Necktie Party: Alfred Hitchcock’s FRENZY (Universal 1972)


cracked rear viewer


Alfred Hitchcock’s  previous two films, TORN CURTAIN (1966) and TOPAZ (1969) weren’t well received by critics, who claimed The Master of Suspense was too old-fashioned and had lost his touch. One wag even suggested that, after fifty years in films, it was time to put Hitch out to pasture! But Hitchcock wasn’t quite ready for a life of tea and crumpets in the garden, and came back with 1972’s FRENZY, complete with all the blatant sex, nudity, gore, and profanity of other early 70’s auteurs, proving he could not only keep up with the times, but surpass them by giving us the blackest of horror comedies.

Hitchcock had returned to his native England before to make a few films, but always with actors who had box office appeal in America (Ingrid Bergman and Joseph Cotten in UNDER CAPRICORN, Marlene Dietrich and Jane Wyman in STAGE FRIGHT). This time around, he…

View original post 608 more words

Let’s Talk About Frenzy (dir by Jose Montesinos)


Right now, we’re in the middle of SyFy’s Sharknado week.  On Sunday night, SyFy will premiering what they say is going to be The Last Sharknado.  In the days leading up to that moment, they’ve been reshowing all of their classic shark films and premiering a new shark film each night!

Wednesday night’s premiere was Frenzy.

Frenzy‘s a bit different from some of the other shark films that SyFy’s been showing this week.  Make no mistake, the film did feature sharks.  In fact, there were three very big sharks who swam through the ocean and ate just about anyone or anything that they could sink their teeth into.  Not only did they eat people who were unfortunate enough to be floating out in the water but they also bumped up against boats, the better to knock poachers overboard.  These were some mean sharks!

That said, they weren’t ghost sharks.  They weren’t zombie sharks.  None of them wore a little Santa cap on their fin, like Santa Jaws did.  They weren’t mutated by radiation or a Big Evil Corporation.  And certainly, they weren’t dropped into the ocean by a tornado.  No, these were just normal, very big sharks.

And while the sharks were undoubtedly important to the story that Frenzy was telling, the film really wasn’t about them.  Instead, at its heart, Frenzy is the story of two sisters, Paige (Gina Vitori) and Lindsey (Aubrey Reynolds).  Paige has always been the adventurous one while Lindsey has always been the one who rarely takes risks and who tries to play it safe.  Paige has found fame as a travel vlogger.  Along with Evan (Michael S. New), Kahia (Lanett Tachel) and Seb (Taylor Jorgensen), she travels around the world and she films herself doing dangerous things and having new experiences.  When Lindsey joins Paige for her latest adventure, it seems like a chance for Lindsey to not only break out for her shell but to also find romance with Seb as well…

Of course, things never go quite as smoothly as they’re supposed to.  In this case, things go downhill as soon as Paige, Lindsey, and everyone else gets aboard a less-than-reliable seaplane so that they can go scuba diving.  When the plane crashes into the middle of the ocean, Lindsey and a few survivors are left floating in the water.  There’s an island in the distance but can they reach it before the sharks reach them?

Frenzy was definitely a change-of-pace, as far as SyFy shark movies are concerned.  While I wouldn’t say that you necessarily have to have a sister to truly appreciate Frenzy‘s story, it undoubtedly helps.  The relationship between Paige and Lindsey — made up of equal parts love and rivalry — is at the heart of Frenzy and fortunately, both Aubrey Reynolds and Gina Vitori were totally believable as sisters.  Their relationship, with all of its complications, felt real and, on a personal level, there were many lines of dialogue and little actions to which I related.  For me, as I watched, this film could have just as easily been called “Lisa And Erin Go On Vacation And Try Not To Die.”

I also liked the way that the film used its flashback structure.  With Lindsey continually flashing back between the past and the present, we were kept off-balance as far as Lindsey’s current mental state was concerned.  It’s a structure that required us to consider what was real, what was dreamed, and what was just a hallucination.

Frenzy was a nice change-of-pace for Sharknado week.

20 Shots from 20 Alfred Hitchcock Films


Happy National Hitchcock Day!

20 Shots From 20 Films

The Pleasure Garden (1925)

The Lodger (1927)

Blackmail (1929)

The Man Who Knew Too Much (1934)

The 39 Steps (1935)

The Lady Vanishes (1938)

Rebecca (1940)

Shadow of a Doubt (1943)

Lifeboat (1944)

Notorious (1946)

Strangers on a Train (1951)

Rear Window (1954)

The Wrong Man (1956)

Vertigo (1958)

North by Northwest (1959)

Psycho (1960)

The Birds (1963)

Topaz (1969)

Frenzy (1972)

Family Plot (1976)

 

4 Shots From 4 Films: Special Alfred Hitchcock Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: the master of suspense, Alfred Hitchcock!

4 Shots From 4 Films

The Lodger (1926, dir by Alfred Hitchcock)

Psycho (1960, dir by Alfred Hitchcock)

The Birds (1963, dir by Alfred Hitchcock)

Frenzy (1972, dir by Alfred Hitchcock)

4 Shots From 4 Films: The Lodger, Notorious, The Wrong Man, Frenzy


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking!

And again, we say, “Happy Birthday, Alfred Hitchcock!”

4 Shots From 4 Films

The Lodger (1927, dir by Alfred Hitchcock)

The Lodger (1927, dir by Alfred Hitchcock)

Notorious (1946, dir by Alfred Hitchcock)

Notorious (1946, dir by Alfred Hitchcock)

The Wrong Man (1956, dir  by Alfred Hitchcock)

The Wrong Man (1956, dir by Alfred Hitchcock)

Frenzy (1972, dir by Alfred Hitchcock)

Frenzy (1972, dir by Alfred Hitchcock)