20 Shots From David Lynch


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his birthday, we take the time to pay tribute to one of our favorite directors.  Needless to say, when it comes to David Lynch, there’s an embarrassment of riches.

Here are….

20 Shots From David Lynch

Eraserhead (1977, directed by David Lynch, DP: Frederick Elmes and Herbert Cardwell)

The Elephant Man (1980, dir by David Lynch, DP: Freddie Francis)

Dune (1984, dir by David Lynch, DP: Freddie Francis)

Blue Velvet (1986, dir by David Lynch, DP: Frederick Elmes)

Twin Peaks: The Pilot (1990, dir by David Lynch, DP: Ron Garcia)

Twin Peaks 1.3 “Zen or the Skill To Catch a Killer” (1990, dir by David Lynch, DP: Frank Byers)

Wild At Heart (1990, dir by David Lynch, DP: Frederick Elmes)

Twin Peaks 2.7 “Lonely Souls” (1990, dir by David Lynch, DP: Frank Byers)

Twin Peaks 2.22 (1991, dir by David Lynch, DP: Frank Byers)

Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)

On The Air 1.1 “The Lester Guy Show” (dir by David Lynch, DP: Ron Garcia)

Lost Highway (1997, dir by David Lynch, DP: Peter Deming)

The Straight Story (1999, dir by David Lynch, DP: Freddie Francis)

Rabbits (2002, dir by David Lynch, DP: David Lynch)

Mulholland Drive (2000, dir by David Lynch, DP: Peter Deming)

Twin Peaks: The Return Part 3 (dir by David Lynch, DP: Peter Deming)

Inland Empire (2006, dir by David Lynch, DP: David Lynch)

Twin Peaks: The Return Part 8 (2017, dir by David Lynch, DP: Peter Dening)

Twin Peaks: The Return Part 18 (2017, dir by David Lynch)

What Did Jack Do? (2017, dir by David Lynch, DP: Scott Ressler)

Film Review: Inchon (dir by Terence Young)


Inchon is an infamous film.

First released in 1982, this epic recreation of one key battles of the Korean War was an expensive film with a cast of well-known actors.  Jacqueline Bisset plays a wealthy army wife who tries to protect five South Korean children who have found themselves in the middle of the battle.  Ben Gazzara plays her husband, a major who is having an affair with the daughter of Toshiro Mifune.  David Janssen and real-life film critic Rex Reed wander through the film as journalist.  (Janssen growls like a man dealing with a serious hangover while Reed struggles to not look straight at the camera.)  Richard Roundtree plays a tough sergeant.  The great Italian actor Gabriele Ferzetti plays a Turkish officer.  And, finally, the role of legendary American general Douglas MacArthur — of “I will return” fame — is played by the very British Sir Laurence Olivier.  Olivier was apparently told that, in real life, MacArthur often sounded like the comedic actor W.C. Fields and Olivier often seems to be imitating Fields’s pinched style of speaking.  Olivier also wears almost as much makeup here as he did in his production of Othello.  MacArthur is portrayed as being almost a mystic warrior, a man who relies as much on his faith as his strategic genius to repel the communists.  (In victory, he recites The Lord’s Prayer.)  The film was directed by Terence Young, who previously brought James Bond to cinematic life.

Inchon is notorious for being a flop with both critics and audiences.  The film had a budget of $46,000,000 and reportedly made $5,000,000 at the box office before it was withdrawn.  The entirety of the budget was put up by the Unification Church, which is an organization that many people consider to be a cult.  (I like neither communists nor cultists so this film left me with no one to root for.)  The film proved to be such a flop at the box office that it has never been released on home video.  It did, however, air on television a few times and, in recent years, the television cut has been posted to YouTube.  That’s how I saw Inchon.

I watched Inchon because I’ve frequently seen it referred to as being one of the worst films ever made.  Watching the film, I have to say that I think the “worst film” label is a bit extreme.  For the most part, it’s just an extremely uneven and often rather boring film, one that mixed scenes of surprisingly brutal combat with dialogue-heavy scenes that just seem to drag on forever.  It’s a film that belongs as much in the disaster genre as the war genre as the film is full of rather shallowly-written characters who all have their own individual dramas to deal with.  Will Jacqueline Bisset save the children?  Who will sacrifice their lives to defeat the communists? Will Ben Gazzara, who often seems to be the sole member of the cast who is at least tying to give a credible performance, choose his wife or his mistress?  The film ultimately feels like a compressed miniseries.  Everyone has a story but hardly anyone makes an impression.

That said, Laurence Olivier’s performance as Douglas MacArthur …. agck!  Seriously, it’s hard to know where to even begin when it comes to talking about just how miscast Olivier is as the quintessential all-American general.  It’s been said that it takes a truly great actor to give a truly bad performance and Olivier certainly proves that to be true in this film.  Obviously frail and trying to sound like W.C. Fields, Olivier’s MacArthur is a general who would inspire zero confidence.  The film doesn’t help by portraying MacArthur as being an almost holy figure, one who is often framed to look like almost an angel descending from Heaven to lead the battle against America’s enemies.  The film is full of scenes of people discussing MacArthur’s genius just to be followed by a scene of Olivier looking old, tired, and rather grumpy.  There were a few times when I thought I could see Olivier’s hair dye running down the side of his face.  It may have been my imagination or just the graininess of the upload on YouTube but, given the quality of the film, I can’t really dismiss the possibility that it happened and no one felt like doing a second take.

As I said, Inchon can be found on YouTube.  It’s not the worst film ever made but that doesn’t mean it’s a good one.

Music Video of the Day: The Answers To The Questions by Chrystabell & David Lynch (2024, dir by David Lynch)


When Twin Peaks: The Return initially aired, Agent Tamara Preston was the character to whom I instantly related, for all sorts of reasons.  One of those reasons, of course, is that Agent Preston is the one who got to do all the research and write the book on life in Twin Peaks.  Another reason is because Agent Preston was both a competent professional and a self-amused femme fatale.  And finally, Agent Preston’s relationship with Gordon Cole reminded me of some of my most valued relationships.  Agent Preston was just one of the many pieces to the puzzle that was Twin Peaks: The Return but she was the one who I felt was standing in for me.

This wonderfully enigmatic music video would turn out to be one of David Lynch’s final short films.  Both the video and the song were made in collaboration with Crystabell, the Texan whose collaboration with Lynch began in 1999 and who, of course, played Agent Preston.

Enjoy!

 

Late Night Retro Television Review: Degrassi High 1.8 “Little White Lies”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube!

This week, it’s time for another party!

Episode 1.8 “Little White Lies”

(Dir by John Bertram, originally aired on December 19th, 1989)

There’s yet another party being held and Diana (Chrisa Erodotu) desperately wants to attend!

Who?

Diana has been on the show for a while but this is the first episode to feature her at the center of a story.  She’s a friend of Kathleen’s and she wears glasses and …. well, that’s pretty much all we’ve learned about her in the past.  In this episode, it’s revealed that she’s Greek, her parents are dead, and she lives with her overprotective brother (Nick Stamiris).  Her brother doesn’t want Diana to go to a party.  In fact, when he catches her smoking, he throws a fit and he ground her.  He may seem a bit harsh but I had some sympathy for the character.  He’s barely an adult himself but he has to keep an eye on and take care of Diana.  I think he’s being too overprotective but I get where his mind is at.

Diana, however, decides to sneak out of the house and go the party on her own.  She has a crush on Yick and he might be there!  When she arrives, she has a drink and sits on the couch while holding a bottle of alcohol.  How could this go wrong …. oh wait, who just walked into the party and spotted Diana sitting there with the alcohol?  It’s her brother!  Diana gets dragged home and has a big fight with her brother.

Poor Diana!  That said, this is something that happened to a lot of Degrassi students over the course of the series, most of whom I felt I knew a lot better than Diana.  Diana’s just kind of been a nonentity up until this episode so it’s hard for me to get worked up, one way or another, over her situation.  It doesn’t help that Diana continually compares herself and her friends to The Outsiders and yes, I do mean the book about the juvenile delinquents in Oklahoma.  Degrassi High deserves some credit for giving the less-cool students just as much attention as Joey, Caitlin, and the main stars but the whole Outsiders is just a bridge too far for me.

Speaking of Joey, he, Snake, and Wheels decide to go a strip club!  It doesn’t work out, even with the use of fake IDs.  First off, when they arrive at the club, they discover that two of the fake IDs have Joey’s name on them.  Joey is sure the bouncer won’t notice.  Then, they discover that they’ll only have enough money to pay the cover charge if they pool all their money together.  Unfortunately, since they’ll also have to order drinks inside the club, they still only have enough money for two of them to go in.  Snake and Wheels head in to the club, deserting their friend Joey.  A prostitute approaches Joey and asks if he would like to have a good time but the clueless Joey says that he has to get home.  Meanwhile, Snake and Wheels pay $8 for two Cokes and are then kicked out when they say they can’t afford anything else.  Who would have guessed life in Canada could be so difficult!

This episode felt a bit too familiar for its own good.  Diana’s story is one that we’ve seen dozens of times on Degrassi.  And Snake, Joey, and Wheels are always doing something stupid and getting kicked out of places.  This episode wasn’t bad but it wasn’t particularly memorable either.

Lisa Marie’s Week In Review: 1/13/25 — 1/19/25


Rest in Peace, David Lynch.

Twin Peaks The Return Part Three (2017, dir by David Lynch)

Movies I Watched:

  1. Alone in Venice (2025)
  2. Amazing Racer (2009)
  3. The Bishop’s Wife (1947)
  4. Call To Danger (1973)
  5. Class of 1984 (1982)
  6. Dark Star (1974)
  7. Dead Before They Wake (2025)
  8. Excalibur (1981)
  9. Here Comes Mr. Jordan (1941)
  10. Inchon (1981)
  11. Laws of Man (2025)
  12. Mortuary (1983)
  13. The Murders in the Rue Morgue (1986)
  14. Nemesis (1992)
  15. Priceless (2016)
  16. Reagan (2024)
  17. Starman (1984)
  18. Straight To Hell (1947)
  19. Trading Places (1983)
  20. Wanted: Dead or Alive (1987)
  21. What Did Jack Do? (2017)

Television Shows I Watched:

  1. Abbott Elementary
  2. Check It Out
  3. CHiPs
  4. Dark
  5. Degrassi High
  6. Fantasy Island
  7. Friday the 13th: The Series
  8. Girls Gone Wild: The Untold Story
  9. Hell’s Kitchen
  10. Highway to Heaven
  11. Homicide: Life on the Street
  12. Kitchen Nightmares
  13. The Love Boat
  14. Malibu CA
  15. Miami Vice
  16. Monsters
  17. Pacific Blue
  18. Special Force: World’s Toughest Test
  19. St. Elsewhere
  20. The Starlet
  21. Welcome Back, Kotter
  22. Who Wants To Marry A Multi-Millionaire

Music To Which I Listened:

  1. Adi Ulmansky
  2. Angelo Badalamenti
  3. Ashlee Simpson
  4. The Chemical Brothers
  5. Chromatics
  6. Chrysta Bell
  7. David Lynch
  8. Goblin
  9. The Hospital
  10. Jessica Simpson
  11. John Carpenter
  12. Julee Cruise
  13. Lindsey Stirling
  14. Primitive Radio Gods
  15. Rialto
  16. Saint Motel
  17. Skrillex
  18. Tiesto
  19. The Ting Tings
  20. TTSSFU
  21. X

Live Tweets:

  1. Nemesis
  2. Wanted: Dead or Alive
  3. Class of 1984
  4. Mortuary

News From Last Week:

  1. Visionary Director David Lynch Has Passed Away
  2. Actress Joan Plowright Dies
  3. Actor Bob Uecker Dies
  4. Director Jeannot Szwarc Dies
  5. Comedian Tony Slattery Dies After A Heart Attack
  6. The TikTok Ban Is Off Again

Links From Last Week:

  1. Tater’s Week in Review 1/17/25
  2. The Serenity Of Malibu Waves…A Peaceful Oasis Destroyed…How You Can Help…
  3. “Live Wire”

Links From The Site:

  1. Arleigh reviewed Monster and Van Helsing!  He shared an AMV of the Day and two songs of the day, from Joe Satriani and The HU.  He shared a scene from Mr. Inbetween and paid tribute to Assassin films!  He shared the trailer for Daredevil: Born Again!
  2. Brad reviewed Voyage, The Untouchables, Vampires, Sling Blade, Shane, Conviction, and Enough!  He shared a scene from Ace Ventura and paid tribute to David LynchHe wrote about Charles Bronson: The Musical.
  3. Erin reviewed Hitting For The Cycle and paid tribute to Bob Uecker!  She shared the covers of Real Men and Mural of Martin Luther King, Jr., Master Detective, Gang Mistress, Amazing Detective Tales, Women Without Men, Gretta, and Ginger!
  4. Jeff reviewed 48 Hours, Beverly Hills Cop, Trading Places, Memoirs of an Invisible Man, Cops and Robbersons, Excalibur, and Phantom Punch!  He reviewed a game and shared great moments in television and comic book history!
  5. I shared music videos from TTSSFU, Rialto, Skrillex, The Hospital, Tiesto, X, and Chrystabell!
  6. I shared songs of the day from The Chemical Brothers, The Supremes, Angelo Badalamenti, Jessica Simpson, and Janis Joplin!
  7. I shared my week in television!  I also reviewed Degrassi High!
  8. I paid tribute to John McNaughton, 1963, John Carpenter, bootleggers, John Boorman, and Edgar Allan Poe!
  9. I shared scenes from Airplane!, Earthquake, They Live, Deliverance, and Tales and Tellers!
  10. I reviewed When it Rains In LA, Gravity, Alone in Venice, Alice Adams, Laws of Man, Mississippi Burning, Dead Before They Wake, The Elephant Man, Dark Star, Starman, The Man, Here Comes Mr. Jordan, Notorious, The Bishop’s Wife, Eraserhead, and Nomadland!

Click here for last week!

Lisa Marie Reviews An Oscar Winner: Nomadland (dir by Chloe Zhao)


In 2020’s Nomadland, Frances McDormand stars as Fern.

Fern had a job working in an U.S. Gypsum plant in Nevada but, after years of steady employment, she’s laid off.  Recently widowed and struggling to pay the bills, Fern sells almost everything that she owns and moves into a van.  She travels across the country, taking work where she can find it and hanging out at other camps with self-styled “nomads.”  She meets Bob Wells, the real-life guru of the van-dwelling, nomad lifestyle.  She forms cautious friendships with other people who have decided to spend their lives in their vans, traveling from one location to another.  Some of them are people who have fallen on hard times.  Some of them are just people who don’t want to be tied down.  One thing that becomes clear about Fern is that, while she’s a kind and caring soul, she’s also not one to allow people to get too close to her.  She values her independence.

The film becomes a portrait of people who have been largely forgotten by conventional society but who have created a society of their own.  (Fern may occasionally work at an Amazon warehouse but one gets the feeling that she would never order anything from there herself.)  The film centers on Frances McDormand’s performance as Fern but most of the people that she meets are played by actual nomads.  Director Chloe Zhao directs in documentary fashion, emphasizing the natural beauty of America and the lined but strong faces of people who are determined to live life their own way.

Nomadland can seem like a curious best picture winner.  It’s almost plotless and, at time, the film itself can seem a bit heavy-handed in its portrayal of the nomad lifestyle.  (I value my independence but I doubt that I could handle living in a van.  And, even if I could handle it, I wouldn’t want to.)  Even though it’s only been a few years since Nomadland won its Oscar, it sometimes seems as if it’s become one of the forgotten Best Picture winners.  Some of that is because Nomadland won during the COVID pandemic, at a time when the release a lot of the films that were expected to be big Oscar contenders (like West Side Story and Top Gun: Maverick) were moved back so they could be released in theaters.  While Nomadland did get a limited theatrical release, most people who watched it did so on Hulu.  The 2020 Best Picture nominees were films that probably would not have been nominated in a different year and Nomadland, with its cinema verité style, is far more lowkey than the typical dramatic Oscar winner.  Fairly or not, the film’s reputation has also suffered due to the failure of director Chloe Zhao’s The Eternals.  Nomadland is perhaps now best known as being a part of a cautionary tale about what happens when a director makes an acclaimed film and then gets hired to do a Marvel movie.

(You have to feel bad for Chloe Zhao, who was the second woman to win the Oscar for Best Director but who was given the award as a part of perhaps the worst ceremony in the history of the Oscars.  So determined were the producers to end on the triumphant note of Chadwick Boseman receiving a posthumous Oscar that both Zhao and Nomadland‘s victories were treated as distractions.  And then, of course, Boseman didn’t even win the Oscar.  It was an awkward night all around.)

That said, I can understand why Nomadland was embraced when it was released.  It came out at a time when people were not only scared of getting COVID but also having to deal with the government’s heavy-handed approach to dealing with the pandemic.  Living off the grid and away from society was something that looked very attractive to a lot of people back then.  Future film students may be confused as to why Nomadland was so honored but it was definitely a film of its time.  People forget (or willfully choose to ignore) how crazy things felt during the pandemic.  When Fran told the world to leave her alone, she spoke for many.

 

Retro Television Review: Homicide: Life On The Street 2.4 “A Many Splendored Thing”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, season 2 of Homicide comes to a close with an episode directed by John McNaughton, of Henry: Portrait of A Serial Killer fame.

Episode 2.4 “A Many Splendored Thing”

(Dir by John McNaughton, originally aired on January 27th, 1994)

The second season finale of Homicide opens with Bolander in a good mood and Munch feeling that life is pretty much pointless.  It’s a reversal from what we’ve seen over the last few episodes of Homicide and, as annoyed as I got with all the storylines about Bolander’s private life, I was still happy to see Bolander happy in this episode.  As an actor, Ned Beatty’s performance is a lot interesting when Bolander is looking forward to the future.  By that same token, Richard Belzer always seemed to be trying to hard whenever it came to playing Munch’s happiness.  Belzer was born to play a cynic and, in this episode, he delivers his lines with a bitterness that is both funny and authentic.

Bolander is dating Linda and I have to admit that, despite my initial weariness, I really like Ned Beatty and Julianna Margulies as a couple.  Bolander and Linda go on a double date with Kay and Danvers.  Awwww, two couples in love and having dinner together!  How sweet!  Uh-oh, here comes Munch….

While Munch is ruining Bolander’s date, Bayliss is getting in touch with his own dark side.  An investigation into the S&M-related death of a young woman leads to Bayliss and Pembleton arresting a man who killed her during rough (but consensual) sex.  Bayliss and Pembleton spend their investigation in Baltimore’s red light district.  Bayliss claims to be disgusted by the whole scene, leading to Pembleton calling him out for being judgmental.  Pembleton tells Bayliss that he can’t be a good detective unless he’s really in touch with every aspect of his existence.  After the murder is solved, the woman’s co-worker, Tanya, gives Bayliss the gift of a leather jacket.  Tanya is played, in a very good performance, by the actress Adrienne Shelley.  Tragically, Shelley herself would, 12 years later, be murdered in her New York apartment.  And while it’s tempting to write about the irony of Shelley appearing on a show like Homicide, I’d rather recommend that everyone see Waitress instead.  It was the second feature film that Shelley directed and it is very good.

Finally, Lewis investigates a man who committed murder because he felt someone had taken his favorite pen.  Lewis searches for a deeper motive but in the end, it really was all about a pen.  Lewis, I’ve noticed, always seems to get the cases that show just how random life and death can truly be.

The second season of Homicide ends with Lewis giving Felton a pen, Bayliss putting on his new leather jacket and walking the streets of Baltimore, and Munch, Bolander, and Linda watching fireworks explode over the harbor.  It’s a good way to end a season.  As dark as the show was (and as dark as this particular episode was), the season ends on a note of hope.  There is happiness out there for those willing to look for it.

 

 

Film Review: Eraserhead (dir by David Lynch)


Jack Nance in David Lynch’s Eraserhead

I’ve been thinking about Eraserhead ever since I first heard the news about David Lynch’s passing.

Filmed in harsh but beautiful black-and-white and first released in 1977 (after a production period that lasted for seven years), Eraserhead tells the story of Henry Spencer (Jack Nance), an awkward young man who has the haircut that gives the film it’s name and who wanders through the film like an alienated character in a Kafka story.  He lives in an industrial landscape and almost every scene seems to have the sound of machinery droning away in the background.  He lives in an dark apartment and it appears that there’s a woman living in a radiator who sings that, “In heaven, everything is fine,” while stomping on sperm creatures.  Occasionally, a mysterious woman in the hallway talks to him.  Henry doesn’t seem to have a job or any sort of interests.  He doesn’t really have much of a personality.  Jack Nance, who would go on to become a member of David Lynch’s regular ensemble, has a permanently dazed expression on his face.  It’s hard not to feel sorry for Henry, even if he isn’t quite sympathetic.  In Heaven, everything is fine but in Henry’s world, it’s much different.

Henry has a girlfriend named Mary X (Charlotte Stewart).  Mary lives with her parents in an apartment near the train tracks.  When Henry goes over to her place for dinner, her father shows off how he can’t feel anything in his arm.  Eating a piece of chicken becomes awkward when it appears to be alive and bleeding.  Mary seems to have some sort of seizure.  Mary’s mother informs Henry that Mary has had a mutant baby and Henry must take care of it.  The baby (represented by a grotesque puppet) has no arms or legs or, it would appear, skin.  It cries constantly, despite Henry’s attempts to care for it.  The baby is the only truly sympathetic character in the film.

Eraserhead is often described as being a film that’s difficult to understand but, by Lynch standards, it’s not that hard to figure out.  Lynch himself said that the film was fueled by his own anxiety over being a father and, throughout the film, Henry tries to take care of the baby but everything he does just makes things worse.  As is often the case with Lynch’s film, many viewers get caught up in wondering why when they should just be paying attention to what happens.  Why is the baby a mutant?  Because it is.  Why does Henry live in the middle of an industrial park?  Because he does.  Who is the scarred man who appears at the start of the film and who apparently pushes the levers that lead to Mary’s pregnancy?  Again, it’s less important who he is and more important that he’s there and now, Henry is a father despite being woefully unprepared.  Even if the viewer learned the scarred man’s identity (or if Henry even learned of his existence), it wouldn’t change Henry’s situation.  (Technically, of course, the man is Sissy Spacek’s husband and frequent Lynch collaborator, Jack Fisk.)  Eraserhead is a visually surreal film but it’s also an very emotionally honest one.  Henry may be stuck in, as Lynch once put it, a “dream of dark and disturbing things,” but his fears and his anxiety are portrayed realistically  That emotional honesty is something that would appear in all of Lynch’s work and it’s why he was one of our most important filmmakers.

Sadly, David Lynch is now gone.  So is Jack Nance.  But their work will live on forever.

Eraserhead (1977, dir by David Lynch, DP: Frederick Elmes, Herbert Cardwell)

Scenes That I Love: Vincent Price Performs The Raven


As today is the anniversary of the birth of Edgar Allan Poe, today’s scene that I love features Poe’s most famous interpreter, Vincent Price, reciting and performing The Raven.  This scene comes from a 1985 television special that was called The Teller and the Tale.