Y’all are going to have to forgive me. I am absolutely exhausted as I write this so I’m not going to say as much about this wonderful video as I possibly should.
One the one hand, this video is a pitch perfect takeoff of almost every heist film released since the mid-90s. From the masks to the guns to the thrilling escape and subsequent chase, Won’t Look Back gets everything right. Of course, what sets Won’t Look Back apart from other action homages is that it replaces fast cars with pogo sticks and segways. It’s terrifically amusing and it all works a thousand times better than it has any right to.
This video was directed by Tim Main and edited by Sam Jones. Pat Scola is credited as director of photography. All three did an excellent job and have a lot to be proud of with this video.
Did you know that apparently there are goblins living in London trash bins and that these goblins just love to dance? Well, if you’ve watched the video for The Chemical Brothers’s Midnight Madness, you do!
I have to admit that I was disappointed to learn that this video did not feature an actual goblin. Instead, it’s just a man in a goblin costume. (Oh well. I guess real goblins are camera shy.) When we first see the goblin, he’s played by Daniel Ilabaca. When the goblin starts dancing on stage, he’s played by the Algerian dancer Lilou, a member of Pockemon Crew. Speaking for myself, regardless of who is playing him from scene-to-scene, I just love how happy the goblin is.
This video was directed by Dom & Nic, who have been directing music videos since the early 90s.
The theme song from Tom Laughlin’s BILLY JACK has quite a history behind it. First recorded by Canadian band The Original Caste in 1969, it became a #1 hit… in Canada! When Laughlin was making his picture, the song was re-recorded in 1971 by singer Jinx Dawson of the psychedelic occult-themed proto-metal group Coven. The Dennis Lambert/Brian Potter penned tune made it to #26 on the U.S. charts, but the film itself was poorly distributed. Warner Bothers picked it up two years later, then Jinx and the band re-re-recorded the song, reaching #79 in 1973:
Coven made their debut with the 1969 LP “Witchcraft Destroys Minds and Reaps Souls”, featuring songs like “For Unlawful Carnal Knowledge”, “Dignitaries of Hell”, and the 13-minute opus “Satanic Mass”, which consists of ominous chanting and prayers to Satan in Latin! Coven is credited with introducing the “devil’s horns” sign to rock, later appropriated by virtually every heavy metal musician ever…
There are some things that just make you smile and, for me, this video is one of those things. I love this song. I love the dancing. I love the whole spirit of the video. It brings me enjoyment at a time when the world seems like a very negative place. What more need I say about it?
Gagarin was the first single to be released from Public Service Broadcasting’s 2nd album, The Race For Space. As you can probably guess just from the title (and the song), the entire album deals with the history of the space race and the rivalry between the Americans and the Russians. Gagarin is specifically about Yuri Gagarin, the first man ever to journey into space.
Did Yuri Gagarin find time to dance during his orbit around the Earth? No, of course not. He was in a tiny Vostok spacecraft and, as a Communist, he probably wasn’t allowed to dance. (This is the main idea behind communism, isn’t it? No dancing unless you’re listening to Rage Against The Machine or something like that.) Gagarin was lucky in that, unlike a lot of other participants in the Russian space program, he actually survived his journey. Still, if it had been allowed and if there had been room and maybe a source of gravity, I bet he would have danced.
Gagarin was directed by Alex Kemp, who has two other videos to his credit: Public Service Broadcasting’s Signal and Duotone’s Alphabet. The choreography is credited to Kieran Donovan.
Today’s music video of the day is Drugs by Ratatat.
Some of my friends have told me that they actually found this video to be the creepiest thing that they had ever seen and that they would never forgive me for making them watch it. Myself, I think it’s only as creepy as you choose to make it.
Visually, this video is entirely made up of Getty stock footage. None of the images are actually connected, beyond the fact that they were all designed so that they could basically mean just about anything. As viewers our natural instinct is to try to force everything we see and experience into a coherent storyline. That’s an instinct that this video exploits to perfection. In short, this video means whatever you think it means. And what you think it means says more about you than the video.
This video was directed by Ace Norton, who was several videos to his credit. Watching this video, I was immediately reminded of the work of Ben Wheatley, though the video predates all of Wheatley’s features films, with the exception of Down Terrace. The guns firing at the balloons brought to mind Free Fire. The image of a man tied to a line reminded me of A Field in England. And the video’s dystopian tone felt almost identical to the dystopian tone of High-Rise.
I’ve shown this video to a few people and most of them have replied with, “What the fug did I just watch?”
Well, it doesn’t matter to me whether anyone else agrees or not. I like this video, specifically because it is so bizarre. Why should music videos make sense? This is a video (and a song) that creates a definite mood. It plays out like a dystopian nightmare and really, when was the last time that a dystopia ever made any sense? If the world followed any sort of logic, it wouldn’t currently be on the brink of destruction.
When the 8-bit world is being invaded by a bunch of spiders wearing sombreros, who else can you depend on to save the day other than Alvin Risk and everyone’s favorite internet meme, Nyan Cat? Of course, it’ll also involve a lot of heart, a lot of dancing, and a spinning pizza. No one should be surprised.
This video was created by Nyan Cat’s creator, Chris Torres. I think it’s kind of adorable.
For many of us, today is a bittersweet day. My sisters and I lost our mom nearly nine years ago and today reminds us of how much we miss her and will always miss her. At the same time, today is also my niece’s ninth birthday and I know mom would be so proud of how her granddaughter has been raised.
Our music video of the day is also bittersweet. Tracy Bonham’s Mother, Mother imagines a mother/daughter phone conversation in which the daughter assures her mom that life is great while secretly wishing that she could admit that it’s not. I don’t think there’s anyone alive who can’t relate to Bonham’s desperation as she shouts, “Everything’s fine!”
There are actually two videos for Mother, Mother, both of which were directed by Jake Scott. The first one features Tracy Bonham singing on television while her mother (played by Bonham’s real-life mother) cleans up around the house.
The second version is a bit more positive. To be honest, despite my instinct to naturally embrace the darker version of any work of art, I actually prefer the second video. Maybe it’s because I like playing dress up and I can relate to screaming while jumping around in a closet. Who knows?
I, I can’t get these memories out of my mind And some kind of madness has started to evolve I, I tried so hard to let you go But some kind of madness is swallowing me whole, yeah
I don’t smoke because 1) I have asthma, 2) I have a predisposition to addiction, and 3) I’m so obsessive compulsive that if I did start smoking, I would become the biggest chain smoker in the world and I’d end up being one of those women you see in anti-smoking commercials, popping out her fake teeth and pointing at the hole in her throat. That’s not for me.
That said, if I ever do start smoking, it’ll probably because of this song and this video. Seriously, just the opening bass line makes me want to light up. And then the video itself proves that smoking is pretty photogenic when the cigarettes are being held by beautiful people.
The song, itself, was written by Matt Bellamy after he had a fight with his then-girlfriend, Kate Hudson. According to Bellamy, he was reflecting on the fight and thought to himself, “Yeah, she was right, wasn’t she?”
As for the video, it features two lovers on a train, dealing with their own issues while a riot rages around them. The two lovers are played by Erin Wasson and Max Silberman, both of whom are achingly pretty. (For some reason, the usually reliable imvdb insists that the man on the train was played by Emile Hirsch. Sorry, that’s definitely Max Silberman.)
Of course, the idea of two lovers in the middle of a protest immediately makes me think of this famous picture, which was taken in Vancouver during a riot:
And, of course, there’s this Ray-Ban advertisement:
(If the majority of protesters looked as good as the people in the video and these two pictures, I might even be inspired to go to a march or two.)
(Also, be happy that I resisted the temptation to include a picture from that Kendall Jenner Pepsi commercial. I came really close to doing it but, in the end, I couldn’t do it. I was born a Coke drinker and I’ll die a Coke drinker. Pepsi tastes too much like Vermont for me.)
This video was directed by Anthony Mandler, who has directed several videos for everyone from Jay-Z to Taylor Swift to Justin Bieber. (The imvdb credits him with 74 videos.) The gorgeous cinematography is credited to David Devlin.
Mario Contini, who is credited as being 1st Assistant Cameraman on Madness, was later the director of photography for Saint Motel’s My Type.
Through the Shattered Lens 