4 Shots From 4 Horror Films: 1940s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the first few years of 1940s.

4 Shots From 4 Horror Films

Dr. Cyclops (1940, dir by Ernest B. Schoedsack)

Dr. Cyclops (1940, dir by Ernest B. Schoedsack)

The Wolf Man (1941, dir by George Waggner)

The Wolf Man (1941, dir by George Waggner)

Cat People (1943, dir by Jacques Tourneur)

Cat People (1942, dir by Jacques Tourneur)

I Walked With A Zombie (1943, dir by Jacques Tourneur)

I Walked With A Zombie (1943, dir by Jacques Tourneur)

4 Shots From 4 Films: Special George Waggner Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Any day is a good day to pay tribute to director George Waggner!  It’s time for….

4 Shots From 4 George Waggener Films

Horror Island (1941, dir by George Waggner)

Man-Made Monster (1941, dir by George Waggner)

The Wolf Man (1941, dir by George Waggner)

Red Nightmare (1957, dir by George Waggner)

The Sea Spoilers (1936, directed by Frank R. Strayer)


Bob Randall (John Wayne) is a coast guard boatswain, headquartered in Alaska where he and the members of his crew battle evil seal poachers like oily Phil Morgan (Russell Hicks).  When Randall returns to port after his latest patrol, he has to deal with two disappointments.  First off, he is passed over for a promotion to commanding officer, even though everyone knows that he deserves it.  Instead, the promotion goes Lt. Commander Mays (William Blakewell), the son of a commander (George Irving).  Mays doesn’t even want the job.  He’s scared of the water and he’d rather fly airplane as a part of the Coast Guard’s aviation force.  Bob is disappointed but he’s a professional and he’s going to support Mays.  Secondly, Bob’s girlfriend (Nan Grey) witnesses a murder and is kidnapped by Phil Morgan.  Bob and his sidekick (dependable western mainstay Fuzzy Knight) go undercover as fisherman to try to find her.

The Sea Spoilers was the first of six B-movies that John Wayne did for Universal.  Wayne, who had been stuck in the B’s for a while, was trying to prove that he was more than just a singing cowboy so, in this one, he plays a tough and ready sailor.  Wayne is convincing in the role, even if the movie is really just a western set in what was then modern day Alaska.  Though only 30, Wayne shows the no-nonsense professionalism that would become his trademark once he became one of the world’s biggest movie stars.  Unlike some of Wayne’s early films, it’s possible to see the icon that John Wayne would eventually become while watching him here.  The Sea Spoilers is only 66 minutes long but fans of the Duke should enjoy it.

Finally, The Sea Spoilers was written by George Waggner.  Waggner would later go on to direct the original Wolf Man.

Guilty Pleasure No. 74: Van Helsing (dir by Stephen Sommers)


What can I say about this 2004 action horror film that can do it justice at just how it perfectly represent what I call a “guilty pleasure”.

Van Helsing by Stephen Sommers (him being at his most Stephen Sommersist) was suppose to be a new action franchise with Hugh Jackman as it’s lead. One must remember that in 2004, Hugh Jackman was still at the height of his popularity as an action star with roles as Wolverine in the X-Men film franchise and, in another guilty pleasure of mine, Swordfish.

This film was suppose to catapult him to the stratosphere and taking the action star role from aging ones such as Arnold Schwarzenneger, Sylvester Stallone and Bruce Willis. Instead Stephen Sommers reached for that brass ring and failed, but did so with a mish-mash of horror properties blended haphazardly to give us a film that tried to be too much yet also not enough.

Hugh Jackman in the title role was more than game to try and prop up the film’s convoluted plot. Kate Beckinsale was stunning as usual and hamming it up in what I could only guess is here version of a Transylvanian accent. Even Richard Roxbrough in the role of Dracula, miscast as he seem to be in the role, gave a campy and scenery-chewing performance that his performance went past bad and circled back to being entertaining.

Yet, for all its flaws, I actually enjoy Van Helsing for what it was and that was a modern version of those Abbott and Costello mash-up with the Universal horror characters of the 40’s and 50’s. One cannot mistake this film on the same level as Nosferatu (Murnau, Herzog and Eggers versions) and Sommers definitely cannot be mistake for the three auteurs who had their own take on the abovementioned film. But Sommers does make thrilling, though some would say repetitive, action films.

Did I turn my brain off watching Van Helsing?

I sure did, but it still didn’t stop me from being entertained…and I cannot ever sat anything bad about a film with Kate Beckinsale in a tight black-red leather corset. It’s against some sort of law to do so.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder

8 Shots From 8 Horror Films: The 1940s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the 1940s.

8 Shots From 8 Horror Films: The 1940s

The Devil Bat (1940, dir by Jean Yarbrough, DP: Arthur Martinelli)

The Wolf Man (1941, dir by George Waggner, DP: Joseph Valentine)

Cat People (1942, dir by Jacques Tourneur, DP: Nicholas Musuraca)

I Walked With A Zombie (1943, dir by Jacques Tourneur, DP: J. Roy Hunt)

The Leopard Man (1943, dir by Jacques Tourneur, DP: Robert De Grasse)

House of Frankenstein (1944, dir by Erle C. Kenton, DP: George Robinson)

Spellbound (1945, dir by Alfred Hitchcock, DP: George Barnes)

The Picture of Dorain Gray (1945, dir by Albert Lewin, DP: Harry Stradling)

Gunfighters (1947, directed by George Waggner)


Brazos Kane (Randolph Scott) is a legendary gunfighter who has more notches on his gunbelt then he can count.  His reputation is so fearsome that he can’t even enter a town without having to worry about someone drawing a gun on him in an attempt to make a name for themselves.  When he’s forced to shoot his own best friend when the latter tries to outdraw him, Brazos says that he’s had enough.  He tosses aside his guns and he heads to the home of his friend, Bob Tyrell.  Brazos says he’s going to retire from gunfighting and just “ride the range.”

When Brazos reaches Bob’s cabin, he discovers that Bob has been murdered.  When Brazos rides to the nearby Banner ranch to report the crime, he’s arrested and accused of shooting Bob.  When it’s pointed out that Brazos doesn’t have a gun, corrupt Deputy Yount (Grant Withers) says that Brazos most have tossed it in the creek after he shot Bob.

With the help of Bob’s employer, a rancher named Inslip (Charley Grapewin), Brazos narrowly avoids getting hung.  Both Yount and the sheriff (Charles Kemper) encourage Brazos to leave town but Brazos isn’t going anywhere until he gets justice for Bob.  His investigation leads to him getting involved with two sisters (Dorothy Hart and Barbara Britton) and a young cowhand named Johnny (John Miles), who wants to become a famous gunslinger.  It also leads Bob into conflict with Bard Macky (Bruce Cabot) and Hen Orcutt (Forrest Tucker), who are both determined to run Brazos out of town.  Brazos finds himself tempted to go back on his word and pick up his guns yet again.

Based on a novel by Zane Grey, Gunfighters is a surprisingly mature and multi-layered western.  Brazos’s refusal to carry a gun and his genuine dislike of violence makes him a far more interesting protagonist than the typical B-western hero and Randolph Scott, one of the best of the cowboy actors, is appropriately world-weary in the role.  The villains are also written and played with an unexpected amount of depth, with Bruce Cabot the stand-out as Bard Macky.

Gunfighters is full of good scenes.  The opening sequence, featuring the pivotal gunfight between Brazos and his best friend, is excellently directed and captures how quickly violence can erupt in the old west.  Later, when Brazos first meets Johnny, the younger man is engaged in target practice and talking about how a man named Brazos Kane murdered Johnny’s best friend.  Johnny is practicing so he can kill Brazos himself.  Without revealing his identity, Kane gives Johnny a few pointers on how to draw and aim his gun.  It’s only after Johnny has perfected the quick draw that Kane laconically introduces himself and explains that he had nothing to do with Bob’s death.  Later, in a powerfully acted scene, Kane explains to Johnny just what exactly it means to be a famous gunfighter and to know that everyone you see is a potential threat.

Directed by George Waggner, Gunfighters is an intelligent and well-acted western and one of Radolph Scott’s best.

Horror on TV: The Veil Episode 8 “Summer Heat” (dir by George Waggner)


On tonight’s episode of The Veil.

There’s been a murder!  Or has there?  Edward Paige (Henry Bartell) swears that he saw someone murdered in a nearby apartment but, when the police investigate, they discover that the apartment appears to be totally deserted.  Still convinced that he saw something, Edward is sent for a psychiatric evaluation from Dr. Mason (Boris Karloff, playing a sympathetic role for once).  Dr. Mason says that Edward’s not making it up.  Edward swears that he saw something.  But what?

This is a pretty good episode.  Think of it as being Rear Window with an extra twist.  Boris Karloff hosts as well as co-stars.

Enjoy!

Horror on TV: The Veil 1.2 “Girl on the Road” (dir by George Waggner)


From 1958, it’s The Veil!

The Veil was a horror anthology series that, because of financial difficulties at Hal Roach Studios, were never actually aired on television.  10 episodes were filmed before production was abruptly canceled.  Each episode was hosted by (and often starred) Boris Karloff.  Karloff later stated that he was never actually paid for his work on the show but his work as the host did eventually lead to him being hired to host Thriller, a horror anthology series that eventually did air.

As for The Veil, the ten episodes that were produced were never actually sold to a network but, in the 60s, several episodes were edited together to create films that aired on late night television.  It wasn’t until the 90s that the episodes were actually released on video.  For that, we largely have Something Weird Video to thank.

Each episode of The Veil opened with Karloff promising the lift the veil on a strange, perhaps supernatural, event.  (Most of the stories were supposedly based on true stories.)  Karloff would also play a role in each episode.  For instance, in tonight’s episode, he plays Morgan Debs.

Tonight’s episode is called Girl on the Road.  It’s a nicely atmospheric tale about a man (Tod Andrews) who picks up a mysterious woman (Eve Brent) who is stranded on the side of the road.  What is the woman’s secret and why is she terrified of Morgan Debs?  Why does everyone in the town refuse to talk about her?  Watch to find out!

This episode was directed by George Waggner, who is perhaps best known for directing the original Wolf Man.

Enjoy!

Horror Scenes I Love: Larry Talbot Discovers His Fate in The Wolf Man


Today’s horror scene that I love comes from 1941’s The Wolf Man.

In this scene, poor, unfortunate Larry Talbot (Lon Chaney, Jr) visits a gypsy camp and learns that sad truth of his fate from Maleva (Maria Ouspenskaya).  I love this scene not only for the iconic dialogue but also for George Waggner’s atmospheric direction and Maria Ouspenskaya’s performance.  Even Lon Chaney, Jr. gives it his all in this scene.  Larry Talbot may have been a dumb lug but he was our dumb lug!

Halloween Havoc!: HORROR ISLAND (Universal 1941)


gary loggins's avatarcracked rear viewer

Universal Pictures kept cranking out the horrors, but HORROR ISLAND isn’t one of them. It’s as misleading a title as Hollywood ever produced, more of a comedy/mystery with some “old dark house” elements thrown in for good measure. This little ‘B’ was released as a double feature with MAN MADE MONSTER, and while its good for what it is, it ain’t horror!

Atmospherically directed by George Waggner and shot by Universal workhorse Woody Bredell , HORROR ISLAND  begins spookily enough with a peg-legged sailor trodding the docks attacked by the mysterious Phantom. Rescued from the briny water by hard-pressed for cash entrepreneur Bill Martin and his pal Stuff Oliver, we learn the sailor is Tobias Clump, a Spaniard who claims he has half a map of Sir Henry Morgan’s buried treasure – and The Phantom just stole the other half! Bill happens to have inherited Morgan’s Island, where twenty…

View original post 240 more words