Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)
Dario Argento not only produced and edited the European cut for 1978’s Dawn of the Dead, he also introduced George Romero to Goblin. The Italian band, famous for their horror movie soundtracks, provided the classic score to Dawn of the Dead.
(Admittedly, the score is is used far more prominently in Argento’s cut of the film than in Romero’s.)
For today’s horror song of the day, here is Goblin’s Main Theme From Dawn of the Dead.
Happy Halloween Eve! It’s time for another edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!
Here are 6 trailers for the Thursday before Halloween!
I swear, there are some people out there who really, really love this movie. And good for them! Love is what makes the world go round. Personally, I’ve never watched it but it seems like everyday, someone on twitter makes a comment about the wolfman having nards.
2. Trick ‘R’ Treat (2007)
This is another movie that people around me seem to love. Strangely, I haven’t seen it, though the trailer seems to suggest that it’s something that I would enjoy. So, consider this my promise to you — next year, I will review Trick ‘R’ Treat for horrorthon!
3. Trick or Treat (1986)
“Rock and roll will never die!” And neither will Halloween.
However, make no mistake about it …. horror is not just a Halloween thing. It can infect any holiday….
4. New Year’s Evil (1980)
From director Garry Marshall comes an all-star film about the moments that make us who we are and the one night when everyone is celebrating…. oh wait. Sorry, wrong movie. This is actually a Canadian film that featured a killer who commits a murder in every time zone at the stroke of midnight. I’m not sure why anyone would think that was a viable plan but it was the 80s and cocaine was everywhere.
So, to make clear …. Garry Marshall was in no way involved with this film.
5. Slaughterhouse Rock (1988)
New Year’s Evil was not the only slasher film to feature a soundtrack of rockin’ 80s music! There was also Slaughterhouse Rock, which had a Devo soundtrack and which featured Toni Basil in a small but key supporting role!
Finally, let’s finish things off with one more horror musical spectacular.
6. Black Roses (1988)
OH MY GOD, LOOK AT THOSE DELOREANS!
Still, despite their really cool cars, this band is not a band to listen to. There’s only way you can get your band to sound as bad as the one in this movie and that’s too make a deal with the the devil! Losing your soul to sound terrible …. it’s just not worth it.
Though, admittedly, those car are pretty freaking cool….
Anyway, Happy Eve of Halloween! Enjoy these trailers and be sure to enjoy some wonderful films as well!
Here to continue to spread the Halloween spirit is Vincent Price, performing The Tell-Tale Heart. This is from 1970 and was a part of a PBS special called An Evening With Edgar Allan Poe.
It may be tempting to keep your demons but personally, I recommend going out to a field several states over, releasing them, and then running away as fast as you can. There are some thing that you just don’t need to keep with you.
Enjoy!
The 2021 film, Break Every Chain, tells the story of a cop with a problem.
Struggling with the memories of his own troubled childhood and also with the responsibilities of having a family of his own, Jonathan Hickory (Ignacyo Matynia) throws himself into his work as a member of the police force. He’s considered to be a good cop, one who is given important assignment and who can be trusted not to abuse his authority. At one point, when it appears that a drunk man is pointing a rifle at him, Jonathan is smart to realize that opening fire on the man is not the way to deal with him. Jonathan, in many ways, seems like a throwback to the days before the American police force became the militarized behemoth that it is today.
Jonathan is promoted to riding a motorcycle and it must be said that the motorcycle that he receives is pretty badass. Jonathan investigates accidents. He gives speeches about the important of not driving drunk. To the world, he’s the ideal cop. But, secretly, Jonathan is falling apart. Haunted by the things that he’s seen as a member of law enforcement, Jonathan has turned to drinking and has been neglecting his family. Soon, Jonathan is full-blown alcoholic and it’s only a matter of time before his drinking catches up to him.
Break Every Chain is a pretty simple film but it’s effective. Matynia gives a good performance as Jonathan and the film doesn’t try to force some sort of cure-all solution on the audience. Jonathan does get help for his problems and he does turn to his church for support. And, yes, it’s not all surprising when it turns out that Jonathan’s pastor is played by Dean Cain. However, the film itself is not particularly preachy, at least not by the standards of most faith-based films. It suggests that, for Jonathan, devoting himself to religion gives him another way to deal with life that doesn’t involve getting drunk and neglecting his family. The movie isn’t incorrect about that. Regardless of whether one agrees with Jonathan’s religious beliefs or not, he is correct to believe that the human mind needs something else to obsess on beyond its addictions.
I should admit that films about addiction, especially alcoholism, always tend to effect me more than other social problem films. My family tree has its share of drinkers, some of whom could handle their alcohol better than other. I know firsthand the trauma that can come from seeing a family member struggle with their addictions. One reason why I don’t drink is because I know that I have certain compulsive tendencies. I tend to channel those tendencies into watching and writing about movies and, of course, making lists. The way some people are about having that glass of wine before bed, that’s the way I am about making sure that my To-Do List for the following day has been written out and it’s ready to go. Some people are addicted to drugs. Some people are addicted to booze. I’m addicted to making out lengthy To-Do Lists. That said, there’s no greater feeling than crossing something off of your To Do List. For instance, I just crossed reviewing this film off of my list and now, I’m feeling great!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!
This week, it’s werewolf time!
Episode 2.16 “Zargtha”
(Dir by Rick Jacobson, originally aired on April 5th, 1997)
The discovery of a murdered teenage runaway on the beach leads to Mitch investigating a series of killings involving homeless teens. The police think that the murders must be the result of a wild animal, a wolf of some sort. Daimont Teague shows up to tell Mitch that he thinks the killer is a Zargtha, a type of Eastern European werewolf that has found its way to California.
Mitch declares that he’s seen a lot of things over the past few months but there’s no way that he’s going to buy into the idea of a werewolf from Eastern Europe.
Okay, let’s consider this. Over the past few months, Mitch has
That’s just some of what Mitch has seen since the start of the second season of Baywatch Nights. And yet, after all that, a werewolf is just too out there!? I know that Mitch is supposed to be a skeptic and I respect that. I’m a skeptic myself. But there’s a point where skepticism becomes stupidity. I may not believe in vampires but that’s going to quickly change if I ever meet one.
After learning that there’s a group of homeless teenagers living in abandoned building, Mitch and the head of the local shelter, Cindy (Pamela Bach-Hasselhoff), try to find and warn them before the killer reaches them. Complicating this matter is that a recent earthquake is threatening to make the building come crashing down and also, the killer is already in the building. And yes, the killer is a werewolf from Eastern Europe.
This was actually a pretty good episode. Though the werewolf makeup wasn’t that great, the creature’s ferocious growls and the relentless way that it would attack still made it far more effective than the usual Baywatch Nights monster. As well, the abandoned building turned out to be a wonderfully atmospheric and creepy location. For once, all the Dutch angles felt appropriate. This episode played out like a nightmare and I imagine, back in 1997, it was probably quite scary to watch with the lights out and maybe a storm raging outside.
Pamela Bach-Hasselhoff was married to David Hasselhoff when this episode was filmed. That may explain why Ryan is barely in this episode and, for the first time in a long time, there’s no scenes of Ryan and Mitch flirting. Instead, Mitch spends this episode protecting Cindy and the kids. That’s kind of sweet. Good for the Hoff!
I have to be honest. I get the feeling that all of this film’s best moments were crammed into the trailer. The quotes insisting that this film is destined to be a “cult classic” also leave me feeling a bit skeptical. It’s very rare that any film described as being a future cult classic actually becomes one.
That said, the trailer does promise a mix of gore and comedy. If the filmmakers manage to maintain the right tone throughout the entire film, it seems like this could be fun. I do plan on watching The Invisible Raptor so I hope the film lives up to the hype of the trailer.
Here’s the trailer for The Invisible Raptor!
Today, everyone was saddened to hear about the passing of actress Teri Garr. The veteran actress and dancer, who was best-known for her comedic performances but who also showed that she could handle drama, was 79 years old.
Since this is October, it seem fitting to share two scenes from 1974’s Young Frankenstein, featuring Teri Garr as Inga.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens honors Paul Morrissey, a pioneering director who passed away yesterday at the age of 84.
Though he may not have been as well known as some of his contemporaries, Paul Morrissey was one of the godfathers of independent film. He first came to notice as a collaborator of Andy Warhol’s. Morrisey’s first films were shot at the Factory and starred the members of Warhol’s entourage. At a time when the indie film scene barely even existed, Morrissey was making boldly transgressive films and distributing them largely on his own. In fact, it could probably be argued that, if not for Paul Morrissey, the American independent film scene would never have grown into the impressive artistic and financial force that it is today.
There’s always been some debate over how much influence Warhol had over Morrissey’s films. Morrissey always said that Warhol had next to nothing to do with the films, beyond occasionally taking a producer’s or a co-director’s credit. Others have disagreed. What can be said for sure is that, even after Warhol retreated from directly involving himself in the cinematic arts, Morrissey continued to make fiercely independent films.
Paul Morrissey made films about outsiders. While other directors were telling stories about the middle and upper classes, Morrissey was making movies about junkies, prostitutes, and people simply trying to make it from one day to another. His films also frequently satirized classic Hollywood genres. In fact, his two best-known films, Flesh for Frankenstein and Blood for Dracula, not only satirized the old Universal horror films but also the Marxist-themed films being made in Europe. A devout Catholic and a political conservative, Morrissey took a particular delight in tweaking the left-wing assumptions of the counterculture. Who can forget Joe Dallesandro’s gloriously shallow revolutionary in Blood for Dracula?
Here are….
4 Shots From 4 Paul Morrissey Films
Chelsea Girls (1966, dir by Paul Morrissey and Andy Warhol)
Trash (1970, dir by Paul Morrissey)
Blood For Dracula (1974, dir by Paul Morrissey)
Mixed Blood (1984, dir by Paul Morrissey)
Oh no! Halloween might be canceled because people just aren’t scared of the old monsters! Dracula (Judd Hirsch) calls all of the classic creatures to a meeting in his castle (where they all happen to be freeloading) and give them an ultimatum. Be more scary! It turns out to be easier said than done.
This originally aired in 1979 but, for people of a certain age, it achieved a certain immortality thanks to regular airings on the Disney Channel. It’s a cute show. It might seem a little bit corny today but that’s a large part of its appeal. It’s a reminder of a more innocent time.
Warren the Werewolf, by the way, was named after Warren “Werewolves of London” Zevon.
Through the Shattered Lens 