

Coming up next, once I’ve found the strength to continue, episode 8!  And then Case will be here to wrap things up with the finale!

Here’s The Latest Teaser for Stranger Things!


Game of Thrones may be over but Stranger Things is coming back!  In fact, the new season will be dropping on Netflix on the 4th of July!

What does season 3 have in store for us?  Well, as you can tell from the teaser below, it’s summer in Hawkins!  That means that Billy is in charge of the public pool and Mrs. Wheeler is apparently hoping to be in charge of Billy.

Anyway, here’s the teaser.  If nothing else, it looks like Mike might be traumatized for life by the end of the summer.

Again, season 3 of Stranger Things will be dropping on July 4th!  Do you think we can convince Case to review yet another season for us?  Speaking of which, I should probably hurry up and review the next two episodes of Chilling Adventures of Sabrina so we can get that out of the way before Independence Day.  Fear not, I’m on it!

Here’s The Teaser for Season 3 of Westworld!


Tonight, right before the start of the Game of Thrones series finale, HBO aired the following teaser trailer for season 3 of Westworld and oh my God …. I can’t wait until 2020!

I know that some people hated season 2 of Westworld.  I thought it was great but, regardless, it looks like season 3 is going to be a lot different.  I guess that’s to be expected.  We’re out of the park now.  Welcome to Los Angeles.

Anyway, I can’t wait to see what season 3 has in store for us.  The teaser seems to promise either brilliance or disaster and there’s something exciting about not knowing which one we’re going to get.

We’ll find out next year!

Scenes That I Love: Norma Accepts Ed’s Proposal in Twin Peaks: The Return (R.I.P. Peggy Lipton)


As this day comes to a close, I have some sad news to report.  The actress Peggy Lipton passed away earlier today, at the age of 72.  While one generation may know her best as a star of 1960s television and others know her for her marriage to legendary music producer Quincy Jones (and as the mother of Rashida Jones), I knew Peggy Lipton as Norma Jennings, one of the few characters to get a happy ending in David Lynch’s Twin Peaks: The Return.

Norma was the owner of the Double R Diner and, for the most part, one of the few stable residents of Twin Peaks.  While the rest of the town was collapsing around her, Norma could usually be found in a back booth, going over expense reports and continually proving herself to often be the lone voice of sanity in her hometown.

The love affair between Norma and Ed Hurley (Everett McGill) was a story that ran through both the original Twin Peaks and the Showtime revival.  One of the big moments in the revival came when Ed, having finally gotten Norma to agree to give him a divorce, finally asked Norma to marry him.  It’s perhaps the most unabashedly romantic scene to be found in David Lynch’s filmography.  (Lynch did the scene in one take and, according to Lipton, was in tears by the end of it.)  It’s a scene that’s wonderfully acted by both McGill and Lipton, with both actors saying so much without saying a word.

And here it is, a scene that I love from Part 15 of Twin Peaks: The Return:

 

TV Review: Chilling Adventures of Sabrina 2.4 “Doctor Cerberus’s House of Horrors” (dir by Alex Garcia Lopez)


Is Chilling Adventures of Sabrina the most underlit show on Netflix?

Seriously, every scene on the show seems to take place in near darkness.  I get that’s because the show itself is supposed to be dark and spooky and I appreciate the fact that the show is trying to maintain a proper atmosphere but still, as I watched the fourth episode of the 2nd season, I found myself shouting, “Will someone turn on a freaking light!?”  Like a lot of things about this show, the constant darkness seems like one of those “it seemed like a good idea at the time” concepts.

That said, I also have to say that I liked this installment a bit more than the previous episode.  Though it can probably be correctly stated that this was something of a filler episode, it still had enough surreal moments to remain entertaining.  In fact, it reminded me a bit of last season’s superior Dreams In A Witch House.  Like that episode, House of Horrors largely took place in the minds of the show’s characters.  Whereas Dreams In A Witch House used the character’s nightmares as a way to provide a glimpse of their subconscious fears and desires, this episode used Tarot readings.

The episode begins with Hilda and Dr. Cee hanging out at Cerebrus Books.  No mention is made of the fact that Dr. Cee apparently has an incubus inside of him, which seems like an odd thing to go unmentioned.  Anyway, a fortune teller (played by Veronica Cartwright) shows up and asks if she can do readings in the back of the store.  Hilda and Dr. Cee promptly agree because …. well, when do they ever say no to anyone?

For the next hour, various characters wandered into Cerebrus Books and got their fortune read.  The fortune teller turning over her cards would lead to everyone having a surreal vision of the future.  The visions rarely turned out well but, with one huge exception, the fortune teller was always quick to explain that the ominous vision was actually a good thing.  For instance, Sabrina may have seen herself getting killed during Nick’s magic show but the fortune teller was quick to explain that the vision meant Sabrina should put her faith in Nick and not trust anyone else.  Theo may have had a vision of turning into a boy and then having his body turn to wood but apparently, that meant Theo should trust others to help him out.  Roz was thinking of having an operation to get her sight restored but her vision — in which a blind girl accused Roz of stealing her eyes — convinced Roz that she should remain blind.  Harvey saw that going to Rhode Island would lead to him having a Satanic roommate.  Hilda envisioned telling Father Blackwood the truth about the baby but then discovered that would just lead to Blackwood cheating on her.  “Some secrets,” the fortune teller announces, “should stay secrets.”

Finally, Ambrose showed up and got his vision of the future.  Four things disturbed him.  First off, Luke was nowhere in the vision.  Secondly, in the vision, Father Blackwood made him a member of the Judas Society and ordered him to murder the Spellmans.  Third, in the vision, Ambrose did just that.  And fourth, the fortune teller told Ambrose this was going to happen, regardless of what he did.

Rushing to Father Blackwood’s office, Ambrose asked for an assurance that Father Blackwood would never hurt the Spellmans. “Of course not!” Blackwood replied before informing Ambrose that Luke was dead and that Ambrose was now a member of the Judas Society….

After all this, it was revealed that the fortune teller had actually been Ms. Wardwell in disguise.  I can’t say that I was particularly surprised by this reveal.  Since Wardwell was, up until the show’s final five minutes, the only regular not to have made an appearance, it was obvious that the fortune teller would turn out to be her.  I’m going to assume that her advice was intentionally bad and we should definitely be worried about Sabrina’s relationship with Nick.

Anyway, this episode was entertaining enough.  Since Sabrina is really the only multidimensional character on the show, Chilling Adventures can be uneven when it doesn’t focus on her but this show managed to do a pretty good job with the other characters.  We may not have learned anything new about any of them but some of their visions were enjoyably surreal and macabre.  The scenes of Theo’s body turning to wood were well-handled and Roz’s vision was genuinely frightening.  Even though you knew they weren’t real, the scenes of a murderous Ambrose stalking through the Spellman House were appropriately creepy.

Up next in the TSL’s Sabrina review-a-thon: Case returns with his reviews of Episodes Five and Six!