The AAFCA Honors Selma!


Selma

And Oscar season continues!

Today, the African-American Film Critics Association named Selma as best film of 2014!  Check out the full list of winners below!

(h/t to Awards Circuit)

Best Actor – David Oyelowo, Selma (Paramount)
Best Actress – Gugu Mbatha-Raw, Belle (Fox Searchlight)
Best Supporting Actress – Octavia Spencer, Black or White (Rela.)
Best Supporting Actor – Tyler Perry, Gone Girl (Fox) /J.K. Simmons, Whiplash (SPC)
Best World Cinema – Timbuktu (Les Films du Worso)
Breakout Performance – Tessa Thompson, Dear White People (RAtt.)
Best Director – Ava Duvernay, Selma (Paramount)
Best Screenplay – Gina Prince-Bythewood, Beyond the Lights (Rela)
Best Music – John Legend/Common, “Glory” (Selma soundtrack)
Best Ensemble – Get On Up (Universal)
Best Independent Film – Dear White People (Roadside Attractions)
Best Animation – The Boxtrolls (Focus)
Best Documentary – Life Itself (Magnolia)

AAFCA Top Ten Films of 2014 are as follows in order of distinction:

1. Selma
2. The Imitation Game
3. Theory of Everything
4. Birdman
5. Belle
6. Top Five
7. Unbroken
8. Dear White People
9. Get On Up
10. Black or White

(Incidentally, I think that Tyler Perry’s performance in Gone Girl deserves to be given a lot more awards consideration than it’s been given so far.  When I first heard Perry had been cast, I was skeptical but the fact of the matter is that he gave an excellent and memorable performance.)

Tyler Perry in Gone Girl

The New York Film Critics Online Have Spoken!


Boyhood

Earlier today, the New York Film Critics Online also announced their picks for the best of 2014!  Check out the winners below:

(h/t to Award Circuit)

Best Picture — Boyhood

Best Ensemble — Birdman

Best Animated Feature Film — The LEGO Movie

Best Documentary Feature — Life Itself

Best Foreign Language Film — Two Days, One Night

Best Actor — Eddie Redmayne in The Theory of Everything

Best Actress — Marion Cotillard in Two Days, One Night

Best Director — Richard Linklater for Boyhood

Best Debut Director — Dan Gilroy for Nightcrawler

Best Use of Music In A Film — Get On Up

Best Cinematography — Birdman

Best Screenplay — Birdman

Best Supporting Actor — J.K. Simmons in Whiplash

Best Supporting Actress — Patricia Arquette in Boyhood

Breakthrough performance — Jack O’Connell in Unbroken

New York Film Critics Online Top 10

Birdman

Boyhood

Guardians of the Galaxy

Imitation Game

Most Violent Year

Mr. Turner

Selma

Theory of Everything

Under the Skin

Whiplash

The Los Angeles Film Critics Association Embrace Tom Hardy and Boyhood!


tom hardy

The Los Angeles Film Critics Association also announced their picks for the best of 2014 earlier today and, as typically seems to happen with the LAFCA, it’s an interesting list.  (Let’s not forget that last year, the LAFCA shocked everyone by naming both Her and Gravity as being the best film of 2013, along with giving James Franco a much-deserved award for Best Supporting Actor.)

This year, the LAFCA named Boyhood best picture, which wasn’t much of a shock.  Far more surprising was their pick for best actor (Tom Hardy for Locke, which I am now kicking myself for not seeing when I had the chance) and best actress (Patricia Arquette for Boyhood, a role that many of us believe will get Arquette a nomination for supporting actress as opposed to lead actress).

Here are the LAFCA winners!

(h/t to awardswatch)

Best Film
Winner: Boyhood
Runner-up: The Grand Budapest Hotel

Best Director
Winner: Richard Linklater, BOYHOOD
Runner-up: Wes Anderson, THE GRAND BUDAPEST HOTEL

Best Actor
Winner: Tom Hardy, LOCKE
Runner-up: Michael Keaton, BIRDMAN

Best Actress
Winner: Patricia Arquette, BOYHOOD
Runner-up: Julianne Moore, STILL ALICE

Best Supporting Actor
Winner: J.K. Simmons, WHIPLASH
Runner-up: Edward Norton, BIRDMAN

Best Supporting Actress
Winner: Agata Kulesza, IDA
Runner-up: Rene Russo, NIGHTCRAWLER

Best Screenplay
Winner: Wes Anderson, THE GRAND BUDAPEST HOTEL
Runner-up: BIRDMAN

Best Cinematography
Winner: Emmanuel Lubezki, BIRDMAN
Runner-up: Dick Pope, MR. TURNER

Best Production Design
Winner: Adam Stockhausen, THE GRAND BUDAPEST HOTEL
Runner-up: Ondrej Nekvasil, SNOWPIERCER

Best Editing
Winner: Sandra Adair, BOYHOOD
Runner-up: Barney Pilling, THE GRAND BUDAPEST HOTEL

Best Music Score
Winner: Jonny Greenwood, INHERENT VICE and Mica Levi, UNDER THE SKIN (tie)

Best Foreign-Language Film
Winner: IDA
Runner-up: WINTER SLEEP

Best Documentary/Non-Fiction Film
Winner: CITIZENFOUR
Runner-up: LIFE ITSELF

Best Animation
Winner: THE TALE OF PRINCESS KAGUYA
Runner-up: THE LEGO MOVIE

The Boston Online Film Critics Go Their Own Way


140624_MOV_Snow.jpg.CROP.promo-mediumlarge

The Boston Online Film Critics have announced their picks for the best of 2014!

(While I doubt that this will lead to Snowpiercer becoming a major player in the Oscar race, the Boston Online Film Critics do have excellent taste in film…)

BEST PICTURE:
SNOWPIERCER

BEST DIRECTOR:
Alejandro González Iñárritu, BIRDMAN

BEST ACTOR:
Brendan Gleeson, CALVARY

BEST ACTRESS:
Marion Cotillard, TWO DAYS ONE NIGHT

BEST SUPPORTING ACTOR:
Edward Norton, BIRDMAN

BEST SUPPORTING ACTRESS:
Tilda Swinton, SNOWPIERCER

BEST SCREENPLAY:
John Michael McDonagh, CALVARY

BEST FOREIGN LANGUAGE FILM:
TWO DAYS ONE NIGHT

BEST DOCUMENTARY:
LIFE ITSELF

BEST ANIMATED FILM:
THE LEGO MOVIE

BEST CINEMATOGRAPHY:
BIRDMAN

BEST EDITING:
James Herbert & Laura Jennings, EDGE OF TOMORROW

BEST ORIGINAL SCORE:
Mica Levi, UNDER THE SKIN

THE TEN BEST FILMS OF THE YEAR:
1. SNOWPIERCER
2. UNDER THE SKIN
3. BOYHOOD
4. ONLY LOVERS LEFT ALIVE
5. THE BABADOOK
6. TWO DAYS ONE NIGHT
7. BIRDMAN
8. CALVARY
9. INHERENT VICE
10. SELMA

Here Are The 15 Semi-Finalists For The Best Documentary Feature Oscar!


Dune

Earlier today, the Motion Picture Academy announced the 15 semi-finalists for the Academy Award for Best Documentary Feature.  These 15 movies were selected from 134 eligible documentaries.  Next month, of course, 5 final nominees will be selected from the 15 possibilities listed below.

Unfortunately, I have only seen four of the movies listed below: Art and Craft, Finding Vivian Maier, Jodorowsky’s Dune, and Life Itself.  

And they’re all more than worth making the effort to see!

Here are the 15 semi-finalists!

“Art and Craft,” Purple Parrot Films
“The Case against 8,” Day in Court
“Citizen Koch,” Elsewhere Films
“CitizenFour,” Praxis Films
“Finding Vivian Maier,” Ravine Pictures
“The Internet’s Own Boy,” Luminant Media
“Jodorowsky’s Dune,” City Film
“Keep On Keepin’ On,” Absolute Clay Productions
“The Kill Team,” f/8 filmworks
“Last Days in Vietnam,” Moxie Firecracker Films
“Life Itself,” Kartemquin Films and Film Rites
“The Overnighters,” Mile End Films West
“The Salt of the Earth,” Decia Films
“Tales of the Grim Sleeper,” Lafayette Film
“Virunga,” Grain Media

A Most Violent Year Is A Most Unexpected National Board Of Review Winner!


A Most Violent Year

The National Board of Review has spoken!  They named their picks for the best of 2014 earlier today and — to the shock of many (especially me) — they picked JC Chandor’s crime drama A Most Violent Year as the best film of the year!

I love surprises!

Now, a lot of us were expecting A Most Violent Year to be an Oscar contender, with practically everyone expecting Jessica Chastain to either be nominated for best actress or supporting actress.  (The NBR named her best supporting actress.)  But I think a lot of us were expecting to see the NBR select Boyhood, Birdman, or maybe Selma.

Also of note is that Clint Eastwood won best director for American Sniper, which appears to be coming on strong as a potential Oscar nominee as well.

(Also of note: Foxcatcher was totally ignored by the NBR.)

Here are the NBR winners!

BEST PICTURE
“A Most Violent Year”

BEST DIRECTOR
Clint Eastwood, “American Sniper”

BEST ACTOR (TIE)
Oscar Isaac, “A Most Violent Year”
Michael Keaton, “Birdman”

BEST ACTRESS
Julianne Moore, “Still Alice”

BEST SUPPORTING ACTOR
Edward Norton, “Birdman”

BEST SUPPORTING ACTRESS
Jessica Chastain, “A Most Violent Year”

BEST ORIGINAL SCREENPLAY
Phil Lord and Christopher Miller, “The Lego Movie”

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson, “Inherent Vice”

BEST ENSEMBLE
“Fury”

BEST ANIMATED FEATURE
“How to Train Your Dragon 2”

BEST FOREIGN LANGUAGE FILM 
“Wild Tales”

BEST DOCUMENTARY
“Life Itself”

SPOTLIGHT AWARD
Chris Rock for writing, directing, and starring in “Top Five”

BREAKTHROUGH PERFORMANCES
Jack O’Connell, “Starred Up” and “Unbroken”

DEBUT DIRECTOR
Gillian Robespierre, “Obvious Child”

WILLIAM K. EVERSON FILM HISTORY AWARD
Scott Eyman

FREEDOM OF EXPRESSION
“Rosewater”
“Selma”

BEST PICTURE NOMINEES (alphabetical)
“American Sniper”
“Birdman”
“Boyhood”
“Fury”
“Gone Girl”
“The Imitation Game”
“Inherent Vice”
“The Lego Movie”
“Nightcrawler”
“Unbroken”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Force Majeure”
“Gett: The Trial of Vivian Amsalem”
“Leviathan”
“Two Days One Night”
“We Are the Best!”

BEST DOCUMENTARY NOMINEES (alphabetical)
“Art and Craft”
“Jodorowsky’s Dune”
“Keep On Keepin’ On”
“The Kill Team”
“Last Days in Vietnam”

BEST INDEPENDENT FILMS (alphabetical)
“Blue Ruin”
“Locke”
“A Most Wanted Man”
“Mr. Turner”
“Obvious Child”
“The Skeleton Twins”,
“Snowpiercer”,
“Stand Clear of the Closing Doors”
“Starred Up”
“Still Alice”

Here Are The Gotham Nominations!


Under the Skin

Under the Skin

Here are the nominations for the Gotham Independent Film Awards!  It’s debatable just how reliable the Gothams are as an Oscar precursor.  For one thing, the majority of the big studio productions are not eligible for the Gothams.  However, when you’re an indie film trying to win mainstream awards, any recognition is good recognition.

As far as the nominees go, Birdman and Boyhood are already Oscar front runners.  However, the Gotham nominations will perhaps remind some people that The Grand Budapest Hotel is eligible for Oscar consideration as well.

Here are the Gotham nominations!

Best Feature

  • Birdman or (The Unexpected Virtue of Ignorance) – Alejandro G. Iñárritu, director; Alejandro G. Iñárritu, John Lesher, Arnon Milchan, James W. Skotchdopole, producers (Fox Searchlight Pictures)
  • Boyhood – Richard Linklater, director; Richard Linklater, Cathleen Sutherland, Jonathan Sehring, John Sloss, producers (IFC Films)
  • The Grand Budapest Hotel – Wes Anderson, director; Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson, producers (Fox Searchlight Pictures)
  • Love Is Strange – Ira Sachs, director; Lucas Joaquin, Jay Van Hoy, Lars Knudsen, Ira Sachs, Jayne Baron Sherman, producers (Sony Pictures Classics)
  • Under the Skin – Jonathan Glazer, director; Nick Wechsler, James Wilson, producers (A24 Films)

Best Documentary

  • Actress – Robert Greene, director; Douglas Tirola, Susan Bedusa, Robert Greene, producers (The Cinema Guild)
  • CITIZENFOUR – Laura Poitras, director; Laura Poitras, Mathilde Bonnefoy, Dirk Wilutzky, producers (RADiUS, Participant Media, and HBO Documentary Films)
  • Life Itself – Steve James, director; Zak Piper, Steve James, Garrett Basch, producers (Magnolia Pictures and CNN Films)
  • Manakamana – Stephanie Spray & Pacho Velez, directors; Lucien Castaing-Taylor, Véréna Paravel, producers (The Cinema Guild)
  • Point and Shoot – Marshall Curry, director; Marshall Curry, Elizabeth Martin, Matthew Van Dyke, producers (The Orchard and American Documentary / POV)

Bingham Ray Breakthrough Director Award

  • Ana Lily Amirpour for A Girl Walks Home Alone at Night (Kino Lorber)
  • James Ward Byrkit for Coherence (Oscilloscope Laboratories)
  • Dan Gilroy for Nightcrawler (Open Road Films)
  • Eliza Hittman for It Felt Like Love (Variance Films)
  • Justin Simien for Dear White People (Lionsgate and Roadside Attractions)

Best Actor*

  • Bill Hader in The Skeleton Twins (Lionsgate and Roadside Attractions)
  • Ethan Hawke in Boyhood (IFC Films)
  • Oscar Isaac in A Most Violent Year (A24 Films)
  • Michael Keaton in Birdman or (The Unexpected Virtue of Ignorance) (Fox Searchlight Pictures)
  • Miles Teller in Whiplash (Sony Pictures Classics)

* The 2014 Best Actor nominating panel also voted to award a special Gotham Jury Award jointly to Steve Carell, Mark Ruffalo, and Channing Tatum for their ensemble performance in Foxcatcher (Sony Pictures Classics).

Best Actress

  • Patricia Arquette in Boyhood (IFC Films)
  • Gugu Mbatha-Raw in Beyond the Lights (Relativity Media)
  • Julianne Moore in Still Alice (Sony Pictures Classics)
  • Scarlett Johansson in Under the Skin (A24 Films)
  • Mia Wasikowska in Tracks (The Weinstein Company)

Breakthrough Actor

  • Riz Ahmed in Nightcrawler (Open Road Films)
  • Macon Blair in Blue Ruin (RADiUS)
  • Ellar Coltrane in Boyhood (IFC Films)
  • Joey King in Wish I Was Here (Focus Features)
  • Jenny Slate in Obvious Child (A24 Films)
  • Tessa Thompson in Dear White People (Lionsgate and Roadside Attractions)
Boyhood

Boyhood

‘Life Itself’ Review (dir. Steve James)


Life-Itself-poster-1024x7171

“We all are born with a certain package. We are who we are: where we were born, who we were born as, how we were raised. We’re kind of stuck inside that person, and the purpose of civilization and growth is to be able to reach out and empathize a little bit with other people. And for me, the movies are like a machine that generates empathy. It lets you understand a little bit more about different hopes, aspirations, dreams and fears. It helps us to identify with the people who are sharing this journey with us.” – Roger Ebert

I’ve enjoyed film for pretty much all my life, but I didn’t truly come to appreciate and love it as an art form – as something more than simply entertainment – until my first year of college (I know, how cliché). I didn’t just come to love watching film, but (as you can obviously see as I write this) I came to love reviewing and discussing the medium with others as well. The first critic who introduced me to film criticism was Roger Ebert. His reviews were the first to really click with me. It wasn’t because I always agreed with him (because I definitely didn’t); but it was because I truly, truly admired his love of film. It was a contagious sort of love, a passion I never knew could be had for motion pictures. Following his example I too began writing about films and discussing them on forums and blogs. These discussions opened up the door really, and I charged head first, exploring the medium more deeply than I ever imagined I could.

It became a journey that I can honestly say made me the person I am today. Film was, and always will be, what I turn too when I am happy, bored and most importantly when I am sad. The best example I have of this was when my grandfather passed away years ago. It was a special sort of hurt, and no discussions with family or friends could do much to quell that pain. I remember sitting down the night it happened, alone in my dark room, and deciding to watch ‘Amelie’. It is a film I adored, one of the few films that truly moved me with every viewing. When it ended, as it had done many times before, I had a huge smile on my face. It did it again. Film did it again; it was once again one of the few things in my life that could heal, or overshadow, any hurt I happened to be feeling. I don’t think I would have known about or adored ‘Amelie’ if not for the journey my love for film had created – a love that wouldn’t have blossomed without the analysis and discussions I had about them – discussions I would never have started if I hadn’t read Roger’s reviews religiously and decided to start writing some myself.

That is why I was deeply saddened when Roger Ebert passed away. He is one of those rare people for me who although I never actually met or spoke with him, he still managed to have a profound effect on my life. An effect that still moves me, as I learned today as I finally watched ‘Life Itself’. I shamefully had put it off for far too long, partly because I think I knew the sort of emotional response I would have towards it. But as the quote I began this posts says, film helps us “identify with the people who are sharing this journey with us”, and it was about time I took a look at the journey that was the life of Roger Ebert.

And boy, was it rough. It did bring me to the verge of tears, as I expected, but I loved every minute of it. ‘Life Itself’ is an honest and in depth portrait of a man who wasn’t without his faults. But no matter what battles he encountered – either with alcohol, his colleagues, or cancer – he still faced everyday ready for what came next. He had a passion for life that was reflected in his passion for film – or maybe the other way around. This for me is what shined through the documentary, handled with such care and attention by Steve James. It is an affectionate tribute to a man who moved so many, generating the very same empathy that Ebert himself loved about film, and for that I think it deserves two big thumbs up.

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