Late Night Retro Television Review: Monsters 3.20 “Werewolf of Hollywood”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, Monsters satirizes the film business.  Well, it’s about time someone did!

Episode 3.20 “Werewolf of Hollywood”

(Dir by Thomas J. Whelan, originally aired on February 10th, 1991)

Screenwriter Buzz Hunkle (Richard Belzer) has been instructed to rewrite a script that was originally written by Leo Tandoski (Shelley Berman).  Leo’s script is about a studio head who is actually a werewolf.  Buzz and his assistant Vicki (Geraldine Leer) read the script and immediately deduce that Leo is attacking executive Billy Mariner (David Leary).  At first, Buzz just assumes that the werewolf angle is a bit of heavy-handed satire but, when Leo turns up dead, Buzz comes to suspect that Billy might actually be a werewolf!  Vicki gives Buzz a gun full of what she claims are silver bullets and she sends him off to investigate.  Of course, it turns out that everyone in this show business tale has a secret or two.

This episode …. well, I liked the idea behind it.  It had potential, I’ll give it that.  And the werewolf effects were certainly effective.  Monsters was a show that almost always featured effective makeup and costuming.  That said, I have to admit that I wanted to like this episode more than I actually did.  Whenever Monsters tries to be intentionally funny, it almost always comes across as if it’s trying too hard and that was certainly the case with this episode.  As an actor, Richard Belzer was always inconsistent.  He did good work as Detective Munch.  In this episode of Monsters, he sleepwalks through the role.  I really wanted this episode to work but it just feel flat for me.

Guess what?  We’ve only got four more episodes of Monsters left!  Overall, I have enjoyed reviewing this show, even if it has been a bit uneven overall.  I’ll miss it when I’m done.

Retro Television Review: The Love Boat 6.1 and 6.2 The Italian Cruise: Venetian Love Song/Down for the Count/Arrividerci, Gopher/The Arrangement”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, season 6 begins!

Episode 6.1 and 6.2 “The Italian Cruise: Venetian Love Song/Down for the Count/Arrividerci, Gopher/The Arrangement”

(Dir by Richard Kinon, originally aired on October 2nd, 1982)

The Love Boat crew goes to Italy!

The sixth season of The Love Boat did indeed start with a cruise to Italy.  It was a special two-hour episode, shot on location at sea and in Italy!  Our crew visits Monaco, Rome, Capri, and Venice and really, that’s the main appeal of this episode.  It’s certainly not the stories, which are pretty superficial even by the standards of the Love Boat.

Ernest Borgnine and Shelley Winters play an old Italian couple who bicker through the whole cruise but who also truly love each other.  Awwww!  Ernest and Shelley were veteran actors and they both appear to be having fun devouring the scenery in their scenes.  Their cruise goes better here than it did in The Poseidon Adventure.

Meredith Baxter falls for a man (David Birney, the annoying Dr. Samuels from the first season of St. Elsewhere) who turns out to be a gigolo.  However, he abandons being a manwhore so that he can pursue a relationship with Meredith.  I understand that Baxter and Birney were married at the time.  They have absolutely zero chemistry when they’re acting opposite each other.

Marie Osmond is angry over being expected to take part in an arranged marriage.  Yeah, that is kind of messed up.  She’d rather marry the totally handsome John James.

Finally, an Italian handyman who looks just like Gopher (and who is also played by Fred Grandy) abducts the real Gopher and takes his place on the ship so that he can try to win the love of a wealthy passenger named Angelica Francini (Christopher Norris) and…. well, actually, this storyline is kind of interesting.

Actually, maybe “interesting” the wrong word.

Goofy!  That’s the word I’m looking for.

This storyline is so goofy — so damn goofy — that it’s actually kind of fun.  I mean, it’s The Love Boat.  The Love Boat should be silly.  Fred Grandy playing two characters is silly and fun.  To give credit where credit is due, Grandy did a pretty good job playing the imposter imitating Gopher.  His attempts to speak in a stereotypical American accent made me laugh.  In the end, the real Gopher makes it back to the boat.  Confronted with two Gophers, the Captain realizes that the fake Gopher is the one who has actually been doing a good job and kicks him off the boat.  He’d rather have the real, incompetent Gopher and I don’t blame him.  What’s odd is that no one’s really upset or even that surprised by the kidnapping.  I don’t think anyone even bothers to callsthe police.

Anyway, Italy is the main attraction here.  I love Italy (which I visited the summer after I graduated high school) and I loved this episode!  At one point, Marie Osmond wore a red dress that looked a lot like the one that I wore to Pompeii on that windy day when I accidentally flashed a thousand tourists.  Marie was struggling with the wind too and I was like, “I share your struggle, Marie!”

I enjoyed this cruise.  I want to go back to Italy.

Scenes I Love: The Battle of Do Long Bridge from Apocalypse Now


Composer Carmine Coppola, the father of Francis Ford Coppola, was born 115 years ago today.

Coppola composed music for almost all of his son’s films.  To me, his best work was the menacing and dream-like score that he and Francis put together for 1979’s Apocalypse Now.  Some of that score can be heard in today’s scene of the day, as Willard (Martin Sheen) and the boat approach a bridge that is built every day and destroyed every night.

Song of the Day: God Only Knows by Beach Boys


RIP, Brian Wilson.

I may not always love you
But long as there are stars above you
You never need to doubt it
I’ll make you so sure about it

God only knows what I’d be without you
If you should ever leave me
Though life would still go on believe me
The world could show nothing to me
So what good would living do me

God only knows what I’d be without you
God only knows what I’d be without you
If you should ever leave me
Well life would still go on believe me
The world could show nothing to me
So what good would living do me

God only knows what I’d be without you
God only knows what I’d be without you
God only knows
God only knows what I’d be without you
God only knows what I’d be without you
God only knows
God only knows what I’d be without you
God only knows what I’d be without you
God only knows
God only knows what I’d be without you
God only knows what I’d be without you
God only knows
God only knows what I’d be without you
God only knows what I’d be without you
God only knows
God only knows what I’d be without you
God only knows what I’d be without you
God only knows
God only knows what I’d be without you

Lyrics: Brian Wilson/Troy Asher

4 Shots From 4 Films: Special Paul Lynch Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to Canadian filmmaker, Paul Lynch!  It’s time for….

4 Shots From 4 Paul Lynch Films

Prom Night (1980, dir by Paul Lynch, DP: Robert C. New)

No Contest (1995, dir by Paul Lynch, DP: Curtis Petersen)

No Contest II (1996, dir by Paul Lynch, DP: Barry Gravelle)

The Keeper (2004, dir by Paul Lynch, DP: Curtis Petersen)

Late Night Retro Television Review: Pacific Blue 2.6 “The Enemy Within”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Okay, let’s do this again.

Episode 2.6 “The Enemy Within”

(Dir by Stephen L. Posey, originally aired on September 28th, 1996)

A group of masked men are breaking into the homes of wealthy Vietnamese immigrants and stealing their money and jewelry.  We are told that the men are specifically targeting the Vietnamese because Vietnamese people do not trust banks or the police.  I have no idea if that’s true or not.  I just know that the show insisted that this is true with a bizarre vehemence.  To be honest, I’m Irish-Italian-Spanish in descent and I don’t trust banks or the police either.  That said, I would be kind of offended if something bad happened to me and the cops responded by going, “Eh.  It’s because she’s Irish-Italian-Spanish, what can you do?”

Kelly Hu, who is not Vietnamese, plays Wendy Trang, the granddaughter of a Vietnamese couple of have been robbed.  Her grandfather does not want to talk to the police so Wendy instead talks to her grandfather and then meets with TC to tell him what her grandfather told her.  From what Wendy tells him (which I think would be considered hearsay in a court of law), TC decides that only one of the thieves is Vietnamese and that the head of the robbery crew is probably an American who served in Vietnam and who harbors resentment towards immigrants.  Seriously, he figures that out from just having one conversation.

(Actually, maybe it was Palermo who figured it out.  Once they get on their bikes and put on their helmets, Palermo and TC are pretty much indistinguishable.)

TC recruits a psychic named Leslie Quint (Ken Weiler) to handle a knife that was left behind at the scene and to pick up on whatever psychic residue has been left behind.  Chris smirks and calls the guy a fraud because, two seasons is, the writers still haven’t bothered to give Chris a personality beyond being bitchy.  The psychic not only reveals that the leader of the gang is a big white guy but he also tells Chris that she needs to go to the dentist because she has a cavity.  (Ewwww!  Brush your teeth, weirdo!)  He also tells Cory that her never-before mentioned brother is involved in some trouble.

The psychic’s right!  Peter McNamara (William Bumiller), Cory’s brother, is a corrupt narcotics cop!

Anyway, things worked out.  The bag guys were captured.  Cory realized her brother wasn’t perfect.  Chris learned a lesson about dismissing secret powers.  TC smirked in that oddly humorless way of his.  As Palermo, Rick Rossovich seemed to be begging someone to remember that he had been in both Top Gun and The Terminator before allowing himself to get sucked into the world of Pacific Blue.

Along with Kelly Hu, this episode featured Cronenberg favorite Robert A. Silverman, playing an eccentric on the beach.  It’s always nice to see Silverman!

Otherwise, this was another stupid episode.  At some point, these characters are going to have to develop personalities beyond riding bikes and getting annoyed, right?

 

Retro Television Review: Fantasy Island 6.18 “The Devil Stick/Touch and Go”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

It’s time to go back to the Island.  Smiles, everyone, smiles!

Episode 6.18 “The Devil Stick/Touch and Go”

(Dir by George McCowan, originally aired on March 19th, 1983)

I had mixed feelings about this episode.

On the one hand, we do learn a little bit about Tattoo’s past in this episode.  We discover that he lived in Paris before coming to Fantasy Island and becoming Roarke’s assistant and we learn that he may have been a taxi driver.  At one point, his life was saved by a woman named Susan Henderson (Georgia Engel).  To repay her, Tattoo arranges for Susan to come to the Island so that she can pursue her fantasy of getting concert pianist Carter Ransome (Bernie Kopell — who I love on The Love Boat but who is just plain miscast here) to fall in love with her.  Even though Roarke says it will only be for the weekend, Susan is okay with that.  Of course, things get complicated.  Roarke also asks Tattoo how he plans to pay for the fantasy.  Since when does Roarke care about money?  Seriously, after all of the free fantasies that he’s handed out!?  Give Tattoo a break, Roarke!

On the other hand, this fantasy featured Georgia Engel.  Georgia Engel was an actress who specialized in playing very nice women who rarely spoke above a whisper.  Ever since I’ve started doing these retro television reviews, I’ve watched countless episodes featuring Georgia Engel as quirky women who refuse to speak above a whisper.  At first, it didn’t bother me.  Then I watched Jennifer Slept Here, a short-lived sitcom co-starring Georgia Engel.  It was while watching Jennifer Slept Here that I found myself yelling, “SPEAK UP!” whenever Georgia Engel appeared onscreen.

I feel bad because Georgia Engel, in every role that I’ve seen her play, came across as being a genuinely kind soul but the whispering thing …. oh my God, it just annoys the Hell out of me.  And that was certainly the case with this episode.  It was nice to learn more about Tattoo’s life and I’m glad that everyone found love but I’m sick of having to strain to understand or even hear the dialogue whenever Georgia Engel guest stars on one of these shows.

The other fantasy, I liked a bit more.  Carl Peters (Dean Butler) comes to Fantasy Island to meet a woman who has loved for afar, Hallie Miller (Crystal Bernard).  It turns out that Hallie lives on a village on the other side of the Island.  Roarke warns that it’s a weird village that’s never gotten over the execution of a witch several centuries earlier.  At first, I was like, “Since when is there a town on the other side of the Island?” but then I remembered that, during the first season, there was a whole fantasy that took place in fishing village that happened to be on the Island.  Anyway, this fantasy is supernatural-themed and I always like it when Fantasy Island embraces its supernatural origins.

It was an uneven trip to the Island this week but what can I say?  I like island trips!

 

Song of the Day: Helpless in Love by Andrew Stevens


I’ve been searching YouTube for a good Andrew Stevens scene for about 90 minutes now.  Unfortunately, I haven’t been able to find the one that I’m looking for.

However, I did find this one of Andrew Stevens singing in the 70s!

Here is Andrew Stevens with our song of the day, Helpless In Love.