Song of the Day: Title Music From A Clockwork Orange by Wendy Carlos


Seeing as how today is Malcolm McDowell’s birthday, it only seems right that today’s song of the day should be one that was used in his best-known film.

The Title Music For A Clockwork Orange was, of course, adapted from Music For The Funeral of Queen Mary, composed by Henry Purcell.

 

 

Live Tweet Alert: Join #FridayNightFlix for Space Mutiny!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  SPACE MUTINY!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Space Mutiny is available on Prime and Tubi!

See you there!

4 Shots From 4 Films: Special Friday The 13th Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Admittedly, the Friday the 13th films aren’t exactly known for being the most visually impressive horror films ever made.  That’s especially true of the first 8 films, which were all shot on a low budget and in a hurry.  That said, today is Friday the 13th and there’s no way that I, as a lover of the horror genre, couldn’t use the 4 Shots format to pay a little bit of tribute to one of the most successful and influential horror franchises of all time.

So, with that in mind, here are….

4 Shots From 4 Friday the 13th Films

Friday the 13th (1980, dir by Sean S. Cunningham)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito)

Friday the 13th Part VI: Jason Lives (1986, dir by Tom McLoughlin)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden)

Back in 2012, I reviewed every single film in the Friday the 13th film franchise!  It was a lot of fun!

My Friday the 13th reviews:

Happy Friday the 13th everyone!

Scenes That I Love: The Opening Of A Clockwork Orange


Today, the Shattered Lens wishes a happy birthday to actor Malcolm McDowell.

Today’s scene that I love comes from 1971’s A Clockwork Orange, featuring McDowell as Alex.  This opening scene is famous for its music and its production design but what truly makes it work is the intensity of McDowell’s stare and the seductive menace of his half-smile.

Late Night Retro Television Review: Highway to Heaven 3.25 “The Gift of Life”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, the third season comes to a close.

Episode 3.25 “The Gift Of Life”

(Dir by Michael Landon, originally aired on May 6th,1987)

Jonathan and Mark’s new assignment finds them working as bodyguards for a businessman named Richard Benson (Leslie Nielsen).  Richard is in charge of a company that pollutes the ocean.  He owns an apartment building were people people are forced to live with rats.  He makes no apologies for being greedy.  He has Jonathan and Mark accompany him to a parking garage so he can offer someone a bribe.

Eventually, Jonathan just comes straight out and says, “I’m angel.”  Jonathan did that a lot over the course of season 3 and it always kind of bothered me.  It was as if Jonathan decided he couldn’t be bothered to maintain his cover story.  Richard doesn’t believe in angels, though he does accept the Bible that Jonathan gives him.  Jonathan instructs him to read it before going to sleep.

That night, someone shoots Richard while he’s reading his Bible.  Jonathan and Mark appear to him and give Richard a tour of all the misery that he’s caused by being greedy and selfish.  Jonathan forces Richard to look at a dead seagull.  Richard is then allowed to relive the past seven days of his life so that he can do some good and have a chance to get into heaven.

Wow, that sounds intense, right?

And I guess it would be, except for the fact that it’s now impossible to watch Leslie Nielsen without laughing.  Before everyone rushes off to comment, I am fully aware that Nielsen spent decades as a dramatic actor before emerging as a comedy superstar.  I’ve reviewed a few of his serious films here on the site.  But the fact of the matter is that Nielsen’s comedy was so built around his deadpan delivery of absurd lines that even his serious performances leave you feeling as if everything’s building up to a punchline.  That’s the case here.  Jonathan, Mark, and Richard might be talking about environmental pollution and poverty but every scene leaves you wondering when Nielsen is going to say, “And don’t call me Shirley.”

Would the episode have worked better with someone else in the role of Richard?  Yes and no.  Another actor would not have left us waiting for punch lines that were destined to never come but the episode’s script would have still been incredibly heavy-handed.  Richard Benson has just died and Jonathan and Mark immediately show up and start yelling at him.  They make it clear that they don’t care if he goes to Hell or not.  That’s not a very good attitude for an angel to have.

Fortunately, Richard gets his second chance and he manages to survive a redo of the assassination attempt.  (Fortunately, he falls asleep with his Bible over his heart.  The Bible is thick and strong enough to stop the bullet so I’m going to guess that Richard was given a Catholic Bible as opposed to a wimpy Protestant one.)  And so, Richard goes on to be a better person and I imagine his company will end up going bankrupt as a result.

That’s it for Season 3!  Season 3 had some good episodes, like Codename: Freak.  It also had the worst episode of the show so far, Ghost Rider.  Next week, we’ll start Season 4!

Retro Television Review: Malibu CA 2.14 “Retiring Dad”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

This week, Peter tries to enjoy retirement but his dumbass sons screw it all up.

Episode 2.14 “Retiring Dad”

(Dir by Gary Shimokawa, originally aired on February 5th, 2000)

This may be the worst episode of Malibu CA that I’ve ever seen and that’s saying something as every episode of this show that I watch is the worst until I watch the next one.  Most bad shows will still occasionally have a good episode.  Somehow, Malibu CA continues to get worse and worse.  I say this despite the fact that Edward Blatchford, Brandon Brooks and Priscilla Inga Taylor have consistently managed to give performance that are far better than the material.  I say this despite the fact that Trevor Merszie, in the role of Scott, is nowhere near as annoying during the second season than he was during the first.  Despite those improvements, the show continues to decline with each passing week.

It all comes down to the writing, which is uninspired even by the standards of the typical 90s teen sitcom.  Peter Engel’s shows were never known for their strong scripts but California Dreams (especially during its final season) showed that it was possible to make a good show while remaining true to Engel’s “vision” of what a teen sitcom should be.  The writing on Malibu CA just feels lazy and, for whatever reason, storylines seem to consistently focus on the two weakest members of the cast, Jason Hayes and Marquita Terry.

(I should say that, in fairness to Terry, her character usually got stuck with the worst lines in each episode and the writers never came up with much of a personality beyond, “Girl Who Complains Nonstop.”  As for Jason Hayes, he was still looking straight at the camera halfway through the second season.)

As for this episode, it features Peter finally retiring from running The Lighthouse so that he can fish and travel.  He leaves his two idiot sons in charge.  In this episode, we learn that Scott is apparently in college while Jason is still pursuing his — *snicker* — music career.  Why Peter would leave his sons in  charge (especially when you consider that, whenever he’s done so in the past, it’s always led to disaster) is a question that show never really explains.  Seriously, is there no one else that works at the restaurant?  It’s a big restaurant.  Surely, there is someone else who is capable of running the restaurant.  Considering the amount of time that Marquita Terry’s Lisa spends complaining about every little decision that Peter makes, maybe she should have been put in charge.  She certainly seems more emotionally invested in the place than either Jason or Scott.

Jason and Scott’s attempt to turn the restaurant into a nightclub leads to a brawl between two customers who proceed to totally trash the place.  Again, the restaurant gets trashed in every other episode so you would think Jason and Scott would be used to this.  (You would also think that the restaurant would have gone out of business a long time ago as I can’t imagine it’s cost efficient to have to rebuild the damn place twice a month.)  Peter ends his retirement because both of his sons are idiots.  I’d feel bad for Peter but he was stupid for trusting them in the first place.

Meanwhile, Murray’s cousin — Alecia — is visiting from Alabama.  Murray is overprotective but then, at the end of the episode, Alecia sings a song and everything is magically fixed.  Alecia was played by Alecia Elliott, who was a cast member of another Peter Engel-produced sitcom, All About Us.  Elliott had just released her first country album when she appeared on Malibu CA.  I have to admit that I did laugh out loud when, from out of nowhere, she suddenly started singing.  Of course, her song took up the last four minutes of the show, which spared us from having to deal with anymore scenes involving the restaurant.  That was a good thing.

There’s only a handful of episodes left.  Soon, I will never have to write or think about this show again.

4 Shots From 4 Films: Special 1950 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a classic year in film.  It’s time for….

4 Shots From 4 1950 Films

Orpheus (1950, dir by Jean Cocteau, DP: Nicolas Hayer)

Sunset Boulevard (1950, dir by Billy Wilder, DP; John F. Seitz)

All About Eve (1950, dir by Joseph L. Mankiewicz, DP: Milton R. Krassner)

In A Lonely Place (1950, dir by Nicholas Ray, DP: Burnett Guffey)