From 1980’s City of the Living Dead, directed by the amazing Lucio Fulci, comes today’s scene of the day. In this scene, it turns out that Catriona MacColl was actually not quite dead when she was buried. Can Christopher George dig her up without accidentally killing her in the process?
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Today’s director is the master of Canadian horror, the one and only David Cronenberg!
4 Shots from 4 David Cronenberg Films
The Dead Zone (1983, dir. by David Cronenberg, DP: Mark Irwin)
Videodrome (1983, dir by David Cronenberg, DP: Mark Irwin)
The Fly (1986, dir. by David Cronenberg, DP: Mark Irwin)
Dead Ringers (1988, dir by David Cronenberg, DP: Peter Suschitzky)
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be Bloodrayne, selected and hosted by Sweet Emmy Cat!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up Bloodrayne on YouTube or Tubi, start the movie at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, switch over to Twitter and Prime, start Casper, and use the #MondayMuggers hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.
Since Tor Johnson’s birthday was just 9 days ago, it only seems appropriate that today’s Horror on the Lens should be one that he starred in, 1961’s The Best Of Yucca Flats.
My friend, the writer and chef Tammy Dowden, claims that this is the worst movie ever made.
Well, technically, she may be right. The Beast of Yucca Flats is a thoroughly inept film that makes next to no sense and has massive continuity errors. It’s a film that also features the legendary Tor Johnson as a Russian scientist who gets mutated by radiation and becomes a monster, but not before taking off almost all of his clothes while walking through the desert. For that matter, it’s also a film about a family that comes together though adversity — namely, being shot at by the police after the family patriarch is somehow mistaken for Tor Johnson. And finally, it’s the story of how a dying monster can find comfort from a rabbit and that’s actually kind of a sweet message.
Here’s the thing — yes, The Beast of Yucca Flats is bad but you still owe it to yourself to watch it because you will literally never see anything else like it. Plus, maybe you’ll be able to figure out what the whole point of the opening scene is.
Because I’ve watched this film a few times and I still have no idea!
Today’s horror song of the day is the only hymn to Satan to have been nominated for an Oscar. From 1976’s The Omen, here is Ave Satani. Don’t sing along as much as you may be tempted too. We’ve all seen Hellraiser.
Composed by Jerry Goldsmith, this version of this song was performed by the Tenerife Film Orchestra and Choir.
Todays music video of the latest from Raven Numan. Raven is the daughter of Gary Numan of Cars fame but she’s also a talented singer and performer in her own right.
This song is about obsession. It may start like your typical pop love song but listen to the lyrics and …. yikes!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989! The series can be streamed on YouTube!
With the school year coming to an end, prejudice raises its ugly head.
Episode 3.14 “Black & White”
(Dir by John Bertram, originally aired on March 5th, 1989)
The school year is nearly over. While Bart and Scooter take pictures for the yearbook, the other students prepare for the big graduation dance. BLT asks Michelle to be his date to the dance and Michelle says yes. I have to admit that I was a bit surprised that BLT and Michelle weren’t already dating at the start of this episode. Nearly every time that we’ve seen Michelle over the course of the third season, BLT has been right there with her.
Alexa says that it’s great the Michelle is going to the dance with BLT because BLT is a great dancer. “That goes without saying,” Alexa says. After an appropriately awkward silence, Alexa adds, “Because he’s black.” Okay, Alexa, thanks for sharing…. Alexa goes on to say that her parents would never allow her to date a black person because they hate anyone who isn’t Greek. That must make their lives in Toronto very interesting….
Unfortunately, it turns out that Alexa isn’t the only student with prejudiced parents. Michelle’s mother takes one look at BLT and suddenly decides that Michelle is too young to start dating. After Michelle tells BLT the news, BLT suggests that Michelle’s mom doesn’t want her to date him because he’s black. When Michelle finally works up the courage to ask her mom if BLT is correct, her mom replies that she’s not racist at all. Instead, she’s so progressive that she understands how racist everyone else is and therefore, she has a unique understanding of how difficult it would be if Michelle ended up marrying someone who wasn’t white….
AGCK! It’s like a Canadian version of the “I would have voted for Obama a third time,” line from Get Out.
Finally, Michelle works up the courage to go with BLT to the dance anyway, regardless of what her parents may think.
Meanwhile, Spike tries to get a part-time job at a deli. The owner takes one look at her hair and then claims that Spike was late to the job interview and is therefore unhirable. “That’s prejudice,” Liz says as they walk away from the deli. And it is but it’s really not the equivalent of what BLT is dealing with. Sorry, Degrassi.
For the most part, this was an effective episode. It starts out with a jarring scene in which another students bumps into BLT and uses the “n-word.” BLT and the racist student get into a fist fight, which is broken up by an assistant principal. BLT is told that he’ll be suspended if there’s another fight but, as he explains to Snake and Wheels, there’s no way he’s going to back down if he sees the student again.
“Can’t you just ignore it?” Snake asks.
“You’re not the one being called a….” BLT says, uttering the slur.
It’s an honest scene and not one that most teen shows would have the guts to include. Hearing the word used so casually in 2024 is jarring. For American audiences, it’s sometimes good to be reminded that racism is not something that is unique to only one region of our country. It’s a worldwide thing and often those who are the quickest to brag about their tolerance are actually the most prejudiced people around.
Halloween is next week! Unfortunately, this week, I had to deal with some non-TSL related stuff so I don’t get to do as much Horrorthon stuff as I wanted to. Fortunately, we’ve still got four more days to go and I believe in finishing strong!
Highlights for this week: I saw Creature From The Black Lagoon, in 3-D, at the Alamo Drafthouse! I introduced the Monday Action Movie crowd to Zombi 4. I watched Kill, Baby, Kill for Friday Night Flix. And, best of all, I hosted the Scary Social double feature on Saturday! It was a lot of fun. I love my friends in the film and horror community!
Here’s what I watched, read, and listened to this week!
Hey, remember that time in 2007 when all the students at Toronto’s Degrassi Community School were turned into zombies? This 10 minute film takes a non-canonical look at what would happen to everyone’s favorite Canadian high school if there was a zombie apocalypse!
(By the way, I know what you’re thinking but this was actually made in 2007, long before the premiere of The Walking Dead.)
When an American couple rents a home in London, Esther (Lois Maxwell, the future Mrs. Moneypenny) swears she can hear a baby crying. Eventually, she tracks the crying down to an upstairs room. In that room, however, she finds not just a child but also a portal into the past.