January Positivity: Consider It All Joy (dir by William Mings)


The 1986 short film, Consider It All Joy, features one of my favorite scene transitions.

Newly married Claire (Bonnie Hawley) and David (Gary Costello) kiss while sitting in front of the fireplace.  One jump cut later and Claire is smiling and pregnant and David has a look on his face that says, “My boys can swim!”  That’s about as close as any faith-based film will ever get to acknowledging that two people, even two married people, have not only had sex but that they actually enjoyed having sex and that they probably had sex more than once.  Of course, it helps that Hawley and Costello had a lot of chemistry and they just seemed like they belonged together as a couple.  They’re totally believable as one of those married couples who rarely fight and yet don’t annoy their friends with their happiness.

The other thing that Consider It All Joy has is a lot of wood paneling.  I wouldn’t say that every room in this film has wood paneling but enough of them do that, as I watched, I found myself saying, “That’s a lot of wood paneling.”  But that makes sense.  This is a low-budget, indie film that was shot in the 80s.  It was designed for a very specific audience and there’s nothing particularly slick or overly stylized about it.  Watching the film, the viewer gets the feeling that the majority of it was filmed in someone’s house, as opposed to on a set.  The actors probably wore their own clothes.  In many ways, the film itself feels like a time capsule.  Until time machines are invented, watching a film like this might be the closest that one could get to witnessing the 80s firsthand.

As for the film itself, it tells the story of Claire dealing with the sudden death of David.  The majority of the film is told in flashback so we watch all of the scenes of them meeting, courting, marrying, and starting a family with a sense of dread.  As happy as they are, we know that it’s not going to last.  When David is laid off from his job, he refuses to get upset and instead tells his boss that he knows everything will work out because he has faith and that God will provide.  Everyone at the office is apparently really impressed with David’s good attitude.  Of course, they’re not impressed enough to keep him around and to continue to pay his salary.  Personally, I think they’re getting off easy but then again, everything that I know about downsizing and corporate America comes from the second season of The Office.

David does eventually find a new job and it turns out to be a far better one than he previously had!  However, no sooner has David left for work than the police show up at the door and tell Claire that he’s been killed in an auto accident.  At first, Claire is angry but then she remembers David’s faith and she decides to consider it all joy.  The film ends with her witnessing to one of David’s friends, with the suggestion being that Claire might not be single for long!

As I’ve said before, I have a weakness for low-budget indie films, especially ones that pretty much epitomize the era in which it was made.  This is pretty earnest film and I doubt that it will change the minds of anyone who doesn’t already agree with its message but Bonnie Hawley and Gary Costello are a believable couple and the film couldn’t be more 80s if it tried.

Everything Everywhere Wins In North Carolina


The North Carolina Film Critics Associaiton has announced their picks for the best of 2022!  You can see the nominees by clicking here and the winners below!

BEST NARRATIVE FILM
Everything Everywhere All at Once

BEST DOCUMENTARY FILM
Fire of Love

BEST ANIMATED FILM
Marcel the Shell With Shoes On

BEST FOREIGN LANGUAGE FILM
RRR

BEST DIRECTOR
Daniels (Everything Everywhere All at Once)

BEST CINEMATOGRAPHY
Hoyte van Hoytema (Nope)

BEST ACTOR
Colin Farrell (The Banshees of Inisherin)

BEST SUPPORTING ACTOR
Ke Huy Quan (Everything Everywhere All at Once)

BEST ACTRESS
Michelle Yeoh (Everything Everywhere All at Once)

BEST SUPPORTING ACTRESS
Stephanie Hsu (Everything Everywhere All at Once)

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Jenny Slate (Marcel the Shell With Shoes On)

BEST ACTING ENSEMBLE
Everything Everywhere All at Once

BEST ORIGINAL SCREENPLAY
Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once)

BEST ADAPTED SCREENPLAY
Sarah Polley (Women Talking)

BEST EDITING
Paul Rogers (Everything Everywhere All at Once)

BEST SPECIAL EFFECTS
Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett (Avatar: The Way of Water)

BEST STUNT COORDINATION
Nick Powell (RRR)

BEST COSTUME DESIGN
Ruth Carter (Black Panther: Wakanda Forever)

BEST HAIR & MAKE-UP
Shane Thomas, Mark Coulier, Jason Baird, and Louise Coulston (Elvis)

BEST PRODUCTION DESIGN
Jason Kisvarday and Kelsi Ephraim (Everything Everywhere All at Once)

BEST SCORE
Michael Giacchino (The Batman)

BEST ORIGINAL SONG
“Naatu Naatu” (RRR)

BEST SOUND DESIGN
Johnnie Burn and Jose Antonio Garcia (Nope)

BEST DIRECTORIAL DEBUT
Charlotte Wells (Aftersun)

BEST BREAKTHROUGH PERFORMANCE
Austin Butler (Elvis)

LIFETIME ACHIEVEMENT: COMPOSER
John Williams

KEN HANKE MEMORIAL TAR HEEL AWARD
Brian Tyree Henry (Causeway, Bullet Train, Atlanta) – From Fayetteville, North Carolina

Here Are The 2022 Music City Film Critics Association Nominations!


The winners will be announced on January 9th and, considering that this is a Nashville-based group, I will be massively disappointed if every award doesn’t go to Elvis.

Best Picture
Aftersun
Babylon
Elvis
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Nope
RRR
Tár
The Banshees of Inisherin
The Fabelmans
Top Gun: Maverick

Best Director
Damien Chazelle – Babylon
Martin McDonagh – The Banshees of Inisherin
S. S. Rajamouli – RRR
Steven Spielberg – The Fabelmans
The Daniels – Everything Everywhere All at Once
Todd Field – Tár

Best Actor
Austin Butler – Elvis
Brendan Fraser – The Whale
Colin Farrell – The Banshees of Inisherin
Diego Calva – Babylon
Paul Mescal – Aftersun

Best Actress
Cate Blanchett – Tár
Margot Robbie – Babylon
Mia Goth – Pearl
Michelle Yeoh – Everything Everywhere All at Once
Viola Davis – The Woman King

Best Supporting Actor
Barry Keoghan – The Banshees of Inisherin
Brendan Gleeson – The Banshees of Inisherin
Brian Tyree Henry – Causeway
Ke Huy Quan – Everything Everywhere All at Once
Paul Dano – The Fabelmans

Best Supporting Actress
Angela Bassett – Black Panther: Wakanda Forever
Hong Chau – The Whale
Jamie Lee Curtis – Everything Everywhere All at Once
Janelle Monáe – Glass Onion: A Knives Out Mystery
Kerry Condon – The Banshees of Inisherin

Best Young Actor
Banks Repeta – Armageddon Time
Gabriel LaBelle – The Fabelmans
Gregory Mann – Guillermo del Toro’s Pinocchio
Jalyn Hall – Till
Mason Thames – The Black Phone

Best Young Actress
Anna Cobb – We’re All Going to the World’s Fair
Bella Ramsey – Catherine Called Birdy
Frankie Corio – Aftersun
Julia Butters – The Fabelmans
Sadie Sink – The Whale

Best Acting Ensemble
Babylon
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Fabelmans
Women Talking

Best Music Film
Elvis
Guillermo del Toro’s Pinocchio
Roald Dahl’s Matilda the Musical
Moonage Daydream
Tár

Best Animated Film
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Wendell & Wild

Best Documentary
All that Breathes
All the Beauty and the Bloodshed
Fire of Love
Good Night Oppy
Moonage Daydream

Best International Film
All Quiet on the Western Front
Bardo: False Chronicle of a Handful of Truths
Decision to Leave
EO
RRR

Best Screenplay
Everything Everywhere All at Once
Tár
The Banshees of Inisherin
The Fabelmans
Women Talking

Best Original Song
“Ciao Papa” – Guillermo del Toro’s Pinocchio
“Hold My Hand” – Top Gun: Maverick
“Lift Me Up” – Black Panther: Wakanda Forever
“Naatu Naatu” – RRR
“New Body Rhumba” – White Noise

Best Score
Babylon
Guillermo del Toro’s Pinocchio
The Batman
The Fabelmans
Women Talking

Best Sound
Avatar: The Way of Water
Babylon
Elvis
Nope
Top Gun: Maverick

Best Cinematography
Avatar: The Way of Water
Babylon
Nope
The Batman
Top Gun: Maverick

Best Production Design
Avatar: The Way of Water
Babylon
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
The Northman

Best Editing
Aftersun
Babylon
Elvis
Everything Everywhere All at Once
Top Gun: Maverick

Best Comedy Film
Confess, Fletch
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Banshees of Inisherin
The Unbearable Weight of Massive Talent

Best Horror Film
Barbarian
Nope
Pearl
Smile
X

Best Action Film
Avatar: The Way of Water
Everything Everywhere All at Once
RRR
The Batman
Top Gun: Maverick

Best Stunt Work
Avatar: The Way of Water
Everything Everywhere All at Once
RRR
The Batman
Top Gun: Maverick

The Jim Ridley Award
Elvis
Moonage Daydream
Still Working 9 to 5
The Return of Tanya Tucker: Featuring Brandi Carlile
Nicole Kidman – The Northman

Here Are The 2022 Nominations of the Austin Film Critics Association!


The winners, along with their picks for the best 10 films of 2022, will be announced on January 10th.  Keep Austin weird!

Best Director
Park Chan-wook, Decision to Leave
Daniel Kwan & Daniel Scheinert (Daniels), Everything Everywhere All at Once
Todd Field, Tár
Martin McDonagh, The Banshees of Inisherin
S.S. Rajamouli, RRR

Best Actress

Cate Blanchett, Tár
Viola Davis, The Woman King
Danielle Deadwyler, Till
Mia Goth, Pearl
Michelle Yeoh, Everything Everywhere All at Once

Best Actor
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Paul Mescal, Aftersun

Best Supporting Actor
Brendan Gleeson, The Banshees of Inisherin
Brian Tyree Henry, Causeway
Barry Keoghan, The Banshees of Inisherin
Mark Rylance, Bones and All
Ke Huy Quan, Everything Everywhere All at Once

Best Supporting Actress
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Stephanie Hsu, Everything Everywhere All at Once
Janelle Monae, Glass Onion: A Knives Out Mystery
Keke Palmer, Nope

Best Ensemble
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Women Talking

Best Original Screenplay
Daniel Kwan & Daniel Scheinert (Daniels), Everything Everywhere All at Once
Todd Fields, Tár
Martin McDonagh, The Banshees of Inisherin
Jordan Peele, Nope
Steven Spielberg and Tony Kushner, The Fabelmans

Best Adapted Screenplay
Sarah Polley and Miriam Toews, Women Talking
Rian Johnson, Glass Onion: A Knives Out Mystery
David Kajganich, Bones and All
Samuel D. Hunter, The Whale
Guillermo del Toro and Patrick McHale, Guillermo del Toro’s Pinocchio

Best Cinematography
Russell Carpenter, Avatar: The Way of Water
Hoyte van Hotema, Nope
Claudio Miranda, Top Gun: Maverick
Linus Sandgren, Babylon
Larkin Seiple, Everything Everywhere All at Once

Best Editing
Bob Ducsay, Glass Onion: A Knives Out Mystery
Eddie Hamilton, Top Gun: Maverick
A. Sreekar Prasad, RRR
Paul Rogers, Everything Everywhere All at Once
Monika Willi, Tár

Best Original Score
Carter Burwell, The Banshees of Inisherin
Son Lux, Everything Everywhere All at Once
Justin Hurwitz, Babylon
Michael Giacchino, The Batman
M.M. Keeravani, RRR

Best International Film
Close
Decision to Leave
EO
Holy Spider
RRR

Best Documentary
All the Beauty and the Bloodshed
Descendant
Fire of Love
Good Night Oppy
Moonage Daydream

Best Animated Film
Apollo 10 1/2: A Space Age Childhood
Guillermo del Toro’s Pinocchio
Mad God
Marcel the Shell with Shoes On
Turning Red

Best Voice Acting/Animated/Digital Performance
Stephen Lang, Avatar: The Way of Water
Ewan McGregor, Guillermo del Toro’s Pinocchio
Zoe Saldana, Avatar: The Way of Water
Jenny Slate, Marcel the Shell with Shoes On
Sigourney Weaver, Avatar: The Way of Water

Best Stunt Coordinator
Timothy Neulich, Everything Everywhere All at Once
Kevin LaRosa Jr. and Casey O’Neill, Top Gun: Maverick
Nick Powell, RRR
Daniel Hernandez, The Woman King
C.C. Smiff & Jón Viðar Arnþórsson, The Northman

Best First Film
Aftersun, Charlotte Wells
Emily the Criminal, John Patton Ford
Marcel the Shell with Shoes On, Dean Fleischer Camp
Turning Red, Domee Shi
Watcher, Chloe Okuno

The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award
Austin Butler, Elvis
Frankie Corio, Aftersun
Amber Midthunder, Prey
Stephanie Hsu, Everything Everywhere All at Once
Jenna Ortega, The Fallout, Scream, X, Studio 666

Scene That I Love: “Want to go for a swim?” from Once Upon A Time In America


Since today is Sergio Leone’s birthday, it only seems appropriate to share one of my favorite scenes from Leone’s 1984 gangster epic, Once Upon A Time In America.

For some context, Noodles (Robert De Niro) has just gotten out of prison and has been reunited with Max (James Woods) and all of the other hoodlums that he grew up with.  While Noodles was away, Max has been building up their gang and becoming a force in the underworld.  One of the first post-prison jobs that Noodles is involved with turns out to be a hit on another gangster.  Max, however, did not let Noodles know ahead of time that it was going to be hit.

In this scene, Noodles attempts to learn why.

Catching Up With The Films of 2022: Emily The Criminal (dir by John Patton Ford)


An hour or so into Emily the Criminal, there’s a scene in which Emily (Aubrey Plaza) goes to what she thinks is a job interview with a prestigious ad agency.  For the second time in the film, Emily is forced to tell a potential employer that she has a felony conviction.  In this case, it doesn’t seem to matter.  Alice (Gina Gershon), the head of the agency, explains that she is looking for an intern to work in the design department.

Emily asks if Alice is asking her to take an unpaid internship.

Alice replies that everyone starts as an intern and that, if they do a great job, they might get a paid position in five to six months.

Emily asks how Alice can expect anyone to work regular hours without getting paid.

Alice replies that Emily will paid in experience.  “When I began in this industry,” Alice says, “I have no intention of just being a secretary….”

“But secretaries get paid!” Emily snaps.

Alice replies with an obviously well-rehearsed anecdote about how, when she started, there were no women in the executive office.  When Emily cuts her off again, Alice drops the Pelosiesque facade and accuses Emily of being spoiled.  When Emily tells her off before storming out of the office, you’ll want to cheer.  It doesn’t matter how you may feel about some of Emily’s earlier life decisions or Emily as a person.  When Emily calls out Alice for expecting people to work for free, you will totally be on Emily’s side.

You’ll also understand why Emily would chose to be, as the title makes clear, a criminal.

When we first meet Emily, she is a part of the gig economy, delivering food for a catering company.  There was a time when she dreamed of becoming a professional artist and living in South America.  Now, she’s just trying to figure out how to pay the huge amount of student loan debt that she owes, despite the fact that she never graduated from college.  When she learns of an opportunity to make $200 in one hour, she takes it.  As Youcef (Theo Rossi) explains it, all she has to do is use a fake credit card to buy a flat-screen TV so that Youcef and his associates can then sell it.  (In a nice bit of irony, it later turns out that Youcef is basically an unpaid intern for his cousin.)  After her first job is a success, Youcef starts to trust Emily with making bigger and riskier purchases.  Soon, Emily is making her own fake credit cards and running her own scams.  She’s still an independent contractor but now she’s making a lot more money.

Emily the Criminal takes a matter-of-fact approach to Emily’s activities.  There’s none of the condemnation that one might expect as the result of having seen other movies and, regardless of how dangerous things get for her, there’s never a moment where Emily herself reconsiders whether or not she wants to be a criminal.  The film doesn’t necessarily celebrate criminality but it does ask why Emily should care about the rules of society that obviously doesn’t care about her.  If Emily remains law-abiding, she’ll be stuck in a demeaning job and she’ll never pay off her debts, which means that she’ll just become a criminal by default.  (And, let’s be honest, we all know that all the talk about canceling student debt is just something that gets trotted out during an election year.  We’ll hear it again in 2024 and again, nothing will happen.)  As a criminal, the only risk is that Emily could be arrested or attacked by another criminal but, as the film makes clear from the start, Emily already has a criminal record so what’s one more charge?  As for being attacked, Emily continually proves herself to be tougher and far more ruthless than the other criminals around her.  Alice might brag about how she’s found success in an industry dominated by men but Emily actually does it.

Emily the Criminal is a relentlessly-paced journey through the shadows of the gig economy, a world where the only law is that everyone is looking out for themselves.  Aubrey Plaza gives a career best performance as Emily, playing her as someone who not only turns out to have a natural talent for being a criminal but who occasionally shocks herself with how ruthless she can be.  Emily may be a criminal but its hard to judge her.  It’s just a job.

January Positivity: Forever and a Day (dir by Zeke Jeremiah)


In a small Texas town, life seems to be going as it always does.

High school freshman Daniel (Keegan Bouton) spends most of his time hanging out with his best friend, Haley (Charlotte Delaney Riggs).  They walk around town together.  They explore the woods together.  They talk about their first year in high school and which teachers they like and which they dislike.  When they see one of their classmates getting picked on by a group of bullies, Haley wants to do something to stop it while Daniel argues that there’s nothing they can do.

Besides, they have an even more pressing concern.  Haley’s mother (Mercedes Peterson) has begun to flirt with Daniel’s father (Trey Guinn)!  In a well-written and well-acted scene, they sit in a car and watch as Haley’s mom talks to Daniel’s dad and both of them discuss the things that their parents do while flirting, just to watch in silent horror as their parents proceed to do every one of those things.  Though they may be best friends, they’re still a little bit creeped out by the idea of their parents dating.  Daniel, especially, still thinks that his father and mother might someday get back together.

From the start, the viewer is aware that something tragic is going to happen.  The town is too perfect and Haley and Daniel’s friendship is too heartfelt for there not to be a tragedy waiting around the corner.  And, from the minute we see poor Colby (Holdan Mallouf) getting pushed around by Travis (Blaze Freeman) and his gang, we can pretty much guess what that tragedy will involve.  It’s just a question of who, amongst the character that we’ve met, will be unlucky enough to be in the hallway when Colby finally snaps.

It may sounds melodramatic but, unfortunately, it’s also an honest portrayal of the fears that everyone has when it now comes to high school.  School shooting are a tragedy that few of us can get our heads around, which is one reason why people are often more interested in using them to score political points than to actually discuss the events that led up to each shooting and the culture that produced them.  This film does a good job of examining the aftermath of the shooting and the struggle of people to understand both how it could have happened and how it could have been prevented.  This film emphasizes love and faith as a way to both deal with tragedy and to combat the anger and depression that leads to it happening.  No one was willing to stand up for Colby and the only person who shows any real concern for him was led away by her best friend.

(I do have to say that I cringe a little bit whenever school shooters are portrayed as just being stereotypical nerds who snapped because the bullies wouldn’t leave them alone.  That describes a few school shooter but it certainly doesn’t describe shooters like Nikolas Cruz, Adam Lanza, or the two Columbine shooters.  Portraying any kid who is picked on as being a ticking time bomb just further stigmatizes the socially awkward.)

Forever and a Day is a low-budget film and it’s hardly flawless.  (I could have done without the narrator.)  But, at the same time, it deals with a difficult subject with emotional honesty and the cast does a good job inhabiting their characters.  In the end, it’s a film that asks all of us to treat each other with kindness and there’s nothing wrong with that.

Here Are The 2022 Nominations of the Columbus Film Critics Association!


Last night, the Columbus Film Critics Association announced their nominations for the best of 2022!

And here they are:

Best Film
Aftersun
Everything Everywhere All at Once
Glass Onion
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Nope
Tár
The Banshees of Inisherin
The Fabelmans
The Menu
Women Talking

Best Director
Todd Field, Tár
Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Steven Spielberg, The Fabelmans

Best Lead Performance
Cate Blanchett, Tár
Olivia Colman, Empire of Light
Danielle Deadwyler, Till
Colin Farrell, The Banshees of Inisherin
Ralph Fiennes, The Menu
Brendan Fraser, The Whale
Mia Goth, Pearl
Paul Mescal, Aftersun
Margot Robbie, Babylon
Michelle Williams, The Fabelmans
Michelle Yeoh, Everything Everywhere All at Once

Best Supporting Performance
Angela Bassett, Black Panther: Wakanda Forever
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Paul Dano, The Fabelmans
Dolly De Leon, Triangle of Sadness
Brendan Gleeson, The Banshees of Inisherin
Barry Keoghan, The Banshees of Inisherin
Janelle Monáe, Glass Onion
Keke Palmer, Nope
Ke Huy Quan, Everything Everywhere All at Once

Best Ensemble
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Glass Onion
Women Talking

Actor of the Year (for an exemplary body of work)
Hong Chau, The Menu and The Whale
Jamie Lee Curtis, Everything Everywhere All at Once and Halloween Ends
Colin Farrell, The Banshees of Inisherin, The Batman, and Thirteen Lives
Mia Goth, Pearl and X
Tilda Swinton, The Eternal Daughter, Guillermo del Toro’s Pinocchio, and Three Thousand Years of Longing
Anya Taylor-Joy, Amsterdam, The Menu, and The Northman

Breakthrough Film Artist
Austin Butler, Elvis – (for acting)
Hong Chau, The Menu and The Whale – (for acting)
Zach Cregger, Barbarian – (for directing, screenwriting, and acting)
Gabriel LaBelle, The Fabelmans – (for acting)
Charlotte Wells, Aftersun – (for directing and screenwriting)

Best Cinematography
Russell Carpenter, Avatar: The Way of Water
Ben Davis, The Banshees of Inisherin
Claudio Miranda, Top Gun: Maverick
Linus Sandgren, Babylon
Hoyte Van Hoytema, Nope

Best Film Editing
Sarah Broshar and Michael Kahn, The Fabelmans
Bob Ducsay, Glass Onion
Eddie Hamilton, Top Gun: Maverick
A. Sreekar Prasad, RRR
Paul Rogers, Everything Everywhere All at Once

Best Adapted Screenplay
Guillermo del Toro and Patrick McHale, Guillermo del Toro’s Pinocchio
Dean Fleischer-Camp, Jenny Slate, and Nick Paley, Marcel the Shell with Shoes On
Samuel D. Hunter, The Whale
Rian Johnson, Glass Onion
Rebecca Lenkiewicz, She Said
Sarah Polley and Miriam Toews, Women Talking

Best Original Screenplay
Todd Field, Tár
Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once
Martin McDonagh, The Banshees of Inisherin
Jordan Peele, Nope
Seth Reiss and Will Tracy, The Menu
Steven Spielberg and Tony Kushner, The Fabelmans

Best Score
Michael Abels, Nope
Carter Burwell, The Banshees of Inisherin
Alexandre Desplat, Guillermo del Toro’s Pinocchio
Justin Hurwitz, Babylon
Trent Reznor and Atticus Ross, Bones and All
John Williams, The Fabelmans

Best Documentary
All the Beauty and the Bloodshed
Fire of Love
Good Night Oppy
Moonage Daydream
Navalny
Sr.

Best Foreign Language Film
All Quiet on the Western Front
Decision to Leave
RRR
Saint Omer

Best Animated Film
Guillermo del Toro’s Pinocchio
Mad God
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red

Best Comedy
The Banshees of Inisherin
Everything Everywhere All at Once
Glass Onion
The Menu
Triangle of Sadness
The Unbearable Weight of Massive Talent

Best Overlooked Film
After Yang
Confess, Fletch
God’s Country
Men
The Unbearable Weight of Massive Talent

The winners will be announced on January 5th!

Monday Live Tweet Alert: Join Us For Prey of the Jaguar and Primal Fear!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #MondayActionMovie, the film will be 1996’s Prey of the Jaguar!  Selected and hosted by @BunnyHero, Prey of the Jaguar stars not just Linda Blair but also Maxwell Caulfield!  Rex Manning Day came early! The movie starts at 8 pm et and it is available on YouTube.

 

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  Tonight’s movie, starting at 10 pm et, will be 1996’s Primal Fear, starring Richard Gere, Laura Linney, and Edward Norton!  Primal Fear can be found on Prime!

 

It should make for a night of intense viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start Prey of the Jaguar at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to prime, start Primal Fear and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.  And reviews of these films will probably end up on this site at some point over the next few weeks. 

Enjoy!

The Eric Roberts Collection: Deadline (dir by Curt Hahn)


In the year 1993, a black teenager named Wallace Sampson was shot and murdered in the small town of Amos, Alabama.  The murderer was never caught.  In fact, according to most people in the town, the murder was never even really investigated.  The town’s white leaders, many of whom were members of the Ku Klux Klan, swept the murder under the rug.

20 years later, Trey Hall (Lauren Jenkins) is determined to solve Wallace’s murder.  Trey may be the daughter of the richest man in town but, as she puts it, she was practically raised by Wallace’s mother, Mary Pell Sampson (Jackie Welch).  Mary Pell Sampson is the long-time maid of Trey’s father, Everett Hall (David Dwyer).  When journalist Matt Harper (Steve Talley) comes down from Tennessee to do a story on another murder, Trey tells him that he should totally ditch the recent murder and instead investigate the older murder.  Matt, who is currently in the process of being cancelled due to a poorly written headline, decides that he wants to investigate and report on the death of Wallace Sampson.  His editor agrees, on the condition that he work with the older and more cynical Ronnie Bullock (Eric Roberts).

While investigating Wallace’s murder, Matt has to deal with his own very messy personal life.  His fiancée, Delana (Anna Felix), wants to call off the wedding because Matt is too obsessed with work.  His father (J.D. Souther) is dying of cancer but can still find the time to scold Matt for ending a sentence with a preposition.  Finally, Matt is not happy about having work with Ronnie, who is an old school reporter who travels with a gun and who has little use for the demands of society.  When Matt accuses Ronnie of being racist, Ronnie angrily corrects him.  When Matt accuses Ronnie of being sexist, Ronnie just shrugs.  It’s really the type of thing that only Eric Roberts could pull off.

Deadline is loosely based on a true story and it’s certainly a well-intentioned film.  Unfortunately, the majority of the performances feel amateurish, the pace is rather slow, and the bad guys are so obviously evil that the film itself feels a bit cartoonish.  (If only all murderers were as easy to pick out as they are in this film….)  It suffers from the same problem that afflicts a lot of films about civil rights in the South, in that the black characters are often pushed to the background and left undeveloped while the film focuses on the nobility of rich white liberals.  Again, the intentions are good but the execution leaves a bit to be desired.

That said, Eric Roberts is well-cast as Ronnie Bullock and, whenever he’s onscreen, he brings some much-needed energy to the film.  In some ways, Ronnie is a cliché.  He’s the cynical, politically incorrect journalist who, deep down, still believes in doing the right thing.  But Roberts manages to bring some nuance to both the character and the film.  The viewer will be happy every time that Roberts steps into a scene.  Eric Roberts’s performance is the highlight of the film and the best reason to see Deadline.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Doctor Who (1996)
  9. Most Wanted (1997)
  10. Mr. Brightside (2004)
  11. Six: The Mark Unleased (2004)
  12. Hey You (2006)
  13. In The Blink of an Eye (2009)
  14. The Expendables (2010) 
  15. Sharktopus (2010)
  16. Miss Atomic Bomb (2012)
  17. Lovelace (2013)
  18. Self-Storage (2013)
  19. Inherent Vice (2014)
  20. Rumors of War (2014)
  21. A Fatal Obsession (2015)
  22. Stalked By My Doctor (2015)
  23. Stalked By My Doctor: The Return (2016)
  24. The Wrong Roommate (2016)
  25. Stalked By My Doctor: Patient’s Revenge (2018)
  26. Monster Island (2019)
  27. Seven Deadly Sins (2019)
  28. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  29. The Wrong Mommy (2019)
  30. Her Deadly Groom (2020)
  31. Top Gunner (2020)
  32. Just What The Doctor Ordered (2021)
  33. Killer Advice (2021)
  34. The Poltergeist Diaries (2021)
  35. My Dinner With Eric (2022)