“John wasn’t exactly the boogeyman. He’s the one you sent to kill the fucking boogeyman.” — Viggo Tarasov
To finish off the trifecta of all things John Wick I would like to share one of my favorite scenes from this excellent film. The scene arrives once the introductory session showing the title character’s domestic life away from the world of assassins, gun molls and erudite crime lords.
Most films that uses exposition to explain a certain plot point or describe a character tend to fall flat and forced. It stops whatever momentum a film’s narrative has gained. It becomes the tool of a lazy writer and in the hands of an average to bad director it’d turn out to be a scene killer.
This particular scene from John Wick falls under exposition done right. We see the Russian crime lord Viggo relating to his idiot son his disappointment at what he’d done to John Wick. Of course, the son doesn’t know who this John Wick fella is, but good ol’ Dad was more than willing to tell him a sort of bedtime story that describes John Wick in epic and mythical terms.
It’s a scene that builds up the title character through anecdotal examples. This is a crime lord who rules all he surveys, but the notion that his son has started a chain of events involving John Wick terrifies him. The fact that the son tries to put up a brave front to fix the problem gets a reaction that was one of the funniest bits in the entire film.
John Wick is a film that perfectly shows that a film doesn’t have to be overly complex in it’s plot. Even the simplest narrative of a man out for revenge could be turned into a full on romp of entertaining mayhem.
Through the Shattered Lens 