Scenes That I Love: Freddie and Dodd’s Final Meeting From Paul Thomas Anderson’s The Master


Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who celebrated his birthday yesterday).

Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends.  Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime.  Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan.  In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together.  Both of them realize that the time they had is over.  And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.

From Paul Thomas Anderson’s The Master:

4 Shots From 4 Films: Special Paul Thomas Anderson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Yesterday was the birthday of one of our greatest filmmakers, Paul Thomas Anderson!  It’s never too late for….

4 Shots From 4 Paul Thomas Anderson Films

Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)

Phantom Thread (2017, dir by Paul Thomas Anderson)

4 Shots From 4 Films: Special 1997 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, let us take a look back at a classic cinematic year.  It’s time for….

4 Shots From 4 1997 Films

Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)

Kundun (1997, dir by Martin Scorsese, DP: Roger Deakins)

Lost Highway (1997, dire by David Lynch, DP: Peter Deming)

Two Orphan Vampires (1997, dir by Jean Rollin)

Scenes I Love: Mark Wahlberg performs The Touch In Boogie Nights


He was born ready!

Since I already shared the full version for today song of the day, it only seems right to share the classic scene from 1997’s Boogie Nights, featuring Mark Wahlberg performing The Touch.

 

Lisa Marie’s Way Too Early Oscar Predictions For April


Now that the 2024 Oscars are over with, it’s time to move on to the 2025 Oscars!

Needless to say, there’s probably nothing more pointless than trying to guess which films are going to be nominated a year from now.  I can’t even guarantee that all of the films listed below are even going to be released this year.  And, even if they are released this year, I can’t guarantee that they’ll actually be any good or that the Academy will show any interest in them.  I mean, someone like Martin Scorsese always seems like a safe bet but we all remember what happened with Silence.  For months, everyone said Silence would be the Oscar front runner.  Then it was released to respectful but not ecstatic reviews.  Audiences stayed away.  The film ended up with one technical nomination.  And let’s not forget that last year, at this time, the narrative was that it was going to be Ridley Scott’s year.

My point is that no one knows anything.  As much as I hate quoting William Goldman (because, seriously, quoting Goldman on a film site is such a cliché at this point), Goldman was right.

(Add to that, 2025 is starting to look like it’s going to be a seriously underwhelming year as far as the movies are concerned.)

Anyway, here are my random guesses for April!  A few months from now, we can look back at this list and have a good laugh.

Best Picture

After The Hunt

Avatar: Fire and Ash

Deliver Me From Nowhere

Eddington

F1

Frankenstein

The Lost Bus

One Battle After Another

Wicked For Good

The Young Mothers Home

Best Director

Paul Thomas Anderson for One Battle After Another

Jon M. Chu for Wicked For Good

Jean-Pierre and Luc Dardenne for The Young Mother’s Home

Guillermo del Toro for Frankenstein

Joseph Kosinksi for FI

Best Actor

Austin Butler in Eddington

Timothee Chalamet in Marty Supreme

Leonardo DiCaprio in One Battle After Another

Matthew McConaughey in The Lost Bus

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Olivia Colman in The Roses

Cynthia Erivo in Wicked For Good

Julia Roberts in After The Hunt

Amanda Seyfried in Ann Lee

June Squibb in Eleanor The Great

Best Supporting Actor

Colman Domingo in Michael

Josh O’Connor in The History of Sound

Sean Penn in One Battle After Another

Joaquin Phoenix in Eddington

Christoph Waltz in Frankenstein

Best Supporting Actress

Fran Drescher in Marty Supreme

Ayo Edebri in After The Hunt

Ariana Grande in Wicked For Good

Gabby Hofman in Deliver Me From Nowhere

Nia Long in Michael

Music Video of the Day: Now I’m In It by Haim (2020, dir by Paul Thomas Anderson)


I definitely know the feeling.  I have yet to see a Haim video to which I can not relate.

This video was directed by Paul Thomas Anderson, who did several videos for Haim and did such a good job with all of them that I personally think he might have a future in feature films.

Enjoy!

Music Video of the Day: Wall of Eyes by The Smile (2023, directed by Paul Thomas Anderson)


I believe this is the first music video to be released by The Smile, a side project for three members of Radiohead.

This video was directed by Paul Thomas Anderson.  Based on this video, it looks like Anderson could have quite a career as a filmmaker if he chooses to pursue one.

Enjoy!

4 Shots From 4 Films: Special Paul Thomas Anderson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the birthday of one of our greatest filmmakers, Paul Thomas Anderson!  This edition of 4 Shots From 4 Films is dedicated to him and his brilliant career!

4 Shots From 4 Paul Thomas Anderson Films

Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)

Phantom Thread (2017, dir by Paul Thomas Anderson)

Scenes That I Love: Freddie and Dodd’s Final Meeting From Paul Thomas Anderson’s The Master


Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who is celebrating his birthday today).

Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends.  Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime.  Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan.  In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together.  Both of them realize that the time they had is over.  And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.

From Paul Thomas Anderson’s The Master:

10 Oscar Snubs From the 1990s


Ah, the 90s. Some would say that this was the last good decade that the world would ever experience. It was certainly a good decade for films!  Still, there were some notable Oscar snubs during this decade.  Here are ten of them.

1990: Ray Liotta Is Not Nominated For Goodfellas

The fact that Ray Liotta did not even receive a nomination for playing Henry Hill in Goodfellas will always astound me.  While the film did receive several nominations (and really, it should have won the majority of them), Ray Liotta was snubbed despite the fact that it was his performance that pretty much held the film together.  Alec Baldwin, Tom Cruise, and Val Kilmer were among those who were considered for the role before Liotta received it.  They’re all fine actors but it’s hard to imagine any of them bringing Henry to life quite as well as Ray Liotta.

1991: John Goodman is Not Nominated for Barton Fink

“I WILL SHOW YOU THE LIFE OF THE MIND!”

It’s a little bit amazing that John Goodman has never received an Oscar nomination.  I don’t think he’s ever been scarier (and, in his way, more poignant) than when he played Charley “Mad Man Mundt” Meadows in Barton Fink.

1993: The Age of Innocence Is Not Nominated For Best Picture

While we’re on the subject of Scorsese films that were snubbed by the Academy, it’s amazing to me that Scorsese’s witty, smart, and visually stunning adaptation of The Age of Innocence did not receive a Best Picture nomination.

1993: Dazed and Confused Is Completely Snubbed

Okay, maybe this one isn’t as surprising as the Academy snubbing as Scorsese picture.  Even today, it’s doubtful that the Academy would embrace a film about a bunch of stoned Texas high school kids.  Still, it bothers me that Dazed and Confused received not a single nomination.  It’s certainly better remembered than many of the films that were nominated that year.

1995: Heat Is Completely Ignored

Considering that the film is now regularly cited as one of the best crime films ever made, it’s interesting to note that the Academy totally ignored Heat.  The film received no acting nominations.  Michael Mann was not nominated for his skill in juggling several different storylines.  The film didn’t even receive any technical nominations.  The cinematography was ignored.  You would think that the massive shoot-out would have gotten the film a nomination for Best Sound Editing but, even in that category, Heat was ignored.

Needless to say, Heat was not nominated for Best Picture.  The 1995 Best Picture line-up has always seemed like an odd mix of films, with Babe, Apollo 13, Sense and Sensibility, and Il Postino all losing out to Mel Gibson’s Braveheart.  Apollo 13 and Sense and Sensibility didn’t even receive nominations for their directors, Ron Howard and Ang Lee.  It was an odd year, I guess.  Heat was not the only acclaimed film to miss out on a Best Picture nomination but at least Casino, Leaving Las Vegas, and Dead Man Walking still received nominations in other categories.  Heat was totally snubbed.

1996: Steve Buscemi Is Not Nominated For Fargo

Despite being a cultural institution, Steve Buscemi has never received an Oscar nomination.  I would have nominated him for Fargo.

1997: Boogie Nights Is Not Nominated For Best Picture, Best Director, or Best Actor

Despite receiving two acting nominations for Burt Reynolds and Julianne Moore and a screenplay nomination, Boogie Nights missed out on the big award.  To be honest, I have a feeling that the film would have been nominated if it had been released today.  But, in the year of Titanic, the Academy may not have been ready to embrace a film about the Golden Age of Porn.  And they certainly weren’t ready to embrace Mark Wahlberg, despite his award-worthy performance of The Touch.  Given a choice, the Academy will always embrace the James Camerons of the world before it embraces the Jack Horners.  That said, as we saw in the film, Dirk and Angels Live In My Town swept the AFAA awaards and that’s the important things.

1997: Billy Zane Is Not Nominated For Titanic

C’mon, he was the best thing about the movie!  If Billy Zane can’t receive a nomination for shouting, “I hope you’ll be very happy together!” while chasing Leo and Kate through a sinking ship, what is the point of even having the Oscars?

1999: Reese Witherspoon Is Not Nominated For Best Actress For Election

Reese Witherspoon’s performance as Tracey Flick is iconic precisely because it feels so real.  Everyone has known as Tracey Flick.  Everyone has been annoyed by a Tracey Flick.  Everyone has hoped for a Tracey Flick to fail.  And everyone has inwardly lost a little faith in karma as the Tracey Flicks of the world have continued to find work as mid-level bureaucrats.  In fact, I imagine that might be the reason why Reese Witherspoon was not nominated for her outstanding performance in Election.  No one wanted to reward Tracey Flick.

1999: Bruce Willis Is Not Nominated For Best Actor For The Sixth Sense

Seriously, everyone really took him for granted.  Just try to imagine The Sixth Sense with someone else in his role.

Agree?  Disagree?  Do you have an Oscar snub that you think is even worse than the 10 listed here?  Let us know in the comments!

Up next: A new century brings new snubs!