4 Shots From 4 More Holiday Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Holiday Films

Bad Santa (2003, dir by Terry Zwigoff)

Bad Santa (2003, dir by Terry Zwigoff)

Elf (2003, dir by Jon Favreau)

Elf (2003, dir by Jon Favreau)

The Polar Express (2004, dir by Robert Zemeckis)

The Polar Express (2004, dir by Robert Zemeckis)

Four Christmases (2008, dir by Seth Gordon)

Four Christmases (2008, dir by Seth Gordon)

What Lies Beneath (2000, directed by Robert Zemeckis)


Claire (Michelle Pfeiffer) is a former cellist who is still struggling to recover from a serious car accident and who has been at loose ends ever since her daughter left for college.  Claire’s husband, Norman (Harrison Ford), is a scientist and a college lecturer.  After their neighbor, Mary (Miranda Otto), disappears, Claire becomes convinced that Mary’s husband (James Remar) did something to her.  Claire also becomes convinced that Mary’s ghost is trying to contact her, by appearing in the lake and filling the bathtub up with water whenever Claire isn’t looking.  Norman tells Claire that she’s imagining things and pushes her to see a therapist.  As Claire investigates, she discovers that Norman knows more than he’s letting on.

What Lies Beneath is a long and drawn-out ghost story that Robert Zemeckis made because he had time to kill while the filming of Cast Away was on hiatus so Tom Hanks could lose weight and grow a beard.  That this movie was not a personal project for Zemeckis is reflected in his direction, which is surprisingly impersonal for a Zemeckis film.  The film is a showcase for Michelle Pfeiffer, who gives a good performance as the emotionally fragile Claire and holds the film’s many disparate elements together.  Harrison Ford sometimes seems disinterested but his casting still pays off when Norman gets to say and do some things that you normally would never expect Harrison Ford to do.

I remember seeing this in a theater in 2000 and being surprised by the ending.  Looking back on it today, I just can’t believe that I sat through the entire movie.

Film Review: Cast Away (dir by Robert Zemeckis)


“WILSON!”

Seriously, I’m usually pretty well-behaved when I watch a movie but every time I see the 2000 film Cast Away, I find myself thinking, “Protect Wilson!  You must protect Wilson!”  And then, every time, I feel the sting of tears in my eyes as Wilson, with that red-face and that understanding attitude, goes floating away.

Wilson is a volleyball.  When a FedEx executive named Chuck Noland (played by Tom Hanks) finds himself stranded on a desert island, Wilson becomes his only companion.  A stain from Chuck’s bloody palm creates something that resembles a face on Wilson’s rubber surface and Chuck spends a lot of time talking to Wilson.  It’s how Chuck maintains his sanity, even as he loses weight, sheds most of his clothes, and grows a beard.

Chuck learns how to make fire.  He learns how to catch fish.  He is able to survive due to the supplies that he gathers from the FedEx packages that were being carried on the plane that crashed into the island.  But Chuck never stops dreaming of returning home to his girlfriend (Helen Hunt).  Eventually, Chuck finds the courage to try to make the journey back to civilization.  He brings Wilson with him but ultimately, this is something that Chuck is going to have to do on his own.  Of course, Chuck has failed to consider that he’s been gone for years.  He is presumed dead.  On the Island, time seemed like it was frozen.  For the rest of the world, life has continued.

Cast Away is a film that a lot of people, especially online film commentators, tend to criticize.  The complaint is usually that the film is essentially a commercial for FedEx, that it’s not believable that Tom Hanks could survive on that island for as long as he did, and that the film itself has a weak ending.  I’ll concede that the film does make FedEx look like the nicest corporation on Earth.  (FedEx’s CEO appears as himself, which should tell you something about how the company is presented.)  And I will admit that the film’s time-advancing jump cut, which abruptly takes Hanks from being clean-shaven and husky to being thin and bearded, does leave a lot of unanswered questions.  But I will always defend the film’s ending.  The film ends on a note of ambiguity but how else could it have ended?  Everyone thought Chuck Noland was dead.  His girlfriend had every right to get on with her life and, in fact, it would have been psychologically unhealthy for her if she hadn’t.  As for that final shot, it’s an acknowledgment that Chuck doesn’t know what lies ahead of him in the future.  All he knows is that he life isn’t over yet.  It’s a melancholy ending.  It’s a frustrating ending.  But it’s also the only way the film could have ended and therefore, it’s a perfect ending.

Cast Away is a film that I will always defend and it’s also a film that really only could have worked with Tom Hanks in the lead role.  He plays Chuck as being the ultimate everyman, an affable guy who was just trying to do his job and whose survival of the initial plane crash was largely due to luck.  Hanks is one of those actors who is instantly sympathetic and Cast Away uses his screen persona to good effect.  You want him to survive because he’s Tom Hanks.  He may be playing a character named Chuck Noland but ultimately, he’s Tom Hanks.  He survived being trapped in space.  Surely, he can survive being stranded on an island.  The majority of the film is just Hanks talking to himself.  This would have brought out the worst in so many actors but Tom Hanks makes it work.  And yes, he’ll bring tears to your eyes as he watches Wilson float away.  That’s the power of a good actor.

As for Wilson, I like to think that he washed up in Pensecola.  Recently, I played a little volleyball on a beautiful Florida beach.  Was that you, Wilson?

 

4 Shots From 4 Films: Special Tom Hanks Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Tom Hanks!  It’s time for….

4 Shots From 4 Tom Hanks Films

Big (1988, dir by Tom Hanks, DP: Barry Sonnenfeld)

Apollo 13 (1995, dir by Ron Howard, DP: Dean Cundey)

Cast Away (2000, dir by Robert Zemeckis, DP: Don Burgess)

Captain Phillips (2013, dir by Paul Greengrass, DP: Barry Ackroyd)

 

 

4 Shots From 4 Films: Special Bob Gale Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to screenwriter Bob Gale!  It’s time for….

4 Shots From 4 Films Written By Bob Gale

I Wanna Hold Your Hand (1978, dir by Robert Zemeckis, DP: Donald M. Morgan)

1941 (directed by Steven Spielberg, DP: William A. Fraker)

Used Cars (1980, dir by Robert Zemeckis, DP: Donald M. Morgan)

Back to the Future (1986, dir by Robert Zemeckis, DP: Dean Cundey)

Scenes That I Love: Michael J. Fox Invents Rock and Roll in Back To The Future


Today, the Shattered Lens wishes a very happy birthday to the great Robert Zemeckis.  Today’s scene that I love comes from Zemeckis’s 1985 film, Back to the Future.

Did you know that rock and roll was invented by a time traveler?  Well, let’s not overthink things.  Let’s just enjoy the scene.

4 Shots From 4 Films: Special Time Travel Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

*tick tick tick*  TIME!

4 Shots From 4 Time Travel Films

Beyond The Time Barrier (1960, dir by Edgar G. Ulmer, DP: Meredith Nicholson)

Back to the Future (1986, dir by Robert Zemeckis, DP: Dean Cundey)

12 Monkeys (1995, dir by Terry Gilliam, DP: Roger Pratt)

Primer (2004, dir by Shane Carruth)

Scenes That I Love: Back To The Future


Today would have been the 100th birthday of inventor and would-be automotive tycoon, John DeLorean.  Today’s scene that I love comes from 1985’s Back To The Future and it features DeLorean’s most famous contribution to world of driving (not to mention Doc Brown’s most famous invention, as well!).

Thank you, John DeLorean, for giving us a car so cool that it could travel through time.

Here’s The Trailer For …. Here!


The trailer for Robert Zemeckis’s latest technical experiment, Here, dropped today.  The film follows Tom Hanks and Robin Wright over the course of many decades and it uses de-aging technology to make them look younger.  The reaction online seems to be mixed, with some saying that Hanks and Wright look like wax figures of themselves.

Personally, I would have cast Hanks and Wright’s respective children as the younger versions of themselves but de-aging is the hot thing right now.

Here’s the trailer.  Judge for yourself.

4 Shots From 4 Films: Special Bob Gale Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to screenwriter Bob Gale!  It’s time for….

4 Shots From 4 Films Written By Bob Gale

I Wanna Hold Your Hand (1978, dir by Robert Zemeckis, DP: Donald M. Morgan)

1941 (directed by Steven Spielberg, DP: William A. Fraker)

Used Cars (1980, dir by Robert Zemeckis, DP: Donald M. Morgan)

Back to the Future (1986, dir by Robert Zemeckis, DP: Dean Cundey)