Music Video of the Day: Are You Ready For Freddy? by the Fat Boys (1988, directed by Harvey Keith)


I always assumed that this song was specifically written for one of the Nightmare on Elm Street movies but actually, the Fat Boys were just fans of the movies and they decided to put a song about them on one of their albums.  The song was included in The Freddy Krueger Special, which aired on CBS in 1988.

This video, which features several of Freddy’s victims and Robert Englund himself, was written by Wes Craven and directed by Harvey Keith.  Keith directed a few films, including 1988’s Mondo New York and 1990’s Jezebel’s Kiss.

Enjoy!

Scenes I Love: Nancy’s School Dream From A Nightmare On Elm Street


Today’s scene that I love comes from 1984’s A Nightmare on Elm Street.  Directed by the great Wes Craven, A Nightmare on Elm Street remains a frightening and creepy masterpiece.  It’s ability to scare its audience has not been diminished by countless sequels and rip-offs.

In this scene, Nancy (Heather Langenkamp) discovers that she’s not even safe from Freddy (Robert Englund) at school.

Horror Scenes I Love: Nancy’s School Dream From A Nightmare On Elm Street


Today’s horror scene that I love comes from 1984’s A Nightmare on Elm Street.  Directed by the great Wes Craven, A Nightmare on Elm Street remains a frightening and creepy masterpiece.  It’s ability to scare its audience has not been diminished by countless sequels and rip-offs.

In today’s scene, Nancy (Heather Langenkamp) discovers that she’s not even safe from Freddy (Robert Englund) at school.

Music Video of the Day: Are You Ready For Freddy? by the Fat Boys (1988, directed by Harvey Keith)


I always assumed that this song was specifically written for one of the Nightmare on Elm Street movies but actually, the Fat Boys were just fans of the movies and they decided to put a song about them on one of their albums.  The song was included in The Freddy Krueger Special, which aired on CBS in 1988.  That’s amazing to think that Freddy got his own primetime special.

This video, which features several of Freddy’s victims and Robert Englund himself, was written by Wes Craven and directed by Harvey Keith.  Keith directed a few films, including 1988’s Mondo New York and 1990’s Jezebel’s Kiss.

Enjoy!

The Demolitionist (1995, directed by Robert Kurtzman)


In the future, America is overrun by crime.  Mad Dog Burne (Richard Grieco) and his brother, Little Henry (Randy Vasquez) escape from California death row.  Mayor Eleanor Grimbaum (Susan Tyrell) wants the Burne brothers captured and she wants to be able to show the voters that she’s tough on crime.  When brave police officer Alyssa Lloyd (Nicole Eggert) is killed by Mad Dog Burne’s gang, she is brought back to life in cyborg form by Prof. Crowley (Bruce Abbott) and, after a training montage, she is let loose on the streets as a police-backed vigiliante.

The Demolitionist owes an obvious debt to Robocop, with Nicole Eggert miscast as an expressionless cyborg who launches a one-woman/one-machine war on crime.  The main problem is that The Demolitionist has none of Robocop‘s wit or its subversive subtext.  Nicole Eggert is no substitute for Peter Weller and Richard Grieco is no Kurtwood Smith.  “Booker’s a good cop!” I said whenever Grieco showed up.

The only interesting this is about the cast, which is full of horror veterans.  Jack Nance plays the prison priest who counsels the Burne brothers before they escape their scheduled executions.  Reggie Bannister plays the warden.  Sarah Douglas plays  a surgeon.  Joseph Pilato is one of Mad Dog’s followers.  And playing Mad Dog’s second-in-command is none other than Tom Savini.  Finally, the city’s most popular journalist is played by Heather Langenkamp!

The Demolitionist demolishes almost the entire town but she still can’t come up with any way to make this stale Robocop rip-off feel fresh.

 

 

Music Video of the Day: Sleeping Bag by ZZ Top (1985, directed by Steve Barron)


“Sleeping bags used to be a real drag to contend with, when you’re in the Boy Scouts and the best you can do is one of those Army sleeping bags. The old-timey kind that were heavy. Then in the late ’60s or ’70s, they came out with those down-filled bags that roll up into the size of a cantaloupe. It’s changed the whole idea of a sleeping bag. I had one of those that looks just like a mummy case. That’s where the line in the song comes from: ‘Sleep beside the pharoahs in the shifting sands.'”

— Billy Gibbons

“I used to own a sleeping bag. I used to go camping. But I don’t own a sleeping bag now. I own a sleeping bag in my mind.”

— Dusty Hill

Sleeping Bag was the first single to be released off of ZZ Top’s follow-up to Eliminator, Afterburner.  Both the band and Warner Bros. felt that the perfect way to transition from the Eliminator songs to the Afterburner songs would be to make one more video featuring the ZZ Top girls and Billy Gibbons’s car.  However, when director Tim Newman (who previously did Gimme All Your Lovin, Sharp Dressed Man, and Legs) was approached to direct the video, he wanted more money than the label was willing to pay.  As a result, Steve Barron was hired to direct instead and the end result was a video that was much different from the previous three Eliminator videos.

In this video, the band and the ZZ Top Girls go from giving makeovers to saving lives.  When a young couple (played by Heather Langenkamp and John Dye) is menaced by two rednecks in a monster truck, the Eliminator sacrifices itself to keep them safe.  Don’t worry, though.  Apparently, the ghosts of ZZ Top have been keeping a space shuttle in Egypt.  It all makes sense when you consider that this was the 80s and everyone was obsessed with space shuttles and monster trucks.

Heather Langenkamp made this video a year after starring in A Nightmare on Elm Street and, not surprisingly, several parts of the video seem like they could have been lifted from Wes Craven’s seminal horror film.  The shadows of the rednecks outside the tent seem like they are intentionally meant to bring to mind Freddy Krueger.

Steve Barron was another one of those directors who seemed to work with almost everyone.  He would go on to direct ZZ Top’s next video, Rough Boy, which we’ll look at tomorrow.

Enjoy!

Horror Movie Review: A Nightmare On Elm Street (dir by Wes Craven)


Damn, this is a scary movie.

That may seem like an obvious point to make when talking about the original A Nightmare On Elm Street but it’s still one that needs to be made.  I always seem to forget just how scary the original is.  I mean, there’s been so many sequels.  And there was that kind of silly movie where Freddy Krueger fought Jason Vooerhees.  And then there was the fairly forgettable reboot.  Freddy Krueger is something of a cultural icon.  Even people who have never watched any of the movies knows who Freddy Krueger is.  Freddy has become so well-known for his quips and his puns and his bad jokes that it’s easy to forget that the reason he put razors on his gloves was so he could kill children.

Despite the fact that Jackie Earle Haley took over the role in the reboot, Freddy Krueger will always be associated with the actor who first played him, Robert Englund.  What’s interesting is that, whenever you watch or read an interview with Englund, he comes across as being literally the nicest guy in the world.  (His autobiography is one of the most cheerful Hollywood memoirs that I’ve ever read.)  Before he was cast as Freddy, Englund was a fairly busy character actor.  It’s always a little odd when he pops up in some old movie on TCM because, inevitably, he’s always seems to be playing a nice and often kinda shy guy.  Supposedly, when Englund auditioned for the role of Freddy, he darkened his lower eyelids with cigarette ash and he purposefully said very little while meeting with director Wes Craven.  Craven, who based Freddy Krueger on a childhood bully, was impressed enough to cast this very likable actor as one of the most evil killers in the history of horror cinema.

And make no mistake about it.  In the first film, Freddy Krueger is terrifying.  He’s not the joker that he would become in later installments of the franchise. When he does laugh, it’s because he’s taunting his latest victim.  This Freddy isn’t quite as quick-witted as the Freddy who showed up in Dream Warriors and other films.  This Freddy keeps things simple, popping up in your nightmares, chasing you, and, once he catches you, killing you.  It’s not just his glove and his burned faced that makes Freddy terrifying in this film.  It’s how determined and relentless he is.  He’s not going to stop until he catches you and, seeing as how he’s already dead, there’s really not much you can do to slow him down.  Englund plays Freddy as being the ultimate bully.  The only joy he gets is from tormenting the rest of us.  It’s a testament to the strength of Englund’s performance that memories of Freddy dominate our thoughts when it comes to A Nightmare of Elm Street, despite the fact that Freddy is only onscreen for seven minutes.

It’s an effective film, not just because of the nightmare scenes but also because of the scenes that take place in the waking world.  The majority of the film follows Nancy (Heather Langenkamp), Glen (Johnny Depp), Tina (Amanda Wyss), and Rod (Jsu Garcia, who is credited as Nick Corri in this film) as they try not to die.  And let’s be honest.  None of these characters are particularly deep.  Rod’s the bad boy.  Tina’s the rebellious Catholic.  Glen’s the nice guy.  Nancy’s the good girl.  They’re archetypes that should be familiar to anyone who has ever seen a slasher film.  And yet, you really do care about them, especially Nancy and Glen.  (Admittedly, everyone that I’ve ever talked to about this film seems to care about Rod the least.)  Langenkamp, Depp, and Wyss all give such likable performances that you really do find yourself worrying about what will happen to them when and if they fall asleep.

I rewatched A Nightmare on Elm Street last night and I was shocked to discover that, even though I knew what was coming, the movie still scared me.  The sight of Freddy straining against the wall over Nancy’s head was still unbelievably creepy.  The gory scene where Freddy attacks Tina still frightened me, as did the famous geyser of blood scene.  Even the much-parodied scene where Freddy’s glove rises up between Nancy’s legs while she sleeps in the bathtub still made me shudder.

It’s easy to take for granted just how good and scary the original Nightmare on Elm Street actually is.  For horror fans, it’s a film that deserves to be watched this October season.  Just don’t fall asleep afterwards.

4 Shots From 4 Films: Wes Craven Edition


Today is the birthday of one of the masters of horror. So, here’s wishing Wes Craven a happy birthday.

Now, go out there and check out his films. Here’s a four to try out. It’s got voodoo, a thing from the swamp, a street full of nightmares and, the one that started him off, the very last house on the left.

4 SHOTS FROM 4 FILMS

Swamp Thing (dir. by Wes Craven)

Swamp Thing (dir. by Wes Craven)

A Nightmare on Elm Street (dir. by Wes Craven)

A Nightmare on Elm Street (dir. by Wes Craven)

The Last House on the Left (dir. by Wes Craven)

The Last House on the Left (dir. by Wes Craven)

Trailer: Star Trek Into Darkness (International)


StarTrekIntoDarkness

Less than two months remain before the sequel to J.J. Abrams surprise reboot hit of Star Trek arrives in the theaters this summer. It’s set to be one of this summer’s tentpole event films and this later trailer looks to set to prove that to be true.

While the first two trailers went light on the main narrative of the sequel this international trailer looks to really focus on Benedict Cumberbatch’s character who is either going to be this Star Trek alternate timeline’s Khan or Gary Mitchell or an amalgam of the two. Either way the trailer is all about action and Sherlock-Smaug looking, talking and acting all superior evil towards Kirk and the rest of the Enterprise crew.

Star Trek Into Darkness is set for a May 17, 2013 release date.