When the 8-bit world is being invaded by a bunch of spiders wearing sombreros, who else can you depend on to save the day other than Alvin Risk and everyone’s favorite internet meme, Nyan Cat? Of course, it’ll also involve a lot of heart, a lot of dancing, and a spinning pizza. No one should be surprised.
This video was created by Nyan Cat’s creator, Chris Torres. I think it’s kind of adorable.
Enjoy!
Happy Mother’s Day.
For many of us, today is a bittersweet day. My sisters and I lost our mom nearly nine years ago and today reminds us of how much we miss her and will always miss her. At the same time, today is also my niece’s ninth birthday and I know mom would be so proud of how her granddaughter has been raised.
Our music video of the day is also bittersweet. Tracy Bonham’s Mother, Mother imagines a mother/daughter phone conversation in which the daughter assures her mom that life is great while secretly wishing that she could admit that it’s not. I don’t think there’s anyone alive who can’t relate to Bonham’s desperation as she shouts, “Everything’s fine!”
There are actually two videos for Mother, Mother, both of which were directed by Jake Scott. The first one features Tracy Bonham singing on television while her mother (played by Bonham’s real-life mother) cleans up around the house.
The second version is a bit more positive. To be honest, despite my instinct to naturally embrace the darker version of any work of art, I actually prefer the second video. Maybe it’s because I like playing dress up and I can relate to screaming while jumping around in a closet. Who knows?
Anyway … enjoy!
I, I can’t get these memories out of my mind
And some kind of madness has started to evolve
I, I tried so hard to let you go
But some kind of madness is swallowing me whole, yeah
I don’t smoke because 1) I have asthma, 2) I have a predisposition to addiction, and 3) I’m so obsessive compulsive that if I did start smoking, I would become the biggest chain smoker in the world and I’d end up being one of those women you see in anti-smoking commercials, popping out her fake teeth and pointing at the hole in her throat. That’s not for me.
That said, if I ever do start smoking, it’ll probably because of this song and this video. Seriously, just the opening bass line makes me want to light up. And then the video itself proves that smoking is pretty photogenic when the cigarettes are being held by beautiful people.
The song, itself, was written by Matt Bellamy after he had a fight with his then-girlfriend, Kate Hudson. According to Bellamy, he was reflecting on the fight and thought to himself, “Yeah, she was right, wasn’t she?”
As for the video, it features two lovers on a train, dealing with their own issues while a riot rages around them. The two lovers are played by Erin Wasson and Max Silberman, both of whom are achingly pretty. (For some reason, the usually reliable imvdb insists that the man on the train was played by Emile Hirsch. Sorry, that’s definitely Max Silberman.)
Of course, the idea of two lovers in the middle of a protest immediately makes me think of this famous picture, which was taken in Vancouver during a riot:
And, of course, there’s this Ray-Ban advertisement:
(If the majority of protesters looked as good as the people in the video and these two pictures, I might even be inspired to go to a march or two.)
(Also, be happy that I resisted the temptation to include a picture from that Kendall Jenner Pepsi commercial. I came really close to doing it but, in the end, I couldn’t do it. I was born a Coke drinker and I’ll die a Coke drinker. Pepsi tastes too much like Vermont for me.)
This video was directed by Anthony Mandler, who has directed several videos for everyone from Jay-Z to Taylor Swift to Justin Bieber. (The imvdb credits him with 74 videos.) The gorgeous cinematography is credited to David Devlin.
Mario Contini, who is credited as being 1st Assistant Cameraman on Madness, was later the director of photography for Saint Motel’s My Type.
Enjoy!
What to say about A Whiter Shade of Pale? This is one of the essential songs. I grew to love it as a result of it showing up on the soundtrack of some of my favorite movies. If you’re watching a film that’s set in the 60s, chances are that you’re going to hear A Whiter Shade of Pale at some point. (The song is also used to haunting effect in Lars von Trier’s Breaking the Waves.) To be honest, even before I knew the song’s title or that it was originally recorded in 1967 by a group called Procol Harum, I knew that organ melody.
A Whiter Shade of Pale was one of the biggest hits of 1967. John Lennon reportedly loved it so much that he would often play it over and over again in his limousine. I don’t blame him. It’s good driving music. There’s a lot of debate as to what exactly the song is actually about. Who or what are the Vestal Virgins meant to represent? Who is skipping the light fandango? What’s up with feeling seasick?
Here’s what lyricist Ken Reid told Songfacts about the song’s meaning:
“It’s sort of a film, really, trying to conjure up mood and tell a story. It’s about a relationship. There’s characters and there’s a location, and there’s a journey. You get the sound of the room and the feel of the room and the smell of the room. But certainly there’s a journey going on, it’s not a collection of lines just stuck together. It’s got a thread running through it….I feel with songs that you’re given a piece of the puzzle, the inspiration or whatever. In this case, I had that title, ‘Whiter Shade of Pale,’ and I thought, There’s a song here. And it’s making up the puzzle that fits the piece you’ve got. You fill out the picture, you find the rest of the picture that that piece fits into.”
As for the video itself, this is actually the second video that was made for A Whiter Shade of Pale. (Of course, in 1967, they were called promotional films and they often played on a type of jukebox known as a scopitone.) The first video featured footage of the band walking through the ruins of a castle and playing the song. It also featured a few quick cuts of Vietnam War footage. This was considered so controversial that Top of the Pops banned the video from airing. Hence, a second, far less political video was filmed.
(Apparently, a third video was filmed in the 80s. It featured Harry Dean Stanton and, since it’s on YouTube, maybe we’ll feature it at some point in the future.)
Anyway, I really like the video above. It’s a real time capsule, even if it is bereft of references to Vietnam. I like the fact that the members of the band appear to be struggling to keep a straight face throughout most of the video.
Plus, it’s just a kickass song!
Enjoy!
Today’s music video of the day is Saint Motel’s My Type. I don’t have too much to say about this one, beyond the fact that I like the retro feel of both the song and the video. This is a fun song to dance to and that’s certainly something that this video captures.
This video was directed by A/J Jackson, Saint Motel’s lead vocalist. Jackson has said that he was going for a cross of “early 70s cigarette ads and New York street photography.” Myself, I like to think of the video as being an outtake from a lost Joe Sarno movie.
This video’s cinematographer was Mario Contini while Cody Fusina is credited with production design.
Enjoy!
As we all know, music video of the day has always been and always will be Val’s baby. Starting with If You Don’t Know Me By Now in June of 2016, Val has shared and analyzed over 300 music videos! It’s become one of my favorite of our regular features here on the Shattered Lens.
As most of you know, for health reasons, Val is taking a temporary break from this feature. Until Val comes back, I figured that I might occasionally share a video or two. Admittedly, I do not have Val’s encyclopedic knowledge of music (and I should admit that my musical taste pretty much begins and ends with EDM) but what Val and I do share is a deep appreciation for a little Canadian show called Degrassi.
See, it was that love of Degrassi that led me to the video below. Earlier tonight, I was rewatching Death of a Disco Dancer, the third episode of Degrassi’s fifth season. In this episode, Paige is upset that her friend, co-worker, and classmate, Alex, doesn’t seem to care about going to college. When Degrassi hosts a college fair, Paige attempts to entice Alex to attend by offering her a joint.
“Will you go if you’re high?” Paige asks.
“I’ll go if you’re high,” Alex answers.
The two of them duck into an alley and light up the joint. What follows is perhaps the best three minute montage in the history of Degrassi as a very stoned Paige and Alex walk through the fair, giggling at all the Canadian college recruiters. It’s all good fun until Paige discovers that a friend of her mother’s is at the fair. Uh-oh!
Anyway, I’ve always loved the song that plays during the montage. It’s called Upfront With You and it’s performed by a Canadian band called Universal Honey. After watching the episode tonight, I looked the song up on YouTube and that’s when I came across the video that was made for it in 1996.
Now, despite doing a handful of Google searches, I can’t tell you who directed or worked on this video. I can tell you that Universal Honey has been around since 1992 and the band is made up of Leslie Stanwyck and Johnny Sinclair. (Before Universal Honey, they were both in a band called The Pursuit of Happiness.) Up Front With You is off of their first album, Magic Basement.
Not surprisingly, this is a Canadian band. One of the great things about Degrassi is that it exposed me to a lot of Canadian bands that I, as an American, might otherwise have never heard of.
Anyway, enjoy!
I wanted to throw this one in before we’re all done with the Twin Peaks marathon this month. From the very first episode of the show, there was something strangely familiar to me about Angelo Badalamenti’s theme for Laura Palmer. I found out that I already heard a version of it years ago, via Moby’s “I Love to Score” album. He had a song called “Go”, which uses the theme. Of course, after a month of everything Twin Peaks, it’s hard to get it out of your head.
For today’s musical sequence of the day (which is a temporary feature that I’m doing until Val’s internet is working again and she can return to doing her music videos of the day), we have the “Notorious” scene from 2001’s Donnie Darko.
In this scene, Sparkle Motion performs onstage while, miles away, Donnie Darko (Jake Gyllenhaal) burns down the house of creepy motivational speaker, Jim Cunningham (Patrick Swayze). Playing throughout this scene: Duran Duran’s “Notorious.”
Why does Drew Barrymore hate Sparkle Motion?
This is the second scene from Donnie Darko to have been featured in this series. Check out the “Head Over Heels” scene here.
(And yes, one reason why I love this scene is because I very much related to it. Sparkle Motion is perhaps the most realistic part of Donnie Darko…)
“Johnny B. Goode”. “Roll Over, Beethoven”. “Sweet Little Sixteen”. “Rock and Roll Music”. The most iconic songs of the Golden Age of Rock’N’Roll belonged to one man, Chuck Berry. When I got home this evening and heard the news he passed away at the age of 90, I knew I’d have to preempt my regularly scheduled post and pay tribute. Because without Chuck Berry, there’s no Beatles, no Rolling Stones, no Beach Boys, no rock and roll as we know it. He was that influential on 20th century music, and the uncrowned King of Rock and Roll.
Sure, Elvis was bigger, but it was Chuck Berry who wrote the soundtrack for a generation of kids listening to their radios searching for relief from the blandness of 50’s commercial pop. He spoke their language, the language of teenage lust, hot rods, high schools hops, all set to a rocking back beat. Berry was…
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(If you’re looking for the usual music video of the day, fear not! Val is currently having some internet issues but, as soon as their resolved, both she and the music videos should be back! Until then, I’m filling with some of my favorite cinematic musical sequences!)
For today’s musical sequence of the day, we have “Agony” from the 2014 film, Into The Woods.
Into the Woods got some notably mixed reviews when it was first released. At the time it was released, I wrote that, while I liked it “I never loved Into the Woods like I thought I would.” In retrospect, I think the film may have been the victim of a combination of my own high expectations and my tendency to be a snob when it comes to cinematic adaptations of Broadway musicals. I recently rewatched Into The Woods and it actually holds up remarkably well.
Definitely one of the highlights of the film was Chris Pine and Billy Magnussen’s duet on “Agony.” Both Pine and Magnussen were perfectly cast as fairy tale princes and “Agony” is a beautiful satire of melodramatic excess. When I first saw the film at the Alamo Drafthouse, “Agony” was the one number that inspired people in the audience to applaud.
For your pleasure, here is “Agony!”
Enjoy!
Through the Shattered Lens 