Guilty Pleasure No. 13: Lambada (dir by Joel Silberg)


Last year, I was doing a search for dance scenes on YouTube and I came across a handful of scenes from a film called Lambada.  The scenes all had an undeniably cheap look to them and featured a rather stiff dancer who was wearing one dangling earring.  The scenes were so memorably bad that I promised myself that, if I ever got the chance, I would watch this Lambada.

Well, I got that chance last night when Lambada turned up on NUVOtv.  I forced my BFF Evelyn to watch the movie with me because I thought I might want to use the movie for one of my What Evelyn and Lisa Watched Last Night reviews.  However, as we watched Lambada, I realized that the only way to review this movie was to consider it as a guilty pleasure.

First released way back in 1990, Lambada tells the story of Mr. Laird (J. Eddie Peck), an idealistic math teacher in Beverly Hills by day and a sexy dancer at night.  Did I mention that when Mr. Laird dances, he calls himself Blade?  Because he so does!

However, Blade isn’t just dancing for fun or to deal with what appears to be a split personality.  Instead, he uses dance skills to impress the poor kids at the clubs so that he can then lure them into a backroom where he helps them prepare to take the GED.

He’s a dancer with a conscience and who doesn’t love that, right?

However, eventually Mr. Laird is spotted dancing by Sandy (Melora Hardin, a decade and a half before playing Jan on The Office), one of his students from Beverly Hills.  When he doesn’t respond to her crush, she reveals his secret and — for reasons that are never quite clear — this puts his job in jeopardy.

Why did Lambada turn out to be such a guilty pleasure?

Just consider the following:

1) Cast in the key role of “Blade” Laird, J. Eddie Peck looks good but gives a performance that almost epitomizes the concept of anti-charisma.  When he’s teaching in Beverly Hills, he wears sexy glasses.  When he’s dancing in the barrio, he loses the glasses and instead wears one dangling earring.  When a female student in Beverly Hills hits on him, he awkwardly smiles.  When he dances, he moves so stiffly that he resembles a mannequin on a treadmill.  That’s about the extent of Peck’s performance.

2) Melora Hardin, on the other hand, is completely natural and likable in the role of Sandy but, even though this film was made 16 years before the premiere of the Office, Hardin has already picked up a lot of the techniques that she would use to make Jan Levinson-Gould such a memorable character.  Every time that Sandy smiles nervously or looks annoyed by another character, it’s impossible not to be reminded of Jan struggling to manage Michael Scott.    As Nathan Rabin pointed out in his review of this film over at the A.V. Club, Lambada really does feel like Jan Levinson: The Early Years.

3) If Lambada was made today, it would be  called Twerking and, while watching, it was hard not to imagine Melora Hardin chasing J. Eddie Peck with a big foam finger.

4) An aggressively forgettable song called Set The Night On Fire is played about a hundred times over the course of the film.  The song is so generic and forced, and everyone in the film has to pretend to be so in love with it, that it becomes  oddly fascinating.

5) The club that Blade dances at has an upside down police car hanging from the ceiling.  The club, itself, gives off a definite human trafficking vibe but that police car is pretty neat.

6) One of Mr. Laird’s Beverly Hills students is named Egghead.  Naturally, he’s the smartest student and he’s obsessed with computers.  Evelyn and I both found ourselves wondering if Egghead was just a nickname or if his parents actually named him that in order to force him to grow up to be intelligent.  (Even Mr. Laird calls him Egghead, which — if that’s not the student’s name — seems a bit unprofessional for a teacher.)  It may not sound like much but it provided us with hours of amusement.

7) There’s a scene where Egghead uses his computer to inspire an entire classroom to spontaneously start dancing.  What makes this scene especially memorable is that the computer dances along with them.

8) Whenever Blade is teaching his GED class, the students respond to almost everything he says by cheering.  If nothing else, I’m sure many teachers have fantasized about being as irrationally loved by their students as Blade.

9) Eventually, Blade’s GED students compete with the Beverly Hills students.  No, it’s not a dance-off.  It’s a math-off!  That’s right — they’re competing to see who can correctly answer the most math questions.  And, believe it or not, the future of Blade’s career depends on whether or not his GED students can win.  Apparently, this is how the California educational system worked back in 1990.

10) Finally, the ultimate reason that Lambada is a guilty pleasure is because — regardless of how silly and ludicrous the film may seem to us today — it was actually produced and released into theaters.  That means that, somewhere out there, there are people who actually paid money to see this movie.  They may not admit it but they’re out there.

They’re out there.

Blade

Trailer: Last Days On Mars


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My original attitude towards this film was dismissive.  I’m not a big science fiction fan in general, the title Last Days On Mars felt juvenile, and I’ve had some issues with Liev Schreiber ever since I saw The Omen.

However, I then did some research and discovered that this film is an Irish/American co-production.

Therefore, as a proud Irish-American, I’ll give the film a chance when it opens on December 6th.

Trailer: Nebraska


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Director Alexander Payne is a perennial Oscar contender and this year, he’ll be offering up Nebraska.  At this year’s Cannes film festival, veteran actor Bruce Dern was named best actor for his performance in this film and chances seem to be good that he will, at the very least, score a nomination when the Oscar nominations are announced next year.

Trailer: Ghost Team One


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Red band trailers remind me of those commercials for GoDaddy that always feature Danica Patrick wandering around in a towel.  It’s like the filmmakers are essentially saying, “Yeah, our film sucks but hopefully, these boobies will keep you from noticing…”

Speaking of which, here’s the red band trailer for Ghost Team One.

For all of you folks who have been saying, “Why can’t someone combine Paranormal Activity with Project X!?  WHY, GOD, WHY!?”, Ghost Team One will be released on October 11th.

Trailer: Dracula 3D


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When Dario Argento’s Dracula 3D premiered at last year’s Cannes Film Festival, the reviews were almost universally negative.

But you know what?

I don’t care.

When it comes to a film like this, the critics don’t matter.  Does anyone seriously think that any mainstream critic is going to give a film directed by Dario Argento a chance?  No way.  Film snobs hate Argento but even Argento’s worst films are usually more entertaining than anything Michael Bay has ever come up with.

What’s important is that Dracula 3D is a vampire film that’s coming out in October and, judging from the trailer, it appears that it will feature Rutger Hauer going overboard in that wonderful way that only Rutger Hauer can.

Dracula 3D will be in American theaters on October 4th.  See you there!

Trailer: Big Sur


PCASOn the Road may get all the attention but Big Sur, in my opinion, is the best book that Jack Kerouac ever wrote.  Telling the story of Kerouac’s attempt to deal with both sudden fame and his growing alcoholism, Big Sur is a meditation on existence that somehow manages to make even the contemplation of self-destruction seem life-affirming.

As for the upcoming film version of Big Sur, I can’t say that I’m hopeful.  As last year’s film adaptation of On The Road demonstrated, Kerouac’s books have rarely gotten the film treatments that they deserve.

However, judging from the trailer below, the film adaptation of Big Sur does get at least one thing right.

Jean-Marc Barr appears to be perfectly cast as Jack.

Trailer: Grace of Monaco


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This year, we can look forward to two royalty-based films being released just in time to get some Oscar attention.

Unfortunately, neither one of them is about my favorite royal in-law, Pippa “It’s My Sister’s Wedding And I’ll Wear White If I Want To” Middleton.

Instead, Diana will star Naomi Watts as Diana, the late Princess of Wales and has already managed to inspire some amazingly negative reviews in the UK.

Meanwhile, Grace of Monaco, will star Nicole Kidman as the legendary Grace Kelly.  Judging from the trailer below, Grace of Monaco looks like it could at least be trashy fun.  If nothing else, I’m looking forward to seeing it for the costumes and the decor.

Trailer: Escape From Tomorrow


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Escape From Tomorrow, which got a lot of attention at this year’s Sundance Film Festival, was filmed guerilla-style at Walt Disney World.  That’s why a lot of people suspected that the film itself would never get a general release.  However, apparently, it is scheduled to be released in both theaters and via VOD on October 11th.

Dance Scenes That I Love: The Red Shoes


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I’ve spent the last two weeks sharing with you some of my favorite cinematic dance scenes.  I hope you’ve enjoyed them.  While this particular series of scenes that I love is ending with this last entry, I do hope to share some more in the future.  For now, what better way to end this series of dance scenes that I love than with the ballet from the classic 1948 film, The Red Shoes?

Trailer: A House Is Not A Home (dir by Christopher Douglas-Olen Ray)


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A House Is Not A Home, a film directed by Christopher Douglas-Olen Ray and produced by and starring one of my favorite actors, the great Gerald Webb, is having its world premiere tonight at the Burbank International Film Festival!

Here’s the trailer: