Back to School #58: She’s All That (dir by Robert Iscove)


Shes_All_That

She’s All That, a 1999 high school-set adaptation of My Fair Lady, has a lot to answer for.

When I, as an impressionable 13 year-old first saw this film, I left the theater believing that high school would be full of random, fully choreographed dance-offs.  That, after all, is what happened towards the end of She’s All That.  After watching as handsome jock Zack (Freddie Prinze, Jr.) spent almost the entire movie changing Laney (Rachael Leigh Cook) from an artist into a Prom Queen, the great prom dance-off made for the perfect climax.

I mean, just check it out:

Imagine how disappointed I was, once I finally did reach high school, to discover that it was actually nothing like She’s All That.  There were no big dance numbers for no particular reason.  I went to five different proms and none of them were ever as much fun as the prom at the end of She’s All That.

So thank you, She’s All That, for getting my hopes up.

As for the rest of the film, it’s a guilty pleasure in much the same way as Never Been Kissed.  I was recently doing some research over at the imdb and I was surprised to discover just how many films Freddie Prinze,Jr. made between 1999 and 2002.  For the most part, they’ve all got rather generic names.  What’s funny is that I probably saw most of them because, back then, I would get excited over almost any PG-rated movie that featured a cute guy and had a hint of romance about it.  But, with the exception of She’s All That, I can’t really remember a single one of them.  But you know what?  Freddie Prinze, Jr. may not be a great actor and his films may have basically all been the same but he had a certain something that, when you were 13 or 14, made him the perfect crush.  There was a hot blandness to Freddie Prinze, Jr. that prevented him from being compelling but did make him the perfect star for a film like She’s All That.

Along with featuring that prom dance-off and being the epitome of a Fredde Prinze, Jr. movie, She’s All That is also remembered for featuring Rachael Leigh Cook as one of the most unlikely ugly ducklings in the history of the movies.  Rachael plays Laney and the entire film’s starting off point is that Zack has made a bet with Dean (Paul Walker, as handsome here as he was in Varsity Blues) that he can turn Laney into a prom queen.  However, it should be a pretty easy bet to win because all Laney has to do is let her hair down, start wearing makeup, and stop wearing her glasses.

Myself, I’m severely myopic.  Usually, I wear contact lenses but occasionally, I may be running late or may not feel like putting my contacts in or maybe I just want to try a different look.  So, occasionally, I’ll wear my glasses and I have to say that, other than a few guys who always make “hot librarian” jokes, everyone pretty much treats me the same regardless of whether I’m wearing my glasses or not.  I do have to admit though that, when I take off my glasses and dramatically let my hair down, I always say that I’m having a She’s All That moment.

Anyway, She’s All That is okay.  I like it but I don’t love it and, to be honest, the film’s main appeal is a nostalgic one.  Freddie Prinze, Jr. and Paul Walker both look good, Rachael Leigh Cook and Jodi Lynn O’Keefe will keep the boys happy, and Matthew Lillard has a few good scenes where he plays an obnoxious reality tv celeb.

And there’s always that dance number!

shes-all-that-dork-outreach-program-rachael-leigh-cook-freddie-prinze-jr

Embracing the Melodrama #47: Cruel Intentions (dir by Roger Kumble)


For the past 10 days, I’ve been reviewing some of the most and least memorable melodramas ever filmed.  Starting with 1916’s Where Are My Children?, we’ve been moving chronologically through film history.  We’re now coming to the end of the 90s and what better way to end that decade than by taking a look at 1999’s Cruel Intentions?

Cruel Intentions takes place in the upscale world of a New York private school.  Rich and popular Kathryn Merteuil (Sarah Michelle Gellar) is also a manipulative hypocrite who destroys reputations on a whim and carries cocaine in her ever-present cross necklace.  Kathryn is upset because her boyfriend has recently dumped her and is now dating the sweet and innocent Cecile (Selma Blair).  Kathryn asks her decadent cousin Sebastian Valmont (Ryan Phillippe) to seduce Cecile.  However, Sebastian refuses, saying that the challenge would be too easy.  Instead, he plans to seduce Annette Hargrove (Reese Whitherspoon), who has recently written an acclaimed essay about the importance of chastity and who also happens to be the daughter of the school’s headmaster.  Kathryn is intrigued by Sebastian’s plan and makes a bet with him.  If Sebastian manages to take Annette’s virginity than Kathryn will have sex with him…

Now, if you’ve already read my previous review of Dangerous Liaisons, the plot of Cruel Intentions probably sounds a bit familiar.  That’s because both of these films are based on the same source material —  Les Liaisons dangereuses by Pierre Choderlos de Laclos.  The main difference between the two films — beyond the fact that Dangerous Liaisons is set in pre-Revolutionary France and Cruel Intentions is set in 1990s New York — is that Dangerous Liaisons uses the material to comment on the excesses of the rich while Cruel Intentions is all about style.

And, to be honest, while Dangerous Liaisons is undoubtedly the better film, Cruel Intentions is a lot more fun.  I first saw Cruel Intentions shortly before I started my sophomore year of high school and I excitedly thought to myself, “So this is what high school is going to be like!”  Well, unfortunately, it turned out that I was wrong but oh well!  (Though, in all fairness to the film, I went to a public high school in the suburbs of Dallas as opposed to a rich private school in New York.)  The movie still a lot of fun, even if it didn’t quite match up with reality.  Everything from the costumes (I absolutely LOVED every single outfit that Sarah Michelle Gellar wore and, even before it was revealed to be full of cocaine, that cross necklace was to die for) to the ornate sets to the wonderfully melodramatic and self-aware performances — it all works towards creating a vivid and engrossing alternative universe.

So no, don’t take Cruel Intentions seriously.

Just enjoy the dance while it lasts.

cruel-intentions

Tomorrow, embracing the melodrama enters the 21st Century!

Embracing the Melodrama #38: High Stakes (dir by Amos Kollek)


High Stakes

Yesterday, I said that Dance or Die was the most obscure film that I would be reviewing for this series of melodramatic film reviews.  Well, I may have spoken too soon.  Originally, I was not planning on reviewing the 1989 film High Stakes for this series.  Until a few nights ago, I had never even heard of it.  However, I watched it late last night and I realized immediately that I had to include it in this series.

High Stakes is one of those odd, older films that occasionally pops up as filler on Encore, playing in between showings of movies that people have actually heard of.  When I first came across this film listed in the guide, it was mentioned that High Stakes was Sarah Michelle Gellar’s film debut.  However, before all of my fellow Buffy fans get all excited, they should be aware that Sarah was only 12 years old when she appeared in High Stakes and she spends most of her screen time going, “Mommy!”  If not for her name in the credits, you would never suspect that the little girl playing Sally Kirkland’s daughter would later grow up to play one of the most iconic characters in film history.

Sarah plays the daughter of Bambi (Sally Kirkland), an aging New York-based prostitute and stripper who works for the demonic pimp Slim (Richard Lynch).  Bambi hates her life but she does what she has to do to support her daughter.  One night, Bambi finds a man passed out in the garbage across the street from her apartment.  That man is John Stratton (Richard LuPone), a crooked stock broker who has recently grown disillusioned with his greed-fueled life.  John is laying in the garbage because he’s just been mugged.  Despite her natural instincts, Bambi takes sympathy on John and allows him to come up to her apartment.  John and Bambi start to talk about their respective lives, just to have the conversation interrupted by one of Slim’s henchmen showing up at the apartment and demanding money.  John and the henchmen get into a physical altercation and soon, he and Bambi find themselves on the run with $4,000 of Slim’s money.

As directed by Amos Kollek, High Stakes is essentially two different stories.  One of which is rather conventional thriller, in which John and Bambi have to escape from Slim.  The thriller elements are rather predictable, distinguished only by Richard Lynch’s notably unhinged performance.  The other part of the film is the opposites-attract love story between John and Bambi and these scenes work a lot better.  LuPone and Kirkland have a lot of a chemistry and some of the best moments in the film are the ones where the characters simply talk about their different lives.  Kirkland, in particular, does a good job and she manages to bring some unexpected shadings to a stock role.  She’s especially good in her scenes with Sarah Michelle Gellar, radiating a very natural maternal instinct.  By the end of the film, you truly like Bambi and root for her.  Despite all of my natural expectations, High Stakes turned out to be a rather sweet and touching film.

High Stakes may be an obscure film but it’s definitely one to keep an eye out for the next time it shows up on Encore.

Sarah Michelle Gellar and Sally Kirkland in High Stakes

Sarah Michelle Gellar and Sally Kirkland in High Stakes

That concludes the 80s.  Tomorrow, we’ll start in on the 90s.

Horror On TV: The Unaired Pilot of Buffy the Vampire Slayer


When I first decided that I wanted to devote some of October to horror-themed television, I knew i wanted to feature a few episodes of Buffy the Vampire Slayer.  After all, Buffy is one of the most acclaimed and influential shows of all time.  On a personal note, the show started when I was 12 and it ended right before my senior year of high school.  As a result, Buffy was a show that I watched during some of the most emotionally turbulent years of my life and, as a character, Buffy Summers was the type of role model that I needed.

However, what i quickly discovered was that there really aren’t any full length episodes of Buffy on YouTube.  There’s plenty of fanvids.  There’s a lot of music videos featuring clips of Angel and Buffy staring soulfully at each other.  But, because of copyright issues, there aren’t any full-length episodes available on YouTube.

However, there is the unaired pilot.

This was a 30-minute “sample” episode of Buffy the Vampire Slayer that was written and directed by Joss Whedon in 1996.  The episode was never meant to be televised.  Instead, it was a tool that Whedon used to pitch the concept of Buffy to the networks.

So, since I couldn’t find Hush on YouTube, here’s the 1996 unaired pilot of Buffy the Vampire Slayer.

My 2012 Emmy Nominations


So, for the past few days, I’ve been happily hopping around my section of the Shattered Lens Bunker and do you know why? 

Because it’s awards season, that’s why!  With the conclusion of the 2011-2012 TV season, Emmy ballots have been mailed and votes are being cast and, come July, we’ll know which shows and performers have been nominated for the 2012 Emmys. 

Before that happens, however, I would like to play a little game called “What if Lisa Was Solely Responsible For Picking the Nominees.”  Here’s how it works — I looked over and studied the complete list of the shows and performances that have been submitted this year for Emmy consideration.  And then, from that list, I picked my personal nominees.

(A complete list of every show and performer that’s been submitted for Emmy consideration can be found here.)

Below are my personal nominations in the major Emmy categories.  Again, note that these are not necessarily the shows and performers that I believe will be nominated.  Instead, these are the shows and performers that I would nominate if I was solely responsible for picking the nominees.

A complete list of my nominations in every single Emmy category can be found here.  (And yes, there’s a lot of Lifetime on the list.  There’s also a lot of Community.)

Best Comedy Series

Bored to Death (HBO)

Community (NBC)

Girls (HBO)

It’s Always Sunny In Philadelphia (FX)

Parks and Recreation (NBC)

Raising Hope (Fox)

Veep (HBO)

Best Drama Series

Boardwalk Empire (HBO)

Breaking Bad (AMC)

The Client List (Lifetime)

Downton Abbey (PBS)

Game of Thrones (HBO)

Homeland (Showtime)

Pan Am (ABC)

Ringer (The CW)

True Blood (HBO)

The Walking Dead (AMC)

Outstanding Miniseries or Movie

Blue-Eyed Butcher (Lifetime)

Cyberbully (ABC Family)

Drew Peterson: Untouchable (Lifetime)

Five (Lifetime)

Girl Fight (Lifetime)

Hatfields & McCoys (History Channel)

The Hour (BBC America)

Of Two Minds (Lifetime)

Outstanding Variety Series

Conan (TBS)

Fashion Police (E)

Key and Peele (Comedy Central)

The Soup (E)

Tosh .O (Comedy Central)

Outstanding Variety Special

Betty White’s 90th Birthday Party (NBC)

Celtic Women: Believe (PBS)

The Comedy Central Roast of Charlie Sheen (Comedy Central)

TV Land Awards (TV Land)

Wendy Liebman: Taller on TV (Showtime)

Outstanding Nonfiction Special

Bobby Fischer Against The World (HBO)

Catholicism: Amazed and Afraid (PBS)

Crime After Crime (OWN)

God Is The Bigger Elvis (HBO)

6 Days To Air: The Making of South Park (Comedy Central)

Outstanding Nonfiction Series

America in Primetime (PBS)

American Masters (PBS)

America’s Most Wanted (Lifetime)

Beyond Scared Straight (A&E)

Inside Story (Biography)

Outstanding Reality Program

Antiques Roadshow (PBS)

Dance Moms (Lifetime)

Kitchen Nightmares (Fox)

Scouted (E)

Storage Wars (A&E)

Outstanding Reality-Competition Program

The Amazing Race (CBS)

The Bachelor (ABC)

Big Brother (CBS)

The Celebrity Apprentice (NBC)

Hell’s Kitchen (Fox)

Project Runway (Lifetime)

So You Think You Can Dance (Fox)

Survivor (CBS)

Outstanding Lead Actor In A Comedy Series

Larry David in Curb Your Enthusiasm (HBO)

Johnny Galecki in The Big Bang Theory (CBS)

Danny McBride in Eastbound and Down (HBO)

Joel McHale in Community (NBC)

Lucas Neff in Raising Hope (Fox)

Jason Schwartzman in Bored To Death (HBO)

Outstanding Lead Actor In A Drama

Steve Buscemi in Boardwalk Empire (HBO)

Bryan Cranston in Breaking Bad (AMC)

Jeffrey Donavon in Burn Notice (USA)

Damian Lewis in Homeland (Showtime)

Andrew Lincoln in The Walking Dead (AMC)

Timothy Olyphant in Justified (FX)

Outstanding Lead Actor In A Miniseries or Movie

Idris Elba in Luther (BBC America)

Rob Lowe in Drew Peterson: Untouchable (Lifetime)

Steven Weber in Duke (Hallmark Movie Channel)

Dominic West in The Hour (BBC America)

Ben Whishaw in The Hour (BBC America)

Outstanding Lead Actress In A Comedy

Zooey Deschanel in New Girl (Fox)

Lena Dunham in Girls (HBO)

Tina Fey in 30 Rock  (NBC)

Julia Louis Dreyfuss in Veep (HBO)

Mary-Louis Parker in Weeds (Showtime)

Martha Plimpton in Raising Hope (Fox)

Outstanding Lead Actress in a Drama

Claire Danes in Homeland (Showtime)

Sarah Michelle Gellar in Ringer (The CW)

Jennifer Love Hewitt in The Client List (Lifetime)

Julianna Margulies in The Good Wife (CBS)

Elizabeth McGovern in Downton Abbey (PBS)

Anna Paquin in True Blood (HBO)

Outstanding Lead Actress In A Miniseries or Movie

Kristin Davis in Of Two Minds (Lifetime)

Anne Heche in Girl Fight (Lifetime)

Rose McGowan in The Pastor’s Wife (Lifetime)

Emily Osment in Cyberbully (ABC Family)

Sara Paxton in Blue Eyed Butcher (Lifetime)

Outstanding Supporting Actor In A Comedy Series

Charlie Day in It’s Always Sunny in Philadelphia (FX)

Danny DeVito in It’s Always Sunny In Philadelphia (FX)

Donald Glover in Community (NBC)

Nick Offerman in Parks and Recreation (NBC)

Danny Pudi in Community (NBC)

Matt Walsh in Veep (HBO)

Outstanding Supporting Actor In A Drama

Bruce Campbell in Burn Notice (USA)

Peter Dinklage in Game of Thrones (HBO)

Giancarlo Espositto in Breaking Bad (AMC)

Michael Pitt in Boardwalk Empire (HBO)

Michael Shannon in Boardwalk Empire (HBO)

Alexander Skarsgard in True Blood (HBO)

Outstanding Supporting Actor In A Miniseries or Movie

Powers Boothe in Hatfields and McCoys (History Channel)

Justin Bruening in Blue-Eyed Butcher (Lifetime)

Mark-Paul Gosselaar in Hide (TNT)

Sir Roger Moore in A Princess For Christmas (Hallmark Movie Channel)

Tony Shalhoub in Five (Lifetime)

Outstanding Supporting Actress In A Comedy

Alison Brie in Community (NBC)

Kristen Chenoweth in GCB (ABC)

Anna Chlumsky in Veep (HBO)

Gillian Jacobs in Community (NBC)

Cloris Leachman in Raising Hope (Fox)

Aubrey Plaza in Parks and Recreation (NBC)

Outstanding Supporting Actress in Drama

Christine Baranski in The Good Wife (CBS)

Kristen Bauer Von Straten in True Blood (HBO)

Kelly MacDonald in Boardwalk Empire (HBO)

Christina Ricci in Pan Am (ABC)

Sophia Turner in Game of Thrones (HBO)

Deborah Ann Woll in True Blood (HBO)

Supporting Actress In A Miniseries or Movie

Tammy Blanchard in Of Two Minds (Lifetime)

Kaley Cuoco in Drew Peterson: Untouchable (Lifetime)

Lisa Edelstein in Blue-Eyed Butcher (Lifetime)

Jessica Lange in American Horror Story (FX)

Jena Malone in Hatfields and McCoy (History Channel)