Fjord Wins At Cannes


Well, another Cannes Film Festival has come to a close.  Here in America, coverage of this year’s festival felt considerably more low-key than previous festivals.  In fact, the conventional wisdom — again, here in America — seems to be that this year’s festival was a disappointment.  Personally, I think there’s just some hurt feelings that only two American films were selected to compete this year.

Neither Paper Tiger nor The Man I Love won anything.  (Fear not, I’m sure that James Gray will be back with another drama about the Russian mafia next year.)  Instead, the Palme d’Or went to Fjord, a film about a traditional Catholic family that finds itself being targeted by a group of progressives.  The Guardian gave Fjord a negative review so I imagine it’s pretty good.  I look forward to seeing it.  It should be noted that, as of the last few years, winning the Palme d’Or has been a plus when it comes to a film’s Oscar chances.  (Even the now universally-derided Emilia Perez starting things off by winning at Cannes.)  We’ll see if the same holds true for Fjord.

Here are the winners from Cannes:

Palme d’Or: Fjord by Cristian Mungiu
Grand Prix: Minotaur by Andrey Zvyagintsev
Jury Prize: The Dreamed Adventure by Valeska Grisebach
Best Director:
Javier Ambrossi and Javier Calvo for The Black Ball
Paweł Pawlikowski for Fatherland
Best Actress: Virginie Efira and Tao Okamoto for All of a Sudden
Best Actor: Emmanuel Macchia and Valentin Campagne for Coward
Best Screenplay: Emmanuel Marre for A Man of His Time

Un Certain Regard
Un Certain Regard Prize: Everytime by Sandra Wollner
Jury Prize: Elephants in the Fog by Abinash Bikram Shah
Special Jury Prize: Iron Boy by Louis Clichy
Best Actress: Daniela Marín Navarro, Marina de Tavira and Mariangel Villegas for Forever Your Maternal Animal
Best Actor: Bradley Fiomona Dembeasset for Congo Boy

Caméra d’Or
Caméra d’Or: Ben’Imana by Marie Clémentine Dusabejambo

Short Films Competition
Short Film Palme d’Or: For the Opponents by Federico Luis

Live Tweet Alert: Watch Killer Workout With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1987’s Killer Workout!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scenes that I Love: The Roulette Scene From Run, Lola, Run (Happy Birthday, Tom Tykwer!)


Today is the birthday of German filmmaker Tom Tykwer.  Tykwer directed one of my favorite films of all time, 1998’s Run, Lola, Run!  As such, it only seems appropriate that today’s scene that I love should come from that film.

In this scene, Lola shows us all how to win at roulette.  Do not try this in Vegas.

4 Shots from 4 Films: Special Ryan Coogler Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to director Ryan Coogler!  With just a handful of films, Ryan Coogler has made a star out of Michael B. Jordan, redeemed the acting career of Sylvester Stallone, introduced the rest of the world to Wakanda, twice made Oscar history, and changed the way that film viewers talk about race in cinema.  With all that in mind, it’s time for….

4 Shots from 4 Ryan Coogler Films

Fruitvale Station (2013, dir by Ryan Coogler, DP: Rachel Morrison)

Creed (2015, dir by Ryan Coogler, DP: Maryse Alberti)

Black Panther (2018, dir by Ryan Coogler, DP: Rachel Morrison)

Sinners (2025, dir by Ryan Coogler, DP: Autumn Durald Arkapaw)

Live Tweet Alert: Join #FridayNightFlix for The Sandlot!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1993’s The Sandlot!

If you want to join us this Friday, just hop onto twitter, find The Sandlot on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

Scenes That I Love: “Now is the winter of our discontent” from Laurence Olivier’s Richard III


119 years ago today, Laurence Olivier was born in Surrey.  The son of a clergyman, Olivier would go on to become one of the greatest stage actors of the 20th Century.  He would also have a distinguished film career, one that led to him frequently being described as being the world’s greatest living actor.

He is perhaps best-known for his Shakespearean performances.  He won multiple Oscars for directing and starring in 1948’s Hamlet.  Before his turn in Hamlet, he was similarly nominated for his film version of Henry V.  That said, for me, his best cinematic Shakespearean performance was as Richard III in the 1953 film of the same title.

Though acclaimed, Richard III was not quite the Oscar favorite that Olivier’s previous two adaptations of Shakespeare had been.  Henry V was released at a time when its portrayal of a determined British ruler could be viewed as a metaphor for the UK’s role in the second world war.  Hamlet was released at a time when the world was still rebuilding and trying to adjust to the new atomic age and its dark, noirish style captured those anxieties.  Richard III was released in the 50s, at a time when Americans perhaps weren’t as receptive to films that suggested that leaders should not be trusted.  As a result, Richard III received only one nomination, for Olivier’s performance in the title role.

Today, in honor of his birthday, here is a scene that I love from 1953’s Richard III:

4 Shots From 4 Films: Special Sherlock Holmes Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Arthur Conan Doyle’s birthday.  Today, we pay tribute to Doyle’s most popular and influential creation.  It’s time for….

4 Shots From 4 Sherlock Holmes Films

Sherlock Holmes (1922, dir by Albert Parker, DP: J. Roy Hunt)


The Hound of the Baskervilles (1939, dir by Sindey Lanfield, DP: Peverell Marley)


The Private Life of Sherlock Holmes (1970, dir by Billy Wilder, DP: Christopher Challis)


Sherlock Holmes (2009, dir by Guy Ritchie, DP: Philippe Rousselot)

The “This Week in Charles Bronson” podcast interviews Sherman Alexie, writer of SMOKE SIGNALS (1998)!


It’s been fun living life as one of the biggest fans of Charles Bronson in the world going back to around 1984 or 1985 when I first watched DEATH WISH on late night TV with my dad. For most of those years, my positive obsession was just shared with my family and friends. That began to change in 2021 when I met a guy named Eric Todd who ran the Facebook page “This Week in Charles Bronson.” Not only did Eric run the page, but he also hosted a podcast of the same name. I guess through my sheer enthusiasm about finally meeting people who love Bronson like I do, Eric asked me to be part of his show. I can’t tell you how much fun I’ve had joining Eric and his various guests over the last 4 years on the podcast. During that time, I’ve been part of interviews with actors Jordan Rhodes and Robert F. Lyons, actress Jan Gan Boyd, author Paul Talbot, and even Charles Bronson’s niece Lindsay Ireland. Each interview has been special to me, and Lindsay shared with us that her cousin Paul (Bronson’s stepson) listened to the episode that she was on. I never imagined my love of Bronson would afford me the opportunity to meet these kinds of people, and that Charles Bronson’s own family would enjoy our stuff!  

The fun continued this past week when Eric and I interviewed Native American author Sherman Alexie, who wrote the screenplay for the movie SMOKE SIGNALS, starring Adam Beach, Evan Adams, Irene Bedard, Gary Farmer, Tantoo Cardinal, and Tom Skerritt. Sherman loves Charles Bronson, and he told us that his dad even looked like Charles Bronson. We discussed some of his movie work, some of his short stories and novels, and the Bronson film THE WHITE BUFFALO (1977). We spend a lot of time discussing films in general, where Sherman introduced us to the movies REC (2007) and MEKKO (2015). We even spend some time talking about the “awesome” James Woods and the “scary” David Morse, who have both worked with Charles Bronson! If you want to know why I put “quotations” on those words, you’ll have to check us out.

So, if any of this sounds fun to you, I’ve linked to the YouTube video below for your viewing pleasure! If you like it, go back and watch some of our other shows and even subscribe! Some of my personal favorite shows are when us Bronson fans just sit around and talk about one of his movies. You never know where the conversations might end up. Heck, some of my favorites are shows I’m not even on! I do apologize in advance for my accent. What do you expect from a guy from Toad Suck, Arkansas?          

Villain of the Day: Klaus Wortmann (Antropophagus)


Yesterday, it was announced that George Eastman had passed away at the age of 83.

George Eastman was born Luigi Montefiori in Genoa, Italy.  Montefiori began his career by appearing in Spaghetti westerns.  The tall and often bearded Montefiori had the dangerous look that made him a natural for outlaw and henchmen roles.  Like many Italian actors, he took an “Americanized” alias for his acting roles.  He appeared in his share of American and British films (he appeared opposite Charlton Heston in Call of the Wild and played Goliath in King David) but his fans will always remember him best for the work that he did in his native Italy.  Occasionally, he played a hero.  He gave a particularly strong performance in — don’t laugh — Erotic Nights of the Living Dead.  That said, Eastman will always be best remembered for his villians.

Klaus Wortmann is the one who will always give me nightmares.  Eastman played Wortmann in Joe D’Amato’s infamous 1980 film, Antropophagus.  Klaus Wortmann was a wealthy man who lived on a Greek island with his wife, daughter, and his sister.  Unfortunately, when he and his family were shipwrecked, Klaus resorted to cannibalism to survive.  As the movie begins, Klaus is back at his mansion and being sheltered by sister.  He’s also become an obsessive cannibal.  He’s surrendered his humanity.  He can no longer speak and instead just growls.  He attacks everyone that he sees and he does things to his victims that led to this film being banned in several countries.  Also known as The Grim Reaper, Antropophagus is film that delights in showing people being ripped to pieces and George Eastman is right in the middle of it all.

And he’s absolutely terrifying.

In real life, George Eastman was a handsome man.  That’s one of the things that made him such a fascinating villain in countless western and crime films.  He was usually playing a total psycho but there was still something about him that made you want to get to know more about him.  Klaus Wortmann, on the other hand, is a terrifying monster.  Unwashed, bearded, hideously scarred, continually bathed in sweat, growling and howling as he chases his victims, Klaus is a nightmare come to life.  Eastman throws himself into capturing every grimy detail of Wortmann’s twisted existence and he comes across as a creature who seems to have literally jumped out of the shadows of our greatest fears.

In many ways, Antropophagus is not a particularly good film.  Not even the notoriously shameless Joe D’Amato appeared to think much of it.  The story drags because there aren’t enough victims and therefore there’s a lot of travelogue padding, especially early on in the film.  Along with Eastman, there are some recognizable people in the cast — Tisa Farrow, Zora Kerova, Serena Grandi (who would later co-star with Eastman in Delirium) — both most of them come across like they’d rather be anywhere but there.  But when George Eastman is on-screen, the film become horrifying.  No one — not the pregnant woman and her husband, not the innocent blind girl, not even the flakey card reader — is safe.  By the end of the movie, Klaus is literally eating pieces of himself.  It takes a talented actor to pull that off.

That actor was George Eastman.

Villain of the Day

Join #TubiThursdasy For Brotherhood of Justice!


 

Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for 1986’s Brotherhood of Justice!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!