It’s Saturday the 14th. Celebrate surviving the latest Friday the 13th with this new music video from Purity Ring.
Enjoy!
It’s Saturday the 14th. Celebrate surviving the latest Friday the 13th with this new music video from Purity Ring.
Enjoy!

Happy Friday the 13th, y’all!
Usually, I am inevitably seem to end up spending Friday the 13th up at the Lake, sitting out on the deck of the lake house and suspiciously looking over at the nearby woods for movement. This week, however, I’m spending Friday the 13th at home so I should be safe!
(For the record, the Lake is next week.)
Anyway, everyone knows that Tuesday the 13th is a far more dangerous day than Friday the 13th but, for whatever reason, Friday the 13th is what gets all the attention. In fact, I’ve written several posts all about Friday the 13th. Here they are, for your reading enjoyment:
Friday The 13th: The Final Chapter
Friday the 13th: A New Beginning
Friday the 13th Part VII: A New Blood
Friday the 13th Part VIII: Jason Takes Manhattan
Jason Goes To Hell: The Final Friday
Friday the 13th: The Pointless Remake
12 Thing You May Not Have Known About Friday the 13th
My review of Camp Crystal Lake Memories!
Anyway, have a good Friday the 13th! I would tell you to stay out of the woods but …. you know what? We, as a society, need to be willing to take more chances. So, go into the woods. Skinny dip in the lake. Ignore the signs that say stay out. Make love in a deserted cabin. Smoke weed at the deserted summer camp. Laugh at the camp fire stories about Jason. Strip down to your underwear and then wander around in the rain as if that’s the most sensible thing that you’ve ever done. Yes, Jason might get you. But you also might have a lot of fun. It’s worth the risk.

As I’ve mentioned before, there’s a part of me that’s all sophisticated and all about discussing impressionism and classic literature and then there’s the other part of me, the part that just loves a good demolition derby! Guess which side this video appeals to.
Enjoy!
Believe it or not, Gasoline Alley is not that bad.
Don’t get me wrong. Gasoline Alley is definitely a pulpy film. The plot is full of twists and turns and it doesn’t always hang together. There’s more than a few holes to be found in the story. There’s also a few threads that are left hanging. Much as in real life, characters appear and then disappear almost at random. In many ways, the film plays out like a dream, a jumbled mix of concerns and ideas and images. The viewer is often left to figure out how to fit everything together on their own. Obviously, that type of approach won’t appeal to everyone but, for me, it was the perfect way to tell the film’s story. The world of Gasoline Alley often doesn’t make sense but neither does the world outside of your window. Gasoline Alley‘s mystery often feels like a jigsaw puzzle where someone has jammed pieces randomly into each square and then pounded on them until they managed to fit in the slots. It’s chaos but it’s an appropriate approach for a film that takes place in a chaotic world.
Gasoline Alley also one of the final films that Bruce Willis made before his retirement and, with all the rumors about whether or not Willis was pushed into spending the last few years of his career appearing in low-budget and B-movies, it’s often undeniably awkward to watch him in his final films. As is the case with almost all of Willis’s recent films, he doesn’t get much screen time in Gasoline Alley. He’s only in a handful of scenes and his dialogue is limited and delivered in a flat monotone. He plays a key character but much of what the character does and says occurs off-screen and is described to us second-hand. And yet, at the same time, Willis still has enough natural presence that his performance works as far as the basic needs of the film are concerned. He’s playing a character who is meant to be intimidating and Willis still has enough of that tough guy energy that his performance is effective.
Willis plays a homicide detective named Freeman. Freeman and his partner, Vargas (Luke Wilson), are investigating the murder of four prostitutes and their number one suspect is a tattoo artist named Jimmy Jayne (Devon Sawa). Jimmy’s father was a decorated police detective. His mother was a prostitute. Jimmy spent several years in prison for assault, though Jimmy claims that he was simply acting in self-defense. (“He came at me with a screwdriver,” Jimmy says, without further elaboration.) While he was in prison, Jimmy befriended an actor who was doing time for DUI. Having been released, Jimmy is now the tattoo artist to the stars. He has his own tattoo parlor, called Gasoline Alley. Because one of the murdered women was found with one of Jimmy’s personalized lighters on her body, Jimmy is a suspect. Jimmy, however, claims that he merely met her in a bar.
Jimmy starts to investigate the murders on his own and it quickly becomes clear that he’s a better investigator than either of the detectives who are on the case. Though Jimmy is trying to clear his name, he’s also determined to get justice for the murdered women, all four of whom appear to him as either ghosts or drug-induced hallucinations at a key moment in the film. Jimmy’s investigation leads him into the world of human trafficking, police corruption, and the darkest corners of the film industry. Indeed, one of Gasoline Alley‘s major points seems to be that everyone in Hollywood is corrupt. The actor who Jimmy saved in prison is a pretentious loser who, at one point, goes off on a rant that was obviously based on Christian Bale’s infamous Terminator meltdown. Meanwhile, the adult film industry is represented by a sleazy director who snorts cocaine, tells bad jokes, and throws parties that are almost exclusively populated by crooked cops. As one cop puts it, “He knows whose lives matter.”
Gasoline Alley has gotten terrible reviews but I think those reviews have more to do with the fact that this is a low-budget Bruce Willis flick than the film itself. Gasoline Alley is actually not bad at all. It’s an entertaining work of pulp fiction, a quickly-paced film that takes a look at how life is lived and lost in the shadows of “decent” society. Because he’s an ex-con, Jimmy is destined to be an outcast, regardless of how many stars come to him for their tattoos. But, at the same time, it’s Jimmy’s outcast status that allows him to infiltrate and understand the dark side of Los Angeles. It’s because Jimmy’s an outcast that he’s determined to get justice for the victims that respectable society would rather just ignore. Director Edward Drake fills the movie with images of neon-suffused decadence. The atmosphere may be sleazy but it’s also undeniably plausible. Luke Wilson does a good job playing Willis’s talkative partner but the film is stolen by Devon Sawa, who brings a mix of weary dignity and righteous fury to the role of Jimmy. Sawa has been through his own well-publicized troubles and perhaps that’s why he seems to instinctively understand why it’s so important that Jimmy not only clear his name but also get justice for those who have been victimized in the shadows. As played by Sawa, Jimmy is cynical and often tired but he still hasn’t given up his desire to make the world a better place.
No, Gasoline Alley is not a bad film at all. Instead, it’s a portrait of a harsh world and a look at the people who are simply trying to make it from one day to the next. Much like Robert Aldrich’s Kiss Me Deadly, Gasoline Alley is a journey through a brutal world where people get what they want at the cost of their own souls. It’s a film that, like many of the classic B-movies and film noirs of the 40s and 50s, will be rediscovered and better appreciated in the future.
I’ve heard at least one critic predict that Top Gun: Maverick will be a major Oscar contender. I don’t quite buy that but I do imagine that the soundtrack will get a major awards push. As performed by Lady Gaga, Hold My Hand feels very Oscar bait-y. We’ll see.
As for the song itself, it’s okay. It’s definitely not my favorite Lady Gaga song, largely because it was so obviously conceived as a way for the film to win an award. To me, it has a bit of a gospel feel and, as I think I’ve said in the past, I find gospel music to be the most boring type of music in existence. That said, Lady Gaga’s voice is amazing and she certainly sells this song.
Enjoy!
Why didn’t anyone tell me that Ghosts was so good!? Over the past few days, I’ve been watching it and loving it.
Anyway, here’s some more thoughts on my week in television!
Atlanta (Thursday Night, FX)
During this week’s funny but unsettling episode, Al got stoned in Amsterdam. It’s possible that he met a mysterious women named Lorraine who warned him about the people around him and who took him to a club where he met Liam Neeson. It’s also possible that Al hallucinated the whole thing while passed out in a doorway.
Barry (Sunday Night, HBO)
The latest episode of Barry really, really freaked me out. Basically, Barry found himself with two options. He could either get Gene a role on a TV show in order to make up for killing Gene’s girlfriend or he could just kill Gene. Barry was determined to give Gene a second chance and, by extension, himself a second chance. Barry was trying to do the right thing. The problem is that Barry is a sociopath who is trying to be the good person that he is incapable of being.
This episode was all about abusive relationships. Sally is trying to produce her dramedy about her own abusive relationship but she doesn’t seem to understand that her current relationship with Barry is just as abusive as the one she escaped. (The scene where Barry yelled at her for not casting Gene was legitimately scary.) Barry is trying to recover from his abusive relationship with Fuches, little realizing that he’s repeating Fuches’s behavior with the way that he’s manipulating Gene. Is Gene going to end up becoming a hit man by the end of this season? It could happen. Meanwhile, the only vaguely healthy relationship on the show, between Noho Hank and Cristobal, came to an end due to them being members of rival criminal gangs.
Bill Hader continues to astound as Barry. He’s both sincere and terrifying. Barry truly believes that he’s capable of doing the right thing even though we know he isn’t. This week’s episode reminded us that Barry can be a scary guy. When he indicated that he would kill Gene’s grandson if Gene didn’t accept the role that Barry had gotten for him, it was a chilling moment. I’ll never look at Barry the same way again.
Better Call Saul (Monday Night, AMC)
Rhea Seehorn directed this week’s episode of Better Call Saul, which featured both Jimmy’s continuing efforts to destroy Howard’s career and also his move into his new office. Meanwhile, Gus and Mike continued to search for evidence of Lalo still being alive. This was a well-done episode, one that did a good job of showing how Jimmy McGill transformed into the Saul Goodman who would later be hired by Walter White.
The Brady Bunch (Sunday Morning, MeTV)
Oh no! Marcia lost her diary! However, this somehow led to her meeting Davy Jones so I guess everything worked out. This was followed by an episode in which the kids were worried that Mike and Carol were going to sell the house so they pretended to be ghosts. Then, Carol and Mike had tickets to a show and Alice had a date so Greg and Marcia were left in charge of the house. Disaster followed. Then, during Sunday’s fourth episode, Marcia was accused of pulling a prank by her school’s principal. The principal was played by the distinguished character actor, E.G. Marshall. One can only guess how Marshall felt about going from Broadway and Oscar-nominated films like 12 Angry Men to appearing on The Brady Bunch. Actually, he was probably happy for the money. I hope Marshall was paid well because he definitely classed up the joint.
Full House (Sunday Afternoon, MeTV)
MeTV aired 4 episodes of Full House on Sunday and I’m struggling to remember much about any of them. In the first episode, Jesse was worried that he wasn’t smart enough for Rebecca and he proved that he wasn’t by acting stupid. Rebecca, however, forgave him. Then, Michelle and Kimmy ended up babysitting some bratty kid who got his head stuck in a bannister. This was followed by an episode in which Danny started dating again and managed to forgive his date for having a messy apartment. And then, in our final episode, Michelle started preschool and accidentally set the class’s pet bird free. So, Danny bought a new bird and demanded that everyone be nice to his daughter, despite the fact that she was kind of a self-centered brat.
Ghosts (Thursday Night, CBS)
What a charming show! For some reason, I was under the impression that Ghosts was just another gimmicky show but I finally sat down and binged the first eleven episodes on Paramount Plus and I discovered that I was totally wrong. This is really a sweet, witty, intelligent, and well-acted show and one of my favorites of the season. I loved the episode where Sam went to see her mom. That made me tear up. As for my favorite ghost …. Trevor. Yep, it has to be Trevor.
The Girl From Plainville (Hulu)
This frustratingly uneven miniseries came to a close this week. The final episode dealt with the day that Conrad committed suicide and also Michelle’s final days before heading to prison. Considering just how inconsistent this show has been, the finale was actually pretty effective. The lengthy fantasy sequence, in which Michelle imagined running into Conrad at a bar while home from the college that, in reality, she’ll never get to attend, worked far better than it had any right to. In the end, this miniseries didn’t have much to tell us about the suicide of Conrad Roy that we didn’t already know but it did work as a showcase for the talents of Elle Fanning and Colton Ryan.
Law & Order (Thursday Night, NBC)
I have to admit that, when this week’s episode of Law & Order started, I rolled my eyes when it appeared that the main villain was going to be a barely disguised version of Elon Musk. But then it turned out that guy was just a red herring and the accused instead turned out to be a former State Department employee who claimed that he couldn’t control his actions because of Havana Syndrome. To my great surprise, this turned out to be the the best episode of the season so far, largely because the prosecution finally lost a case and Price was left to wonder if it was largely due to his own self-righteous approach to the law. Sam Waterston finally got a few good scenes too. The Law & Order revival has, for the most part, been uneven but I do think that it’s been getting better.
The Love Boat (Sunday Afternoon, MeTV)
A famous actress took a cruise and fell for Captain Stubing. Unfortunately, not even the promise of being wealthy and secure could convince the captain to give up the sea.
M*A*S*H* (Weekday Evenings, MeTV)
On Sunday, I watched two episodes of this old sitcom. The first one featured an obnoxious surgeon from Arkansas, who got in trouble for trying to steal Col. Potter’s horse. The second was a bit more dramatic, as a friend of Hawkeye’s died on the operating table and a teenage Ron Howard appeared as a soldier who lied about his age in order to enlist. In the past, I’ve found M*A*S*H to be a bit too preachy for my tastes but this was actually a pretty effective and well-acted episode.
Survivor (Wednesday Night, CBS)
I wrote about the latest episode of Survivor here!
We Own The City (Monday Night, HBO)
The second episode of David Simon’s latest miniseries about Baltimore was as compelling and as packed with detail as the first. While setting in his jail cell, Jon Bernthal’s Wayne Jenkins remembered the process by which he went from being a relatively honest cop to being the poster child for police corruption. Nicole Steele continued her investigation of Daniel Hersl. In the role of Hersl, Josh Charles only appeared during the final few minutes of the episode but he still made a huge impression as the epitome of everything that people tend to dislike about the cops. I look forward to seeing where this series is heading.
Enjoy this atmospheric video!
I wish I could just let go
Of all the memories I know
Of all the memories I know
But they’re still stuck in my brain
Every time I fall asleep, I know
I’ll wake up alone
I’ll wake up alone
Dreams of you
Wrap around my throat
I think I’m gonna choke
I think I’m gonna choke
Running, running, running, running though the dark
Watch me run a little more
‘Cause when I said forever, I meant forever, now
I wish I could just let go
Of all the memories I know
Of all the memories I know
But they’re still stuck in my brain
I never wanted to cry
I always thought I would make it right
But now I’m stuck inside this shame instead
“Pontificating hypocrite” is what you said
When my heart breaks just a little bit I wanna drop dead
I didn’t wanna concede
Or call my fantasies make-believe
Holding tightly to the task at hand
When I really should be focusing to learn and understand
But I bury all the tragedy with sand
Running, running, running, running to my car
I can’t fucking cry in front of her
When I said forever, I meant forever, now
I wish I could just let go
Of all the memories I know
Of all the memories I know
But they’re still stuck in my brain
Today is apparently Star Wars Day!
(May 4th …. may the 4th …. okay, I get it.)
So, it seems appropriate to share a scene that I love from my favorite Star Wars film, Starcrash!
Okay, technically, Starcrash is not part of the Star Wars franchise. This 1978, Luigi Cozzi-directed film is usually considered to be one of the more blatant rip-offs of Star Wars. But you know what? I love Starcrash. I’ve seen Star Wars and I’ve seen Starcrash and Starcrash is a lot more fun. Not only does Starcrash feature Marjoe Gortner, David Hasselhoff, Joe Spinell, and Caroline Munro but it also features the one and only Christopher Plummer as the emperor of the universe.
In the scene, Hasselhoff and Munro inform Plummer that they only 45 seconds before a planet explodes. Plummer, however, has the perfect solution and his delivery of the line “HALT …. the flow of time!” is one of the many things that makes Starcrash one of the greatest films ever made.
Last week, I watched Mad Max. On Tuesday, I watched The Road Warrior and Mad Max Beyond Thunderdome. As such, it only seems appropriate that today’s music video of the day should be the theme song from Beyond Thunderdome, We Don’t Need Another Hero.
Performed by Tina Turner (who, of course, also co-starred in Beyond Thunderdome), We Don’t Need Another Hero seems like it was pretty obviously written in an attempt to land, at the very least, an Oscar nomination for Best Original Song. Well, the Academy didn’t nominate the song but it did win a Golden Globe and it went on to become one of Turner’s biggest hits.
The video is a mix of Turner singing and scenes from Beyond Thunderdome. It’s not a bad song, even if it is hard to imagine any of the other Mad Max films featuring a power ballad. Then again, each Mad Max film is it’s own unique work of art. That’s one thing that makes the entire series so effective.
Enjoy!
Happy International Workers Day, a.k.a. May Day!
Today, we celebrate May Day with this short film from 1974. A Good Days Work: Selling is all about how exciting it is to work in a fish market. I guess these film were made so that children in school could mentally prepare for the careers that were ahead of them and, indeed, I imagine a few kids in 1974 probably grew up to work in a New England fish market.
Anyway, I find this short film to be kind of moody and …. I don’t know, weird. The grainy images and the voyeuristic children are, to be honest, kind of unsettling. There’s a lot of ennui to be found in this film. Though it’s not the film’s fault, it’s hard to watch anything that was filmed in New England without expecting some sort of weird Stephen King thing to start happening. But, at the same time, it also taught children about fish markets so I guess that’s a good thing.
Anyway, enjoy!