This has a nice near future feel to it.
Enjoy!
Tag Archives: Lisa Marie Bowman
Late Night Retro Television Review: 1st & Ten 2.8 “Easy Come Easy Go”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.
Time to get back to 1st & Ten. To be honest, with all the excitement of the holiday season, I totally forgot that I was reviewing this show.
Episode 2.8 “Easy Come, Easy Go”
(Dir by Burt Brinckerhoff, originally aired on January 6th, 1987)
This is yet another episode of 1st & Ten that felt as if it was put together almost at random.
Mad Dog (Tony Longo) has a one night stand with a lawyer named Molly (June Chadwick) and he ends up becoming obsessed with her. He shows up at a fancy cocktail party being hosted by Molly’s law firm. “This man is stalking me!” Molly yells. All of the men at the party are like, “Mad Dog! You’re my favorite player!” Now, I will say that this is a realistic portrayal of how most men act whenever they see a professional athlete but it still felt a bit icky to watch.
Jethro takes a blood test and discovers that little Tommy is not his son. But he still wants to be a part of the kid’s life.
Yinessa sees a tabloid newspaper headline about his “nude pictures” and starts yelling at a supermarket manager for selling the paper.
Waldren is in financial trouble because he’s been tossing money around. A group of gamblers approach him and offer to pay to shave points. OJ Simpson (in the role of offensive coordinator T.D. Parker) tells Waldren, “I’m keeping my eye on you.” Oh no! LOOK OUT, WALDREN!
However, Waldren does not shave points. Instead, he catches the ball that seals the Bulls victory in their first playoff game. Woo hoo! Go, Waldren!
A lot happened but, in typical 1st & Ten fashion, none of it added up to much. It could be because the streaming episodes were edited for syndication but this is just a weird show. Every episode feels as if their huge chunks of plot missing.
Here Are The 2025 Nominations of the Art Directors Guild
The Art Directors Guild has announced its nominees for the best of 2025! And here they are….
BEST PERIOD FEATURE FILM
Frankenstein — Production Designer: Tamara Deverell
Hamnet — Production Designer: Fiona Crombie
Marty Supreme — Production Designer: Jack Fisk
The Phoenician Scheme — Production Designer: Adam Stockhausen
Sinners — Production Designer: Hannah Beachler
BEST FANTASY FEATURE FILM
Avatar: Fire and Ash — Production Designers: Dylan Cole, Ben Procter
The Fantastic Four: First Steps — Production Designer: Kasra Farahani
Mickey 17 — Production Designer: Fiona Crombie
Superman — Production Designer: Beth Mickle
Wicked: For Good — Production Designer: Nathan Crowley
BEST CONTEMPORARY FEATURE FILM
Bugonia — Production Designer: James Price
F1 — Production Designers: Ben Munro, Mark Tildesley
Mission: Impossible – The Final Reckoning — Production Designer: Gary Freeman
One Battle After Another — Production Designer: Florencia Martin
Wake Up Dead Man: A Knives Out Mystery — Production Designer: Rick Heinrichs
BEST ANIMATED FEATURE FILM
The Bad Guys 2 — Production Designer: Luc Desmarchelier
Elio — Production Designer: Harley Jessup
KPop Demon Hunters — Production Designers: Mingjue Helen Chen, Dave Bleich
The Spongebob Movie: Search for Squarepants — Production Designer: Sean Haworth; Animation Production Designer: Pablo R. Mayer
Zootopia 2 — Production Designer: Cory Loftis
Retro Television Review: The Love Boat 7.1 and 7.2 “China Cruise: The Pledge/East Meets West/Dear Roberta/My Two Dumplings”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, we begin season 7!
Episodes 7.1 and 7.2 “China Cruise: The Pledge/East Meets West/Dear Roberta/My Two Dumplings”
(Dir by Robert Scheerer, originally aired on October 1st, 1983)
It’s time for season seven of The Love Boat!
Gopher has been promoted to head purser. For six seasons, he was assistant purser and I always wondered who the head purser was. Apparently, there wasn’t one because Stubing promoted him without firing anyone. It’s possible that I just don’t know how cruise ships work.
The Love Boat crew starts off the season with a cruise around China! I guess the old saying is true — only Stubing could go to China. I kept waiting for Stubing to announce that he recognized Taiwan as an independent nation but he didn’t. I was a little bit disappointed by that. Instead, Stubing and the crew saw the sights. There’s a panda bear! There’s the Great Wall of China! There’s a bunch of young people all singing, almost as the future of their loved ones depended on doing a good job! In fact, this premiere episode is really more about seeing the sights of China than it is about any of the drama playing out on the boat. I guess that makes since. This episode aired in the pre-Internet age of 1983, so for the audience, this really was a chance to see a world that they probably couldn’t otherwise experience. It’s not like they could go on YouTube and do a search for China or something like that. It was up to The Love Boat to open up the world!
That said, Chinese medicine came in for a bit of criticism. Susan Anton played a woman who didn’t trust doctors and who thought buying a Chinese symbol for good luck would keep her safe. However, when she suddenly had intense stomach pain, it was up to Doc to save her life. Where’s your good luck charm now!?
Linda Evans played a woman who fell in love with Lee Majors, little suspecting that Majors was the author of the “Dear Roberta” advice column. Some of “Roberta’s” advice led to Evans divorcing her previous husband.
Lee Horsley played a man with two girlfriends (Erin Moran and Pat Klous). Uh-oh! They all ended up on the boat at the same time!
Finally, Ursula Andress played a dying woman who fell for a mysterious but charming passenger (John Forsythe). Unfortunately, Forsythe had a warrant out for his arrest and Detective Michael Constantine was determined to take him into custody. This story was unique in that it had an unhappy ending! While the crew had a few unhappy endings (Remember when Julie was left at the altar?), this was the first time that things didn’t work out for a passenger.
Was this a good episode? It was, strictly from the point of view that I like The Love Boat crew and I enjoy spending time with them. This episode was occasionally a bit too much of a travelogue but the Andress/Forsythe story carried some weight. All in all, it was a decent start for season 7.
Here Are The 2025 Actor Nominations!
The SAG Awards are now known as the Actor Awards for some reason. I think that’s kind of dumb but whatever. The important thing that the 2025 Actor nominations were announced this morning. My main take away? The Best Picture hopes of both Jay Kelly and Wicked: For Good are dead. If they couldn’t score an ensemble nod with this crowd, they’re not going to make it to the top ten. (Wicked: For Good, at least, seems destined to get a nomination for Ariana Grande and some technical nods. Jay Kelly seems destined to go for zero.)
Here are the Actor Nominations:
OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners
OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Kate Hudson – Song Sung Blue
Chase Infiniti – One Battle After Another
Emma Stone – Bugonia
OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia
OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE
Miles Caton – Sinners
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE
Odessa A’zion – Marty Supreme
Ariana Grande – Wicked: For Good
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another
OUTSTANDING STUNT ENSEMBLE IN A MOTION PICTURE
F1
Frankenstein
Mission: Impossible — The Final Reckoning
One Battle After Another
Sinners
Music Video of the Day: I’m In The Mood For Dancing by The Nolans (1979, dir by ????)
Who isn’t?
Enjoy!
Late Night Retro Television Review: Pacific Blue 3.9 “Cop In A Box”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.
Okay, we’re doing this again.
Episode 3.9 “Cop In A Box”
(Dir by Scott Lautanen, originally aired on November 2nd, 1997)
Oh, Pacific Blue. How I have not missed you.
This episode features TC getting abducted by Harland Groves (Jeremy Roberts), a criminal who TC previously busted. Harland traps TC in an underground beach bunker. How Harland got his hands on an underground beach bunker is never explained. Harland demands that TC’s rich family pay him 4 million dollars. At the same time, he plans to use a chlorine gas bomb to kill TC. Why he didn’t kill TC to begin with and then demand the money is never really explained. It’s almost as if Harland secretly wanted his plan to fail.
I really didn’t have a problem with the idea of TC getting killed off. Pacific Blue is one of the more boring of the shows that I review and killing TC would have livened things up. At the very least, without TC around, I would no longer be forced to try to keep straight which member of Pacific Blue was TC and which member was Victor. Unfortunately, TC manages to disarm the chlorine bomb. When Harland attacks him in the bunker, it leads to a bunch of sand pouring in. Harland is suffocated while TC escapes.
Oh well.
The cool thing about this episode is that Andy Buckley — who later played David Wallace on The Office — returned as TC’s brother. The funny thing about this episode was the sight of grim-faced Palermo barking out orders while wearing his stupid bicycle shorts. And the unfortunate thing is that TC survived so Pacific Blue will not be changing any time soon.
Retro Television Review: Fantasy Island 7.21 “Bojangles and the Dancer/Deuces Wild”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. The show is once again on Tubi!
It’s time for our second-to-last trip to the Island.
Episode 7.21 “Bojangles And The Dancer/Deuces Wild”
(Dir by Bob Sweeney, originally aired on May 12th, 1984)
Sisters Audrey and Judy Jennings (played, of course, by Audrey and Judy Landers) come to the Island because they’re sick of men only appreciating their bodies as opposed to their other talents. They end up meeting a hotelier named Rex Reinhardt (Stuart Whitman) who, after some poorly-defined drama involving his duplicitous chief of security (John Ericson), ends up opening a resort with the two of them. Fans of the James Bond franchise will be happy to see Walter Gotell, who played the head of the KGB opposite Roger Moore in several films, cast as a writer who romances one of the sisters.
It’s kind of a sad fantasy when you consider that this is the second-to-last episode of the original Fantasy Island and the best they could do for this story were the Landers sisters and Stuart Whitman. Not only were the guest stars not particularly inspiring but the fantasy itself didn’t really make much sense.
As for the other fantasy, it does feature a big-name guest star. Sammy Davis, Jr. plays the legendary dancer, Bojangles! Now, admittedly, Sammy doesn’t look particularly healthy in this particular episode. Reportedly, by the time the 80s rolled around, all of the smoking, drinking, and drug-taking had finally started to catch up with him. But, even while obviously ill, Sammy Davis Jr. still had the undeniable charisma of a natural-born star. The fantasy is nothing special. Joe Wilson (Glynn Turman) goes into the past so that he can dance with Bojangles. However, Sammy Davis Jr. lights up the story. He shares a wonderfully-acted scene with Ricardo Montalban, two old showbiz pros sharing what may have been a final moment together.
So, this trip to the Island was a mixed bag. Neither fantasy was particularly compelling and Tattoo’s absence was very much felt. (Lawrence, I’ve noticed, tends to be rather judgmental of the guests which is something Tattoo never was.) But at least Sammy Davis Jr. was there to add some life to the proceedings.
Only one more episode to go.
Here Are The 2025 Nominations of the Chicago Indie Film Critics
The Chicago Indie Critics have announced their nominations for the best of 2025! And here they are:
BEST INDEPENDENT FILM
If I Had Legs I’d Kick You – Producers: Sara Murphy, Ryan Zacarias, Ronald Bronstein, Josh Safdie, Eli Bush, Conor Hannon, Richie Doyle
It Was Just an Accident – Producers: Jafar Panahi, Philippe Martin
The Life of Chuck – Producers: Trevor Macy, Mike Flanagan
Sorry, Baby – Producers: Adele Romanski, Mark Ceryak, Barry Jenkins
Train Dreams – Producers: Marissa McMahon, Teddy Schwarzman, Will Janowitz, Ashley Schlaifer, Michael Heimler
BEST STUDIO FILM
Hamnet – Producers: Liza Marshall, Pippa Harris, Nicolas Gonda, Sam Mendes, Steven Spielberg
Marty Supreme – Producers: Eli Bush, Ronald Bronstein, Josh Safdie, Anthony Katagas, Timothée Chalamet
One Battle After Another – Producers: Adam Somner, Sara Murphy, Paul Thomas Anderson
Sinners – Producers: Zinzi Coogler, Sev Ohanian, Ryan Coogler
28 Years Later – Producers: Andrew Macdonald, Peter Rice, Bernie Bellew, Danny Boyle, Alex Garland
BEST INTERNATIONAL FILM
It Was Just an Accident – Producers: Jafar Panahi, Philippe Martin
No Other Choice – Producers: Park Chan-wook, Back Jisun, Michèle Ray-Gavras, Alexandre Gavras
The Secret Agent – Producers: Emilie Lesclaux, Kleber Mendonça Filho
Sentimental Value – Producers: Maria Ekerhovd, Andrea Berentsen Ottmar
Sirât – Producers: Domingo Corral, Oliver Laxe, Xavi Font, Pedro Almodóvar, Agustín Almodóvar, Esther García, Oriol Maymó, Mani Mortazavi, Andrea Queralt
BEST DOCUMENTARY
John Candy: I Like Me – Producers: Colin Hanks, Johnny Pariseau, George Dewey, Shane Reid, Ryan Reynolds, Sean Stuart, Glen Zipper
Orwell: 2 + 2 = 5 – Producers: Raoul Peck, Alex Gibney, George Chignell, Nick Shumaker
The Perfect Neighbor – Producers: Alisa Payne, Geeta Gandbhir, Nikon Kwantu, Sam Bisbee
Secret Mall Apartment – Producers: Jeremy Workman, Jesse Eisenberg
Zodiac Killer Project – Producers: Charlie Shackleton, Anthony Ing, Catherine Bray
BEST ANIMATED FILM
Elio – Producers: Madeline Sharafian, Domee Shi, Adrian Molina, Mary Alice Drumm
KPop Demon Hunters – Producers: Maggie Kang, Chris Applehans, Michelle Wong
Looney Tunes: The Day the Earth Blew Up – Producers: Peter Browngardt, Sam Register, Alex Kirwan
Predator: Killer of Killers – Producers: John Davis, Dan Trachtenberg, Marc Toberoff, Ben Rosenblatt
Zootopia 2 – Producers: Jared Bush, Byron Howard, Yvett Merino
BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Jafar Panahi – It Was Just an Accident
Chloé Zhao – Hamnet
BEST ORIGINAL SCREENPLAY
Eddington – Ari Aster
Marty Supreme – Ronald Bronstein, Josh Safdie
Sinners – Ryan Coogler
Sorry, Baby – Eva Victor
Weapons – Zach Cregger
BEST ADAPTED SCREENPLAY
Bugonia – Will Tracy
Frankenstein – Guillermo del Toro
Hamnet – Chloé Zhao, Maggie O’Farrell
One Battle After Another – Paul Thomas Anderson
28 Years Later – Alex Garland
BEST ACTOR
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia
BEST ACTRESS
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia
Eva Victor – Sorry, Baby
BEST SUPPORTING ACTOR
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value
BEST SUPPORTING ACTRESS
Odessa A’zion – Marty Supreme
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Hailee Steinfeld – Sinners
Teyana Taylor – One Battle After Another
BEST ENSEMBLE (Casting Director Award)
Black Bag – Carmen Cuba
It Was Just an Accident – Jafar Panahi
Marty Supreme – Jennifer Venditti
One Battle After Another – Cassandra Kulukundis
Sinners – Francine Maisler
BREAKOUT PERFORMER
Odessa A’zion
Miles Caton
Indy the Dog
Chase Infiniti
Jacobi Jupe
BREAKOUT BEHIND-THE-SCENES
Clint Bentley
Harris Dickinson
Scarlett Johansson
James Sweeney
Eva Victor
SIGHT UNSEEN PERFORMANCE
Jason Bateman – Zootopia 2
Oona Chaplin – Avatar: Fire and Ash
Nick Offerman – The Life of Chuck
Will Patton – Train Dreams
Alan Tudyk – Superman
BEST CINEMATOGRAPHY
F1 – Claudio Miranda
Frankenstein – Dan Laustsen
One Battle After Another – Michael Bauman
Sinners – Autumn Durald Arkapaw
Train Dreams – Adolpho Veloso
BEST PRODUCTION DESIGN
The Fantastic Four: First Steps – Kasra Farahani, Jille Azis
Frankenstein – Tamara Deverell
Sinners – Hannah Beachler, Monique Champagne
28 Years Later – Carson McColl, Gareth Pugh
Wicked: For Good – Nathan Crowley, Lee Sandales
BEST EDITING
F1 – Stephen Mirrione
Marty Supreme – Ronald Bronstein, Josh Safdie
One Battle After Another – Andy Jurgensen
Sinners – Michael P. Shawver
Weapons – Joe Murphy
BEST COSTUME DESIGN
The Fantastic Four: First Steps – Alexandra Byrne
Frankenstein – Kate Hawley
Hedda – Lindsay Pugh
Sinners – Ruth E. Carter
Wicked: For Good – Paul Tazewell
BEST MAKEUP
Frankenstein – Mike Hill, Jordan Samuel, Cliona Furey
Sinners – Mike Fontaine, Ken Diaz, Shunika Terry
The Smashing Machine – Kazu Hiro, Felix Fox, Mia Neal
28 Years Later – Flora Moody, John Nolan
Weapons – Leo Satkovich, Melizah Wheat, Jason Collins
BEST VISUAL EFFECTS
Avatar: Fire and Ash – Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett
F1 – Ryan Tudhope, Keith Alfred Dawson, Nicholas Chevallier, Robert Harrington
Frankenstein – Dennis Berardi
Sinners – Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean
Superman – Stephane Ceretti, Enrico Damm, Stephane Naze, Guy Williams
BEST STUNTS
Ballerina – Jackson Spidell, Stephen Dunlevy
F1 – Gary Powell, Luciano Bacheta
Mission: Impossible – The Final Reckoning – Wade Eastwood
One Battle After Another – Brian Machleit
Superman – Wayne Dalglish
BEST SOUND
Avatar: Fire and Ash – Gwendolyn Yates Whittle, Brent Burge, Gary Summers, Michael Hedges, Alexis Feodoroff, Julian Howarth
F1 – Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John
Sinners – Chris Welcker, Benny Burtt, Brandon Proctor, Steve Boeddeker, Felipe Pacheco
28 Years Later – Johnnie Burn
Warfare – Mitch Low, Glenn Freemantle, Ben Barker, Howard Bargroff, Richard Spooner
BEST ORIGINAL SCORE
Frankenstein – Alexandre Desplat
Hamnet – Max Richter
Marty Supreme – Daniel Lopatin
One Battle After Another – Jonny Greenwood
Sinners – Ludwig Göransson
BEST ORIGINAL SONG
“Clothed by the Sun” – The Testament of Ann Lee (Written by Daniel Blumberg, Mona Fastvold; Performed by David Cale, Lewis Pullman, Matthew Beard)
“Golden” – KPop Demon Hunters (Written by EJAE, Mark Sonnenblick, IDO, 24, Teddy; Performed by EJAE, Audrey Nuna, Rei Ami)
“Highest 2 Lowest” – Highest 2 Lowest (Written and Performed by Aiyana-Lee)
“I Lied to You” – Sinners (Written by Raphael Saadiq, Ludwig Göransson; Performed by Miles Caton)
“Pale, Pale Moon” – Sinners (Written by Brittany Howard, Ludwig Göransson; Performed by Jayme Lawson)
THE IMPACT AWARD
Elizabeth Arnott – Programmer of “Sapphopalooza”
Tyler Michael Baletine – Programmer of “Life Within the Lens: Juneteenth Edition”
Matthew C. Hoffman – Programmer and Host at the Pickwick Theatre
Anna Pattinson – Editor-in-Chief of Cinema Femme
Michael Phillips – Former Film Critic of The Chicago Tribune
Catching Up With The Films of 2025: The Life of Chuck (dir by Mike Flanagan)
The Life of Chuck is a story told in reverse.
The world is ending and teacher Marty Anderson (Chiwetel Ejiofor) wonders why he keeps seeing signs that announce, “Charles Krantz: 39 Great Years! Thanks, Chuck!” Marty’s ex-wife (Karen Gillan) calls him and tells him that, at the hospital where she works, she and her co-workers have taken to calling themselves “the suicide squad.” It would be an effective moment if not for the fact that the film’s narration (somewhat predictably voiced by Nick Offerman) had already informed us of that fact. Everyone wonders why the world is falling apart. Why has the internet gone off-line? Why has California finally sunk into the ocean? Why are people rioting? Several characters say that it’s the end times before then adding that it’s not the same end time that the “religious fanatics” and “right-wing nuts” always talk about. Thanks for clarifying that! It’s nice to know that, at the end of the world, people will still talk like an aging Maine boomer.
Nine months earlier, a straight-laced banked named Chuck Krantz (Tom Hiddleston) comes across a busker playing her drums on a street corner and feels inspired to start dancing.
Years earlier, a young boy named Chuck Krantz is raised by his grandmother (Mia Sara) and his grandfather (Mark Hamill). Young Chuck (Jacob Tremblay) inherits a love of dance from his grandmother but, after she dies in a supermarket, his grandfather turns to drinking. His grandfather keeps one room in their house locked. (There’s even an absurdly huge lock on the door because The Life of Chuck is not a subtle one.) Eventually, Chuck discovers what is hidden away in the room and it shapes the rest of his life.
Occasionally, solid genre craftsmen will fill the need to prove that they’re actually deeper than people give them credit for. In 2020, Stephen King published a novella called The Life of Chuck. In October of 2023, director Mike Flanagan announced that he had begun filming on his adaptation of The Life of Chuck. Both King and Flanagan are better-known for their contributions to the horror gerne, though, around 2017, King apparently decided that he was also meant to be a political pundit. (No writer, with the possible exception of Joyce Carol Oates, has done more damage to their reputation by joining twitter than Stephen King.) There are elements of horror to be found in The Life of Chuck. There’s the world ending during Act One. There’s the locked rom in Act Three. There’s the terrible acting of the woman playing the drummer in Act Two. But this definitely is not a horror film. Instead, it’s King and Flanagan at their most sentimental, heartfelt, and ultimately simplistic.
It’s ultimately a bit too self-consciously quirky for its own good. Flanagan seems to be really concerned that we’ll miss the point of the film so he directs with a heavy-hand and, at times, he overexplains. Sometimes, you have to have some faith in your audience and their ability to figure out things on their own. The scenes of Chuck’s childhood are so shot through a haze of nostalgia that they feel as overly stylized as the scenes that don’t necessarily take place in our reality. For the most part, the narration could have been ditched without weakening the film. That said, the film is hardly a disaster. There are moments that work, like the joyous scene of Tom Hiddleston dancing. The film tries a bit too hard to be profound but there’s joy to be found in the performances of Hiddleston and Jacob Tremblay. Chucks seems like a nice guy.
Thanks, Chuck!
Through the Shattered Lens 