Published by Gold Key Comics, Boris Karloff Tales of Mystery ran from 1963 to 1980. The first few issues contained stories based on episodes of the Boris Karloff-hosted anthology series, Thriller, but later issues featured original tales of horror, science fiction, and mystery, all of which were introduced by a comic book version of Boris Karloff. Today, to help us celebrate Halloween, here is a sampling of the covers of Boris Karloff Tales of Mystery!
Tag Archives: Horror
A Blast From The Past: The Night America Trembled (dir by Tom Donovan)
Filmed in 1957 for a television program called Westinghouse Studio One, The Night America Trembled is a dramatization of the night in 1938 when Orson Welles’s adaptation of H.G. Wells’s The War of the Worlds reportedly caused a panic amongst listeners.
For legal reasons, Orson Welles is not portrayed nor is his name mentioned. Instead, the focus is mostly on the people listening to the broadcast and getting the wrong idea. That may sound like a comedy but The Night America Trembled takes itself fairly seriously, complete with Edward R. Murrow narrating and taking drags off of a cigarette.
Clocking in at a brisk 60 minutes, The Night America Trembled is an interesting recreation of that October 30th. Among the people panicking are a large collection of future stars and character actors. Ed Asner, James Coburn, John Astin, Warren Oates, and Warren Beatty all make early appearances.
It’s an interesting historical document and you can watch it below!
An Auditory Blast From The Past: Orson Welles’s 1938 Broadcast of The War of the Worlds
On October 30th, 1938, Orson Welles and the Mercury Theater On The Air broadcast an adaptation of H.G. Wells’s War of the Worlds and, legend has it, they scared the ever-loving heck out of America.
Actually, there’s some debate as to just how panicked America got when they heard the Mercury Theater On The Air’s adaptation of War of the Worlds. There was definitely some panic but there are differing reports on just how wide spread it was. For our purposes, let’s assume that the entire country was terrified at the same time and that everyone was loading up a shotgun and planning to go out and look for aliens. One thing is for sure. With his adaptation of War of the Worlds, Orson Welles managed to invent the whole found footage genre that would later come to dominate horror cinema in the late 90s and the aughts. Every found footage horror film owes a debt to what Orson Welles accomplished with War of the Worlds. We won’t hold that against Orson. Instead, it’s just another example of how far ahead of his time Orson Welles was.
H.G. Wells, the original author of War of the Worlds, and Orson Welles only met once, while they were both in San Antonio, Texas in 1940. (Orson Welles and H.G. Wells hanging out in San Antonio? To be honest, that sounds like it would make a good movie.) They were interviewed for a local radio station. H.G. Wells expressed some skepticism about the reports of Americans panicking while Welles compared the radio broadcast to someone dressing up like a ghost and shouting “Boo!” during Halloween. Both Wells and Welles then encouraged Americans to worry less about Martians and more about the growing threat of Hitler and the war in Europe.
I’ve shared this before but this just seems like the time to share it again. Here, for Halloween, is the 1938 Mercury Theater On The Air production of The War of the Worlds!
Horror on the Lens: Night of the Living Dead (dir by George Romero)
Happy Halloween everyone!
Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition! Every Halloween, we share one of the greatest and most iconic horror films ever made. For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!
(Be sure to read Arleigh’s equally famous review!)
Happy Halloween From The Shattered Lens
To all of our readers
To all of our friends
To every ghoul and fiend out there,
HAPPY HALLOWEEN FROM THE SHATTERED LENS!
May your Halloween bring you more candy than rocks and we hope you enjoy the last day of our annual horrorthon! Be safe, be sincere, and don’t forget the true meaning on Halloween!
0 Days Until Halloween

by Erin Nicole
“Where there is no imagination, there is no horror.” — Arthur Conan Doyle
Get In The Mood For Halloween With Christopher Lee And The Fall Of The House of Usher
Happy Halloween everyone!
Here to help you get in the mood for the best day of the year is Christopher Lee reading Edgar Allan Poe’s The Fall Of The House Of Usher. Listening to this will require 40 minutes of your time but it’s totally worth it. Christopher Lee had an amazing voice and was a wonderful reader and one imagines that it was his voice that Poe heard in his head as he first wrote this short story.
Here is the wonderful voice of Christopher Lee….
6 Trailers For October 31st, 2023
Happy Halloween! For today’s special edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers, we are paying tribute to the great George Romero! Here are six trailers, all for films directed by the master of American horror! How many of them have you watched this October?
- Night of The Living Dead (1968)
2. The Crazies (1973)
3. Martin (1977)
4. Creepshow (1982)
5. Monkey Shines (1988)
6. The Dark Half (1993)
Music Video of the Day: The Wild Boys by Duran Duran (1984, directed by Russell Mulcahy)
Directed by Russell Mulcahy, the video for Wild Boys cost over a million pounds, which was considered to be an astronomical sum in 1984. Both the video and the song is based on the William S. Burroughs novel, The Wild Boys. Mulcahy had long-wanted to adapt the book into a film and the song was written to serve as a part of the soundtrack of the proposed film. (The film itself was never made.)
The costumes in the video were left over from The Road Warrior. The video, featuring all of the members of Duran Duran being tortured in different ways, was controversial but ultimately very popular.
Enjoy!
Late Night Retro Television Reviews: Nightmare Café 1.5 “Sanctuary For A Child”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Nightmare Café, which ran on NBC from January to April of 1992. The entire show is currently streaming on YouTube!
This week, the café goes country!
Episode 1.5 “Sanctuary For A Child”
(Dir by Armand Mastroianni, originally aired on March 27th, 1992)
On tonight’s episode of Nightmare Café, we learn a few things about the café. Apparently, the café is not just located in Los Angeles. It can materialize anywhere on the planet but it apparently does so on its own. Though Blackie (played by Robert Englund) claims to be the proprietor of the café, this episode suggests that he actually has no control over it. While Blackie apparently does know why the Nightmare Café does the things that it does, it would appear that the café still has a mind of its own. It decides where it is going and it decides when it is time to leave.
This episode, for instance, begins with the Nightmare Café materializing on a street in a small, country town. Soon after it materializes, both Frank and Fay also materialize inside the café. I’ve often wondered where Frank and Fay go whenever the café is closed for business. Frank and Fay, after all, are essentially ghosts. Do they need to eat or sleep? This episode suggests that they do, as Fay complains about having to get up early because “the café” has decided to open up the crack of dawn.
Soon enough, a young boy named Luke Wall (Brandon Quintin Adams) comes walking into the café. He and Frank immediately bond, with Frank realizing that Luke is trying to run away from home. What Frank discovers upon following Luke out of the café is that Luke’s home is in a hospital. Luke is in a coma and has been for quite some time. Frank also discovers that the café has materialized in his home town, the place that he left when he joined the Navy and to which he thought he would never return. Luke is the son of Frank’s former best friend, Tom (Vondie Curtis-Hall), and his ex-girlfriend, Evelyn (Angela Bassett). Frank explains to Fay that Evelyn was the love of his life but his racist father demanded that they break up. That was one of the main reasons why Frank left town and has never returned.
So, the Nightmare Cafe wants two things to happen. It wants Tom and Evelyn to make peace with Luke’s impending death and also with each other. And it wants Frank to deal with his past and his feelings towards his late father.
And that’s exactly what happens. It’s a sweet episode, even if it’s a bit predictable and heavy-handed enough to end with “The Living Years” playing on the soundtrack. In many ways, this felt more like an episode of Highway to Heaven than an episode of Nightmare Café but, as was so often the case with this show, the strong performances of the cast carried the narrative over any rough spots. In the end, Frank made his peace with the past, Luke moved on to the afterlife, and the Nightmare Café moved on to a new town.
Next week: the final episode of Nightmare Café!















