Music Video of the Day: GO OFF (Nuthin’ 2 It) by Dillon Francis (2019, dir by The Dads)


If this music video from Dillon Francis doesn’t make you happy, I don’t know what to tell you.  Who can’t enjoy a video about someone who finds a new confidence and a love for dancing?

The gentleman in the video is played by John Gemberling.

Enjoy!

Music Video Of The Day: Unconditional by Dillion Francis & 220 KID feat. Bryn Christopher (2021, dir by Brandon Dermer)


This is going to be a busy and chaotic day so why not celebrate love and music a bit with the latest music video from Dillion Francis? Dillon not only co-stars in this video (along with Danielle King) but he also did all of his own stunts!

Enjoy!

Lisa Marie’s 20 Favorite Songs of 2020


Every January, I list my favorite songs of the previous year and, every January, I include the same disclaimer.  My favorite songs are not necessarily the favorite songs of any of the other writers here at the Shattered Lens.  We are a large and diverse group of people and, as such, we all have our own individual tastes.

If you ever visited the TSL Bunker, you would be shocked by the different music coming out of each office.  You would hear everything from opera to death metal to the best of Frank Sinatra and Dean Martin.  And then, of course, you would reach my office and you would discover that my taste in music pretty much runs the gamut from EDM to More EDM.

Now, usually, I do try to listen to a variety of music.  You can go to my Song of the Day site — Lisa Marie’s Song of the Day — and see that I do occasionally listen to other types of music.  But, I have to be honest.  2020 was not a year that inspired me to really leave me comfort zone.  If anything, music provided me with some much needed consistency in an otherwise chaotic year.  2020 was a year that made me want to dance until it was all over and, for the most part, my favorite songs of the year reflect that fact.

Before I list my songs, I should make something else very clear.  These are my favorite songs of 2020.  I’m not saying that they’re necessarily the best songs of 2020.  I’ll leave that debate for others.  Instead, there are the songs that I found myself listening to over and over again.  These are the songs made me dance.  These are the songs that made me sing.  A few of these songs relaxed me when I needed to be relaxed.  These are songs that I liked.

You might like them.

Or you might not.

That’s the beautiful thing about art.  Everyone experiences it in their own individual way.  For instance, if you want to see an example of the different tastes of music that you’ll find here at TSL, be sure to check out Necromoonyeti’s top albums of 2020.  And also go to Days Without Incident and check out some of the songs that Leonard has posted.  To quote my friend Shirley Loh, “we all like different things.”

Here are my favorite songs of 2020:

20) No Sleep by Jessie Frye

19) Ghost In These Streets by Kate Vogel

18) Matches by Britney Spears and Backstreet Boys

17) You Do you by Dillon Francis and BabyJake

16) Into the Abyss by Zeds Dead x REZZ

15) Teacher by Chromatics

14) Stardew by Purity Ring

13) Everybody Here Hates You by Courtney Barnett

12) Swimming in the Stars by Britney Spears

11) Don’t Wanna by Haim

10) Preach by Saint Motel

 

9) Famous Monsters by Chromatics

8) Break my Heart by Dua Lipa

7) Feel Something by Armin van Buuren feat. Duncan Laurence

6) Dance Again by Selena Gomez

5) Phobos by Space 92

4) Pomegranate by deadmau5 & The Neptunes

3) Castles In The Sky by i_o

2) The Steps by Haim

1) A Good Song Never Dies by Saint Motel

Finally, allow me to offer up two honorable mentions to my favorite cinematic musical moments of the year.  From Eurovision Song Contest: The Story of Fire Saga:

And from What Did Jack Do?:

TSL Looks Back at 2020:

  1. Lisa Marie’s 16 Worst Films of 2020 (Lisa Marie Bowman)
  2. My Top 20 Albums of 2020 (Necromoonyeti)
  3. 25 Best, Worst, and Gems That I Saw In 2020 (Valerie Troutman)
  4. Top 10 Vintage Collections (Ryan C)
  5. Top 10 Contemporary Collections (Ryan C)
  6. Top 10 Original Graphic Novels (Ryan C)
  7. Top 10 Ongoing Series (Ryan C.)
  8. Top 10 Special Mentions (Ryan C.)
  9. Top Ten Single Issues (Ryan C)

 

Music Video of the Day: Coming Over by Dillon Francis, featuring Kygo and James Hersey (2016, dir by Tomas Whitmore)


Okay, I’m just going to be honest.  I love this video.  I know that the video’s main theme is one of regret and the soul-destroying pain of being lonely but seriously, this video amuses the Hell out of me.  From the vomit to the ball gag to the hipster at the end, this is another wonderfully self-aware video from the great Dillon Francis!

Enjoy!

Music Video Of The Day: Need You by Dillon Francis & NGHTMRE (2016, dir by Jack Wagner)


It’s a day in the life of DJ Darren … no, wait, make that Dillon … Francis!

Now, the music doesn’t really start until about 2 minutes and 30 seconds into this video.  Before that, we get some mockumentary footage of DJ Dillon in the suburbs, trying to get a cigarette from a 17 year-old and explaining how he brings life to everything from “”birthdays, weddings, Quinceaneras, corporate event, block parties, and youth retreats” to apparently a suburban barbecue.

You may be tempted to mock DJ Dillon.  He definitely gives off a Brett Ratner vibe, which is never really a good thing.  (At this point, it’s always necessary to make sure that it’s understood I’m referring to the character that Dillon Francis is playing in this video and not necessarily Dillon Francis himself.)  But once he gets set up and start playing, Dillon transforms that suburban backyard into a bacchanal.  That’s the power of DJ Dillon.  Of course, the revelry soon turns into a drunken brawl and it appears that Dillon is responsible for destroying one person’s life but that’s life.

The video was directed by the meme lord himself, Jack Wagner.

Enjoy!

 

Music Video of The Day: Set Me Free by Dillon Francis featuring Martin Garrix (2015, dir by Dan Streit)


Hi!  Lisa here with today’s music video of the day!

I love this song and this video.  I still know some people who are convinced that this song is called “Sell Me Weed” but no, it’s called Set Me Free and this video proves it by showing that Dillon and Martin can not only be released from prison but also from your PC.

Enjoy!

A Quickie With Lisa Marie: We Are Your Friends (dir by Max Joseph)


We_Are_Your_Friends

So, this morning, I read some of the harsh reviews that mainstream critics have given the new film We Are Your Friends and I have to admit that I’m starting to get a little ticked off.

That’s not to say that We Are Your Friends is a very good movie.  I saw it last night with my BFF Evelyn and we enjoyed it but mostly, that was because we talked through almost the entire movie.  And yes, I know that it’s rude to talk through a movie but seriously, the theater was nearly deserted.  When we bought our tickets, there was a huge crowd of people gathered outside the theater but it turns out that they were all buying tickets for War Room.

Anyway, We Are Your Friends tells the story of Cole (Zac Efron), a DJ who lives with three idiot friends (who are so identical to the group from Entourage that one of them is even named Squirrel).  He spends his days working at a mortgage company and his nights DJing.  Then he meets James (Wes Bentley), a formerly great DJ who is on his way down.  James takes Cole under his wing and mentors him and teaches him how to get a room dancing.  But, Cole ends up falling in love with James’s abused girlfriend, Sophie (Emily Ratajkowski), which leads to… well, it leads to exactly what you think it’s going to lead to.  Storywise, We Are Your Friends is not going to win any points for originality.

While we were watching the movie, Evelyn and I agreed that Zac Efron is a strange actor.  I mean, yes, he’s hot and yes, he’s talented enough that he can walk while delivering his lines but, at the same time, his dramatic performances always feel oddly empty.  You watch him and you get the feeling that he’s still trying way too hard to prove that there’s more to him than just High School Musical.  He’s like the guy who you have crush on until you actually get to know him and discover that, beyond his looks, he’s really not that interesting.  Efron always seems to be putting in a lot of effort but, whenever you watch one of his performances, you get the feeling that there’s not much going on underneath the beautiful surface.  For all intents and purposes, Zac Efron is the anti-Gosling.

And some movies have made good use of Efron’s limits.  He was perfectly cast in Me and Orson Welles, for instance.  And he’s good in comedies, where he can play against his good looks.  But in a film like We Are Your Friends, where you’re actually supposed to have some sort of emotional stake in his hopes and dreams, Efron just feels miscast.

That said, I still enjoyed We Are Your Friends and I think that a lot of the reviews have been a bit too harsh.  Why did I enjoy the movie?  It all comes down to the music and the dancing.  If you love EDM, you’ll find a lot to enjoy in We Are Your Friends.  And if you’re not into EDM — well, then fuck off.  I could sit here and write another 500 words about how clichéd the storyline is but, ultimately, that’s not what the film is about.  The film is about the music.  The film is about the ecstasy of dancing all night and then waking up with the beats still playing in your head.  At its best, that’s what this film captures.  It’s not a great film.  A month from now, I have a feeling that it’ll be a struggle to remember much about We Are Your Friends.  But I’ll probably still be listening to the soundtrack.

That’s what a lot of the harsh reviews are missing but then again, most mainstream film reviews are written by people who are too old to appreciate EDM in the first place.  EDM is music for people who are young and who are still capable of enjoying the present and dreaming about the future.  Boring old mainstream critics will never get it and that’s why the reviews of We Are Your Friends feel so condescending.  The critical consensus on Rotten Tomatoes reads: “We Are Your Friends boasts magnetic stars and glimmers of insight, but they’re lost in a clichéd coming-of-age story as programmed as the soundtrack’s beats.”  Now I know how those Christians who went to see War Room feel whenever a reviewer thinks he’s being clever when he says that one of their films “doesn’t have a prayer.”  It’s all so condescending and cutesy.

Listen, We Are Your Friends is not a particularly good film.  But it’s not as bad as you might think.  The plot is bad but the music is good and really, isn’t that the point?