Music Video of the Day: A Whiter Shade of Pale by Procol Harum (1967, dir by ?????)


What to say about A Whiter Shade of Pale?  This is one of the essential songs.  I grew to love it as a result of it showing up on the soundtrack of some of my favorite movies.  If you’re watching a film that’s set in the 60s, chances are that you’re going to hear A Whiter Shade of Pale at some point.  (The song is also used to haunting effect in Lars von Trier’s Breaking the Waves.)  To be honest, even before I knew the song’s title or that it was originally recorded in 1967 by a group called Procol Harum, I knew that organ melody.

A Whiter Shade of Pale was one of the biggest hits of 1967.  John Lennon reportedly loved it so much that he would often play it over and over again in his limousine.  I don’t blame him.  It’s good driving music.  There’s a lot of debate as to what exactly the song is actually about.  Who or what are the Vestal Virgins meant to represent?  Who is skipping the light fandango?  What’s up with feeling seasick?

Here’s what lyricist Ken Reid told Songfacts about the song’s meaning:

“It’s sort of a film, really, trying to conjure up mood and tell a story. It’s about a relationship. There’s characters and there’s a location, and there’s a journey. You get the sound of the room and the feel of the room and the smell of the room. But certainly there’s a journey going on, it’s not a collection of lines just stuck together. It’s got a thread running through it….I feel with songs that you’re given a piece of the puzzle, the inspiration or whatever. In this case, I had that title, ‘Whiter Shade of Pale,’ and I thought, There’s a song here. And it’s making up the puzzle that fits the piece you’ve got. You fill out the picture, you find the rest of the picture that that piece fits into.”

As for the video itself, this is actually the second video that was made for A Whiter Shade of Pale.  (Of course, in 1967, they were called promotional films and they often played on a type of jukebox known as a scopitone.)  The first video featured footage of the band walking through the ruins of a castle and playing the song.  It also featured a few quick cuts of Vietnam War footage.  This was considered so controversial that Top of the Pops banned the video from airing.  Hence, a second, far less political video was filmed.

(Apparently, a third video was filmed in the 80s.  It featured Harry Dean Stanton and, since it’s on YouTube, maybe we’ll feature it at some point in the future.)

Anyway, I really like the video above.  It’s a real time capsule, even if it is bereft of references to Vietnam.  I like the fact that the members of the band appear to be struggling to keep a straight face throughout most of the video.

Plus, it’s just a kickass song!

Enjoy!

Music Video of the Day: My Type by Saint Motel (2014, directed by A/J Jackson)


Today’s music video of the day is Saint Motel’s My Type.  I don’t have too much to say about this one, beyond the fact that I like the retro feel of both the song and the video.  This is a fun song to dance to and that’s certainly something that this video captures.

This video was directed by A/J Jackson, Saint Motel’s lead vocalist.  Jackson has said that he was going for a cross of “early 70s cigarette ads and New York street photography.”  Myself, I like to think of the video as being an outtake from a lost Joe Sarno movie.

This video’s cinematographer was Mario Contini while Cody Fusina is credited with production design.

Enjoy!

 

Music Video of the Day: Upfront With You By Universal Honey (1996, dir by ?????)


As we all know, music video of the day has always been and always will be Val’s baby.   Starting with If You Don’t Know Me By Now in June of 2016, Val has shared and analyzed over 300 music videos!  It’s become one of my favorite of our regular features here on the Shattered Lens.

As most of you know, for health reasons, Val is taking a temporary break from this feature.  Until Val comes back, I figured that I might occasionally share a video or two.  Admittedly, I do not have Val’s encyclopedic knowledge of music (and I should admit that my musical taste pretty much begins and ends with EDM) but what Val and I do share is a deep appreciation for a little Canadian show called Degrassi.

See, it was that love of Degrassi that led me to the video below.  Earlier tonight, I was rewatching Death of a Disco Dancer, the third episode of Degrassi’s fifth season.  In this episode, Paige is upset that her friend, co-worker, and classmate, Alex, doesn’t seem to care about going to college.  When Degrassi hosts a college fair, Paige attempts to entice Alex to attend by offering her a joint.

“Will you go if you’re high?” Paige asks.

“I’ll go if you’re high,” Alex answers.

The two of them duck into an alley and light up the joint.  What follows is perhaps the best three minute montage in the history of Degrassi as a very stoned Paige and Alex walk through the fair, giggling at all the Canadian college recruiters.  It’s all good fun until Paige discovers that a friend of her mother’s is at the fair.  Uh-oh!

Anyway, I’ve always loved the song that plays during the montage.  It’s called Upfront With You and it’s performed by a Canadian band called Universal Honey.  After watching the episode tonight, I looked the song up on YouTube and that’s when I came across the video that was made for it in 1996.

Now, despite doing a handful of Google searches, I can’t tell you who directed or worked on this video.  I can tell you that Universal Honey has been around since 1992 and the band is made up of Leslie Stanwyck and Johnny Sinclair.  (Before Universal Honey, they were both in a band called The Pursuit of Happiness.)  Up Front With You is off of their first album, Magic Basement.

Not surprisingly, this is a Canadian band.  One of the great things about Degrassi is that it exposed me to a lot of Canadian bands that I, as an American, might otherwise have never heard of.

Anyway, enjoy!

Song of the Day – “Go” by Moby


I wanted to throw this one in before we’re all done with the Twin Peaks marathon this month. From the very first episode of the show, there was something strangely familiar to me about Angelo Badalamenti’s theme for Laura Palmer. I found out that I already heard a version of it years ago, via Moby’s “I Love to Score” album. He had a song called “Go”, which uses the theme. Of course, after a month of everything Twin Peaks, it’s hard to get it out of your head.

Musical Sequence of the Day: “Notorious” from Donnie Darko (dir by Richard Kelly)


For today’s musical sequence of the day (which is a temporary feature that I’m doing until Val’s internet is working again and she can return to doing her music videos of the day), we have the “Notorious” scene from 2001’s Donnie Darko.

In this scene, Sparkle Motion performs onstage while, miles away, Donnie Darko (Jake Gyllenhaal) burns down the house of creepy motivational speaker, Jim Cunningham (Patrick Swayze).  Playing throughout this scene: Duran Duran’s “Notorious.”

Why does Drew Barrymore hate Sparkle Motion?

This is the second scene from Donnie Darko to have been featured in this series.  Check out the “Head Over Heels” scene here.

(And yes, one reason why I love this scene is because I very much related to it.  Sparkle Motion is perhaps the most realistic part of Donnie Darko…)

Hail! Hail! Rock’n’Roll: RIP Chuck Berry


gary loggins's avatarcracked rear viewer

“Johnny B. Goode”. “Roll Over, Beethoven”. “Sweet Little Sixteen”. “Rock and Roll Music”. The most iconic songs of the Golden Age of Rock’N’Roll belonged to one man, Chuck Berry. When I got home this evening and heard the news he passed away at the age of 90, I knew I’d have to preempt my regularly scheduled post and pay tribute. Because without Chuck Berry, there’s no Beatles, no Rolling Stones, no Beach Boys, no rock and roll as we know it. He was that influential on 20th century music, and the uncrowned King of Rock and Roll.

Sure, Elvis was bigger, but it was Chuck Berry who wrote the soundtrack for a generation of kids listening to their radios searching for relief from the blandness of 50’s commercial pop. He spoke their language, the language of teenage lust, hot rods, high schools hops, all set to a rocking back beat. Berry was…

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Musical Sequence of the Day: Agony from Into the Woods (dir by Rob Marshall)


(If you’re looking for the usual music video of the day, fear not!  Val is currently having some internet issues but, as soon as their resolved, both she and the music videos should be back!  Until then, I’m filling with some of my favorite cinematic musical sequences!)

For today’s musical sequence of the day, we have “Agony” from the 2014 film, Into The Woods.

Into the Woods got some notably mixed reviews when it was first released.  At the time it was released, I wrote that, while I liked it “I never loved Into the Woods like I thought I would.”  In retrospect, I think the film may have been the victim of a combination of my own high expectations and my tendency to be a snob when it comes to cinematic adaptations of Broadway musicals.  I recently rewatched Into The Woods and it actually holds up remarkably well.

Definitely one of the highlights of the film was Chris Pine and Billy Magnussen’s duet on “Agony.”  Both Pine and Magnussen were perfectly cast as fairy tale princes and “Agony” is a beautiful satire of melodramatic excess.  When I first saw the film at the Alamo Drafthouse, “Agony” was the one number that inspired people in the audience to applaud.

For your pleasure, here is “Agony!”

Enjoy!

 

Musical Sequence of the Day: “Falling Slowly” from Once


Happy St. Patrick’s Day!

This is a day that is very important to several of the writers here at the Shattered Lens.  It’s a day in which we celebrate all things Irish and that means a lot more than just wearing green.  (That said, I did buy green lingerie specifically for today because, seriously, when would I ever turn down a chance to buy lingerie?)

For today’s musical sequence of the day, I’m happy to present one of my favorite scenes from one of my favorite Irish films, 2006’s Once.  Prepare to wipe away a tear as Glen Hansard and Marketa Irglova perform “Falling Slowly.”

Enjoy!

2016 In Review: Lisa Marie’s 14 Favorite Songs of 2016


Every January, I list my fourteen favorite songs of the previous year and, every January, I include the same disclaimer.  My fourteen favorite songs are not necessarily the fourteen favorite songs of any of the other writers here at the Shattered Lens.  We are a large and diverse group of people and, as such, we all have our own individual tastes.

If you ever visited the TSL Bunker, you would be shocked by the different music coming out of each office.  You would hear everything from opera to death metal to the best of Frank Sinatra and Dean Martin.  And then, of course, you would reach my office and you would discover that my taste in music pretty much runs the gamut from EDM to More EDM.

Now, usually, I do try to listen to a variety of music.  You can go to my Song of the Day site — Lisa Marie’s Song of the Day — and see that I do occasionally listen to other types of music.  But, I have to be honest.  2016 was not a year that inspired me to really leave me comfort zone.  If anything, music provided me with some much needed consistency in an otherwise chaotic year.  2016 was a year that made me want to dance until it was all over and, for the most part, my favorite songs of the year reflect that fact.

Before I list my 14 songs, I should make something else very clear.  These are my 14 favorite songs of 2016.  I’m not saying that they’re necessarily the best songs of 2016.  I’ll leave that debate for others.  Instead, there are the songs that I found myself listening to over and over again.  These are the songs made me dance.  These are the songs that made me sing.  A few of these songs relaxed me when I needed to be relaxed.  One of the songs made me cry but I’m not going to say which one.

It might make you cry too.

Or it might not.

That’s the beautiful thing about art.  Everyone experiences it in their own individual way.

Here are my 14 favorite songs of 2016:

14) David Bowie — Lazarus

13) Afrojack & Hardwell — Hollywood

12) Cedric Gervais (ft. Juanes) — Este Amor

11) Matoma (ft. Becky Hall) — False Alarm

10) Radiohead — Burn the Witch

9) Gorgon City (feat Vaults) — All Four Walls

8) Penthox — Give It Away

7) Britney Spears — Clumsy

6) Martin Garrix (feat Mesto) — WIEE

5) Tiesto, Oliver Heldens (feat Natalie LaRose) — The Right Song

4) The Weekend (feat Daft Punk) — Starboy

3) Radiohead — Daydreaming

2) Coldplay — Up&Up

1) The Chemical Brothers — C-h-e-m-i-c-a-l

For my previous picks, check out 2011, 2012, 2013, 2014, and 2015!

Tomorrow, I will be posting some of my favorite things that I saw on television in 2016!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy
  5. 2016 in Review: The Best of Lifetime
  6. 2016 in Review: Lisa Picks the 16 Worst Films of 2016!
  7. Necromoonyeti’s Top Ten Albums of 2016

Hooray for Santa Claus! (And Hooray for Milton DeLugg and the Little Eskimos!)


Did everyone have a good Christmas?  Did everyone get everything that they wanted?

If the answer’s yes, you have one man to thank for that!

Hooray for Santy Claus!

(You might recognize this song from one of our favorite holiday classics, Santa Claus Conquers The Martians!  Apparently, it was performed by Milton DeLugg and the Little Eskimos.)

(Be careful listening to this song.  As TSL contributor and Late Night Movie Gang founder Patrick Smith can tell you, once this song gets stuck in your head, it’ll never leave.)