Tag Archives: Lloyd Bridges

The Wild Pair (1987, directed by Beau Bridges)

Posted on by Jedadiah Leland

A police detective named Benny Avalon (Bubba Smith) and an FBI agent named Joe Jennings (Beau Bridges) are assigned to work together to take down a drug dealer named Ivory Jones (Raymond St. Jacques).  Avalon and Jennings don’t immediately get along.  Avalon is tough and streetwise while Joe is a good example of what used to be called a yuppie.  When they discover that Ivory is connected to a white supremacist gang led by Col. Hester (Lloyd Bridges), Avalon and Jennings have to set aside their differences and work together.

The Wild Pair starts out as a standard buddy cop film until things take a sudden serious turn and it instead becomes a violent and blood-soaked revenge thriller.  It tries to mix comedy and action in the style of Beverly Hills Cop but it doesn’t work.  Beverly Hills Cop understood that you could only take the violence so far without losing the laughs.  The Wild Pair has the bad guys killing several innocent (and likable) people and also murdering Avalon’s cat.  Maybe Walter Hill could have pulled off what this film was going for.  He certainly managed to do so with 48 Hours.  But this film was the directorial debut of Beau Bridges, a good actor who, as a director, was no Walter Hill.  As for Bubba Smith, he was always more of a personality than an actor.  That served him well in the Police Academy films but here he’s actually supposed to be playing someone other than Bubba Smith and his limitations of an actor become especially glaring once the film turns serious.  Lloyd Bridges also seems miscast as the villain but that may just be because I’ve watched Airplane! and Hot Shots too many times.

The pair may be wild but they’re also forgettable.

Hot Shots! Part Deux (1993, directed by Jim Abrahams)

Posted on by Jedadiah Leland

Topper Harley (Charlie Sheen) is back but instead of being a knock-off of Tom Cruise, he’s now Sylvester Stallone.

When two separate teams of U.S. soldiers fail to rescue a group of hostages who are being held by Saddam Hussein (Jerry Haleva, who built an entire career out of his resemblance to the Iraqi dictator), it not only embarrasses America but threatens the reelection campaign of President Tug Benson (Lloyd Bridges).  President Benson can get away with throwing up on the Japanese ambassador and knocking over all the other Presidents with a shovel (though Gerald Ford falls on his own) but he can’t survive a hostage crisis.  Colonel Denton Waters (Richard Crenna) and Michelle Huddleston (Brenda Bakke) attempt to recruit Topper Harley from the Buddhist monastery, where he’s been living since the disappearance of Ramada (Valeria Golino).  Topper refuses to help with a third mission but, after Water is captured by Saddam, Topper does decide to lead the fourth mission.  Working with Ryan Stiles and Miguel Ferrer, Topper heads into the jungle to save Colonel Waters, reunite with Ramada, and discover his destiny.

The sequel to Hot Shots! is more of the same, a non-stop cavalcade of jokes, movie references, and deadpan one liners.  There are enough laugh out loud moments to make up for the jokes that don’t work.  I’ll always like the moment when Charlie Sheen sees Martin Sheen on another patrol boat.  (“Loved you in Wall Street!”)  It’s a movie made in the vein of Airplane! but the jokes aren’t as timeless as in that classic.  Everyone remembers Rambo enough to get the main joke and the interrogation scene in Basic Instinct has left enough of an impression that Topper’s “I know what to get your for Christmas,” comment to Michelle still draws a chuckle but do you remember Body of Evidence and the first President Bush vomiting at a state dinner?  Not all of the jokes have aged well but Charlie Sheen does a decent Rambo impersonation and Lloyd Bridges’s dim bulb President is one of the more relatable parts of the movie.  Fortunately, jokes about Saddam Hussein getting flattened by a piano will always be funny.

Hot Shots! (1991, directed by Jim Abrahams)

Posted on by Jedadiah Leland

There are a lot of reasons why it’s hard to take Top Gun seriously but, for me, the biggest problem is that I’ve seen Hot Shots!  Directed by Jim Abrahams, Hot Shots! does for Top Gun what Airplane! did for disaster movies.

Charlie Sheen plays Topper Harley, the hot shot Navy Pilot who is haunted by the death of his father.  (“I’ve even got my father’s eyes,” Topper says before revealing that he carries them around in a cigarette case.)  Topper has left the Navy and is living in a teepee with the Old One.  Command Block (Kevin Dunn) asks Topper to return to the Navy to take part in Operation Sleepy Weasel.  Topper puts on a leather jacket and hops on a motorcycle.  The Old One tells Topper to pick up some batteries for his walkman.

Cary Elwes plays Kent Gregory, who says that Topper is not safe in the air.  Valeria Golino plays Ramada, the psyciatrist who helps Topper deal with his father issues.  Jon Cryer is Washout, who has wall-eyed vision.  Kristy Swanson is Bo, the only female pilot.  William O’Leary is the pilot who has the perfect life and wife but who everyone calls “Dead Meat.”  And finally Lloyd Bridges is Admiral Tug Benson, who has never successfully landed a plane and who has suffered and recovered from almost every war wound imaginable.  Tug is clueless but he loves America and his admiral’s hat.

Hot Shots! is one of the better parody films to come out in the wake of Airplane!  Charlie Sheen’s limitations as a dramatic actor actually made him a good comedic actor and Cary Elwes does a decent Val Kilmer imitation.  Some of the jokes have definitely aged better than others.  In 1991, Valeria Golino singing on a piano automatically brought to mind Michelle Pfieffer in The Fabolous Baker Boys but does anyone remember that film (or that scene) in 2025?  (The 9 1/2 Weeks scene is even more of a distant memory to most but Valeria Golino is so appealing in those scenes that most viewers — well, most male viewers — won’t mind.  In this case, the parody is far more successful than the original.)  Hot Shots! is at its best when imitating Top Gun‘s kinetic, music video-inspired style.  The mix of quick-cut editing and ludicrous dialogue is hard to resist.  After watching Charlie Sheen dance on his motorcycle and Cary Elwes explain what a chafing dish is for, it’s hard to take Top Gun seriously ever again.

Lisa Marie Review An Oscar Nominee: Here Comes Mr. Jordan (dir by Alexander Hall)

Posted on by Lisa Marie Bowman

1941’s Here Comes Mr. Jordan tells the story of Joe Pendelton (Robert Montgomery).

Joe’s a boxer, an honest and kind-hearted guy who is in training for the big title fight.  Despite the concerns of his trainer, Max (James Gleason), Joe decides to take his own private airplane out for a flight.  A freak accident causes the plane to go into a nosedive and Joe suddenly finds himself standing amongst the clouds with a bunch of other people who are waiting for their chance to enter Heaven.

7013 (Edward Everett Horton), an angel, explains that he took Joe’s soul up to heaven when he saw that the plane was about to crash.  Joe is not happy about this.  He wants his title fight!  7013’s superior, Mr. Jordan (Claude Rains), checks his records and discovers that a mistake has been made.  Joe was supposed to live until 1991 and he was also supposed to win the boxing championship.  Unfortunately, Max has had Joe’s body cremated.  Mr. Jordan decides to put Joe’s soul into the body of someone else who is scheduled to die.  Joe asks to be put in the body of an athlete so that he can pursue his boxing career.

Instead, Joe ends up in the body of a middle-aged banker named Bruce Farnsworth.  Farnsworth has been poisoned by his wife (Rita Johnson) and her lover (John Emery).  At first, Joe refuses to become Farnsworth but when he sees his murderers taunting Bette (Evelyn Keyes), whose father was defrauded by Farnsworth, Joe changes his mind.  His murderers are shocked when Farnsworth turns out to be alive.  Bette is shocked when the previously cold Farnsworth helps her get back the money that her father lost.  And Max is shocked when Farnsworth calls him to the mansion and explains that he’s really Joe Pendleton.  Only with Joe/Farnsworth plays the saxophone badly does Max believe what Joe says.  Joe asks Max to train him for the boxing match that he was scheduled to fight while alive.  Max agrees but Mr. Jordan warns Joe that, if he’s going to fulfill his destiny and become champ, it’s not going to be as Bruce Farnsworth, regardless of the fact that Joe/Farnsworth and Bette have now fallen in love.

A romantic comedy that is blessed with two likable performances from Robert Montgomery and Evelyn Keyes and a great one from Claude Rains, Here Comes Mr. Jordan was nominated for Best Picture of 1941.  It lost to How Green Was My Valley.  While Here Comes Mr. Jordan really can’t compare to some of the other films that lost (amongst the other nominees were Citizen Kane and The Maltese Falcon), it’s still a wonderfully charming film that holds up well today.  Everyone should be as lucky as to have a guardian who is as charming and urbane as Claude Rains is as Mr. Jordan.

In 1978, Here Comes Mr. Jordan was remade by Warren Beatty, who named his version of the story Heaven Can Wait.  That version of the story was also nominated for Best Picture, though it lost to The Deer Hunter.

Scenes That We Love: Robert Stack in Airplane!

Posted on by Lisa Marie Bowman

106 years ago today, actor Robert Stack was born in Los Angeles, California.

Though Stack found his greatest success on television and as the original host of Unsolved Mysteries, he also had an active film career.  Here he is in 1980’s Airplane!, demonstrating how to provide encouragement and build up confidence.

Film Review: Tucker: The Man and His Dream (by Francis Ford Coppola)

Posted on by Lisa Marie Bowman

First released in 1988, Tucker: The Man and His Dream is a biopic about Preston Tucker.

Tucker was an engineer in Detroit who went from designing vehicles for the Army during World War II to trying to launch his own car company.  His ideas for an automobile don’t sound particularly radical today.  He wanted every car to have seat belts.  He wanted a windshield that popped out as a safety precaution.  He want brake pads and he also wanted a car that looked sleek and aerodynamic, as opposed to the old boxy cars that were being pushed out be Detroit.  He wanted a car that got good mileage and he wanted one that could be taken just about anywhere.  Unfortunately, Tucker’s dreams were cut short when he was indicted for stock fraud, a prosecution that most people agree was a frame-up on behalf of the Big Three auto makers.  Tucker was eventually acquitted but his car company went out of business.  Of the 50 cars that Tucker did produce, 48 of them were still on the road and being driven forty years later.

The film stars Jeff Bridges as Preston Tucker, Joan Allen as his wife, Christian Slater and Corin Nemec as two of his sons, Lloyd Bridges as the senator who tried to take Tucker down, Martin Landau as Tucker’s business partner, and Dean Stockwell as Howard Hughes, who shows up for a few minutes to encourage Tucker to follow his dreams regardless of how much the government tries to stop him.  One gets the feeling that the film was a personal one for director Francis Ford Coppola, a filmmaker who has pretty much spent his entire career fighting with studios while trying to bring his vision to the screen.  Tucker fought for seat belts.  Coppola fought for a mix of color and black-and-white in Rumble Fish.  Tucker stood up for his business partner.  Francis Ford Coppola stood up for Al Pacino when no one else could envision him as Michael Corleone.  As is the case with many of Coppola’s films, Tucker: The Man And His Dream is a film that Coppola spent years trying to get made.  It was the film that Coppola originally intended to be the follow-up to The Godfather, with Marlon Brando projected for the lead role of Tucker.  After watching the Tucker, it’s hard not to feel that it worked out for the best that Coppola was not able to make the film in 1973.  It’s impossible to imagine anyone other than Jeff Bridges in the role of Preston Tucker.

“Chase that tiger….chase that tiger….chase that tiger….” It’s a song that Tucker sings constantly throughout the film as the camera spins around him and how you react to Tucker: The Man And His Dream will largely depend on how tolerant you are of Coppola’s stylistic flourishes.  Coppola directs the film as a combination of Disney fairy tale and film noir.  The opening of the film, with Tucker running around in almost a manic state and excitedly telling everyone about his plans, is presented with vibrant colors and frequent smiles and an almost overwhelming air of cheerful optimism.  As the film progresses and Tucker finds himself being targeted by both the government and the other auto companies, the film gets darker and the viewer starts to notice more and more shadows in the background.  The moments of humor become less and less and there’s a heart-breaking moment where Martin Landau, in one of his best performances, reveals just how far the government will go to take down Tucker’s company.  But, in the end, Tucker refuses to surrender and Jeff Bridges’s charming smile continues to fill the viewer with hope.  The film becomes about more than just cars.  It’s a film that celebrates all of the innovators who are willing to defy the establishment.

There’s a tendency to dismiss the majority of Coppola’s post-Apocalypse Now films.  However, Tucker: The Man And His Dream is a later Coppola film that deserves to be remembered.

Airplane II: The Sequel (1982, directed by Ken Finkleman)

Posted on by Jedadiah Leland

It isn’t the past.  It isn’t the present.  It’s the future.

The moon has been colonized and, on Earth, the Mayflower II is preparing for its first international flight.  It will be carrying passengers from Houston to the lunar station.  Test pilot Ted Striker (Robert Hays) claims that the Mayflower II is not ready to make the trip but he’s been in the Ronald Reagan Hospital For The Mentally Ill ever since he had a nervous breakdown after losing his squadron during “the war.”

Aboard the Mayflower II is Ted’s ex-wife, Elaine (Julie Haggerty), and her new boyfriend, Simon (Chad Everett).  Simon says the Mayflower II is in perfect shape but he also turns into jelly whenever things get too rough.  Piloting the Mayflower II is Captain Clarence Oveur (Peter Graves) and waiting on the Moon is Commander Buck Murdock (William Shatner).  The crew of the Mayflower II is going to have a tough flight ahead of them.  Not only is the shipboard computer making plans of its own but one of the passengers (Sonny Bono) has a bomb in his briefcase.  Also, Ted has broken out of the hospital and is on the flight, boring people with his long stories.

Every successful film gets a sequel and when Airplane! was a surprise hit in 1980, it was inevitable that there would be an Airplane II.  Robert Hays, Julie Haggerty, Lloyd Bridges, Peter Graves, and Stephen Stucker all returned.  Unfortunately, Jim Abrahams, the Zucker brothers, Robert Stack, Kareem Abdul-Jabbar, and Leslie Nielsen did not.  (The directors and Nielsen were all working on Police Squad and their absence is strong felt.)  Airplane II recreates many of the same jokes as the first Airplane! but without the first film’s good nature or genuine affection for the disaster genre.  Airplane! was made for the love of comedy.  Airplane II was made for the love of money and, while there are more than a few amusing moments, the difference is obvious and there for all to see.

Not surprisingly, Airplane II is at its funniest whenever William Shatner is on screen.  In the role of Bud Murdock, Shatner pokes fun at his own image and shows himself to be a good sport.  He’s still not as funny as Leslie Nielsen or Robert Stack in the first film but that’s because, unlike Stack and Nielsen in their pre-Airplane! days, there had always been a hint of self-parody to Shatner, even in his most dramatic roles.  If Stack and Nielsen shocked people by showing that they could do deadpan comedy, Shatner’s performance just confirmed what most suspected, that he had always been in on the joke.  Still, he’s the funniest thing in Airplane II and, whenever I rewatch this movie, I am happy he was there.

Airplane II was a box office failure, which is why the world never got an Airplane III.  Fortunately, the world did get Hot Shots and The Naked Gun.

Airplane! (1980, directed by David Zucker, Jim Abrahams, and Jerry Zucker)

Posted on by Jedadiah Leland

Airplane!, which may be the funniest movie ever made, has made me laugh every time that I’ve watched it.  And I’ve watched it a lot!

Whenever I’m getting ready to travel for my day job, I watch Airplane!  Whenever I’m going to Baltimore or West Virginia for the holidays, I watch Airplane!  Whenever I’m in a bad mood and I need something lighten me up, I watch Airplane!  Whenever I’m in a good mood and I want to be in an even better mood, I watch Airplane!

I can’t remember how old I was when I first saw Airplane! but I know I wasn’t yet ten.  While a lot of the humor went over my head at that young age, it did not matter because I laughed at all the sight gags, like the heart hopping around on the doctor’s desk and the line of passengers waiting to “calm down” the hysterical woman.  I laughed when Ted Stryker (Robert Hays) and Elaine (Julie Haggerty) got covered in seaweed while making out on the beach.  I laughed at the people dying while listening to Ted’s story, even though I didn’t fully understand that it was because of Ted boring them to death.  I loved it when Kareem Abdul-Jabbar got annoyed with the kid in the cockpit, even though young me really didn’t know who Kareem was other than he was a basketball player.  Otto the autopilot was the coolest character around.  Stephen Stucker’s Johnny made me laugh with his nonstop energy.  “Excuse me, stewardess, I speak Jive.”  “And don’t call me Shirley.”  “It looks like I picked the wrong time to stop sniffing glue.”  Every time I heard them, I laughed at all of those lines.  I didn’t have to understand why Lloyd Bridges was suddenly upside down.  I just knew it was funny.

As I got older and rewatched the film, I started to pick up on the humor that earlier went over my head.  I traveled to Turkey when I was twelve and our tour guide spent an hour telling us that Midnight Express was not a fair representation of her country.  After that, I suddenly understood why Captain Oveur (Peter Graves) wanted to know if Joey had ever been to a Turkish prison.  I came to appreciate Julie Hagerty and Lorna Patterson as the two flight attendants.  Airplane! still made me laugh but I came to understand that it was also a love story.  What adolescent boy watching Airplane! didn’t want to be Robert Hays, not only landing the plane but also getting kiss Julie Hagerty at the end of the movie?

And then, as I learned more about the movies, I realized that Airplane! was a pitch perfect parody of the disaster genre and I came to understand the brilliance of casting actors like Lloyd Bridges, Robert Stack, Peter Graves, and especially Leslie Nielsen in this film.  From the first time I saw the movie, Nielsen always made me laugh because he had the best lines and he delivered them with deadpan perfection.  But, as I got older, I came to understand that Nielsen was doing more than just saying funny things.  He was sending up his entire career.  I’m a part of the generation who grew up laughing at Leslie Nielsen the comedy superstar and it’s always strange for me to see him in one of his older, serious roles.  I have Airplane! to thank for that.

There’s so much to say about Airplane!  I could write a thousand words just talking about my favorite jokes and one-liners or how much I enjoyed Stryker’s flashbacks.  It’s my favorite movie and one that still makes me laugh even though I know all of the jokes by heart.  (I’ve always thought Howard Jarvis waiting for Stryker to return to the taxi was one of the best, though underrated, jokes in the movie.)  Airplane! is close to 50 years old and it’s still just as funny today as when I first saw it.

In fact, I think I’ll go watch it right now!

Retro Television Review: The Love Boat 5.8 and 5.9 “Farnsworth’s Fling/Three in a Bed/I Remember Helen/Merrill, Melanie & Melanesia/Gopher Farnsworth Smith”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, we have a two-hour special!

Episodes 5.8 and 5.9 “Farnsworth’s Fling/Three in a Bed/I Remember Helen/Merrill, Melanie & Melanesia/Gopher Farnsworth Smith”

(Dir by Richard Kinon, originally aired on November 21st, 1981)

The Love Boat crew is back in Australia, sailing from Sydney to Fiji and back again.  The Captain remembers his time in the Navy and a lost love who he met while serving in the South Pacific.  Julie remembers her love affair with Tony and how he left her at the altar after he discovered that he was dying.  Anthony Andrews, who played Tony, is listed as being a guest star on this episode but he only appears in archival footage.  Tony, we learn, has died but his brother, David (Brendon Lunney), assures Julie that her letters to him provided him with much comfort during his final days.

(David only appears for a minute or two, when Julie visits the animal preserve where Tony worked.  Still, in that minute, he and Julie have so much chemistry that I found myself hoping that David would spontaneously propose to her.)

As for the cruise, the majority of the cabins are populated by the relatives of William Otis Farnsworth (Lloyd Bridges).  Farnsworth is one of the richest men in the world and he’s taking a cruise with his entire family because he wants to see who is truly worthy of inheriting his fortune.  The ship is full of people looking to get rich, including:

  1. Jenny (Moran Fairchild) and Bud Boyer (Grant Goodeve), who are hoping that William will not discover that they’ve recently gotten divorced,
  2. Hazel (Patti MacLeod) and Frank Fransworth (Russell Newman), who hope that Hazel imitating William’s deceased wife will cause William to mention them favorably in his will,
  3. Marcia (Jessica Walter), who was married to William’s brother and who has basically hired gold digger Jessica Halberson (Linda Evans) to seduce and marry William, and
  4. Burl “Gopher” Smith, who thinks that he might be distantly related to William and who, with Isaac’s encouragement, tries to get close to William.  Gopher even calls his mother (Ethel Merman) to find out if he’s a relative.  She’s not much help.

Not interested in the money is William’s niece, Eloise (Beth Howland).  Eloise, who is William’s administrative assistant, finds herself falling in love with William’s valet, country boy Wayne Burton (Jim Nabors).  Words cannot begin to express just how annoying Jim Nabors is in this episode.  “Surprise surprise surpise!” Wayne says when he shows up on the boat.  “Golly!” Wayne says when a conscience-stricken Jessica tries to break up with William.  I found myself covering my ears whenever Nabors appeared on screen.

The main problem here is that none of these people are remotely likable.  Not even William Farnsworth is likable.  He’s meant to be likable but really, he comes across as being a judgmental jerk.  When Jessica tries to leave the ship and fly back to Sidney, William reacts by buying every single plane ticket on the island.  Jessica can’t leave but hey …. neither can anyone else!

Far more likable was Melanie (Margaret Laurence), the daughter of the Captain’s former lover, Madeleine.  Melanie is a dead-ringer for her mother and the Captain falls in love with her.  Melanie also falls in love with him.  She proposes marriage.  Awwww!  But then she realizes marrying the Captain would mean abandoning her job as a teacher so she calls the wedding off.  So now, both the Captain and Julie have had their heart broken in Australia.  At least they now have something to bond over.

For a two-hour episode, there really wasn’t much plot to this episode.  It was largely a travelogue.  There were a lot of kangaroos and koala bears and they were certainly cute.  The scenery was lovely.  Otherwise, this was a cruise full of rather unlikable people.  Australia deserved better.

Remembering Actor Earl Holliman (1928 – 2024) – 3 things I’ll remember him for!

Posted on by Bradley Crain

I saw that actor Earl Holliman passed away on November 25th, 2024 at 96 years of age. For someone who loves movies as much as I do, Mr. Holliman has been a pleasant part of my life over the years, and it makes me sad that he’s gone.

I first really noticed Earl Holliman as one of the sons of Katie Elder along with John Wayne and Dean Martin. I like John Wayne movies so I’ve watched it quite a few times over the years. There’s just something about Holliman that appeals to me, and his fate in the film still makes me sad. Later, in 2006, I acted in the Southwest Arkansas Arts Council production of THE RAINMAKER in Hope, Arkansas. The 1956 movie version stars Burt Lancaster, Katherine Hepburn, Lloyd Bridges and Earl Holliman. I played the Lloyd Bridges part, so I watched the movie several times to help me get into my character. Holliman was just so good in the movie. He won a Golden Globe for his performance in the film, and it just made me notice him that much more. Finally, as part of the THIS WEEK IN CHARLES BRONSON podcast, I had the opportunity to interview actor Jordan Rhodes who had worked with Charles Bronson in MR. MAJESTYK and THE INDIAN RUNNER. As part of the interview, Jordan told us some of the things that made him proud over the years during his time in Hollywood. He told us about the time that his mom was visiting him in Los Angeles, and how proud he was to be able to introduce her to Earl Holliman who was working on POLICE WOMAN with Angie Dickinson at the time. His story was complimentary of Mr. Holliman and just another really nice thing to hear. 

Thanks, Earl Holliman, for adding joy to my life over the years through your performances on TV and in the movies. Much love and respect for a job well done, sir. Rest in peace.