Retro Television Review: Miami Vice 4.14 “Baseballs of Death”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

I saw the title of this week’s episode and I immediately called my sister….

Episode 4.14 “Baseballs of Death”

(Dir by Bill Duke, originally aired on February 19th, 1988)

“Watch this with me,” I told Erin, “it’s a baseball episode!”

“It is?” Erin asked.

“Look at the title!”

I was excited.  I always like to find things that I can watch with my sister and, as we all know, she loves baseball.  She certainly loves baseball more than she loves tv shows about bombs that blow up when you step on them.

Unfortunately, it turned out that this episode was not about baseball.  Instead, it featured a bunch of bombs that blow up when you step on them.  According to this episode, those bombs are known as baseballs.  Sorry, Erin!  Honest mistake….

Misleading title aside, this is a really good episode.  It features Tony Plana as a Chilean diplomat who is trying to buy a shipment of weapons, including the explosive baseballs.  Plana is a chilling villain.  In fact, he’s the first villain of season 4 to actually feel dangerous.  When we first meet him, he’s coldly executing the girlfriend of a tabloid reporter.  Plana’s lack of emotion as he kills and plots to kill feels like a throwback to the soulless sociopaths who made the first season’s rogue gallery.  A very young Oliver Platt shows up as an arms dealer and his nerdy confidence adds to some comedy to what is an otherwise fairly grim episode.  Just as with Plana’s cold villainy, Platt’s cheerful amorality felt like a throwback to the first season.

Indeed, this entire episode felt like a return to what the show used to be.  After a season that’s involved televangelists, bull semen, UFOs, and Crockett getting married to Sheena Easton, it was nice to see an episode that actually felt like an episode of Miami Vice.  Director Bill Dule gave this episode a stylish and, at times, almost surrealistic feel.  Crockett was back to be a cynic.  Castillo stared at the floor and spoke through clenched teeth while Switek actually got to put his phone-tapping skills to good use.  In the end, Tony Plana may have been the villain but, in old school Miami Vice style, the majority of the blame was still put on the U.S. government.  The episode even ended with an exciting boat chase.  All this episode needed was Phil Collins on the soundtrack and it could have passed for something from the first two seasons.

Season 4 has been uneven but this episode felt like classic Vice.  Erin thought the episode would have been better with actual baseballs and I agree with her that the title was misleading.  That said, this was still an enjoyable throwback to what the show used to be.

Late Night Retro Television Review: Degrassi High 2.13 “One Last Dance”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube and Tubi

Degrassi High comes to a close.  Here’s the final time we’ll be hearing this theme song.

Episode 2.13 “One Last Dance”

(Dir by Kit Hood, originally aired on February 11th, 1991)

With the end of term approaching, the students of Degrassi High are shocked to hear that their school will be closing.  The next year, everyone will be split up and going to different schools.  Lucy may have just been elected president of the student council but she’s never going to take office.

It’s sad news but at least the students get one last dance.

Joey and Caitlin finally get back together as the series come to a close, dancing in Degrassi’s gym.  Upon hearing some students discussing the rumor that one of their classmates is HIV+, an angry Dwayne finally admits that it’s him.  His “friend” Nick (George Chaker) refuses to speak to him.  His other friend, Tabby (Michele Johnson-Murray), finally gets over her fear and shares a dance with him.  Snake dances with Michelle.  Wheels shows up to the dance and I’m going to assume that he’s no longer homeless.  Arthur — remember when this show was all about Arthur? — is spotted dancing with someone.  The camera pans over all of the students in the school’s gym, sharing some final moments as they prepare to end one chapter of their life and start another.  It’s a low-key but effective ending for the show.  It helps that the we’ve gotten to know the characters so well.  Degrassi High didn’t need to burn down the school to have an effective ending.  It just needed to get everyone together in the gym.

However, it was not the end of the franchise, not hardly.  A year after Degrassi High ended, School’s Out would air and our characters would be given temporary (and, in some cases, rather tragic) closure.  I’ll take a second look at School’s Out next Sunday. And then, a decade or so later, a new generation would become students at Toronto’s most famous learning center.  Degrassi: The Next Generation is coming soon!

Brad reviews AMERICAN OUTLAWS (2023)!


AMERICAN OUTLAWS is a 2023 crime drama inspired by the true story of the Dougherty siblings, Dylan (Emory Cohen), Lee-Grace (India Eisley), and Ryan (Sam Strike). Starting in Florida, the film follows the three siblings, who, facing potential prison time, embark on a desperate cross-country crime spree in 2011. Dylan, the older brother, leads the trio, with Lee-Grace, a former stripper battling drug addiction, and Ryan, a soon-to-be father at risk of returning to prison for a parole violation. Their plan is to flee to Costa Rica for a fresh start, but their journey spirals into chaos after Dylan escalates a routine traffic stop by shooting at police, leading to a series of bank robberies and an eight-day manhunt. The film explores their loyalty and reckless pursuit of freedom, set against a backdrop of poverty, ultimately culminating with their capture, and collective jail sentences of 179 years in prison.

AMERICAN OUTLAWS, written and directed by Sean McEwen, is a mixed bag, but I definitely enjoyed watching it. It’s a low-budget, ambitious B-movie, but it’s also somewhat a victim of its budget. On the positive side, McEwen creates a gritty feel, particularly during the car chases, shootouts and various criminal acts. He also incorporates real news footage that adds authenticity and grounds the story in a specific date and time. The cast, led by India Eisley’s uninhibited portrayal of Lee-Grace, delivers committed performances, with Emory Cohen and Sam Strike capturing the siblings’ desperate bond. On the negative side, the low budget is also quite evident at times. You can’t help but wonder what McEwen could have done with more money to throw at the production. He’s clearly a talented filmmaker, and I’m looking forward to watching his future projects.

I did want to note that AMERICAN OUTLAWS is the final role of actor Treat Williams, who would pass away in a tragic accident on June 12th, 2023. The actor, who would have roles in classic films like Sidney Lumet’s PRINCE OF THE CITY (1981) and Sergio Leone’s ONCE UPON A TIME IN AMERICA (1984), adds gravitas as Agent Jameison R. Donovan, though his screen time is limited. His five decade career doesn’t end on an extremely high note, but it’s still a joy to see him in a solid, authoritative role. 

Ultimately, AMERICAN OUTLAWS is a solid thriller that gets by on a committed cast and a true-crime story, but it isn’t able to fully capitalize on its premise due to budget limitations. It’s worth a watch for fans of gritty crime dramas. Just be sure to keep your expectations in check. 

Retro Television Review: Homicide: Life On The Street 3.20 “The Gas Man”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the third season of Homicide comes to an end.

Episode 3.2o “The Gas Man”

(Dir by Barry Levinson, originally aired on May 5th, 1995)

The third season of Homicide was coming to an end and NBC was dragging its heels as to whether or not it would renew the show.  Homicide was critically acclaimed but its ratings were low, despite the efforts to make the show more audience-friendly during the third season.  Producer Barry Levinson grew frustrated with NBC’s refusal to tell him whether or not the show would be renewed.  Feeling that show was probably over, Levinson and showrunner Tom Fontana decided to do something truly radical.  They crafted a series finale that sidelined most of the major characters.

Instead, The Gas Man focuses on Victor Helms (Bruno Kirby) and his best friend, Danny Newton (Richard Edson).  Helms has just gotten out of prison, where he served six years after a gas heater he installed malfunctioned and caused the death of one of his customers.  Helms blames Frank Pembleton for the loss of both his freedom and his family.  (After getting released, Helms tries to talk to his teenage son but is rejected.)  Helms and Newton follow Pembleton across Baltimore, watching as he goes to work and to a fertility clinic.  While Pembleton is investigating the murder of a fortune teller, Helms and Newton sneak onto the crime scene and find both the murder weapon and the fortune teller’s severed head.  Helms takes both of them home and sends pictures to the Baltimore Sun, trying to taunt Pembleton.  Both the Sun and Pembleton assume its a hoax.  Eventually, Helms makes his move and, even with a knife to Pembleton’s throat, he realizes that he doesn’t have it in him to commit a cold-blooded murder.  He starts to cry.  Pembleton arrests him.  Life goes on.

This was an interesting episode.  The first time I saw it, I was a bit annoyed that the focus was taken off the lead characters.  But the more I think about it, the more I appreciate what Levinson was going for.  With this episode, he shows us what happens after the investigation and the conviction.  Victor Helms is angry because he feels, perhaps with some justification, that he was unfairly charged and convicted.  He’s obsessed with Pembleton but it’s clear that Pembleton doesn’t even remember him.  For Pembleton, arresting Victor Helms was a part of his job, nothing more.  For Helms, it was the moment that his entire life collapsed.  Bruno Kirby and Richard Edson both gave good performances as Helms and Danny.  Kirby captured Helms’s obsession but he also gave us some glimpses of the man that Helms used to be.  As portrayed by Edson, Danny’s loyalty to his friend was actually kind of touching.

Of course, it turned out that this episode was not the series finale.  Homicide would return for a fourth season, without Daniel Baldwin or Ned Beatty.  We’ll start season four next week!

Song of the Day: Rip Her To Shreds by Blondie


She thinks she’s Brenda Starr/her nose job is real atomic….

I love this song.  It makes me regret that I was born to late to experience New York in the 70s.  “She’s do dull …. rip her to shreds,” is a favorite expression of mine, one that gets me strange looks from people who are not familiar with this song.

Oh well.  I can live with the looks!

Music Video Of The Day: Summer Girl by HAIM (2019, dir by Paul Thomas Anderson)


What happened to summer this year?  Seriously, it’s just kind of flying by.  We’ve got August and then the first half of September and then it’s going to be Autumn again!  Get out there and enjoy yourselves while you still can!

Today’s music video of the day is all about summer.  It captures a few essential truths.  Number one, it’s fun to get undressed in public.  Number two, if you take off enough clothes while walking down the street, some dude with a saxophone will undoubtedly start following you.  What I like about this video is how everyone is both intrigued and annoyed by the saxophone player.  This is a video that just captures what it’s like to be young and have your entire future ahead of you.  It also captures the feeling of summer!

(On a personal note, the Haim sisters remind me of the Bowman sisters, except we’re four and they’re three.)

This video was directed by Paul Thomas Anderson, who apparently has directed a few films as well.  No, not the Resident Evil films.  That’s a different Paul Anderson, all together.

Enjoy!

Late Night Retro Television Review: Good Morning Miss Bliss 1.3 “Wall Street”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

This week, Miss Bliss makes the mistake of trusting her students.  Zach Morris also learns a lesson about the Stock Market.  Mr. Belding learns better than to try to be nice to Miss Bliss.  It’s quite an episode!

Episode 1.3 “Wall Street”

(Dir by Burt Brinckerhoff, originally aired on December 14th, 1988)

Mr. Belding is concerned.  Miss Bliss is teaching her class a lesson about Wall Street.  Each of her students has donated $2 and the money has been used to buy a safe and dependable stock.  Belding doesn’t think that it’s good for the students to invest real money but, as usual, Miss Bliss just smirks away his worries.

However, Zach needs $300 to pay for a video camera that he damaged.  With the help of his friend Mickey (Max Battimo), Zach breaks into the classroom, gets on the computer, and invests the class’s money in potatoes.  He buys the stock on margin.  So, of course, when the stock tanks, Miss Bliss ends up owing $1,500.

“You just cost me my new car!” Miss Bliss angrily exclaims.

What car was Miss Bliss going to buy for $1,500?  It sounds like maybe they did Miss Bliss a favor, to be honest.

Miss Bliss gets angry and storms out of her classroom.  Mr. Belding comforts her and tells her that she’s a good teacher.  He jokes that something even worse will probably happen in the future.  Miss Bliss snaps that he should have just said, “I told you so.”

This exchange between Mr. Belding and Miss Bliss gets right to the heart of why I can’t stand Miss Bliss.  Mr. Belding is trying to help.  He compliments her.  He tells her that this sort of thing happen to every teacher.  He attempts to lighten the mood with a joke.  And Miss Bliss snaps at him.  Miss Bliss is someone who has no problem dismissing everyone else’s problems but, once something goes wrong for her, the entire world is supposed to stop.  Mr. Belding didn’t say “I told you so,” because Mr. Belding isn’t a condescending know-it-all, unlike a certain teacher who no longer afford a new car.

I liked this episode.  The overwhelming smugness of Miss Bliss meets the overwhelming self-absorption of Zach Morris.  The end result is Miss Bliss doesn’t get a car but she does get a bag of potatoes.  Miss Bliss even forgives her students for stealing from her.  To be honest, Zach is in the 8th Grade and most 8th Graders know better.  Add to that, Zach sneaks into the school to buy those potatoes.  Again, this is not typical 8th Grade behavior.  It might be time to get this kid some professional help because God knows what he’s going to be like when he reaches high school….

Lisa Marie’s Week In Television: 7/27/2025 — 8/2/2025


Big Brother 27 (24/7, CBS, Paramount, Pluto TV)

I’ve been writing about Big Brother over at the Big Brother Blog.

Diff’rent Strokes (Tubi)

On Sunday morning, I watched an episode in which Mr. Drummond was being sued by an employee who had lost out on a promotion because Drummond felt he had a responsiblity to give the promotion to a black executive.  At first, Willis was all in favor of handing out jobs based on race but then, when he was cut from the school basketball team to make room for a white player, Willis realized that he was actually against Affirmative Action.

I followed this up episode up with a two-parter in which Arnold wore a wire to take down two bullies at his school.  Is that really something that the police needed to get involved with?  Of course, the middle school bullies did appear to be in their mid-20s so maybe it was a good idea to get the police involved.

On Monday, I watched an episode in which Mr, Drummond gave a promotion to a woman.  Willis was all like, “How can you promote a woman!”  Kimberly thought the woman was going to try to steal her father.  It was a dumb episode.  I’m probably not getting the plot right because I was bored.  I followed this up with an episode where Arnold wanted to join a football team but the football coach was a jerk.  Mr. Drummond told the coach off.  Then, I watched an episode where a baseball coach wanted to recruit Willis but Mr. Drummond didn’t approve of the coach’s tactics.  Mr. Drummond was kind of a busy body.

Gordon Ramsay’s Secret Service (Hulu)

Gordon Ramsay helped a restaurant that was owned by a woman and only employed women.  The owner said that her goal was to empower women.  So, of course, she brought in Gordon Ramsay to save the restaurant.  This restaurant had a dead rat in the kitchen.  Close that place down!

The Prisoner (Night Flight Plus)

I watched two more episodes on Saturday night.  Rover is my favorite character.

Untold: The Fall of Favre (Netflix)

I watched this Netflix documentary earlier today.  It was about how Brett Favre went from being a beloved football hero to a somewhat shady figure of scandal.  It really didn’t dive that deeply into the story but I guess it worked as a reminder that a celebrity’s public self is often far different from their private self.

Untold: Johnny Football (Netflix)

Johnny Manziel was trending on twitter for some reason so Erin and I decided to watch this Netflix documentary about him.  The documentary explored why Johnny Manziel failed to make much of an impression as a professional football player.  The main reason would appear to be that he was kind of dumb.

Untold: Malice at the Palace (Netflix)

This was a documentary about a brawl that broke out during a basketball game.  It was interesting to watch, even though I’m not really into basketball.  Both the fans and the players came across as being spoiled and immature.  I recognized Metta World Peace from his brief stint on Celebrity Big Brother.

Watched and Reviewed Elsewhere:

  1. 1st and Ten
  2. The American Short Story
  3. CHiPs
  4. Degrassi High
  5. Fantasy Island
  6. Freddy’s Nightmares
  7. Good Morning, Miss Bliss (Review will drop in 90 minutes)
  8. Highway to Heaven
  9. Homicide: Life On The Street
  10. The Love Boat
  11. Miami Vice
  12. Pacific Blue
  13. St. Elsewhere