SILENT RAGE – Revisiting the Chuck Norris film from my youth.


SILENT RAGE is one of those movies that I watched quite a bit as a kid, and I thought it was pretty scary. Fox-16 out of Little Rock played it quite often. We didn’t have cable in Toad Suck so I’d watch whatever movies that were playing, especially if they had action. I’d say my initial interest and appreciation for Chuck Norris began with this film, and I still watch Chuck quite a bit to this day. With that said, I’m not sure I’ve watched SILENT RAGE again since I was a teenager. If I’m going to watch Chuck, I’ll generally watch CODE OF SILENCE, LONE WOLF MCQUADE, MISSING IN ACTION, INVASION USA, THE DELTA FORCE, or even FIREWALKER or HERO AND THE TERROR. But this week, I was browsing through Tubi and saw my childhood friend SILENT RAGE and decided to give it another spin.

SILENT RAGE opens in a wild household. John Kirby (Brian Libby) is awakened from his sleep by a kid wearing a Stormtrooper mask and shooting him with a laser gun. The kid tells Kirby he’s got a phone call. Kirby is clearly not doing well. He’s making strange sounds and his body movements are as funky as hell. Add to this situation, wild kids running around the house and a woman, who I’m guessing is their mom, screaming at them. To say this woman’s voice is annoying as she screams at the kids would possibly be my understatement of 2024. When Kirby answers the phone he tells the unseen doctor on the other end of the line, “I’m losin’ it, Doc! I’m not gonna make it” and he hangs up. I have to admit I’m understanding of Kirby at this point. I’ve only witnessed the activities of that house for a couple of minutes and I’m losin’ it! So in what seems like a reasonable move at the time, Kirby goes outside to the woodpile, grabs an axe, and then walks back into the house and confronts the loud lady. She immediately begins screaming in fear and runs upstairs and locks herself into the bedroom. Her fear scream is probably twice as annoying as her “screaming at kids” voice. Prior to Kirby chopping down the door with his axe, she’s able to scream out the window to a passing mailman for help. Soon after this message to the mailman, Kirby puts the lady, and the audience, out of our collective misery. 

In what is possibly the fastest response time in law enforcement history, a blazer immediately pulls up front and sheriff Dan Stevens (Chuck Norris) emerges from the passenger side. From this point forward, I will disregard his character name and refer to him as Chuck Norris. Every other person will be referred to as their characters’ names. I thought Norris was cool in SILENT RAGE when I was a kid, and I must admit I still think he’s pretty awesome as he calmly walks into the house where John Kirby has just committed multiple murders. After a few minutes, Kirby attacks Norris. The two men scuffle, but Kirby is able to break free and jump out the upstairs window onto the ground and run into the woods. Norris follows and is immediately almost shot by his deputy, Charlie (Stephen Furst). Quick tangent – it may seem strange at first to think of Stephen Furst (Kent Dorfman from ANIMAL HOUSE) as Norris’ deputy, and after watching the film again, I’ll go ahead and agree that it is a strange choice. He basically plays a goofy guy who has no business in law enforcement and that is made abundantly clear throughout the film. Back to the woods we go where Norris, after barely escaping being shot in the head by Charlie, engages in an additional fight with Kirby. He’s able to subdue the murderer and handcuff him. Now in the back of the cop car, Kirby breaks out of his handcuffs, kicks open the door and begins attacking various men with guns. It’s at this point that he’s shot about 14 times. He should be dead at this point, but I do understand for the sake of running time, that there will be additional plot developments. 

These additional plot developments arrive in the form of doctors operating on John Kirby to try to save his life. Fortunately, nature takes its course and Kirby dies, or so we think. It seems that Dr. Phillip Spires (Steven Keats) has a god complex and administers an experimental serum that brings Kirby back to life. Not only that, at the dosage he’s being given, it turns him into an indestructible killing machine. Dr. Tom Halman (Ron Silver) is the voice of reason who tries to convince Dr. Spires to let him die, but to no avail. Dr. Spires is doing this for science and mankind and secretly keeps Kirby alive with Doctor Paul Vaughn (William Finley). The two men think they can control him, but of course they’re wrong. Alive, and now superhuman, Kirby escapes to wreak havoc. And only one man can stop the indestructible, superhuman killing machine, and that man’s name is Chuck Norris.

Just a few additional thoughts before I close. First, Toni Kalem plays Chuck’s love interest, Alison, in the film. His relationship with her does slightly take away from his cool factor as they make love at one point to the cheesiest, corniest 80’s song called “A Time for Love.” She also has an extremely annoying scream voice herself when Kirby comes after her at the end. Second, the cool factor is almost completely restored when Chuck takes on a bar full of drunken, violent bikers and single-handedly destroys them. I think it’s nice of the 22 bikers to come at Chuck one at a time. It would have been a lot harder for him to take on 22 people diving on him at the same time. Third, I stated earlier that the power-crazed Dr. Phillip Spires was played by actor Steven Keats. For those who follow the film career of Charles Bronson like I do, you will immediately recognize Keats as the same actor who played Paul Kersey’s son-in-law in DEATH WISH. In SILENT RAGE he’s a narcissistic jerk, in DEATH WISH he’s a whiny wuss. That’s a solid 1-2 fist-punch of un-likability, Steven!!

I did enjoy the nostalgia factor of re-watching SILENT RAGE after many years. And Chuck Norris getting out of that blazer to go after John Kirby at the beginning of the film was still cool. There were a few things already mentioned above that bothered me more now than they did when I was a kid, but at the end of the day, Chuck Norris is still Chuck Norris. And I will always enjoy Chuck Norris! 

The New York Film Critics Circle Honors The Brutalist


The New York Film Critics Circle has announced their picks for the best of 2024 and it was a good day for The Brutalist, RaMell Ross, Marianne Jean-Baptiste, Kieran Culkin, and — in probably the biggest surprise of the voting — Carol Kane!  As for the social media reaction, there are a lot of happy Brutalist fans but there’s also currently a lot of very angry Wicked stans.

Here are the winners:

Best Picture: The Brutalist

Best Director: RaMell Ross, Nickel Boys

Best Actor: Adrien Brody, The Brutalist

Best Screenplay: Sean Baker, Anora

Best International Feature: All We Imagine As Light

Best Actress: Marianne Jean-Baptiste, Hard Truths

Best Supporting Actress: Carol Kane, Between the Temples

Best Non-Fiction Film: No Other Land

Best Cinematography: Jomo Fray, Nickel Boys

Best First Film: Janet Planet

Best Supporting Actor: Kieran Culkin, A Real Pain

Best Animated Film: Flow

HONDO – John Wayne takes on Apaches!


John Wayne is just one of those actors I love. He’s made so many great movies. My personal favorites are RIO BRAVO, TRUE GRIT, BIG JAKE, THE SONS OF KATIE ELDER, THE MAN WHO SHOT LIBERTY VALANCE, THE SEARCHERS, THE QUIET MAN, RED RIVER, THE SHEPHERD OF THE HILLS and STAGECOACH. But hell, there are so many great ones not listed above. He just knew how to play tough, honorable, flawed men in his uniquely John Wayne way. When I hit play on a John Wayne film, I know I’m in for a good time. 

The 1953 John Wayne movie HONDO starts with a man and his dog walking through a dusty, rocky landscape on their way towards a pond and a rough looking farmhouse. He’s greeted by a woman and her young son. The man, Hondo Lane (Oscar winner John Wayne), is a scout for the U.S. Cavalry who’s just escaped from Apaches but lost his horse in the process. The woman, Angie Lowe (Oscar winner Geraldine Page), allows Hondo to stay at her ranch to rest and get something to eat. She tells him that her husband is away in the hills chasing wildcats for the day, and he asks her if he can buy a horse to get back to his cavalry post. Hondo ends up having to stay a few days at the ranch in order to break a wild, rambunctious horse before it can be ridden. While there, Hondo learns that Angie doesn’t really know where her husband is, as he left months ago and has never returned. Hondo and Angie share some nice conversation and even a kiss. Before he leaves, he tells her that she’s not safe at her remote ranch. It seems that the U.S. government has broken their treaty with the Apaches and no one is safe in the area. Angie refuses to leave her farm as the Apaches have always treated her well, using her spring for water. Hondo heads back to his post and is barely out of sight when the Apaches show up. Will they scalp Angie and her son, Johnny? Will Angie’s husband ever show back up? Will Hondo come back to the ranch and kiss her again in the moonlight? Will Hondo teach Johnny how to swim by throwing him into the pond? Will Hondo have to save a regiment of pony soldiers and settlers from marauding Apaches? It’s my guess that you probably know the answers to these questions, and that’s part of the fun of watching John Wayne movies. 

It should come as no surprise that I enjoyed HONDO. John Wayne plays a variation of his normal tough, honorable, honest character, and I like that character. Geraldine Page was nominated for her first Oscar for her performance as Angie Lowe. It was the first of eight nominations she would receive in her career. She’s an interesting actress. She’s not conventional at all in this role yet she absolutely nails it. I haven’t watched much of her work so I need to check some more of her stuff out. Ward Bond shows up as fellow cavalry scout Buffalo Baker. It’s always fun to see Wayne and Bond work together. They go together like peas and carrots. Leo Gordon is effectively slimy as the deserter Ed Lowe, and James Arness shows up as cocky young man who’s humbled and then redeems himself through battle. It’s a fine cast that helps in the fun factor. 

It’s not a perfect film, especially by the social standards of 2024, but it’s a fun and entertaining western. I liked it. 

Here Are The Winners Of The 2024 Gotham Awards


The Gotham Awards were presented last night.  Here are the winners!

Best Feature Winner: A Different Man
Outstanding Lead Performance Winner: Colman Domingo in Sing Sing 

Outstanding Supporting Performance Winner: Clarence Maclin in SING SING
International Feature: All We Imagine as Light
Best Director: RaMell Ross, Nickel Boys
Breakthrough Director Winner: Vera Drew for The People’s Joker
Best Documentary Feature Winner: No Other Land
Best Screenplay Winner: Azazel Jacobs for His Three Daughters
Breakthrough Performer Winner: Brandon Wilson in Nickel Boys  

The Gothams are not exactly the most dependable of Oscar precursors but still, the people behind Sing Sing and Nickel Boys have to be happy with their awards.  Sing Sing, in particular, is a film that was getting a lot of buzz but seems to have lately been overshadowed by more recent releases.

Awards season is here!  I’ll do my best to keep up.

#MondayMuggers – Why DEATH RACE 2000?


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday December 2nd, we’re watching DEATH RACE 2000 starring David Carradine, Sylvester Stallone, Simone Griffith, Mary Woronov, Roberta Collins, and Martin Kove.

So why did I pick DEATH RACE 2000, you might ask? It’s pretty simple. I think it will be a fun movie to watch with a group. Unlike most of my choices, which are movies I’ve seen many times, I’ve only seen DEATH RACE 2000 one time before and it’s been awhile. I’m looking forward to seeing it again myself. I like that it’s a B-movie from legendary producer Roger Corman. That’s usually a good thing. I like that it’s directed by Paul Bartel. Bartel’s EATING RAOUL was one of those movies that helped me appreciate black comedy when I was growing up. I really like the cast, especially David Carradine and Sylvester Stallone. And finally, I like that it’s 80 minutes long. In today’s world where every film feels the need to be between 2 and 3 hours, I’ve grown to really appreciate movies clocking in at 90 minutes or less! 

It’s on Amazon Prime and Tubi. Join us if you’d like!

Monday Live Tweet Alert: Join Us for The Challenge!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be The Challenge, from director John Frankenheimer!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Challenge on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

TELEFON – Charles Bronson plays a KGB agent in a movie that inspired The Naked Gun and Tarantino’s Death Proof!


When I was a kid, FOX-16 out of Little Rock, Arkansas would have “Charles Bronson weeks” where every night they’d show a different Bronson film.  I saw several of his films for the first time during those weeks and TELEFON was one of those movies.  I remember really enjoying it that first time I saw it, and I’ve always carried that positive feeling with me.  

The plot of TELEFON is pretty interesting.  In a nutshell, Charles Bronson is Russian KGB agent, Grigori Borsov, who’s been sent to the United States to stop radical Russian Nicolai Dalchimsky (Donald Pleasance), before he can set off more hypnotized human time bombs.  Lee Remick is a beautiful Russian agent (double agent?) who helps him with his mission.  

I personally think TELEFON is an underrated Charles Bronson film, and it seems like a movie that has almost been forgotten.  This is strange to me because it had quite the pedigree at the time of production.  Bronson was a huge star at the time, and the director was Don Siegel, the man behind such classics as DIRTY HARRY, ESCAPE FROM ALCATRAZ, and THE SHOOTIST.  The cast is exceptional as well, with Bronson being joined by the likes of Donald Pleasance, Lee Remick, Tyne Daly, Sheree North and Patrick Magee. The screenplay was co-written by Peter Hyams, who would go on to direct such excellent films as OUTLAND, THE STAR CHAMBER, and RUNNING SCARED.  My point of sharing all of this is that true professionals were at work in front of, and behind the camera, and they created a damn fine Cold War thriller.  I was glad that Shout Factory put out a nice blu ray of the film in January of 2024.  Hopefully film enthusiasts will begin discovering the film again.  

With that said, TELEFON isn’t a perfect film and I do have a few small complaints.  First, Charles Bronson doesn’t appear in the film until we’re already 21 minutes deep.  That’s a long time for me to have to wait for the man!  Second, Bronson and Remick don’t have a lot of sexual chemistry.  She’s beautiful and he oozes masculinity, but somehow it doesn’t really extend to a real connection between their characters.  That’s one of the reasons I like it when Bronson works with his wife Jill Ireland.  That chemistry is usually there between them.  Third, Donald Pleasance wears several wigs and looks kind of dorky at times.  Fourth, Sheree North wears a housecoat during her section of the film.  If you’ve seen her in BREAKOUT with Bronson from a couple of years earlier, you understand just what a missed opportunity that was.  Finally, Tyne Daly is so good in her small role, but she ultimately just kind of exits the film.  I’d have liked even more of her.  These are small complaints, with the exception of Bronson’s entrance & North’s wardrobe choice, that I don’t really hold against the movie.  

The last thing that I want to mention is that there are a couple interesting pop culture references to TELEFON in movies that came out later.  First, the writers of THE NAKED GUN borrowed the plot about hypnotized human time bombs in their own plot to assassinate the visiting Queen of England.  Certain scenes are taken directly from TELEFON.  I remember watching THE NAKED GUN in theaters in the late 80’s and wondering if I was the only person who realized this fact.  Second, in DEATH PROOF, Quentin Tarantino used the major plot device of quoting the Robert Frost poem “Stopping by Woods on a Snowy Evening” in order to trigger something. In TELEFON, it was human time bombs.  In DEATH PROOF, it was human lap dances.  God bless Quentin Tarantino!

#SundayShorts with NIGHTHAWKS!


Since Sunday is a day of rest for a lot of people, I present #SundayShorts, a weekly mini review of a movie I’ve recently watched.

Deke DaSilva (Sylvester Stallone) and Matthew Fox (Billy Dee Williams) are two badass New York City Cops. Wulfgar (Rutger Hauer) is one of the most dangerous terrorists in the world. When it’s suspected that Wulfgar is in New York City, DaSilva and Fox are transferred to an elite anti-terrorist squad, led by the British expert Peter Hartman (Nigel Davenport). Will they be able to find Wulfgar and stop him before it’s too late?

I’m a big fan of NIGHTHAWKS. The performances from Stallone, Williams, and Hauer are all excellent. Hauer is especially good as the terrorist, Wulfgar. He knocks it out of the park. The action is hard hitting at times, and the tension builds nicely throughout the film, leading to its audience pleasing conclusion. Definitely recommended for fans of action movies and the stars!

Five Fast Facts:

  1. Dutch actor Rutger Hauer was a huge star in the Netherlands when NIGHTHAWKS was made. This is his American film debut.
  2. Sylvester Stallone and Rutger Hauer clashed early and often while making NIGHTHAWKS. The first day on the set, Rutger Hauer had to film a violent action scene. While filming the sequence, Hauer was injured when a cable that would yank him to simulate the force of being shot was pulled too hard, straining his back. Afterward, Hauer discovered that the cable was pulled with such force on Sylvester Stallone’s orders. Hauer threatened Stallone that he would “break his balls” if he ever did something like that again. Reportedly, they clashed often on the film from this point forward.
  3. The director of NIGHTHAWKS, Bruce Malmuth, played the ring announcer of the All-Valley karate tournament at the end of THE KARATE KID. I was 12 years old when I saw THE KARATE KID, and I wanted to be the karate kid. It’s one of my favorite movies, leading to a lifetime crush on Elizabeth Shue.
  4. Reportedly, during the exciting subway chase sequence, Rutger Hauer continually outran Stallone, who is known for his competitive streak. This is one of my favorite sequences in the film, and Hauer does look extremely fast.
  5. If you’re looking for a reason to upgrade to the Shout! Factory blu ray…the Universal Pictures widescreen DVD omits the use of “Brown Sugar” by The Rolling Stones and “I’m a Man” by Keith Emerson. The 2016 Blu-ray release from Shout! Factory adds them back.

Lisa Marie’s Oscar Predictions For November


It’s that time of the month again!

December brings us to Awards Season so the Oscar race is about to become much clearer.  Until the precursors start pouring in, here are my current predictions!

Be sure to check out my predictions for April, May, June, July, August,  September, and October!

Best Picture

Anora

Blitz

The Brutalist

Conclave

Dune Part II

Emilia Perez

Gladiator II

Saturday Night

September 5

Wicked

Best Director

Sean Baker for Anora

Edward Berger for Conclave

Jon M. Chu for Wicked

Brady Corbett for The Brutalist

Ridley Scott for Gladiator II

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Cynthia Erivo in Wicked

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Denzel Washington in Gladiator II

Best Supporting Actress

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Saoirse Ronan in Blitz

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

Live Tweet Alert: Watch Manhattan Baby With #ScarySocial!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting Lucio Fulci’s Manhattan Baby!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

Manhattan Baby (1982, dir by Lucio Fulci, DP: Guglielmo Mancori)