Late Night Retro Television Review: CHiPs 3.21 “Thrill Show”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week’s episode is all about the thrills!

Episode 3.21 “Thrill Show”

(Dir by Gordon Hessler, originally aired on February 23rd, 1980)

Bonnie (Randi Oakes) has a decision to make.  Her ex-boyfriend and mentor, Ray (John McCook, of Bold and the Beautiful fame) has come to Los Angeles and is trying to convince her to quit the force and join him as a member of the Joie Chitwood Thrill Show!

The what?

I have to admit that I had no idea what the Joie Chitwood Thrill Show was but all of the police officers were really excited about it and the episode’s storylines all came to a halt for ten minutes so we could have an extended sequences of drivers doing stunts.  I assumed that the Joie Chitwood Thrill Show was a real thing and a quick check with Wikipedia confirmed that I was correct.  (In fact, Chitwood played Charlie, James Bond’s unfortunate driver in Live and Let Die.)

While Bonnie struggles with her future, Baker and Ponch pursue the members of a rock band who have been robbing tourist buses so that they can raise the money to record their first album.  Hell yeah, that’s taking control of your future!  The leader of the band was named Malcolm and he was played by Paul Nicholas, who also played Peter Frampton’s brother in Sgt. Pepper’s Lonely Hearts Club Band.  Whatever else you may think of that film, Nicholas’s performance of You Never Give Me Your Money was nicely done.

This episode seemed to primarily exist to advertise the Chitwood show but, as I’ve stated before, I’ve always liked fast cars and dramatic stunts.  What can I say?  I’m a Southern girl, it’s in my blood.  The idea of a band robbing tourists to pay for its album was actually kind of interesting, even if the episode didn’t really do much with it.  Paul Nicholas was a bit more charismatic than the typical CHiPs co-star.

In other words, this episode …. hey, it was okay!

Retro Television Review: Miami Vice 4.6 “God’s Work”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

After a two-week hiatus, the retro television reviews are back!  Let’s start with Miami Vice.

Episode 4.6 “God’s Work”

(Dir by Jan Eliasberg, originally aired on November 6th, 1987)

Father Ernesto Lupe (Daniel Lugo), an old friend of Castillo’s, runs an AIDS hospice in Miami.  When Father Ernesto is shot and murdered, Castillo takes a particular interest in the case.

Was Father Ernesto shot by one of the neighborhood homophobes, the same punks who spend their free time spray-painting obscene graffiti on the front doors of the hospice?

Was Father Ernesto’s death connected to his brother-in-law, notorious drug lord Jorge Cruz (Alfonso Arau)?  The Vice Squad has been investigating the Cruz family.  Francesco (Franceso Quinn) is the brutish son, the one who enjoys throwing his weight around and who goes out of his way to bully everyone that he meets.  Felipe (Esai Morales) is the young son, who has just returned from Miami after making a fortune as a stockbroker in New York.  Is Felipe looking to take over the family business?

Actually, Felipe wants nothing to do with the family business.  He’s returned to Miami because an ex-boyfriend is a patient at the AIDS hospice and Felipe wanted to spend time with him before he died.  And Father Ernesto’s death had nothing to do with drugs.  Instead, Jorge shot him because Jorge blamed Ernesto’s sermons, which stressed God’s love above all else, for being responsible for Felipe “becoming” gay.  Even after Felipe explains that the sermons had nothing to do with it and that he’s always been gay, Jorge still thinks that he can “cure” his son by making him a part of the family business.

Yikes!

There was a lot going on in this episode.  In fact, there was almost too much going on.  Between Castillo investigating Ernesto’s death and Tubbs (working undercover) trying to arrest Franceso, this episode sometimes felt a bit overstuffed.  It was still an effective episode, though, featuring good performances from Arau, Quinn, Morales, and Edward James Olmos.  Castillo actually got to laugh at one point in this episode.  I don’t think that’s ever happened before.

This episode did remind me — as I think almost every episode does — that Crockett and Tubbs undercover work has never made much sense.  Tubbs spends the majority of the first half of the episode pretending to be a criminal looking to make a deal with Francisco.  That’s fine.  It even allows Tubbs to use his fake Caribbean accent.  It’s been a while since we’ve heard that.  But then, after Father Ernesto is shot, Tubbs shows up at the crime scene with his badge.  Now, seriously, Father Ernesto is Francesco’s uncle.  Francesco is a suspect in the murder.  Why would Tubbs run the risk of blowing his cover like that?  For that matter, why was Vice investigating a homicide?

Even when Vice is good, it often doesn’t make sense.

Monday Live Tweet Alert: Join Us for Borderline!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Borderline, starring Charles Bronson!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Borderline on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

4 Shots From 4 1934 Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a classic year in film.  It’s time for….

4 Shots From 4 1934 Films

It Happened One Night (1934, dir by Frank Capra, DP: Joseph Walker)

The Scarlet Empress (1934, dir by Josef von Sternberg, DP: Bert Glennon)

The Merry Widow (1934, dir by Ernst Lubitsch, DP: Oliver T. Marsh)

The Black Cat (1934, dir by Edgar G. Ulmer, DP: John J. Mescall)

Scenes That I Love: Johnny Depp in Ed Wood


Today, the Shattered Lens wishes a happy birthday to Johnny Depp!

Today’s scene that I love comes from 1994’s Ed Wood.  In this scene, Depp plays the infamous director as he first meets his future collaborator, Vampira (played by Lisa Marie).

(What a great name!)

Scene That I Love: David Bowie Performs From Christiane F.


Today’s scene that I love is from the 1981 German film, Christiane F.  Directed by Uli Edel and based on a true story, Christiane F. is the story of a 13 year-old drug addict.  It’s a powerful film, though perhaps not one to watch if you’re dealing with any sort of severe depression.  David Bowie both composed the film’s soundtrack and appeared in the film himself.

Here, he performs Station to Station while Christiane F. watches.  The scene perfectly captures not only Christiane F.’s fascination with Bowie but also Bowie’s charisma as a performer.  The scene was shot an actual concert that David Bowie performed in Berlin, though the shots of Christiane F. and her friends watching were filmed separately.