This wonderfully atmospheric video is basically a mini-movie. I’m sure some would argue that you could say the same thing about all music videos but this video especially has the feel of being a wonderful feature length-film that happens to just have a 3-minute run time.
Enjoy!
Recently, I was shocked to discover that I had never reviewed the 2006 film, Save The Last Dance 2.
I mean, really, it seems like this is a film that I should have reviewed a long time ago. For one thing, it’s not only a dance film but it’s also a ballet film and, if you’ve been reading this site for a while, you know that I pretty much grew up going to dance class and doing pointe work and regularly injuring my ankle. Add to that, Saved The Last Dance 2 is a sequel to one of my favorite movies, the original Save The Last Dance. Really, why had I not already reviewed this film before tonight?
Well, some of it is because Save The Last Dance 2 isn’t very good. I mean, it’s basically a really forgettable sequel that lacks almost everything that made the original Save The Last Dance such a meaningful film. Oddly enough, despite preferring the original, I think I actually have watched Save The Last Dance 2 more times than I’ve watched the first film. For whatever reason, Save The Last Dance 2 is on Showtime constantly! It shows up early in the morning, when you’re still too tired to change the channel and you end up watching it because you’re lazy. This is a film that mocks you by both tarnishing the legacy of the first Save The Last Dance but by also reminding you that you don’t even have the willpower necessary to turn off the TV.
Save The Last Dance 2 continues the story of Sara, who has now been accepted to Julliard and who has broken up with her wonderful boyfriend from the first film. In the first film, Sara was played by Julia Stiles. In the second film, she’s played by Izabella Miko. On the one hand, Izabella Miko is far more convincing ballerina than Julia Stiles was. (Unlike Julia Stiles, Izabella Miko was a dancer who even studied at the School of American Ballet before she injured her back and decided to focus on acting instead.) On the other hand, Julia Stiles brought some needed edginess to the role whereas Izabella Miko is so constantly cheerful that it’s hard to really believe that the Sara in the sequel is the same Sara from the original film. Izabella Miko is likable as Sara but, in this sequel, the character has been robbed of everything that made her interesting in the first film. She’s just another cheerful teenager looking for success in an MTV Film.
Once Sara arrives at Julliard, she meets the usual collection of jealous classmates, demanding teachers, and quirky roommates. She also meets Miles (Columbus Short), a guest lecturer who is impressed by Sara’s hip-hop skills. Sara and Miles fall in love. Miles wants Sara to help him choreograph his next show but the demanding Monique Delacroix (Jacqueline Bisset) wants Sara to play the lead in Giselle. Playing the lead will demand all of Sara’s time and attention but it could also be her ticket to stardom. Unfortunately, it also means that she won’t be able to help out Miles, which this film portrays as somehow being the ultimate betrayal despite the fact that one assumes that Miles, being a guest lecturer on hip hop dance, knows more than one choreographer.
If the message of the first film was that Sara didn’t have to choose between loving ballet and loving hip hop, the message of the sequel is, “Actually, she does have to choose and she better pick the one that will allow us to put together a successful soundtrack.” It’s a bit depressing and hollow, to be honest. It goes against everything that made the first film special.
That said, I’ll probably watch Save The Last Dance 2 the next time I turn on the TV and it’s playing on Showtime. Changing the channel would require too much effort.
Jake Gorsky is a tough New York cop who flies a helicopter and who gets results …. HIS WAY! He’s also played by David Hasselhoff and, as a result, you never look at him and really buy the idea that he’s a tough New York cop who gets results …. HIS WAY! Instead, you just assume that he’s the Hoff, cheerfully making his way through yet another silly made-for-TV movie.
In Gridlock, criminals have blown up all of the bridges leading out of Manhattan! The entire borough is gridlocked! Why would they do this? Are they hoping to make a quasi-philosophical statement, like Bane in The Dark Knight Rises? No, of course not. (That, to be honest, didn’t even make sense when Bane did it.) Instead, it’s all a part of a plot to rob the Federal Reserve. How are they going to escape if they’ve blown up all the bridges out of town? That question is never really answered, or if it was, I was too blinded by the Hoffness of it all to notice. I assume that Mr. One (Miguel Ferandes) and Mr. Two (Gotz Otto) have a plan. I assume that there’s also a reason why almost all of the bad guys are bald. For that matter, many members of the police are bald as well. You know who isn’t bald? The Hoff.
Anyway, it turns out that the Hoff’s girlfriend, Michelle (Kathy Ireland), works in the Federal Reserve. She gives tours to tourists who presumably flock to New York to see “where they keep all the money.” Michelle is trapped in the building while the robbery is taking place. It’s up to the Hoff to sneak into the building, rescue Michelle, and prevent the robbery. This leads to a scene where the Hoff uses two bags of nickels to take out some henchmen. Woo hoo!
Of course, while watching this film, you have to wonder how the crooks possibly thought they could get away with robbing the Federal Reserve. I mean, let’s just ignore the fact that they blew up all the bridges out of town. How are you going to launder that much money? We’ve all seen Breaking Bad. We all know Walter White ended up with a pile of money that he essentially could never touch. It’s hard not to feel that it would have been smarter for these crooks to just rob an ordinary bank. It also seems like there should have been a simpler way to commit their crimes than to blow up every bridge in Manhattan. How can these criminals be so smart and so dumb at the same time?
That said, you’re not really watching a film like this for the criminals or even the plot. You’re watching it because it features David Hasselhoff doing his thing. I wouldn’t exactly describe David Hasselhoff as being an actor with a particularly wide range but, when it comes to projecting an odd combination of earnest sincerity and mocking self-awareness, it’s hard to think of anyone who does it better. Much like William Shatner, the Hoff always leaves you wondering whether or not he’s actually in on the joke. Did David Hasselhoff realize he was appearing in a silly Die Hard rip-off (“Die Hard in an office building …. wait a minute, that’s just Die Hard!”) or did he earnestly call his agent and say, “Baywatch isn’t challenging anymore. I want to play a copy who doesn’t always follow the rules!” One gets the feeling that both possibilities are true.
Anyway, Gridlock is a made-for-TV movie from the 90s, which means no blood and no cursing. A lot of guns are fired but hardly anyone gets shot. I’ll give it a 6 out of 10, just for the Hasselhoff of it all.
I’ll refrain from getting too sentimental in my analysis. Life is pretty sweet right now.
It’s the Chemical Brothers. You know I love them.
Enjoy!
I didn’t watch much television this week. I was too busy watching movies! However, here’s some thoughts on what I did see:
Allo Alllo (PBS, Sunday Night)
Everyone’s trapped in a POW camp and having to pretend to be British airmen, incuding Yvette! However will they escape? At the end of Sunday’s episode, they were all still in the camp but I’m sure they’ll find a way out. This is one of the strangest shows that I’ve ever watched but, at the same time, I am eager to see how it all (eventually) works out.
American Idol (ABC, Sunday Night)
Yes, I watched all three hours of the finale on Sunday night. I’m not sure why because to say that I felt absolutely no emotional connection to this season of American Idol would be an understatement. Words cannot begin to express how little I cared about anything that happened over those three hours. Why was I watching? Was it nostalgia for a time when American Idol was a big deal? Was it just laziness on my part? Maybe I just wanted to see if I was correct in my prediction that Chayce Beckham would win because of the whole country music thing. I imagine all of those reasons are correct. I’m not going to think too much about it, to be honest. I was tired on Sunday night.
Anyway, Chayce Beckham did win so congratulations to him and congratulations to me for my above average predictive abilities. Yay!
Baywatch (Weekday evenings, H&I)
On Sunday, Baywatch started off with an episode in which a woman purchased a date with Mitch. Mitch took her sailing and, long story short, they ended up trapped on a deserted island. Fortunately, they were rescued by the end of the episode and they even found time to all in love. Yay! (By the way, Baywatch, Lina Wertmuller would like a word.) This was followed by an episode in which, due to a heat wave, the beaches were extra crowded and the lifeguards were extra busy. Complicating things was the President of the United States, who wanted to go jogging on the beach. Since this show was from the 90s, that means that the president was Bill Clinton. Yikes! Get that beach cleared!
Monday started off with an episode in which CJ’s mom came to visit the Baywatch crew and it turned out that she was being pursued by a murderous gambler. It was actually one of the silliest episodes of this show that I’ve ever seen. This was followed by a much better episode that featured all of the lifeguards competing for a chance to take part in an Ironman competition. Once again, the main goal was to defeat a group of arrogant Australians. What did Baywatch have against Australia? The episode ended with all of the lifeguards — American and Australian — diving underwater and lifting up a submerged car, which they then pushed out of the ocean and back onto the beach! It was just ludicrous enough to be brilliant.
Tuesday started off with yet another earthquake episode, along with a storyline about one of the new lifeguards posing for Playboy, which I assume was only included to help promote an issue of Playboy featuring that particular actress. It was dumb. This was followed by an episode in which lifeguards trained to become firefighters and firefighters trained to become lifeguard and …. well, sad to say, it was pretty dumb too. However, Mitch did spend sometime dealing with a man who thought he was a vampire. Way to give Baywatch Nights a shout out!
On Wednesday, the first episode featured Mitch nearly dying after swimming through polluted water. Fortunately, he survived and, in the second episode, he was named Bachelor of the Month and got to pose with a bunch of models. Meanwhile, Stephanie got married and Caroline and Logan realized that they were never, ever getting back together.
On Thursday, the recently married Stephanie died while trying to sail a boat through a sudden ocean storm. It was shamelessly melodramatic and yet, I’ll be damned if it wasn’t emotionally effective as well. Whatever else you may say about David Hasselhoff on this show, he could deliver even the cheesiest of lines with a surprising sincerity. Of course, the episode featuring Stephanie’s death and funeral was followed by an episode where Mitch was invited to appear on a television talk show and it also featured Jay Leno as a guest star. That’s Baywatch in a nutshell, tragedy followed by Jay Leno.
On Friday, the first episode featured a ghost helping Caroline save a drowning child. The second episode featured a bunch of rival gang members setting aside their differences to learn CPR. Both episodes were as clumsily handled as they sound.
Finally, on Saturday, there was an episode that mixed a teen suicide storyline with an unrelated plot concerning CJ and Cody discovering a mermaid. Yes, a real mermaid. “Finally!” Cody exclaimed, “we can prove that mermaids are real!” “No,” CJ said, “that wouldn’t be fair to the mermaids!” In the end, everything worked out and, in its weird way, it was classic Baywatch.
Gangs of London (Sunday, AMC)
Nine episodes of this, I’ve watched so far, and I still don’t have the slightest idea what’s going on. But I do appreciate it as an exercise in pure style and Colm Meaney is convincingly intimidating whenever he shows up in flashbacks.
Hill Street Blues (Weekday Mornings, H&I)
Oh, Hill Street. It’s amazing how quickly this show went downhill during its final days.
On Tuesday morning, the two episodes that aired seemed to share a common thread — i.e., no one at the Hill Street precinct was particularly good at their job. The first episode featured a mob boss getting held hostage while the Hill Street cops stood around and smirked. And believe me, I get it. He’s a bad guy. He’s a mob boss. But still, he was under police protection when he got grabbed so maybe instead of smirking about it, why not give some thought to how you totally screwed up a simple assignment? The second episode featured Norman Buntz getting his finger chopped off by a loan shark. I enjoyed that, mostly because Buntz is such an annoying character. “My shy’s got a soda connection,” he told Capt. Furillo at one point during the second episode. I nearly threw a show at the TV.
At the start of Wednesday’s episodes, Buntz had gotten his finger reattached. He arrested the loan shark who was responsible for doing the chopping but, Buntz being Buntz, he still ended up shooting the guy. While this was going on, Grace Gardner — an incredibly annoying character from an earlier season — was debating whether or not to become a nun and Patrolman Patrick Flaherty, a new character, was chasing after her with an annoying grin on his face. To be honest, the first episode of the morning was a bit of a mess. Fortunately, the second episode was much better. Capt. Furillo struggled to come to terms with his father’s suicide while Detective Belker had nightmares about the apocalypse. It was all surprisingly well-handled.
Thursday morning brought two frustratingly uneven episodes. The first found the precinct’s cops on the verge of a race war after a white cop shot his black partner. It turned out that it was all linked to a bigger corruption scandal. Sam McMurray played the white shooter. It was an interesting story but, as usual, things got bogged with an unrelated Lt. Buntz plotline and, in the end, it was hard not to feel that the show had handled the topics of systemic racism and police corruption far more effectively in the past. The second episode featured Joyce getting held hostage by a criminal and, as I’ve said before, I always find hostage episodes to be a bit of drag. As well, there was an unrelated plotline about Patrick Flaherty trying to recover a stolen radio, which would have been interesting if not for the fact that Flaherty’s a remarkably uninteresting character.
On Friday morning, the first episode featured several of the policemen going on a hunting trip and …. well, that was about it. The second episode featured a few of the cops having to work as garbagemen while Sgt. Howard Hunter had to deal with his former second-in-command, Jack Ballentine, who had gone crazy and was shooting at people from an upstairs window. As usual, both episodes had their moments but got bogged down with unrelated Norman Buntz action.
Saturday morning’s episodes hit a nadir for me, as far as this show is concerned. The first episode featured a wacky misunderstanding plot, as Buntz got it into his head that Joyce was cheating on Captain Furillo. The second episode found Buntz in charge of the precinct for the day and encouraging all of his officers to basically violate the civil rights of anyone who might be carrying even the most miniscule amount of weed. By the end of these two episodes, I found myself wondering if the writers during the final two seasons were getting paid based on the number of lines they gave to Norman Buntz because it’s hard to deny that the show went from being an ensemble show to being all about him.
Intervention (Monday Night, A&E)
I watched two episodes on Monday night. The first episode was about an alcoholic. The second one was about a woman addicted to fentanyl and cocaine. As I’ve stated in the past, I never have as much sympathy for the alcoholics as I do for the drug addicts. The first episode was about a former hockey player named Dan whose catch phrase was “Oh golly golly.” Good to have a catch phrase when you’re putting your family through Hell, I guess. The second episode was about Elizabeth, who had all sorts of family tragedies to blame for her addictions. Hopefully, they’re both doing better now.
King of the Hill (Hulu)
On Thursday night, I watched two episodes of the greatest show ever made at Texas. In the first episode, the Hills celebrated the millennium. In the second episode, Peggy wrote Bobby’s flag essay for him. These were two classic episodes from a classic show.
Moone Boy (Sunday Night, PBS)
Desperate to find a way to get to school quicker without having to cut into any of his precious sleeping time, Martin Moone tears down the shoddily constructed wall in his family’s backyard. He’s briefly a school hero, until Liam and Debra notice all of the students walking through their backyard. It was a funny episode. I especially enjoyed the scene where Martin’s imaginary friend, Sean Caution Murphy, explained that Martin created him because Martin himself is cautious and doesn’t like to take risks.
“And what did you name me?”
“Sean Murphy, the most common name in Ireland!”
Open All Hours (Sunday Night, PBS)
Granville attempted to change his image by dressing up like some sort of weird mix of punk rocker and 70s disco king. He also ended up nearly hanging himself when his medallion got tangled up with the store’s singing. “Don’t just be hanging about!” Arkwright snapped at him. Granville survived, meaning that he could continue to spend many more miserable days working for his uncle and dreaming of freedom.
Seriously, Granville’s going to snap some day and it won’t be pretty.
Upstart Crow (Sunday Night, PBS)
Despite everyone telling him that Henry V is a much better subject, Shakespeare heads home to Stratford-Upon-Avon to work on a play about Henry VIII. Unfortunately, upon arriving, he discovers that his fearsome former school master is a Catholic! When Robert Greene and Kit Marlowe show up, Shakespeare has to figure out how to allow his teacher to conduct midnight mass without anyone noticing, Fortunately, Marlowe helps out by hiring a prostitute. It’s all a bit convoluted by funny. I’m Catholic and I laughed, largely because most of the jokes were at the expense of the Church of England.
Yes, Minister (Monday Morning, PBS)
Jim Hacker’s attempts to subsidize his local football club run afoul Sir Humphrey’s attempts to continue to subsidize the constituency’s little-visited art museum. I’ve often written about how Yes, Minister was a show that could appreciated by anyone because bureaucracy is a universal reality but all it takes is one episode centered around a football club to remind us that this is, at heart, a very British show. And, needless to say, a very funny one! Sir Humphrey, as usual, won the battle of the wills but Hacker still got some good publicity out of it. That’s the important thing.
Another version of this song and this video (also directed by Ruffmercy) can be found here.
It’s always a good day for something from The Chemical Brothers.
Enjoy!
It’s happening!
Seriously, any new music video from Saint Motel is cause for celebration. This is the first video to be released for The Original Motion Picture Soundtrack: Part Three and it would appear to involve A/J being stalked by an intergalactic admirer.
Along with A/J being chased by the UFO, be sure to keep an eye out for Dak driving a taxi and Greg and Aaron as two drunken revelers walking down the sidewalk.
Enjoy!
Ronald DeFeo, Jr. may not be a household name but he’s someone who was indirectly responsible for a lot of cinematic schlock.
Of course, that’s the least of DeFeo’s crimes. When the 69 year-old DeFeo passed away in March, he was serving a life sentence in the state of New York. That’s because, back in 1974, the 23 year-old DeFeo grabbed a rifle and killed his entire family while they slept. When he was brought to trial, DeFeo claimed that he heard Satanic voices that urged him to kill his parents and his siblings. His lawyers tried for an insanity defense, though the prosecution successfully argued that DeFeo was lying about the voices and that he was in full control of his actions on the night that he killed his family. After being convicted and sentenced to life imprisonment, DeFeo sometimes claimed that he had been possessed by the devil and sometimes said that he committed the murders in self-defense and then other times, he said that he did it because he was hoping to inherit his father’s money. Out of all the excuses that he gave for his brutal crimes, DeFeo’s claims of being demon-possessed were the claims that everyone remembered.
Years later, the DeFeo house — which sat in Amityville, New York — was purchased the George and Kathy Lutz. The Lutzes made a small fortune by claiming that the house was haunted and that they had been forced to leave their new home by demonic spirits. (Their claims were apparently supported by paranormal investigators Ed and Lorraine Warren of Conjuring fame.) The Lutzes told their story to Jay Anson, who wrote a book called The Amityville Horror. That book was later turned into a movie and the success of that movie led to a series of sequels and spin-offs. At last count, there’s been at least ten books written about the Amityville case and there have been 30 films that, in one way or another, claim to be connected to the Amityville haunting. Few of those films share much, other than a haunting and the word “Amityville” in the title. There’s not a great deal of continuity to be found in the Amityville films.
One of the latest of the Amityville films, 2018’s The Amityville Murders, deals with the actual murders that supposedly started off the whole cycle of possession and violence. (1982’s Amityville II: The Possession also dealt with the murders, albeit with Ronald DeFeo renamed Sonny Montelli. Two of the stars of that film — Burt Young and Diane Franklin — appear in The Amityville Murders.) John Robinson plays the bearded and withdrawn Ronald DeFeo, Jr. Chelsea Ricketts plays his concerned sister. Paul Ben-Victor plays their abusive father. The film covers the general facts of the DeFeo murders while trying to have it both ways as to whether or not Ronald was in control of his actions. Ronald DeFeo is portrayed as being genuinely unbalanced but, at the same time, potentially demon-possessed as well. The talented John Robinson does a good job of playing Ronald and there’s a few effective shots of his looking unbalanced but, for the most part, there’s nothing here that you haven’t seen in a dozen other Amityville-influenced horror films. As well, since you know from the start that Ronald is going to end up murdering his family, there’s really not any suspense to be found in the film. Instead, the entire movie is just about waiting for Ronald to pick up that rifle and start shooting people, including two children. It’s more than a bit icky, to be honest.
Whenever it comes to an Amityville prequel, the main question is always just how stereotypically the DeFeos are going to be portrayed. It only takes five minutes for DeFeo, Sr. to admonish Ronald with, “Oh! Watch how you talk to your mother!” Every cliché about Italian-American family life is present in The Amityville Murders, from the father hulking around in his undershirt to the mother decorating the house with religious iconography to the superstitious grandmother. Watching the film, I found myself imagining Tony Soprano watching a cheap Amityville film and exclaiming, “Oh! The mouth on this fucking kid over here, like he’s possessed by the devil or something!” The Amityville Murders hints that the DeFeos themselves may have had mafia connections. Indeed, before he decided to blame demonic possession for his crimes, Ronald DeFeo, Jr. claimed that his family had been taken out by hitmen from New York.
This film was directed by Daniel Farrands, who also directed The Haunting of Sharon Tate and The Murder of Nicole Brown Simpson. The Amityville Murders is neither as well put-together as the Sharon Tate film nor as offensive as the Nicole Simpson film. It’s somewhere in between, just another link in the endless chain of Amityville films. I will say that I personally think Farrands is a talented director and I’d like to see what he could do with a budget and a decent script. The Amityville Murders has its share of impressive shots, even if the end result isn’t exactly the last word in Amityville horror.
About ten minutes into Mortal Kombat, there’s a title card that reads, “Earthrealm is on the verge of catastrophe….”
As soon as I saw it, I shouted, “Oh my God, this is one of those films!”
And indeed, it is. Mortal Kombat is one of those films that has a lot of mythology that doesn’t quite make sense but which the audience is expected to blindly accept because it’s Mortal Kombat. The main idea here is that, of the last few Mortal Kombat tournaments, Earthworld has lost nine of them and, if it loses for a tenth time, the rules state that Outworld will then be able to conquer Earthworld. What I want to know is who agreed to those stupid rules in the first place? Were they drunk at the time? Who decided on the ten-victory arrangement? Does it have to be ten victories in a row or do they just have to win ten times? If Earthworld wins the next tournmant, does everything reset or are we now in a position where we have to win every single tournament until the end of time? The film tells us that Raiden, the God of the Thunder, is the protector of Earthworld. Can we get a new protector because Raiden obviously sucks at his job.
Anyway, with an opening like that, you would think that Mortal Kombat would be all about the tournament but we don’t actually get the tournament in this film. We get a lot of combat (or should I say, “kombat”) because the champions of Outworld keep trying to kill the champions of Earthworld before the tournament. That sounds like cheating to me but whatever. All of the fighters have a special power, though some powers are more impressive than others. Kano (played by Josh Lawson) may be loud and obnoxious but he eventually learns how to shoot a laser beam out of his eye, which seems pretty nice until you consider that Liu Kang (Ludi Lin) can do all sorts of cool stuff with fire and Raiden can turn his hat into a freaking buzzsaw. Jax (Mehcad Brooks) loses his arms early on but then he gets some replacement arms that he can use to tear people in half. “These motherfuckers really work,” Jax says after savagely killing an opponent. Excuse me, Jax, but that was someone’s child.
The main character is Cole Young (Lewis Tan), who is a washed-up MMA fighter who gets a chance to save the world. Cole is a boring characters and his powers kind of suck too. After watching the film, I checked and I discovered that Cole is apparently not a character in any of the Mortal Kombat video games so I guess he was created to give the audience someone to relate to. But I would think that the audience would want to relate to someone who can actually do spectacular things as opposed to just standing around and whining about how his powers are inadequate.
The film’s big attraction is watching Sub-Zero battle Scorpion at the end. I’ve never even played Mortal Kombat and even I know who Sub-Zero and Scorpion are. That’s how much they’ve become a part of pop culture. Sub-Zero (who is played by Joe Taslim) is actually portrayed fairly well in the film. Taslim moves like a confident killer and, visually, the film comes up with some striking images of his ice-covered existence. If you’re only watching for the big Scorpion/Sub-Zero fight, be aware that it doesn’t happen until the very end of the film and it’s a bit anti-climatic. But Scorpion does say, “Get over here!” He says it in English despite all of his other dialogue being in Japanese and he shouts it at a character who is also never heard to speak English but whatever. It’s Mortal Kombat. They might be able to get away with not showing the tournament but there’s no way they could have gotten away with not using the line.
Mortal Kombat is pretty forgettable. It gets bogged down in story when its should just be concentrating on combat and the fights themselves are pretty rudimentary. There’s a lot of blood but not much imagination. I’m going to write a movie called Moral Kombat, which will just be three hours of Benedictines and Jesuits arguing with each other. I think it’ll be a hit.
It was a busy week and yet, I still found time to watch what was probably too much television. Here are my thoughts for this week:
Allo Allo (Sunday Night, PBS)
Trying to explain what happened on Sunday’s episode will not be easy but here goes. Having faked their deaths in the previous episode, the two British airmen were attempting to tunnel their way into a German POW camp. However, their tunnel ends up colliding with the tunnel of two other British airmen, who are attempting to dig their way out of the camp. In typical Allo Allo fashion, nearly every character on the show, whether British, German, or French, eventually ended up in the tunnel at the same time. When the tunnel collapses, everyone finds themselves in the POW camp. It was odd but funny, an enjoyably chaotic parody of movies like The Great Escape.
American Idol (Sunday Night, ABC)
I watched this week’s Final Four episode on the DVR and I have to admit that I fast forwarded through most of it. I just wanted to see who would make it into the top 3. Chayce, Willie, and Grace made it to the finale. Casey Bishop was eliminated. Because of the show’s weirdly rushed format, Casey didn’t get to say anything or even sing a goodbye song after being told that she had been rejected by America. Instead, the credits quickly flashed across the screen. It just didn’t feel right.
Of the final three …. well, I have no idea. In the past, it seems like Chayce would have won easily because of the whole country music thing but who knows? The judges seemed to really want the voters to pick Willie. Then again, the judges really just seemed to be going through the motions this season. There’s a real fear of being too negative. It’s not like the way it used to be when Simon hated everything and the other judges always seemed to be coming down from a coke binge.
Anyway, the finale is next week. I’m going to go ahead and predict that Chayce will win. I don’t know if I’m going to watch the finale or not. It’ll probably depend on what else is on at the time. (I refuse to set the DVR for the finale of a show that I know I’m going to forget about in two weeks.) It’s been a while since winning American Idol was really a big deal, to be honest. Maybe it would help if the show’s producers weren’t so determined to force everyone to sing sappy ballads.
Baywatch (Weekday Evenings, H&I)
The week in Baywatch got off to an extremely strange start on Sunday. The first episode featured Neely and Caroline competing for a modeling gig while Cody, Mitch, and Logan descended into the sewers to search for a mutant alligator. Neely got the gig and Mitch got the alligator. One thing that I did like about this episode is that the alligator was taken alive and donated to a zoo. The second episode featured a mysterious man trying to kill Logan, which led to Caroline wondering what it would be like if Charlie’s Angels were called in to save Logan’s life. Next thing you know, Caroline, Stephanie, and CJ were wearing wigs and bell bottoms and trying to solve the mystery of who was trying to kill Logan. Eventually, it was all revealed to be a dream. This was one of those meta episodes that Baywatch occasionally tried to do. Unfortunately, the show often struggled whenever it tried to be deliberately funny.
Monday was even stranger as the first episode opened with a bunch of lifeguard dragging a lifeless Hulk Hogan out of the ocean. Fortunately, they were able to bring Hogan back to life and, in order to thank them, Hogan and a bunch of wrestlers fought each other for charity. While that was going on, Stephanie was waiting to discover whether or not she had skin cancer. So, on the one hand, you had a very serious storyline about cancer and, on the other hand, you had a bunch of pro wrestlers yelling at each other on the beach. Fortunately, while Stephanie’s ultimate fate was left up in the air, the wrestlers raised enough money. Monday’s second episode featured Mitch sky-diving and this, of course, led to a lot of flashbacks to previous episodes, with some of the clips featured a totally different actor playing Mitch’s son because Baywatch was just like that. There were also some really weird green screen shots of David Hasselhoff with a bunch of fake clouds behind him. It also led to a lot of Hasselhoff voice over acting: “But if I’m unconscious, how can I know what’s happening? Am I dead?” (I may be remembering incorrectly but I thought this show already did a Mitch nearly dies while skydiving episode.) Fortunately, it turned out that Mitch’s death, much like the Charlie’s Angels episode, was just a dream.
On Tuesday, the first episode opened with Mitch trying to adopt a little girl who had never been on the show before. Eventually, I figured out that the episode was continuing a storyline that started on Baywatch Nights. In the end, Mitch did not go through the with the adoption and the little girl was sent to live with her grandparents in Iowa or Kansas or wherever it is that saintly grandparents tend to live. The second episode featured Mitch and Caroline trying to reunite a Vietnamese immigrant with her father. While they did that, CJ and Cody designed a special wheelchair so that a disabled friend would be able to roll across the sandy beach and experience the ocean firsthand. This led to a lot of shots of a sweaty, shirtless, and sexy David Chokachi handling a welding torch. Yum!
On Wednesday, the 1995 Baywatch “film,” Forbidden Paradise, was aired as a two-part episode. I reviewed it here.
Thursday started off with an odd episode, in which Stephanie discovered that she was cancer-free but, at the exact same moment she was getting her good news, a professional surfer was drowning and Logan was cheating on Caroline. It was a strangely philosophical episode but it did feature a surprisingly exciting rescue sequence. I think what made it work is that Michael Newman, who was an actual lifeguard, was the one doing the rescuing and you could tell that he actually knew what he was doing. The second episode featured Cody searching for Spanish gold and Newman, Logan, and Neely searching for a rat that was living in Baywatch headquarters.
Friday’s first episode started off with a new opening credits sequence that featured not only a bunch of new lifeguards but also the promotion of real-life lifeguard Michael Newman to the main cast. Yay, Newmie! The episode that followed featured Logan trying to make a movie about a killer shark and basically endangering everyone by filming with a real shark! At the end of the episode, Logan left Baywatch to become a director. Considering the number of people that Logan almost got killed during his time on the beach, I imagine the lifeguard were happy to see him go. The second episode found Mitch judging a beauty contest and having to deal with a new boss, Samantha Thomas (Nancy Valen).
Saturday’s episode featured an eccentric old man leaving CJ 4 millions dollars in his will and Hobie debating whether or not to get a tattoo. I have to admit that I didn’t pay much attention to it as I was preparing to host Saturday’s #ScarySocial live tweet.
The Brady Bunch (Sunday Morning, MTV)
I had this show playing in the background while I was cleaning around the house. I needed background noise to help me focus but I also needed something that I knew I would be in no danger of getting emotionally invested in. The adventures of America’s most annoying family fit the bill!
City Confidential (Thursday Night, Crime and Investigation)
The episode that I watched on Thursday night was about Boston and it told the story of a white man who claimed that two black carjackers had murdered his wife but who, it quickly became apparent, had actually committed the murder himself. With the city on the verge of a riot, he jumped off a bridge. It was a disturbing story and a far too common one.
Court Cam (Wednesday, A&E)
A&E’s stupidest reality show (and that’s saying something!) basically runs nonstop on Wednesdays. I watched two episodes on Wednesday afternoon and it was the typical collection of jocular judges, rude defendants, and teary-eyed victim statements, all breathlessly narrated by Dan Abrams. This show is basically like the 2021 version of those old “Totally Shocking Video” shows.
Fear Thy Neighbor (Saturday Afternoon, ID)
Fear Thy Neighbor is a true crime show that tells stories about neighbors who end up killing each other. On the one hand, it’s just as exploitive as it sounds. On the other hand, it does make you appreciate the neighbors who don’t try to kill each other. Whenever my neighbor gets on my nerves, I remind myself that at least he’s not one of the Fear Thy Neighbor neighbors.
Friends (Weeknights, Channel 33)
I watched Monday night’s episode. Monica was annoyed by Chandler’s fake laugh. Ross slept with the very annoying Janice. Chandler’s boss was played by the always-funny Sam McMurray. It was an okay episode, though I doubt it’s one they’ll discuss during the HBOMax reunion.
Gangs of London (Sunday nights, AMC)
I got caught up on Gangs of London this week, watching the three latest episodes (or, at least, the three latest episodes to be broadcast in the United States). I still struggle to follow the show and to keep track of who is working with who. That’s probably more due to me not watching on a regular basis than anything else. After watching the last three episodes, I’ve decided that Gangs of London works best as a parody of ultra-violent gangster epics. It’s all so over the top that it’s hard to believe that it was ever meant to be taken all that seriously.
One thing I did learn from watching the show is that Denmark apparently has a fearsome army. Who would have guessed?
Hill Street Blues (Weekday Mornings, H&I)
On Tuesday, the first episode of Hill Street Blues dealt with the aftermath of the murder of Officer Joe Coffey. Played by Ed Marinaro, Coffey had been a part of the show’s cast of characters since the first season and was at the center of many storylines. As such, you would think that the death of his character would be a big deal. Unfortunately, since Coffey had the misfortune of dying during the show’s sixth season, his death was mostly just an excuse for Lt. Norman Buntz to beat up a suspect and try to manipulate Coffey’s long-time partner into making an identification that she wasn’t sure about. The second of Tuesday’s episode featured more Norman Buntz drama as he found himself potentially being framed for the murder of another cop. Lindsay Crouse also joined the cast as a new police officer named Kate McBride who, in her first episode, got more screen time than people who had been there since the show began.
Wednesday’s first episode continued the trend of shining the spotlight on new characters as opposed to the old ones. Norman Buntz continued to threaten everyone he met. Kate McBride was accused of sexually harassing a prostitute and, though it turned out that the prostitute was lying, McBride did tell her partner, Lucy, that she was a lesbian. (The scene was so awkwardly handled that I was surprised McBride’s announcement wasn’t followed by a dramatic music cue.) Meanwhile, another new cop (played by a very young Chris Noth) tried to talk a man out of jumping off the ledge of a building. “Go ahead and jump but I don’t think you want to,” Noth said, right before the man jumped to his death. Whoops! The second episode of the morning found Detective Mick Belker reuniting with a former informant, Eddie, who died of AIDS at the end of the hour. The Belker/Eddie storyline was actually pretty effective and very well-acted by Bruce Weitz and Charles Levin. Unfortunately, it had to compete with space for scenes of Norman Buntz once again beating up suspects and Captain Furillo trying to decide whether or not to run for mayor. (The chief of police running for mayor makes sense and happens fairly frequently. But the captain of the city’s most notorious and troubled police precinct? It seems a bit less likely.)
The first of Thursday’s episodes featured Paul McCrane, who was suitable creepy as a serial killer who was captured by a group of angry citizens. This was also the last episode of season 6, as became obvious when the morning’s second episode featured completely different opening credits. (Jeff has warned me that Season 7 was even more Buntz-centric than Season 6. They probably should have renamed the show Hill Street Buntz.) The second episode featured an airplane crashing into the city, a briefcase full of cocaine getting stolen, and Buntz being held hostage. Buntz, it would seem, got held hostage quite frequently.
On Friday, the first episode featured Lt. Howard Hunter shooting a thief with a non-Department issued gun and being investigated by Internal Affairs as a result. As well, the public defenders office went on a work slow down to try to get better terms in a contract negotiation with the city. This led to Joyce Davenport getting into a physical altercation with a judge played by Jeffrey Tambor. It was actually a good episode, featuring a wonderful performance from James B. Sikking in the role of Hunter. The second episode, however, was a bit of a mess with the public defenders now on strike, Lucy introducing two new cops to life on the Hill, and Lt. Henry Goldblume abruptly going from being a bleeding heart liberal to being the type of cop who smirks while drawing a gun on a drug dealer. (The episode suggested that this was due to Buntz’s influence but Norman Buntz is exactly the type of cop that Goldblume hated just a few episodes ago. The real culprit was inconsistent writing.)
Finally, on Saturday, the first episode was another mixed bag. On the one hand, the episode featured a compelling storyline in which Capt. Furillio discovered that his recently-promoted, former second-in-command, Capt. Calletano, was struggling with running his new precinct. There was also a rather sweet moment where Assistant D.A. Irwin Bernstein admitted that he had a crush on Public Defender Joyce Davenport. However, there was also an incredibly icky storyline in which a new character, Officer Tina Russo, confessed that she had slept with a criminal (played by a youngish Chazz Palmenteri) while working undercover. And, of course, there was yet another largely pointless Norman Buntz storyline. The second episode was a mess. An old friend of Henry Goldblume’s got killed. (Doesn’t this happen every other episode?) Buntz glowered at everyone. Russo tried to defend her reputation even while the camera leered at her.
All in all, this show still has its moment but I’m glad that I’m nearly done with it.
Intervention (Mondays, A&E)
The first episode that I watched on Monday was a really old one, one that seems to get repeated rather frequently. Leslie is a soccer mom-turned-alcoholic whose children beg her to get help. As someone who grew up with an alcoholic parent, I have to admit that, whenever I see this episode, I have absolutely zero sympathy for Leslie. The episode aired in 2007 so her children are all adults now and I can only hope that they’ve managed to deal with the trauma that she put them through. Leslie did agree to go to rehab, though the show’s epilogue states that she relapsed a few times after getting treatment.
Leslie’s episode was followed by the story of Jason and Joy. Jason was a cocaine addict. His younger sister, Joy, was an alcoholic. As usual, I had more sympathy for the cocaine addict than I did for the alcoholic, which I guess suggests that I’m just biased against drunks. Fortunately, according to the episode’s epilogue, both Jason and Joy are now sober.
The third episode deal with hairstylist-turned-drug-addict Casey. To be honest, I cringed a bit when I saw that Ken Seeley was going to run her intervention because his interventions always seem to end in disaster. But, Casey actually agreed to get help for her addiction so yay! But the she left treatment early so boo! But then apparently, she got clean on her own so yay! As you can tell, the final three title cards were a real roller coater ride.
Later that night, I watched the two latest episodes of Intervention. Tim was a former MMA fighter turned addict. Shandra was an aspiring nurse turned addict. Both of them went to treatment, though Tim got kicked out after getting into a physical altercation with another patient. Let’s hope the best for them.
The Jetsons (Sunday Morning, MeTV)
I had this old cartoon playing in the background while I was cleaning the house on Sunday. George Jetson really was a whiny prick, wasn’t he?
Lauren Lake’s Paternity Court (Weekdays, Channel 33)
I watched two episodes on Tuesday because I’m a terrible person. Both episodes featured fairly trashy people so it was hard for me to really care about whether or not they stayed together.
Nobody drags out the relatively simple process of reading the results of a DNA test like Judge Lake.
Judge Lake: “Tell me about when you first got married….”
Actually, Judge Lake, why don’t you just open up the damn envelope and read the piece of paper inside?
Moone Boy (Sunday Night, PBS)
Sunday’s episode of Moone Boy centered around the Irish presidential election. It was nice to see that insane elections aren’t limited to the United States. At the end of the episode, Ireland elected it’s first woman president and Liam Moone helped to bathe the local fish monger. It’s a complicated story but the important thing is that everything worked out for the best.
The Office (All the Time, Comedy Central)
Product recall! Seriously, one of my favorite episodes ever. Michael calling that press conference is a classic Office moment. Angela’s inability to apologize is another great moment. I knew exactly what she was going through. I watched this episode of Thursday. It’s probably the 100th time I’ve seen this episode but I still laughed the whole time. It’s a classic.
On Friday, I watched three classic two-parters — Dunder Mifflin Infinity, Launch Party (“Lanch Party!?”), and Money. The scenes of Jim and Pam spending the weekend at Shrute Farms are some of my favorites from the entire series. (“Does Mose often have nightmares?” “Oh yes. Ever since …. the storm.”)
Open All Hours (Sunday Night, PBS)
On Sunday night’s episode, Arkwright was concerned that an old school chum named Chalky White was going to steal away Nurse Gladys Emmanuel. Arkwright’s worries turned out to be unfounded. He should have been more concerned about the fact that Granville is obviously only a few more insults away from snapping and blowing up the store.
Philly D.A. (Tuesday Night, PBS)
On Tuesday, I watched two episodes of the PBS docuseries, Philly D.A. This is a series that follows Philadelphia D.A. Larry Krasner over the course of his first term. The blandly smug Krasner is a progressive who is determined to reform the culture of Philadelphia law enforcement. The series follows not only him but also his critics and the prisoners he’s released and the families who have been effected by the crime of those prisoners. Like Parking Wars, this is a series whose main message seems to be, “For the Love of God, stay out of Philadelphia.”
And really, it should be interesting but the series is so extremely one-sided that it comes across as being propaganda. It’s so obvious that the series is on Krasner’s side that you never feel like you can trust it to give you the whole story and I say this as someone who strong believes that the criminal justice system does need to be reformed. I guess I shouldn’t be surprised, seeing as how this is a PBS production. Let’s just say that you’ll never see a similarly uncritical docuseries following the first term of a politician on the opposite side of the political divide.
(Interestingly enough, while I was watching this on Tuesday, Kraser was easily defeating a credible challenger in the city’s Democratic primary.)
Sabrina, The Teenage Witch (Sunday, Fuse)
Sabrina! Listen, I know that a lot of people enjoyed that Netflix series more than Case and I did but for me, the only true Sabrina is Melissa Joan Hart and the only true Salem is the one who could actually talk. I watched four episodes of Sabrina, The Teenage Witch on Sunday and they were all fun and, as opposed to the Netflix series, brightly lit.
Saved By The Bell (IFC, Monday Morning)
On Monday, I caught the infamous “All in the Mall” episode of Saved By The Bell. This is the episode in which the gang goes to the mall to buy tickets for the big U2 (?) concert but, because they’re stupid enough to trust Screech to be able to buy the tickets, everything gets screwed up. However, they do find a bag full of money. Unfortunately, two criminals want the money too! Or do they? It turns out that it’s all a set up for Totally Candid Video! The gang’s reward for appearing on the show? Tickets to the big U2 concert! Personally, I would have rather had the money.
Seinfeld (Channel 33, Weeknights)
On Monday’s episode, Elaine tried to put a clothing store out of business, Newman and Kramer competed to throw the bet millennium party (this episode was from the 90s, remember), and Jerry’s girlfriend of the week was played by Lauren Graham. It was a funny episode.
Upstart Crow (Sunday Night, PBS)
Alas poor William Shakespeare. All Shakespeare wants is a family coat of arms so that he and his father can be “posh” but the man who is in charge of handing out such honors is Robert Greene, who has always disliked the Shakespeares. Perhaps if Shakespeare can throw a successful dinner party for Kit Marlowe’s new best friend, a Moorish prince named Othello, he’ll be able to convince Greene that he deserves to be a gentleman. However, when Greene discovers that Othello has fallen in love with Kate, Greene plots to trick Othello into murdering (or, at the very least, attacking) Shakespeare. It’s all rather complicated (and, as usual, rather funny). Hopefully, someone will write a play about it.
Favorite moment from Sunday’s episode: Greene tricks Othello into thinking that Shakespeare has the handkerchief that Othello originally gave to Kate. Othello starts to lose his temper.
Greene: “Ah, the green-eyed monster….”
Othello: “Perhaps you’re right. Don’t want to jump to any conclusions.”
In the end, it’s revealed that Othello stole all of his amazing stories from Sir Walter Raleigh’s latest book and Kate breaks up with him. All’s well that ends well.
Yes, Minister (Sunday Night, PBS)
Even by the standards of Yes, Minster, Sunday’s episode was a dark and cynical one. Don’t get me wrong. It was funny but the laughter was somewhat uneasy. Jim Hacker discovered two things over the course of the episode. Number one, British-made weapons were being sold to Italian terrorists. Number two, there was nothing he could do about it. As Sir Humphrey explained it, telling the Prime Minister would lead to an inquiry and an inquiry would lead to the discovery of all sorts of government scandals and the end result would be the government falling, Jim losing his position, and the terrorists still receiving their weapons. In the end, even Jim decided that his career was more important than doing the right thing. At least in Jim’s case, he didn’t seem to be happy about it.
Halfway through this melancholy episode, Bernard asked Sir Humphrey if Jim was right about the civil service being amoral. Humphrey explained that, of course, Jim was right. The role of the civil service, Humphrey explained, was not to worry about right or wrong. The role of the civil service was to support whichever government happened to be in power. Having personal beliefs went against that. As I said, it was all pretty cynical but it was also definitely more believable than any of the good government propaganda that we tend to get here in the United States. Aaron Sorkin wishes he could have written something as effective as Sunday’s episode of Yes, Minister.
Zombie House Flipping (Saturday Morning, A&E)
No zombies. Not since The Floor is Lava have a I felt so deceived.
Through the Shattered Lens 