Playing Catch-Up With The Films of 2017: Transformers: The Last Knight (dir by Michael Bay)


So, I’m just going to be honest here.

I did watch Transformers: The Last Knight.  I didn’t see it at the theaters, of course.  To date, I’ve only seen one Transformers movie on the big screen.  It was the fourth one and not only did I get motion sick but when I left the theater, I discovered that I was having trouble hearing.  Even though I watched Transformers: The Last Knight on a small screen, I still made sure to take some Dramamine beforehand.  That may have been a mistake because this movie somehow drags things out for 2 hours and 30 minutes.  That’s a lot of time to spend trying to stay awake while watching something that doesn’t even try to make sense.

So, yes, I did watch Transformers: The Last Knight but I’m not really sure what I watched.  I know that there was a lot of camera movement.  There was a lot of stuff blowing up.  Robots would fly into space.  Robots would return to Earth.  Robots turned into cars.  All of the robots spoke in these gravelly voices and half the time, I couldn’t really understand what they were saying.  Mark Wahlberg was around and he spent the entire movie with this kind of confused look on his face.  His Boston accent really came out whenever he had to deliver his dialogue.  One thing I’ve noticed about Wahlberg is that the less he cares about a movie, the more likely he is to go full Boston.  To be honest, if I just closed my eyes and listened to Wahlberg’s accent and tuned out all of the explosions and robot talk, I probably would have thought I was watching Manchester By The Sea.

Anthony Hopkins was also in the movie, playing a character who might as well have just been named “Esteemed British Person.”  It’s always fun to see Hopkins in a bad movie, just because he knows that his deserved reputation for being a great actor isn’t going to suffer no matter how much crap he appears in.  He always goes through these movies with a slightly bemused smirk on his face.  It’s almost as if he’s looking out at the audience and saying, “Laugh all you want.  I’ll still kick anyone’s ass when it comes to Shakespeare…”  Anyway, Hopkins is mostly around so that he can reveal that the Transformers have been on Earth since time began.  Why, they even saved King Arthur!

The plot has to do with a powerful staff that can be used to bring life back to the Transformers’s home planet.  The problem is that using the staff will also destroy all life on Earth or something like that.  So, of course, the good Transformers are trying to save Earth and the bad Transformers are like, “Fuck Earth, let’s blow stuff up.”  Or something like that.  The main good Transformer — Optimus Prime, I guess — gets brainwashed into becoming an evil Transformer.  Of course, since Anthony Hopkins is in the movie, the majority of the film takes place in England and that can only mean a trip to Stonehenge!

And…

Look, I’ve exhausted myself.  I’m not going to say that Transformers: The Last Knight is a terrible movie because, obviously, someone out there loves this stuff.  I mean, they’ve made five of these movies so someone has to be looking forward to them.  They’re not for me, though.

Some day, I hope Micheal Bay directs a Fifty Shades of Grey movie.  I look forward to watching Christian and Ana discuss consent while the world explodes behind them.

Scenes I Love: Transformers – The Movie


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I will have my review of Michael Bay’s latest explosiotravaganza, but until I get that up here’s my favorite scene from the best film made about the Hasbro toys that were more than meets the eye.

On a side note, any kid who grew up during the 80’s would’ve seen or have heard of this animated film. Whether they were scarred for life would depend on how much the Transformers had become part of their day-to-day life. This scene actually shows Optimus Prime at his most badass while remaining a robotic avatar of the John Wayne ideal. Live-action Optimus Prime this one is not and never would be. The live-action version has become somewhat problematic as an onscreen hero and I shall expand more on that in the review.

For now, just enjoy….”One shall stand. One shall fall.”

Also, FUCK YOU HOT ROD!

Guilty Pleasure No. 6: The Golden Child


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During the 80’s there were three names who earned the title of megastars. There was Sylvester Stallone with his Rocky and Rambo films. There was also Arnold Schwarzenneger who was pretty much the biggest action star of the decade. Then there’s Eddie Murphy who pretty much redefined the role of comedic action star. Yes, Murphy was an action star in his own right.

Once Murphy made a huge hit with the odd couple action comedy 48 Hours he began making one action comedy after the next. They all made money and to certain degree they were actually pretty good. There was one Murphy action comedy vehicle that was initially well-received by many when it came out in December of 1986, but has since seen a revisionist take from those who originally hyped up the film. I’m talking about The Golden Child.

Many who seem to have enjoyed and loved this film when it first came out has since backtracked to calling it one of the worst films of the 80’s. A film that indulges the ego of it’s star. While I agree with everything people have said about this film with each passing year I still can’t keep myself from enjoying it whenever it comes on cable (been awhile since it has). It was a fun flick when I first saw it as a 13 year-old and it continues to be fun.

Yes, it hasn’t aged well, but I think how it encompasses the kitchy-style of the 80’s not to mention the egocentricity of Murphy at the height of his stardom makes this one of my guilty pleasures. It even has a much y ounger, but still badass, Tywin Lannister playing the role of the main villain Sardo Numpsa aka Brother Numpsy.

Previous Guilty Pleasures:

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA

Quickie Review: Eight Legged Freaks (dir. by Ellory Elkayem)


In 2002 there came a film in the tail end of that year’s summer blockbuster film season which took me by surprise. The film I’m talking about was Eight Legged Freaks. It was from Kiwi-born director Ellory Elkayem and he did a wonderful job of bringing back just a small peek at those fun 1950’s giant monster and insect movies like Them! and a host of others.

The film pretty much follows the same conventions as those old-time monster movies. It has the smart and bookish teenage boy whose love for all things spiders will come in handy as the film moves along. Then there’s the eccentric and creepy loner who collects spiders and learns that the water he has been giving them has now been tainted by toxic chemicals from a drum container that has fallen into a nearby river during transport. This river and the creek it feeds is right next to a down-and-out mining Arizona town, ironically named Prosperity. The film  wouldn’t be complete without the arrival of its prodigal son, Chris McCormick (played with quite a bit of understatement by the usual over-the-top David Arquette) whose father used to own the gold mines which the town relied on for its economy.

With a reluctant hero comes the woman he left behind and pined for years ago, but now much older and with kids of her own from a previous marriage. Kari Wuhrer — of MTV and B-movie fame — plays Samantha Parker. McCormick’s love interest who also happens to be Prosperity’s current town sheriff and single mother to the aforementioned teenage boy with the thing for spiders and nubile teen daughter Ashley (played by pre-superstardom Scarlett Johansson). Then there’s Wade, the town mayor whose failing ostrich farm and unused mega-mall is leading him to sell the town wholesale to some nameless giant corporation.

With the basic plot set and characters introduced all hell breaks loose as toxic-mutated spiders grow to giant proportions and begin to terrorize and devour the townspeople. At first, it’s isolated attacks until their numbers grown in size and they attack the town itself en masse. This may be a B-movie but it sure had great CGI-effects when it came to the giant arachnids and how they behaved on the screen. The many different types of giant spiders ended up having distinct personalities to distinguish themselves from each other. From the tank-like tarantula to the agile jumping spiders and the cunning trapdoor spiders. In fact, these spiders were also given some sort of voice which sounded like chipmunks on helium as they screeched, yipped and screamed their way around the screen.

Eight Legged Freaks was not something great to write mom home about, but it was a fun film to sit through, especially one full of teenagers who seem to scream and shout the loudest. This was a type of film that actually needs a rowdy audience to really entertain. There’s really no need to follow the dialogue since most of it is quite forgettable. The action on the screen from the giant spiders chasing motocross-riding teens and their attack on the townspeople at the mega-mall does well without the need of extraneous dialogue.

Ellory Elkayem did a great job in making Eight Legged Freaks not just a fun movie but also a throwback to the 50’s monster movies that we see now on syndication. This movie showed Elkayem had great potential as a genre filmmaker. It’s a shame he had to follow up Eight Legged Freaks with two very awful and forgettable sequels to the Return of the Living Dead franchise. I’m still hoping that he’ll rebound from that double-debacle and make more fun monster movies. Until that happens we’ll always have his little flick about giant, mutant spiders who sounded like chipmunks on helium.