4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we take a look at 1990, 1991, 1992, and 1993!
8 Shots From 8 Horror Films: 1990 — 1993
Troll 2 (1990, dir by Claudio Fragasso, DP: Giancarlo Ferrando)
It (1990, dir by Tommy Lee Wallace, DP: Richard Lieterman)
Frankenstein Unbound (1990, dir by Roger Corman, DP: Armando Nannuzzi)
The People Under The Stairs (1991, dir by Wes Craven, DP: Sandi Sissel)
Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)
Bram Stoker’s Dracula (1992, dir by Francis Ford Coppola, DP: Michael Ballhaus)
Witchboard 2: The Devil’s Doorway (1993, dir by Kevin S. Tenney, DP: David Lewis)
Cronos (1993, dir by Guillermo Del Toro, DP: Guillermo Navarro)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we take a look at 1987, 1988, and 1989!
10 Shots From Horror History: 1987–1989
Hellraiser (1987, dir by Clive Barker, DP: Robin Vidgeon)
Stage Fright (1987, dir by Michele Soavi, DP: Renato Tafuri)
Near Dark (1987, dir by Kathryn Bigelow, DP: Adam Greenberg)
Prince of Darkness (1987, dir by John Carpenter, DP: Gary B. Kibbe)
They Live (1988, dir by John Carpenter, DP: Gary B. Kibbe)
Night of the Demons (1988, dir by Kevin S. Tenney, DP: David Lewis)
The Lair of the White Worm (1988, dir by Ken Russell, DP: Dick Bush)
The Church (1989, dir by Michele Soavi, DP: Renato Tafuri)
Twin Peaks: The Pilot (1989, dir by David Lynch, DP: Ron Garcia)
Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden, DP: Bryan England)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we take a look at a very important year: 1984, 1985, and 1986.
8 Shots From 8 Films: 1984 — 1986
A Nightmare on Elm Street (1984, dir by Wes Craven, DP: Jacques Haitkin)
Gremlins (1984, dir by Joe Dante, DP: John Hora)
Friday the 13th: The Final Chapter (1984, dir by Joseph Zito, DP: João Fernandes)
Phenomena (1985, dir by Dario Argento, DP: Romano Albani)
Day of the Dead (1985, dir by George Romero, DP: Michael Gornick)
Demons 2 (1986, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)
Witchboard (1986, dir by Kevin S. Tenney, DP: Roy Wagner)
The Fly (1986, dir by David Cronenberg, DP: Mark Irwin)
Sorry, Angela, the party kind of sucks. Beyond the strange guest list — like seriously, why would any of these people be hanging out together — and the weird decision to hold it in the deserted old funeral home, there’s the fact that people are getting possessed and people are dying. There’s a lot that I can tolerate from a party but once people start dying, it’s usually time to leave.
(Unless, of course, it’s a theme party. I went to a Halloween murder party last year and I had a lot of fun watching as each guest was “killed off” until the eventual killer was revealed. I drew a card telling me that I had been murdered in the master bathroom while stepping out of the shower so I ran upstairs, changed into a towel, and let out the loudest scream possible. Now, that was a party! That said, I can’t remember who the actual killer was so they’re still out there, probably breaking into your house at this very moment.)
As Jeff, Leonard, and I watched Night of the Demons last week as a part of the #ScarySocial live tweet, Jeff mentioned that this 1988 film had apparently been very popular on late night cable back in the day. I could certainly see why, what with it’s combination of boobs, blood, and Linnea Quigley. It’s about two outcasts — Angela (Amelia Kinkade) and Suzanne (Quigley) — who throw a Halloween party in a funeral parlor. It’s a pretty boring party but it’s also an 80s party so we get to see some silly dancing before the spirits end up possessing Suzanne and Angela. Angela does a wild dance. Suzanne sticks a tube of lipstick into her breast. I guess you can do that when you’re possessed by a demon. That said, that scene still made cringe just because it made me think about all of the lipstick that I shoplifted when I was in high school and how much it would have upset to me to have gone to all that trouble just to have some possessed girl waste it by shoving it inside her boob. One-by-one, the partiers die. Soon, only good girl Judy (Cathy Podewell) and good guy Rodger (Alvin Alexis) are left alive but will they be able to figure out a way to escape the funeral home? Not only do they have to climb a wall but they have to do it while dressed, respectively, like Alice in Wonderland and a pirate. Good luck, kids! You’re so fucking dead.
Anyway, Night of the Demons is pretty stupid but it’s a film that people have fun watching. There’s none of the nuance that one found in Kevin Tenney’s other classic horror film, Witchboard. Instead, this one is entertainingly over-the-top and enjoyably weird. This is a film that was made for people who enjoy making snarky comments while watching horror movies. As a result, it’s an ideal live tweet movie because it doesn’t require a lot of thought as much as it just requires a group of friends who are willing to validate your every comment by clicking the like button. It’s not a particularly scary film but both Amelia Kinkade and Linnea Quigley deserve a lot of credit for throwing themselves into their roles and, at the very least, it’s got some dancing. It’s a crowd pleaser and, I’ve recently been told, some people feel that’s the most important thing that a film can do. Personally, being a film snob, I don’t quite agree with the assessment that it’s the most important thing but, still, one should probably never discount the importance of keeping the audience entertained.
The point is, I had fun with Night of the Demons. Watch it with your friends.