Film Review: Murder Mystery 2 (dir by Jeremy Garelick)


Four years ago, Nick and Audrey Spitz (Adam Sandler and Jennifer Aniston) solved a convoluted murder mystery and became minor celebrities.  Nick quit his job with the NYPD.  Audrey quit her job as a hairdresser.  They opened up their own private detective agency.

Unfortunately, as a narrator explains to us at the start of Murder Mystery 2, things haven’t gone smoothly for Nick and Audrey.  They’ve struggled to establish themselves as detectives.  In fact, Nick doesn’t even have a P.I. license because he has yet to pass the exam and he balks at having to actually study criminology.  While Audrey tries to convince him to, at the very least, read a book on kidnapping, Nick is more concerned with coming up with cute business cards.  His big idea to combine the traditional business card with floss and a razor.  Personally, I wouldn’t want to use a business card to take care of my teeth but maybe that’s just me.

When Nick and Audrey are invited to an exclusive wedding, it’s a chance for them to reacquaint themselves with Vikram (Adeel Akhatar) and Colonel Ulenga (John Kani), both of whom were featured in the first Murder Mystery.  When Vikram is kidnapped and one of his bodyguards is murdered, it’s a chance to Nick and Audrey to once again prove that they’re capable of solving a crime.  When former MI6 agent-turned-security consultant Captain Miller (Mark Strong) literally emerges from the sea and takes over the investigation, it’s a chance to Audrey to meet one of her heroes and for Nick to get a little jealous.  And when the action moves to France, it’s an excuse for the film’s cast and crew to hang out in Paris for a few weeks.

I enjoyed the first Murder Mystery, which was a surprisingly sweet and funny comedy that showcased Sandler and Aniston’s chemistry while also make good use of Sandler in one of his more likable comedic roles.  Like all Sandler characters, Nick may be something of a manchild but he’s not deliberately destructive.  He means well.  The first film’s mystery was enjoyably convoluted and a lot of the humor came from just how out of place Sandler and Aniston were in an Agatha Christie-style whodunit.

Murder Mystery 2, unfortunately, it not quite as much fun as the first film.  A huge part of the problem is that Nick and Audrey are no longer amateur detectives who are both shocked and secretly thrilled to be solving an actual murder.  Now, they’re professional (if somewhat incompetent) detectives.  The first film had a sweet subtext about Sandler trying to prove that he was as good a detective as thought he was.  He had something to prove, to both his wife and to himself.  In the second film, the emphasis is more on action than humor.  Suddenly, Sandler and Aniston are engaging in high-speed car chases and battles atop the Eiffel Tower.  It all feels a bit mechanical and, much as with his direction of The Binge, director Jeremy Garelick often seems to just be going through the motions.

On the plus side, Sandler and Aniston still have their chemistry and both of them still know how to make an otherwise corny joke work.  Jennifer Aniston gets to wear a lot of really pretty outfits and Adam Sandler gets a memorable scene where he tries to convince himself that he can jump over a moat.  There’s a genuinely funny moment towards the end of the film, when a character unrelated to the mystery randomly shows up and interrupts a tense showdown.  Even though I wish the film had done a bit more with character, Mark Strong also seems to be having parodying his own image.  There are moments of Murder Mystery 2 that are actually pretty amusing, though I think chuckled more than I actually laughed out loud.  Ultimately, though, Murder Mystery 2 is rather forgettable.

Live Tweet Alert: Join #FridayNightFlix for Fire And Ice!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1983’s Fire and Ice!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Fire and Ice is available on Prime and Tubi!  See you there!

 

Retro Television Reviews: City Guys 4.10 “Keep on the Download” and 4.11 “Havoc”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on YouTube!

C.I.T.Y. …. this show is never going to end….

Episode 4.10 “Keep On The Download”

(Dir by Frank Bonner, originally aired on October 21st, 2000)

To be honest, I guess it’s kind of silly that out of all the things that I dislike about City Guys, it’s Chris and Jamal’s radio show that tends to annoy the most.

I mean, I know I spend a lot of time complaining about the way all of the student’s worship Ms. Noble but if there’s anything that truly makes me want to throw something across the room, it’s definitely the sound of Manny and Jamal announcing, “Hello, Manny High!”  The whole radio station thing has never made sense to me and I’ve always had a hard time with the idea of Chris and Jamal becoming radio superstars with their stale schtick.  It also doesn’t help that I’ve never really understood just when exactly Chris and Jamal are doing their show.  Are they broadcasting during class hours?  Are they broadcasting during lunch?  Why does it sometimes seem as if they go several days without even thinking about their radio show just to suddenly have it once become the center of their lives a few episodes later?

This episode establishes that every school in New York City apparently has its own radio station.  Adam and Malik are the radio hosts at Washington Prep and they’ve managed to get an interview with a rapper named Dr. Deej.  After they taunt Chris and Jamal with their success, Chris and Jamal react by trying to get Dr. Deej to appear on their show.  When Jamal can’t get Dr. Deej to return his calls, they decide to just have Chris pretend to be Dr. Deej.

Yes, that’s right.  The very white Chris pretends to be a rapper.  “Yo, yo, yo,” Chris says, “the doctor is in this house, pass me the scalpel, crunch me an apple….”  (Don’t get mad at me, I’m just transcribing.)  The real Dr. Deej calls in to ask how he can be on Chris and Jamal’s show when he’s actually on Adam and Malik’s show.  Uh-oh!

Having been humiliated, Chris and Jamal go over to Washington Prep, break into the booth, and steal the sign with the radio call letters.  Being two huge idiots, Chris and Jamal bring the sign to the roof of Manny High so that everyone can celebrate their thievery.  Ms. Noble sees the sign and is not amused.  When Chris and Jamal say that its just part of a prank war, Ms. Noble informs them the pranks have gone too far and they’re both off the air.  YAY!

Wow, I’m glad that radio stuff is over with.  Let’s move on….

Oh wait, we’re only halfway through the episode.

Adam and Malik announce that they will be broadcasting an on-air funeral for the Chris and Jamal show.  So, Chris and Jamal break into Washington Prep during the middle of the night and they try to sabotage Adam & Malik’s DJ booth.  While trying to move some wires around, they short out an amp.  (Wow, that really escalated.)  Because they’re both extremely stupid, Chis and Jamal break into Washington Prep a second time and attempt to leave a new amp in the DJ booth.  (I’m not sure why, since their stated goal was to sabotage Adam and Malik and they managed to do just that.)  This time, a security guard catches them and, instead of calling the cops, he calls Ms. Noble.

WHAT!?

Anyway, the situation is resolved by letting Adam and Malik use Manny High’s DJ booth until their booth is repaired.  And apparently, Ms. Noble is going to let Chris and Jamal back on the air as well.  I’m not really sure why.  I guess it pays off to break into other schools.

While this is going on, Dawn becomes so obsessed with winning a trophy in the Academic Bowl that she alienates all of her smart teammates and is instead forced to compete with Al and L-Train on her team.  Bizarrely, the Academic Bowl is held on the roof of Manny High and Ms. Noble is the host.  The final question is to list one of the three nicknames for catfish, which really doesn’t sound like an Academic Bowl question.  Because L-Train knows all three of the names, Manny High wins.  L-Train announces that he’s going to take the trophy to a pawn shop.  Ms. Noble, who is so quick to get involved in every aspect of her students’s lives, has no problem with L-Train selling the most prestigious trophy the school has ever won.

Okay, can we move on now?  Yay!

Episode 4.11 “Havoc

(Dir by Frank Bonner, originally aired on October 28th, 2000)

Chis is apparently a guitarist now.  He’s so good that the Screaming Skulls want him to be their new lead guitarist!  But Chris is already in a band, a jazz fusion band with Al, L-Train, and Jamal.  (Their band is called the — *snicker* — Jazz Posse!  I went to a college with a world-famous jazz band and even my jazz-obsessed classmates would not have been caught dead listening to a band called the Jazz Posse.)  How can he be in two bands at the same time?  Actually, quite a few musicians are in multiple bands at the same time but most of them aren’t as dumb as Chris.  Chris he has to make a choice between either being in a world famous rock band or continuing to play on the roof of Manny High.

Jamal acts as if Chris is being selfish for wanting to play with his new band as opposed to spending all of his time with his high school friends.  But, honestly, Jamal kind of sucks.  Never once does he congratulate Chris or even acknowledge that it’s cool that Chris now has proof that he has a possible future as a professional musician.  Instead of being happy for Chris, Jamal immediately start complaining about him not wanting to be in the high school jazz band.  I find it hard to believe that the Al, Jamal, and L-Train couldn’t find someone else to play guitar in their little band.  Is Chris the only guitarist at Manny High?  To the show’s credit, Cassidy actually does call Jamal out for his behavior.  Cassidy goes to Chris’s first gig as a member of the Skulls and discovers that Chris has been replaced by the band because their old guitarist came back.

The next day, Chris lies to everyone at school and says that he’s still in the Skulls.  How exactly does he think he’s going to keep this a secret, as the Skulls have been portrayed as being a pretty famous band?  Chris shows up at the Jazz Posse’s next performance and asks to rejoin the band.  He apologizes for leaving them earlier, despite the fact that Chis has nothing to apologize for and Jamal was the one being a jerk about it.  So, I guess Cassidy calling out Jamal was just something that was done to pad out the episode because no one acknowledges that any musician would rather join a successful band than play in a high school jazz band.

The Jazz Posse plays a show on the roof of Manny High as the end credits roll.  Why does everything have to be on the roof?

Music Video of the Day: Still Alive by Demi Lovato (2023, dir by Jensen Noen)


Today’s music video of the day features Demi Lovato living every film lover’s dream.

Seriously, who wouldn’t want to get walk through the streets like a super stylish Bond villain and get to attend a private screening with a select group of your only slightly less stylish friends?  This video features Demi Lovato living the type of life that most people can only dream about.  That’s what makes it a good music video.  A music video should always bring our dreams to life.

Enjoy!

Retro Television Reviews: The Love Boat 2.7 “Ship of Ghouls”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Vincent Price comes aboard for a special Halloween episode!

This is actually, the second time that I’ve reviewed this episode.  I also watched and reviewed it back in 2021.  I enjoyed it the first time that I watched it and my opinion remained the same the second time I watched it.  Still, I’m glad that I rewatched the episode as opposed to trying to write a second review from memory.  There were a few details that I had forgotten.

Anyway, it’s time for…. SHIP OF GHOULS!

Episode 2.7 “Ship of Ghouls”

(Originally aired on October 28th, 1978, dir by Roger Duchowny)

It’s time for the annual Halloween cruise and Captain Stubing is super excited because he has hired The Amazing Alonzo (Vincent Price) to provide the cruise’s entertainment.  Alonzo is a master illusionist and hypnotist, who can trick people into seeing just about anything.  The episode really doesn’t explain just how exactly Alonzo is able to hypnotize people by just saying a few words to them but no matter.  This is The Love Boat and Vincent Price is …. well, he’s Vincent Price.  Vincent comes across like he’s having the time of his life in this episode and, as such, we accept that Alonzo can cause a bunch of people to think that Gopher and Doc have been turned into two donkeys.  We accept that he can fool the Captain into thinking that the ship’s pool has been turned into a giant ice cream sundae.  We even accept that he can make Isaac’s head appear in a glass of beer.  We accept all of it because it just feels wrong to get hung up on logic when Vincent Price is involved.

The Amazing Alonzo is having so much fun flirting with his elderly groupies and casting spells that his long-suffering fiancé, Ramona (Joan Blondell), dumps him and instead moves into the Captain’s quarters.  At first, Alonzo is jealous of the Captain but he soon comes to realize that the Captain is not romantically interested in Ramona and is just letting her stay in his quarters because she needs some place to stay.  Alonzo also discovers that he can no longer hypnotize people without Ramona’s support.  At the big Halloween party, Alonzo freezes time and apologizes to Ramona.  He also confesses to her that his real name is Wendell.  They walk out of the ship’s ballroom, hand-in-hand.  Yay!

Needless to say, Vincent Price was the highlight of this episode.  However, as was always the case with The Love Boat, there were other passengers on the cruise.

For instance, nine year-old Bobby Diller (Charlie Aikman) is a habitual liar and prankster.  His behavior may be bratty but that’s largely due to the fact that his parents (Gary Collins and Mary Ann Mobley) are getting back together after previously getting a divorce and he’s worried that they’re going to split up again.  Fortunately, Bobby’s lying comes in handy when he spots Karen (Barbara Anderson) preparing to throw herself overboard.   Bobby tells Karen that his mother committed suicide and that he’s never gotten over it.  Karen changes her mind about committing suicide.  Once Karen is safely back on deck, Bobby admits that he lied but then adds, “It’s the last lie I’ll ever tell!”

Why was Karen suicidal?  Karen was a model until a car accident left her with a scar on her face.  Karen is convinced that no one will ever find her to be beautiful again.  Of course, Gopher and Doc both find her to be beautiful and they spend the entire cruise hitting on her and arguing over which one of them has the right to dance with her and have dinner with her.  (As I’ve said in the past, The Love Boat really was a floating HR nightmare.)  Karen, unfortunately, thinks that they’re just doing this as a favor to Karen’s best friend, cruise director Julie.  Fortunately, Bobby’s lie convinces Karen that people can sincerely care about one another.  Also, Karen realizes that she’s too good for either Gopher or Doc.  Good for her!

This was a good episode.  Vincent Price was a delight as always and Barbara Anderson was sympathetic Karen.  All Halloween cruises should be as entertaining as The Love Boat‘s!

Here’s The Trailer For Asteroid City!


Judging from the trailer, Asteroid City might be the most Wes Anderson-ish movie that Wes Anderson has ever made.  I have a feeling this is going to be one of those movies that people are either going to love or they’re going to absolutely hate.  I don’t see a lot of middle ground in the future.

Here’s the trailer:

Retro Television Reviews: Fantasy Island 2.15 “Cowboy/Substitute Wife”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

This week is all about deception.

Episode 2.15 “Cowboy/Substitute Wife”

(Dir by Arnold Laven, originally aired on January 20th, 1979)

Brian Kehoe (Hugh O’Brian) is from Texarkana.  In his youth, he was a rodeo rider but now he’s a broken-down old man who works as a rodeo clown.  He’s one of the best in the business and every rodeo rider on Fantasy Island swears that Brian has saved their lives multiple times.  (There’s a surprisingly large amount of rodeo people on Fantasy Island.)  However, Brian is deeply ashamed of just being a clown.  In fact, he’s spent his life telling his 11 year-old son, Tommy (Johnny Timko), that he’s the greatest rodeo champion of all time.

Brian’s fantasy is to be just that.  He’s spending the weekend with his son on Fantasy Island and he wants everyone to treat him like he’s a world famous rodeo star.  However, when he realizes that Tommy wants to see him in action, Brian realizes that he’s going to do have to ride a bull himself.  Unfortunately, Brian just can’t do it.  He’s old and out-of-practice.  So, he and his friends try to play a little trickery on Johnny.  Brian explains that he always wears a bandana over the lower half of his face whenever he rides.  When Tommy is cheering for his father, little does he realize he’s actually cheering for one of his father’s friends.  But when one the real riders is put in danger, Brian has no choice but to reveal the truth.  Of course, that was Mr. Roarke’s plan all along.

This was an okay fantasy.  I appreciated the fact that everyone pronounced rodeo correctly.  There weren’t any Yankees wandering around talking about the “roe-day-o.”  Hugh O’Brian did a good job of portraying the sadness beneath Brian’s confident façade.  And, when Tommy first learns that his father has been lying to him, he has a very honest reaction.  He is pissed off!  It takes Tommy a while to forgive his father.  This was a well-acted little fantasy, even if you never had any real doubt that things would eventually work out.

As for the other fantasy …. bleh.  Jayne Meadows Allen plays Nadine Winslow, a woman who suffers from hypochondria.  Her fantasy is to learn what’s wrong with her.  She’s examined by a Dr. Van Helsing (Hans Conried), who informs her that she only has a few weeks to live.  After Nadine leaves the exam room, we learn that Dr. Van Helsing is actually a waiter and it’s always been his fantasy to tell someone that they only have a few weeks to live.  Between this guy and that Nazi POW camp a few weeks ago, I’m starting to doubt Roarke’s instincts.

Nadine’s new fantasy is to find a new wife for her husband, Harvey (Peter Lawford, who appears to be slightly hung over in most of his scenes).  She settles on Monica (Sherry Jackson), whom Harvey meets during a bizarre Fantasy Island dating game that is hosted by a leering Mr. Roarke.  Monica and Harvey seem like a good couple but then Nadine spots her doctor working as a waiter and she realizes that she’s not dying.  So, she and Harvey get back together and, for some reason, they thank Mr. Roarke as opposed to suing him for emotional distress.  That whole fantasy was just dumb.

So, this was a pretty uneven episode.  I liked the rodeo stuff.  I disliked the death stuff.  That’s the way it usually goes.

Music Video of the Day: You’re Gonna Make Me Lonesome When You Go, covered by Miley Cyrus (2012, dir by James Minchin III)


For today’s music video of the day, Miley Cyrus covers Bob Dylan.  It’s a simple video, which is appropriate for both the song and Miley’s version of it.

Enjoy!