The Best Picture Race In Review: The 1940s


Orson Welles in Citizen Kane

Ah, the 40s! For most of the decade, the world was at war and the Academy’s nominations reflected that fact. The best picture lineups alternated between patriotic films that encouraged the battle against evil and darker films that contemplated both the mistakes of the past and what threats might be waiting in the future.

1940

All This, and Heaven Too

Foreign Correspondent

The Grapes of Wrath

The Great Dictator

Kitty Foyle

The Letter

The Long Voyage Home

Our Town

The Philadelphia Story

Rebecca

Won: Rebecca

Should Have Won: Rebecca was the only Hitchcock film to win Best Picture and while I hate to take that honor away from him, it simply cannot compare to the power of John Ford’s adaptation of The Grapes of Wrath. Considering that people nowadays tend to assume that FDR just waved a magic wand and ended The Great Depression as soon as he was elected, The Grapes of Wrath is still an important historic document of just how bad things truly were in the 1930s. (World War II ended the Great Depression for more effectively than the New Deal ever did.)

1941

Blossoms in the Dust

Citizen Kane

Here Comes Mr. Jordan

Hold Back the Down

How Green Way My Valley

The Little Foxes

The Maltese Falcon

One Foot in Heaven

Sergeant York

Suspicion

Won: How Green Was My Valley

Should Have Won: Citizen Kane. Was there ever any doubt?

1942

49th Parallel

Kings Row

The Magnificent Ambersons

Mrs. Miniver

The Pied Piper

The Pride of the Yankees

Random Harvest

The Talk of the Town

Wake Island

Yankee Doodle Dandy

Won: Mrs. Miniver

Should Have Won: Mrs. Miniver was a heartfelt tribute to the strength of the British people and it’s certainly understandable why the Academy honored it. That said, today, the over-the-top melodrama of Kings Row is a lot more fun to watch.

1943

Casablanca

For Whom The Bell Tolls

Heaven Can Wait

The Human Comedy

In Which We Serve

Madame Currie

The More The Merrier

The Ox-Bow Incident

The Song of Bernadette

Watch on the Rhine

Won: Casablanca

Should Have Won: Casablanca. The Academy got it right.

Casablanca (1943, dir by Michael Curtiz)

1944

Double Indemnity

Gaslight

Going My Way

Since You Went Away

Wilson

Won: Going My Way

Should have Won: The Academy went from nominating ten films to only nominating five this year. (Decades later, it would go back to nominating ten.) Darryl F. Zanuck launched an all-out blitz to convince the Academy to honor Wilson, a film about one of our worst presidents. The Academy instead went with Going My Way, a pleasant crowd-pleaser. I would have voted for Double Indemnity, a film that was perhaps too cynical to win at a time when America was at war.

1945

Anchors Aweigh

The Bells of St. Mary’s

The Lost Weekend

Mildred Pierce

Spellbound

Won: The Lost Weekend

Should Have Won: I agree with the Academy. The Lost Weekend is an underrated winner but it’s still undeniably effective.

1946

The Best Years of Our Lives

Henry V

It’s A Wonderful Life

The Razor’s Edge

The Yearling

Won: The Best Years Of Our Lives

Should Have Won: The Best Years Of Our Lives was one of the first films to deal with the struggle of returning veterans. It’s a great film. That said, I still have to vote for It’s A Wonderful Life, a film that is far darker than its reputation as a holiday favorite might suggest.

1947

The Bishop’s Wife

Crossfire

Gentleman’s Agreement

Great Expectations

Miracle on 34th Street

Won: Gentleman’s Agreement

Should Have Won: Crossfire. Like Gentleman’s Agreement, Crossfire deals with anti-Semitism. Crossfire, though, does so in a far more direct, angry, and effective manner.

1948

Hamlet

Johnny Belinda

The Red Shoes

The Snake Pit

Treasure of the Sierra Madre

Won: Hamlet

Should Have Won: Hamlet is an excellent film but The Treasure of the Sierra Madre is one of the best ever. John Huston’s look at the power of greed gets my vote.

1949

All the King’s Men

Battleground

The Heiress

Letter To Three Wives

Twelve O’Clock High

Won: All The King’s Men

Should Have Won: In this case, I think that Academy got it right. All The King’s Men is a film that seems rather prophetic today.

Up next, get ready to like Ike and hate commies because we’re heading into the 50s!

The Best Picture Race In Review: The 1930s


Ah, the 1930s. America was mired in the Great Depression. FDR was plotting to pack the courts. In Europe, leaders were trying to ignore what was happening in Italy, Spain, and Germany. As for the Academy, it was still growing and developing and finding itself. With people flocking to the movies and the promise of an escape from reality, the Academy Awards went from being an afterthought to a major cultural event.

1930–1931

Cimarron

East Lynne

The Front Page

Skippy

Trader Horn

Won: Cimarron

Should Have Won: This is a tough year. None of the nominees are really that great. The two main contenders were Cimarron and Trader Horn but neither one has aged particularly well. Of the film that were nominated, The Front Page probably holds up the best. The best of the film eligible for these split-year Oscars — Little Caesar and The Public Enemy — were not nominated for Best Picture.

1931–1932

Arrowsmith

Bad Girl

The Champ

Five Star Final

Grand Hotel

One Hour With You

Shanghai Express

The Smiling Lieutenant

Won: Grand Hotel

Should Have Won: Of the nominees, Grand Hotel deserved its victory. If only Frankenstein had been nominated!

1932 — 1933

Cavalcade

42nd Street

A Farewell to Arms

I Am A Fugitive From A Chain Gang

Lady For A Day

Little Women

The Private Life of Henry VIII

She Done Him Wrong

Smilin’ Through

State Fair

Won: Cavalcade

Should Have Won: Cavalcade is one of the more forgotten best picture winners and for good reason. It’s just not that interesting. Of the other nominees, I Am A Fugitive From A Chain Gang is the most powerful and 42nd Street is the most entertaining. In the end, my vote would have gone to 42nd Street. The original King Kong was eligible but not nominated.

1934

The Barretts of Wimpole Street

Cleopatra

Flirtation Walk

The Gay Divorcee

Here Comes The Navy

The House of Rothschild

Imitation of Life

It Happened One Night

One Night of Love

The Thin Man

Viva Villa!

The White Parade

Won: It Happened One Night

Should Have Won: Oh wow. I really love The Thin Man but seriously, nothing beats Clark Gable and Claudette Colbert in It Happened One Night. For the first time this decade, the Academy got it right.

1935

Alice Adams

Broadway Melody of 1936

Captain Blood

David Copperfield

The Informer

The Lives of Bengal Lancer

Midsummer Night’s Dream

Les Miserables

Mutiny on the Bounty

Naughty Marietta

Ruggles of Red Gap

Top Hat

Won: Mutiny on the Bounty

Should Have Won: Mutiny on the Bounty isn’t bad but my vote has to go to Top Hat, a film that is pure joy.

1936

Anthony Adverse

Dodsworth

The Great Ziegfeld

Libeled Lady

Mr. Deeds Go To Town

Romeo and Juliet

San Francisco

The Story of Louis Pasteur

A Tale of Two Cities

Three Smart Girls

Won: The Great Ziegfeld

Should Have Won: The Great Ziegfeld is a good example of a film that won because it was big. It was a spectacle. It overwhelmed audiences and voters with how overproduced it was. Seen today, it’s entertaining but overlong. My vote would have gone to the far more low-key (but also far more intelligent) Dodsworth.

1937

The Awful Truth

Captains Courageous

Dead End

The Good Earth

In Old Chicago

The Life of Emile Zola

Lost Horizon

One Hundred Men and a Girl

Stage Door

A Star is Born

Won: The Life of Emile Zola

Should Have Won: The Life of Emile Zola isn’t a bad film but it’s not the best of the nominees. Dead End features one of Humphrey Bogart’s best pre-Casablanca performances and The Awful Truth is a classic screwball comedy with Cary Grant and Irene Dunne. In the end, my vote would have gone to The Awful Truth.

1938

The Adventures of Robin Hood

Alexander’s Ragtime Band

Boys Town

The Citadel

Four Daughters

Grand Illusion

Jezebel

Pygmalion

Test Pilot

You Can’t Take It With You

Won: You Can’t Take It With You

Should Have Won: Damn. As much as I hate to vote against any movie starring Jimmy Stewart, there’s no way that I can take You Can’t Take It With You over either The Adventures of Robin Hood or Grand Illusion. Robin Hood is the most entertaining of the nominees but Grand Illusion is the most important. My vote goes to Grand Illusion.

1939

Dark Victory

Gone With The Wind

Goodbye, Mr. Chips

Love Affair

Mr. Smith Goes To Washington

Ninotchka

Of Mice and Men

Stagecoach

The Wizard of Oz

Wuthering Heights

Won: Gone With The Wind

Should Have Won: This is such a difficult year because I can make a case for all of the nominees, with the exception of the creaky Love Affair. In the end, my vote goes to …. argh! This is so hard. I’m juggling Gone With The Wind, Mr. Smith Goes To Washington, Wuthering Heights, Stagecoach, Ninotchka, and The Wizard of Oz in my head. Can I pick all of them? No? Okay, I’ll go with …. Hell, I have to go with Jimmy Stewart holding the Senate hostage. Sorry, Wizard of Oz. I vote for Mr. Smith Goes To Washington, which has Jimmy Stewart and no munchkins.

And that’s it for the 30s. Up next, in about an hour, it’s time for the 40s!

The Best Picture Race In Review: The 1920s


The Oscars started out as an afterthought.

When Louis B. Mayer first proposed setting up what would become the Academy of Motion Picture Arts and Sciences in 1927, he wasn’t really that interested in giving out awards. Instead, he saw the Academy as an organization that would mediate labor disputes between the studios and the unions. He also felt that the Academy could basically be used to improve the film industry’s image, which had taken a hit from the rape trial of Fatty Arbuckle, the overdose of Wallace Reid, and the murder of William Desmond Taylor. When he and the other 35 founders of the Academy met to draw up the organization’s charter, the idea of giving out awards was mentioned only in passing. A committee would be set up to give out yearly awards to honor the best that Hollywood had to offer.

The first Academy Awards ceremony was held in a hotel ballroom in 1928. It occurred at the end of a private dinner and the awards were handed out in 15 minutes. The 2nd ceremony was the first to be broadcast on the radio. It was only when the Academy got around to the third ceremony that the Oscars started to transform into the spectacle that we know today. It was only then that people started to really pay attention to what was and was not nominated for Best Picture.

Today, for Oscar Sunday, we’re taking a a decade-by-decade look at the Best Picture races of the past. We start with those first three ceremonies.

Wings (1927, dir by William Wellman)

1927–1928

Uniquely, the very first Academy Awards saw the presentation for two best picture trophies. Best Production went to the most entertaining film. Unique and Artistic Production went to the most artistic film.

Production

The Racket

Seventh Heaven

Wings

Unique and Artistic Production

Chang

The Crowd

Sunrise

Won: Wings and Sunrise

Should Have Won: The first time out, the Oscars got it right. People tend to be a bit dismissive of Wings but it has that one amazing tracking shot and it also features the wonderful Clara Bow. Sunrise, meanwhile, is a triumph in every way. Among the eligible films not nominated: Buster Keaton’s The General and Fritz Lang’s Metropolis.

Sunrise (1927, dir by F.W. Murnau) Won Best Unique and Artistic Picture

1928–1929

Uniquely, only the winners were announced for the 2nd awards ceremony. The “nominees” listed below are taken from a list of notes that were taken while the judges were discussing who and what to honor.

Alibi

The Broadway Melody

The Hollywood Revue of 1929

In Old Arizona

The Patriot

Won: The Broadway Melody

Should Have Won: The Broadway Melody was the first musical to win but it’s aged terribly. I actually prefer The Hollywood Revue of 1929, which has no plot but which does feature a bunch of MGM stars singing, dancing, and showing off that they were having no problem transitioning for silent cinema to sound films. Or, at least, that was the idea. Poor John Gilbert.

1929–1930

All Quiet On The Western Front

The Big House

Disraeli

The Divorcee

The Love Parade

Won: All Quiet On The Western Front

Should Have Won: All Quiet On The Western Front. Third time out, the Academy got it right.

Up next, the Stock Market crashes and we enter a scary new decade in American history. In about an hour, we’ll be taking a look at the 1930s!

My Final 2020 Oscar Predictions


Since today is Oscar Sunday and all, I guess it’s time for me to make my final predictions for what will win tonight! Here we go! No guts, no glory!

Best Picture: Nomadland

Best Director: Chloe Zhao for Nomadland

Best Actor: Chadwick Boseman in Ma Rainey’s Black Bottom

Best Actress: Carey Mulligan in Promising Young Woman

Best Supporting Actor: Daniel Kaluuya in Judas and the Black Messiah

Best Supporting Actress: Youn Yuh-jung in Minari

Best Original Screenplay: Promising Young Woman

Best Adapted Screenplay: Nomadland

Best Animated Film: Soul

Best International Feature Film: Another Round

Best Documentary Feature: Collective

Best Documentary Short: A Concerto is a Conversation

Best Live Action Short Film: Two Distant Strangers

Best Animated Short Film: If Anything Happens I Love You

Best Original Score: Soul

Best Original Song: Husavik from Eurovision Song Contest: The Story of Fire Saga

Best Sound: Sound of Metal

Best Production Design: Mank

Best Cinematography: Mank

Best Makeup and Hairstyling: Ma Rainey’s Black Bottom

Best Costume Design: Ma Rainey’s Black Bottom

Best Editing: The Trial of the Chicago 7 (bleh)

Best Visual Effects: Tenet

If I score 100% accuracy on my predictions, here’s how the night will end in totals:

3 Oscars — Ma Rainey’s Black Bottom, Nomadland

2 Oscars — Mank, Promising Young Woman, Soul

1 Oscar — Another Round, Collective, A Concerto is A Conversation, Eurovision Song Contest: The Story of Fire Saga, If Anything Happens I Love You, Judas and the Black Messiah, Minari, Sound of Metal, Tenet, The Trial of the Chicago 7, Two Distant Strangers

In another few hours, we shall discover how good I am at guessing.

6 Directors Who I Hope Win An Oscar In The Next Ten Years


Richard Linklater

Richard Linklater, the cinematic poet of Texas life, spent 12 years making one film. He took an enormous risk, starting an ambitious project with no guarantee of how it would end or that if would even end up being anything worth releasing. He assembled twelve years of footage and turned it into Boyhood, one of the best films of the century so far. For that, Linklater received the greatest acclaim of his career and, in 2015, he received his first Oscar nomination for Best Director.

Unfortunately, he then lost to a guy who made a gimmicky and pretentious movie about an actor producing a bad play.

My sincere hope is that Richard Linklater will get another chance. Though Last Flag Flying and Where’d You Go Bernadette? didn’t exactly live up to the hopes that some had for them as far as the Oscars were concerned, Linklater is a director who seems to have more than few great films ahead of him. Here’s hoping that, by 2031, the Oscars will have honored Richard Linklater.

Here are five more filmmakers who I hope will soon win their first directing Oscar.

The Safdie Brothers

Good Time and Uncut Gems are two of the most intense films ever made. In fact, they were probably too intense for the Academy, as neither one got the Oscar recognition that they deserved. Hopefully, the Safdies will continue to shock audiences while making great films and the Academy will eventually honor their efforts.

Joe Wright

Joe Wright is a veteran director, one who has directed two best picture nominees — Atonement and Darkest Hour — but who has yet to pick up a nomination for best director. (Personally, I would have nominated him for both Hanna and Anna Karenina.) Wright has two films coming out this year — the long-delayed Woman In The Window and the intriguing Cyrano. Of the two, Cyrano seems like the most likely Oscar contender. I can’t wait to see both of them!

Joanna Hogg

Joanna Hogg is a British director who was responsible for one of the best films of 2019, The Souvenir. She’s got a sequel on the way, The Souvenir Part II, and a murder mystery called The Eternal Daughter. With The Souvenir, she proved herself to be a sensitive director who has a great eye for detail and the ability to capture unforgettable performances. I can’t wait to see what she does in the future.

Debra Granik

Winter’s Bone and Leave No Trace are two films that get better each time that I watch them. Debra Granik was responsible for both. In Winter’s Bone, she directed Jennifer Lawrence in what is still Lawrence’s best performance. In Leave No Trace, she introduced the world to Thomasin McKeznie. Much as with Joanna Hogg, I look forward to seeing everything that she does in the future.

Kelly Reichardt

One of the most consistently interesting and challenging directors around, Kelly Reichardt deserved a nomination this year for her fantastic work on First Cow. Though Reichardt may have been snubbed this time, it’s hard not to feel that the Academy will get another opportunity to honor her.

Finally, I want to mention Emerald Fennell. I didn’t include her on this list because she’s nominated this year. Regardless of whether she wins tonight or not, Emerald Fennell is a filmmaker whose future work I will always make it a point to seek out.

The Independent Spirit Awards Honor Carey Mulligan!


Promising Young Woman

The Independent Spirit Awards were awarded tonight, honoring the best in independent film.  Nomadland picked up Best Feature while Carey Mulligan won Best Female Lead for Promising Young Woman.  It wouldn’t surprise me if this proved to be a preview of what will happen this Sunday at the Oscars!

Here are the Spirit winners:

BEST FEATURE
First Cow 
Ma Rainey’s Black Bottom
Minari
Never Rarely Sometimes Always
Nomadland
 
BEST FEMALE LEAD
Nicole Beharie – Miss Juneteenth
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigan – Never Rarely Sometimes Always
Julia Garner – The Assistant
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

SOMEONE TO WATCH AWARD
The Someone to Watch Award, now in its 27th year,  recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.
David Midell – Director of The Killing of Kenneth Chamberlain
Ekwa Msangi – Director of Farewell Amor
Annie Silverstein – Director of Bull

BEST MALE LEAD
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Adarsh Gourav – The White Tiger
Rob Morgan – Bull
Steven Yeun – Minari

PRODUCERS AWARD
The Producers Award, now in its 24th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films.
Kara Durrett
Lucas Joaquin
Gerry Kim

BEST DIRECTOR
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Eliza Hittman – Never Rarely Sometimes Always
Kelly Reichardt – First Cow 
Chloé Zhao – Nomadland

TRUER THAN FICTION AWARD
The Truer Than Fiction Award, now in its 26th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition.
Cecilia Aldarondo – Director of Landfall
Elegance Bratton – Director of Pier Kids
Elizabeth Lo – Director of Stray
 
BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES 
Atlanta’s Missing and Murdered: The Lost Children 
City So Real
Immigration Nation 
Love Fraud 
We’re Here

JOHN CASSAVETES AWARD (Given to the best feature made for under $500,000)
The Killing of Two Lovers
La Leyenda Negra
Lingua Franca
Residue
Saint Frances

BEST CINEMATOGRAPHY
Jay Keitel – She Dies Tomorrow
Shabier Kirchner – Bull
Michael Latham – The Assistant
Hélène Louvart – Never Rarely Sometimes Always
Joshua James Richards – Nomadland

BEST INTERNATIONAL FILM (Award given to the director)
Bacurau
The Disciple
Night of the Kings
Preparations to be Together for an Unknown Period of Time
Quo Vadis, Aida?

BEST EDITING
Andy Canny – The Invisible Man
Scott Cummings – Never Rarely Sometimes Always
Merawi Gerima – Residue
Enat Sidi – I Carry You With Me
Chloé Zhao – Nomadland

BEST MALE PERFORMANCE IN A NEW SCRIPTED SERIES
Conphidance – Little America
Adam Ali – Little America
Nicco Annan – P-Valley
Amit Rahav – Unorthodox
Harold Torres – Zero, Zero, Zero

BEST FEMALE PERFORMANCE IN A NEW SCRIPTED SERIES
Elle Fanning – The Great
Shira Haas – Unorthodox
Abby McEnany – Work in Progress
Maitreyi Ramakrishnan – Never Have I Ever
Jordan Kristine Seamón – We Are Who We Are

BEST NEW SCRIPTED SERIES
I May Destroy You 
Little America 
Small Axe 
A Teacher 
Unorthodox

BEST SCREENPLAY
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Eliza Hittman – Never Rarely Sometimes Always
Mike Makowsky – Bad Education
Alice Wu – The Half of It

BEST DOCUMENTARY
Collective
Crip Camp
Dick Johnson is Dead
The Mole Agent
Time

BEST SUPPORTING MALE
Colman Domingo – Ma Rainey’s Black Bottom
Orion Lee – First Cow 
Paul Raci – Sound of Metal
Glynn Turman – Ma Rainey’s Black Bottom
Benedict Wong – Nine Days

BEST FIRST FEATURE
I Carry You With Me
The Forty-Year-Old Version
Miss Juneteenth
Nine Days
Sound of Metal
 
BEST FIRST SCREENPLAY
Kitty Green – The Assistant
Noah Hutton – Lapsis
Channing Godfrey Peoples – Miss Juneteenth
Andy Siara – Palm Springs
James Sweeney – Straight Up

BEST SUPPORTING FEMALE
Alexis Chikaeze – Miss Juneteenth
Yeri Han – Minari
Valerie Mahaffey – French Exit
Talia Ryder – Never Rarely Sometimes Always
Yuh-jung Youn – Minari

ROBERT ALTMAN AWARD (Given to one film’s director, casting director and ensemble cast)
One Night in Miami…
Director: Regina King
Casting Directors: Kimberly R. Hardin
Ensemble Cast: Kingsley Ben-Adir, Eli Goree, Aldis Hodge & Leslie Odom Jr.
 
BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES
I May Destroy You
Ensemble Cast: Michaela Coel, Paapa Essiedu, Weruche Opia & Stephen Wight

The Dorian Awards Honor Nomadland!


GALECA, the Society of LGBTQ Entertainment Critics, have announced the winners of 2020 Dorian Awards and, in doing so, they have become the latest critic group to name Nomadland the best film of the year.  They may also be the last, unless there’s some regional group that’s planning on springing their awards the day before the Oscar ceremony.

Here are the winners:

Best Film
FIRST COW
MINARI
NOMADLAND
PROMISING YOUNG WOMAN
SOUND OF METAL

Best LGBTQ Film
AMMONITE
I CARRY YOU WITH ME
MA RAINEY’S BLACK BOTTOM
SUPERNOVA
UNCLE FRANK

Best Foreign Language Film
ANOTHER ROUND
BACURAU
I CARRY YOU WITH ME
LA LLORONA
MINARI
TWO OF US

Best Director
CHLOÉ ZHAO – NOMADLAND
EMERALD FENNELL – PROMISING YOUNG WOMAN
KELLY REICHARDT – FIRST COW
LEE ISAAC CHUNG – MINARI
REGINA KING – ONE NIGHT IN MIAMI

Best Screenplay (original or adapted)
CHLOE ZHAO – NOMADLAND
ELIZA HITTMAN – NEVER RARELY SOMETIMES ALWAYS
EMERALD FENNELL – PROMISING YOUNG WOMAN
LEE ISAAC CHUNG – MINARI
RADHA BLANK – THE FORTY-YEAR-OLD VERSION

Best Unsung Film 
DRIVEWAYS
FIRST COW
THE FORTY-YEAR-OLD VERSION
MISS JUNETEENTH
NEVER RARELY SOMETIMES ALWAYS
SHIRLEY
THE ASSISTANT

Best Documentary
COLLECTIVE
CRIP CAMP
DICK JOHNSON IS DEAD
DISCLOSURE: TRANS LIVES ON SCREEN (TIE)
TIME
WELCOME TO CHECHNYA (TIE)

Best LGBTQ Documentary
A SECRET LOVE
BORN TO BE
DISCLOSURE: TRANS LIVES ON SCREEN (TIE)
MUCHO MUCHO AMOR: THE LEGEND OF WALTER MERCADO
WELCOME TO CHECHNYA (TIE)

Best Film Performance — Actress
CAREY MULLIGAN – PROMISING YOUNG WOMAN
FRANCES MCDORMAND – NOMADLAND
NICOLE BEHARIE – MISS JUNETEENTH
SIDNEY FLANIGAN – NEVER RARELY SOMETIMES ALWAYS
VIOLA DAVIS – MA RAINEY’S BLACK BOTTOM

Best Film Performance — Actor 
ANTHONY HOPKINS – THE FATHER
CHADWICK BOSEMAN – MA RAINEY’S BLACK BOTTOM
DELROY LINDO – DA 5 BLOODS
RIZ AHMED – SOUND OF METAL
STEVEN YEUN – MINARI

Best Film Performance — SUPPORTING Actress 
AMANDA SEYFRIED – MANK
CANDICE BERGEN – LET THEM ALL TALK
MARIA BAKALOVA – BORAT SUBSEQUENT MOVIEFILM
OLIVIA COLMAN – THE FATHER
YUH-JUNG YOUN – MINARI

Best Film Performance — SUPPORTING Actor 
CHADWICK BOSEMAN – DA 5 BLOODS
DANIEL KALUUYA – JUDAS AND THE BLACK MESSIAH
LESLIE ODOM JR. – ONE NIGHT IN MIAMI
PAUL RACI – SOUND OF METAL
SACHA BARON COHEN – THE TRIAL OF THE CHICAGO 7

Most Visually Striking Film 
BIRDS OF PREY: AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN
MANK
NOMADLAND
SOUL
WOLFWALKERS

Campiest Flick
BAD HAIR
BIRDS OF PREY: AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN
EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA
THE PROM
WONDER WOMAN 1984

“We’re Wilde About You!” Rising Star Award
ALAN S. KIM
KINGSLEY BEN-ADIR
MARIA BAKALOVA
RADHA BLANK
SIDNEY FLANIGAN

Wilde Artist Award (to a truly groundbreaking force in entertainment)
CHADWICK BOSEMAN
CHLOE ZHAO
DOLLY PARTON
ELLIOT PAGE
REGINA KING

GALECA Trailblazer Award (For creating art that inspires empathy, truth and equity)
ISABEL SANDOVAL

Timeless Star (Honoring an actor or performer whose exemplary career has been marked by character, wisdom and wit)
LESLIE JORDAN

6 Shots From 6 Films: Special Larry Peerce Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, we wish a happy 91st birthday to Larry Peerce! Now, admittedly Larry Peerce may not be a household name. He got his start in television in the 60s and, after doing a few features and a lot of made-for-TV movies, he pretty much ended his career directing episodes of Touched By An Angel at the turn of the century. Some people might say that’s a comedown from directing movies but there’s a lot of aspiring filmmakers who would love to have an active career spanning three decades. You take your work where you can get it and you do the best that you can with the material that you’ve got available. Nothing will change the fact that, in 1964, Larry Peerce was one of the few directors with the guts to make a film that seriously dealt with racism and interracial marriage. The name of that film was One Potato, Two Potato.

That said, Larry Peerce directed some worthwhile films in his time and, for that reason, it’s time for….

6 Shots From 6 Larry Peerce Films

One Potato, Two Potato (1964, dir by Larry Peerce, DP: Andrew Laszlo)
The Big T.N.T. Show (1965, dir by Larry Peerce, DP: Bob Boatman)
The Incident (1967, dir by Larry Peerce, DP: Gerald Hirschfeld)
Goodbye Columbus (1969, dir by Larry Peerce, DP: Enrique Bravo and Gerald Hirschfeld)
A Separate Peace (1972, dir by Larry Peerce, DP: Frank Stanley)
Two-Minute Warning (1976, dir by Larry Peerce, DP: Gerald Hirschfeld)

The American Society of Cinematographers Honor Mank!


For those of you still making out your Oscar predictions, the American Society of Cinematographers handed out their awards earlier today and they honored Mank.  I have feeling the Academy is going to do the same thing.

Here are the film nominees and winners from the ASC:

THEATRICAL RELEASE
Erik Messerschmidt – Mank
Phedon Papamichael – The Trial of the Chicago 7
Joshua James Richards – Nomadland
​Newton Thomas Sigel – Cherry
Dariusz Wolski – News of the World

SPOTLIGHT
Katelin Arizmendi – Swallow
Aurélien Marra – Two of Us
Andrey Naydenov – Dear Comrades!

DOCUMENTARY
Michael Dweck and Gregory Kershaw – The Truffle Hunters
Viktor Kosakovskiy and Egil Håskjold Larsen – Gunda
Gianfranco Rosi – Notturno

The Cinema Audio Society Honors The Sound of Metal


Yesterday, the Cinema Audio Society announced their picks for pick for the best sound mixing of 2020!  They honored Sound of Metal, which sure as Hell better win the Oscar for Best Sound as well.  Seriously, if it doesn’t, we demand a recount!

Here are the winners from the CAS:

Motion Pictures – Live Action
“Greyhound”
“Mank”
“News of the World”
“Sound of Metal”
“The Trial of the Chicago 7”

Motion Pictures – Animated
“A Shaun the Sheep Movie: Farmageddon”
“Onward”
“Soul”
“The Croods: A New Age”
“Trolls World Tour”

Motion Pictures – Documentary
“David Attenborough: A Life on Our Planet”
“My Octopus Teacher”
“The Bee Gees: How Can You Mend A Broken Heart”
“The Social Dilemma”
“Zappa”