If this doesn’t get your week off to a good start than I’m afraid you’re just destined to have a bad week. I take no pleasure in reporting that. It’s just the way that the stars have aligned.
Enjoy!
If this doesn’t get your week off to a good start than I’m afraid you’re just destined to have a bad week. I take no pleasure in reporting that. It’s just the way that the stars have aligned.
Enjoy!
It snowed this week! Yay!
Here’s what I watched and listened to while spending this week snowed in:
Films I Watched:
Television Shows I Watched:
Music To Which I Listened:
Awards Season:
Live Tweets:
Trailers:
2022 In Review:
News From Last Week:
Links From Last Week:
Links From The Site:
More From Us:
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the 80th birthday of the great Michael Mann! It’s time for….
4 Shots From 4 Michael Mann Films
It’s debatable how much effect it will have on the Oscars but the London Film Critics Circle today announced that TAR was their pick for the best of 2022!
Here are all of the nominees and winners from London!
Film of the year
Aftersun
All the Beauty and the Bloodshed
The Banshees of Inisherin
Decision to Leave
Everything Everywhere All at Once
The Fabelmans
Living
Saint Omer
Tár
Top Gun: Maverick
Foreign-language film of the year
Decision to Leave (TIE)
EO
The Quiet Girl (TIE)
RRR
Saint Omer
Documentary of the year
All That Breathes
All the Beauty and the Bloodshed
Fire of Love
Kurt Vonnegut: Unstuck in Time
Moonage Daydream
British/Irish film of the year
Aftersun
The Banshees of Inisherin
Living
The Quiet Girl
The Wonder
Director of the year
Todd Field – Tár
Daniel Kwan, Daniel Scheinert – Everything Everywhere All at Once
Martin McDonagh – The Banshees of Inisherin
Park Chan-wook – Decision to Leave
Charlotte Wells – Aftersun
Screenwriter of the year
Todd Field – Tár
Daniel Kwan, Daniel Scheinert – Everything Everywhere All at Once
Martin McDonagh – The Banshees of Inisherin
Steven Spielberg, Tony Kushner – The Fabelmans
Charlotte Wells – Aftersun
Actress of the year
Cate Blanchett – Tár
Ana de Armas – Blonde
Vicky Krieps – Corsage
Florence Pugh – The Wonder
Michelle Yeoh – Everything Everywhere All at Once
Actor of the year
Austin Butler – Elvis
Colin Farrell – The Banshees of Inisherin
Brendan Fraser – The Whale
Paul Mescal – Aftersun
Bill Nighy – Living
Supporting actress of the year
Hong Chau – The Whale
Kerry Condon – The Banshees of Inisherin
Dolly De Leon – Triangle of Sadness
Nina Hoss – Tár
Guslagie Malanda – Saint Omer
Supporting actor of the year
Tom Burke – The Wonder
Brendan Gleeson – The Banshees of Inisherin
Brian Tyree Henry – Causeway
Barry Keoghan – The Banshees of Inisherin
Ke Huy Quan – Everything Everywhere All at Once
British/Irish actress of the year (for body of work)
Jessie Buckley – Men, Scrooge: A Christmas Carol, Women Talking
Olivia Colman – Empire of Light, Joyride, Puss in Boots: The Last Wish, Scrooge: A Christmas Carol
Florence Pugh – Don’t Worry Darling, The Wonder
Emma Thompson – Good Luck to You, Leo Grande, Roald Dahl’s Matilda the Musical
Letitia Wright – Aisha, Black Panther: Wakanda Forever, The Silent Twins
British/Irish actor of the year (for body of work)
Harris Dickinson – See How They Run, Triangle of Sadness, Where the Crawdads Sing
Colin Farrell – After Yang, The Banshees of Inisherin, The Batman, Thirteen Lives
Ralph Fiennes – The Forgiven, The Menu
Paul Mescal – Aftersun
Bill Nighy – Living
Breakthrough British/Irish film-maker
Katy Brand – Good Luck to You, Leo Grande
Colm Bairéad – The Quiet Girl
Frances O’Connor – Emily
Georgia Oakley – Blue Jean
Charlotte Wells – Aftersun
Young British/Irish performer
Kila Lord Cassidy – The Wonder
Catherine Clinch – The Quiet Girl
Frankie Corio – Aftersun
Bella Ramsey – Catherine Called Birdy
Alisha Weir – Roald Dahl’s Matilda the Musical
British/Irish short film of the year
A Fox in the Night
Groom
Honesty
A Letter to Black Men
Scale
Technical achievement award
Athena – Matias Boucard, cinematography
Black Panther: Wakanda Forever – Ruth E Carter, costumes
Blonde – Leslie Shatz, sound design
Decision to Leave – Kim Ji-yong, cinematography
Elvis – Catherine Martin, costumes
Everything Everywhere All at Once – Paul Rogers, film editing
Guillermo del Toro’s Pinocchio – Brian Leif Hansen, animation
RRR – Nick Powell, stunts
Tár – Stephen Griffiths, sound design
The Wonder – Nina Gold, casting
Dilys Powell award for excellence in film
Michelle Yeoh
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1987’s After the Promise! It can be viewed on YouTube!
Mark Harmon is, in many ways, the ideal television actor. He’s handsome in a distinguished but not overwhelming sort of way. He projects a pleasant personality. He’s likably low-key. He’s a talented actor but he’s also a bit of a safe and predictable actor. It’s been said that the difference between a TV star and a movie star is that a movie star combines charisma with danger whereas a TV star combines a likable screen presence with reliability. Mark Harmon’s been a reliable TV presence for longer than I’ve been alive.
In 1987’s After the Promise, Harmon plays Elmer Jackson, a carpenter who is just trying to survive day-to-day in Depression-era California. Though his wife (who is implied to be a Christian Scientist) begs him not to take her to the hospital when she gets ill, Elmer goes against her wishes. When he gets her to the hospital, he is treated rudely by the staff. A cop approaches him in the waiting room and brusquely orders him to move his car. When a doctor finally does approach Elmer, he calmly explains that Elmer’s wife has did of TB and that she should have been brought to the hospital weeks ago.
Now a widower, Elmer is determined to keep the last promise that he made to his wife and give his four sons the best life that he possibly can. Unfortunately, the government is determined to keep Elmer from doing that. When Elmer goes to the government to try to get temporary financial assistance, the government reacts by taking his children away from him and forcing them into foster care. When Elmer, during one of his weekly visits, tries to take the children for a ride, the government bans him from having any contact with his children. When Elmer’s sons try to escape from the foster home, they’re separated and sent to separate facilities.
Informed that he can only get his children back if he proves that he’s financially stable, Elmer becomes an itinerant worker. It’s only after he meets and marries Anna (Diana Scarwid) that Elmer finally gets a chance to be reunited with his sons but, after years of abuse, his sons have their own traumas to deal with before they can accept Elmer as being their father.
This is a movie that really pulls at your heartstrings! There’s nothing subtle about it but, at the same time, its portrait of bureaucrats without empathy is one that feels very real and contemporary. Over the course of the film, Elmer learns that the rules are not being written to help out a blue collar worker who doesn’t have a lot of money and, watching the film, it’s hard not to consider that the rules haven’t really changed that much over the years. Elmer isn’t just fighting to reunited his family. His fighting to save them from a system that is designed to dehumanize. It’s an ideal role for a television star like Mark Harmon, as Elmer isn’t a terribly complex man but he is a very determined one. It’s a role that demands a lot of sincerity and Harmon certainly delivers. For that matter, so does this simple but emotionally resonant film.
This is a fun video. Quite frankly, we need more fun videos.
Enjoy!
I watched quite a bit. Let’s see what I can remember about it.
Accused (Tuesday Night, FOX)
This week’s episode was actually pretty good. It has an enjoyably macabre ending and was well-directed by Jonathan Mostow.
The Amazing Race 5 (Netflix)
The fifth season of The Amazing Race is on Netflix! I watched a few episodes this week. I’m glad that Colin and Christie were given a second chance to compete on the show because they really were the strongest competitors during the fifth season. After getting used to the mellow Colin who appeared the second time, it was interesting to be reminded just how intense and ultra-competitive he was the first time he appeared on the show. I know that Colin and Christie were meant to be the fifth season’s “villains” but, honestly, it’s impossible not to like them. I respect the fact that they consistently refused to yield or U-turn anyone.
American Auto (Tuesday Night, NBC)
Anna Gasteyer’s character went on the Seth Meyers show to try to soften her image and convince everyone that she really wasn’t the country’s most hated CEO. I understand that the whole point here was to reunite Gasteyer and Meyers, as I assume they were on Saturday Night Live at the same time. But I don’t know. Gasteyer had a few funny moments but Meyers has never really appealed to me a a talk show host. And really, if you were a CEO trying to improve your image by appearing on a talk show, would you go on the one that most people don’t watch? She should have held out for Fallon.
The Bachelor (Monday Night, ABC)
Boring!
The Brady Bunch Hour (YouTube)
I wrote about The Brady Bunch Hour here!
California Dreams (YouTube)
I wrote about California Dreams here!
City Guys (Tubi)
Uh-oh! It looks like Tubi has removed a few episodes of City Guys! Fortunately, I think I can find them all on YouTube. Anyway, click here to see what I wrote this week!
Football Game: Bengals vs Chiefs (Sunday Evening, CBS)
I watched this game with Jeff and Erin. I guess I’m glad the Chiefs won. The Bengals uniforms were a kind of silly looking.
Football Game: Eagles vs 49ers (Sunday Afternoon, FOX)
Was it on FOX? I honestly can’t remember. Anyway, I watched this game with Jeff and Erin and they were a lot more into it than I was. I decided that I would root for the 49ers because Philadelphia is the city of Parking Wars but I changed my mind once it became obvious that the 49ers weren’t going to win.
Hell’s Kitchen (Thursday Night, FOX)
I’m not sure if I agree with Chef Ramsey’s decision to keep Dafne over Sommer. Sommer may have been abrasive when she was put in charge of the Kitchen but she was still a lot less scatter-brained and more effective than Dafne was. That said, we all know that Alex is going to win this season.
Kids Behind Bars: Life or Parole? (Hulu)
This show originally aired on A&E. I watched an episode on Monday morning and I was immediately reminded of why I never particularly cared for this show. Not only does it exploit real-life tragedy but it’s also so biased and heavy-handed that it’s not really worth watching as a work of journalism.
Law & Order (Thursday Night, NBC)
This week, the murderer was a prosperity preacher. Nolan Price used a bunch of shady legal tricks to convince a judge to force a minister to break his sacred oath. This show is always at its most cringey when it tries to deal with religion. As I watched this week, I noticed that the show is now playing up the whole “relationship” angle between Price and Maroun. They’re a cute couple but I kind of want to see Maroun handle a case without Price hovering over her shoulder.
The Love Boat (Paramount Plus)
I wrote about The Love Boat here!
Night Court (Tuesday Night, NBC)
I know I watched the episode because I jotted it down in my notes for the week but I can’t remember a thing about it. That’s kind of a recurring problem with Night Court. I’ve seen every episode so far and I still can’t really tell you anything about the show or its characters.
Night Flight (Night Flight Plus)
I watched an episode from the 80s. It was all about the use of animation in music videos.
Survivor: Philippines (Hulu)
There are several old seasons of Survivor on Hulu. I watched a bit of the Philippines season, which featured the unbelievably hot Malcolm and the unbelievably obnoxious Abi-Maria. Along with Penner, RC, Russell, and a few others, this season featured some of the least likable castaways ever but it also featured Malcolm so it all worked out.
TV Party (Nightflight Plus)
I watched an old episode of this 80s public access program on Friday night. Chris Stein, of the band Blondie, led a small band in playing medieval music. Then a bunch of drunk people called the studio and threatened to beat him up.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!
Let’s see what was happening in California back in 1994.
Episode 3.14 “Boyz R Us”
(Dir by Patrick Maloney, originally aired on December 17th, 1994)
When Tony’s old friend Darren comes to visit, it’s revealed that Tony and his family are apparently form South Central. Over the course of nearly three seasons, this has never once been mentioned by Tony or anyone else on the show but, in this episode, everyone acts as if they’ve always known that Tony comes from the hood and that his family moved away to keep Tony from falling in with the wrong crowd. In fact, it’s treated as being such common knowledge that it actually seems a little bit offensive, as if everyone just assumed that Tony grew up in a crime-ridden neighborhood because of the color of his skin.
Darren comes bearing grim news. Their friend, JR, has fallen in with the gangs. When JR is ordered to rob a liquor store, he refuses to do it. The gang retaliates by beating him up and leaving JR with permanent brain damage. (We don’t actually see JR. Instead, Tony just spends the episode answering questions about how JR is doing.) Tony thinks that he and Darren should go to the police. Darren thinks a better solution would be to kill the guys who beat up JR. Tony returns to South Central and literally stands in front of two gang members to keep Darren from shooting them. The gang members say that they’re going to repay the favor by killing Tony and Darren. But then a bunch of older people show up in the alley and announced that they’re taking their neighborhood back. The gang members run off and apparently, that’s all it takes to deal with the gang problem.
I have no doubt that this episode was written, directed, and acted with the best of intentions but Peter Engel-produced sitcoms were always at their worst whenever they tried to deal with the issue of race. The need to neatly wrap everything up in 22 minutes did not exactly lend itself to examining serious issues. The whole episode felt a bit heavy-handed and I didn’t buy the episode’s conclusion for a second. The episode suggested that the best way to deal with gangs was to just stand up to them as you would to any other group of bullies. It worked in this episode but that’s because there was only two gang members and neither one of them was armed when they were confronted.
In the B-plot, the Dreams were broke so they got jobs delivering singing telegrams. Lorena got a job as well because, even though she was rich, she wanted to see what it was like to be poor. Lorena was so cool.
Episode 3.15 “Junior Achievement”
(Dir by Patrick Maloney, originally aired on December 24th, 1994)
For their Business class, the Dreams set up a corporation and attempt to make a profit. Jake and Mark try to succeed by giving music lessons. The rest of the group decides to exploit Sam’s cold remedy, which has apparently been in her family for centuries. At first, Sam is reluctant to sell out her heritage but then she’s told that she could become a millionaire so….
If this sounds familiar, that’s because this is the same basic plot as the Saved By The Bell episode where Zack and the gang try to sell Screech’s Spaghetti Sauce. For that matter, it also has a lot in common with the infamous “buddy band” episode. Just as Zack did for the spaghetti sauce, The Dreams even air a commercial for the cold remedy on public access TV. Tony directs the commercial. Sly plays a cold germ. Sam plays her grandmother. The commercial seems like it runs way too long but whatever. Jake and Mark make no money teaching music while the other Dreams initially make a fortune. But then, in order to save on production costs, Sam cuts a few corners and the medicine goes from curing colds to causing hiccups. Sam tells the teacher the truth about what happened and is praised for being ethical.
So, in other words, there’s no actual consequences for anything that Sam may have done wrong. That’s the advantage of being one of the main characters, I suppose.
This wasn’t a bad episode as much as it was just a totally silly one. The storyline was predictable but the cast certainly seemed to be having fun. This is one of those episodes that worked almost entirely due to chemistry between the actors. Though the episode focuses on Jennie Kwan, Michael Cade also gets his share of good lines. Any episode that features Sly being totally immoral and greedy is usually a good one.
Next week, Tiffani gets hooked on steroids!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, ArtAttackNYC will be hosting 1999’s Bats!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime, Tubi, and a few other streaming sites. I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today would have been George Romero’s 83rd birthday.
Now, those of you who have been reading us since the beginning know how important the work of George Romero has been to this site. A mutual appreciation of Night of the Living Dead is one of the things that first brought many of us together. It’s a film that we watch ever Halloween and Arleigh’s review of the original remains one of our most popular posts. If this site had a patron saint, it would probably be George Romero.
And yet, Romero wasn’t just a director of zombie films. He made many films, dealing with everything from hippie lovers (There’s Always Vanilla) to wannabe vampires (Martin) to government conspiracies (The Crazies) and eccentric bikers (Knightriders). George Romero was one of the pioneers of independent films and today, on his birthday, we should all take a minute to consider and appreciate the man’s cinematic legacy. It’s not just horror fans who owe George Romero a debt of gratitude. It’s lovers of cinema everywhere.
With that in mind, here are….
4 Shots From 4 George Romero Films