Film Review: The Private Life of Henry VIII (dir. by Alexander Korda)

This afternoon, as part of my mission to see every single film ever nominated for best picture, I watched Alexander Korda’s 1933 biopic The Private Life of Henry VIII.

Now, I have to admit that I’ve never been a big fan of the historical King Henry VIII as I have a hard time finding much sympathy for a man who beheads one wife, not to mention two of them.   I like to imagine that he met his end in much the same way that Joe Spinell meets his end at the end of Maniac, with all of his dead wives suddenly showing up and ripping off his head.  But, Henry is one of those larger-than-life historical figures that always seems to end up as the subject of movies, speculative fiction, and, of course, Showtime television series. 

The Private Life of Henry VIII is one of the better known recreation of Henry’s life on-screen.  For the most part, the film ignores Henry’s policies as king and instead is a darkly humorous recreation of his relationships with five of his six wives.  (His first marriage, to Catherine of Aragon, is ignored.)  The episodic film opens with the execution of Anne Boyelen (Merle Oberon).  This sequence establishes the film’s tone early and it’s actually a lot more cynical than we usually expect a film from 1933 to be.  In between shots of Boyelen waiting to meet her fate, we get extended scenes of two executioners — one French and one English — arguing about which nationality is better when it comes to chopping off heads.  Meanwhile, the members of Henry’s court spend their time whispering innuendo about Henry’s new wife, Jane Seymour (Wendy Barrie).  When Henry (played by Charles Laughton) finally shows up on the scene, he turns out to be a buffoon, a childish man who happens to control the destiny of England.  After Jane dies in childbirth, Henry marries Anne of Cleves (played by Laughton’s wife, Elsa Lanchester).  Anne, however, finds Henry to be repulsive and, in the film’s most obviously comedic segment, she goes out of her way to make herself as sexually unappealing as possible in order to convince Henry to give her a divorce.  (This, of course, led to the split between England and the Catholic Church but the film doesn’t dwell on that.  This is a comedy, not Man For All Seasons.)  After the divorce, Henry finally marries Catherine Howard (Binnie Barnes) who has spent the whole movie pursuing Henry.  For the first time in the movie, Henry is portrayed as being truly in love, unaware (at first) that Catherine only married him for his crown and is actually having an affair with Thomas Culpepper (Robert Donat). 

The Private Life of Henry VIII was not the first movie to be made about Henry VIII but it’s probably the most influential because of Charles Laughton’s Oscar-winning performance in the title role.  Laughton’s performance pretty much set the standard as far as future Henry’s were concerned.  His Henry is buffoonish womanizer who does everything to excess.  (This is the film that pretty much created the whole image of monarchs as men who don’t use forks, knives, or spoons.)  However, as over-the-top as Laughton’s performance may seem, it’s actually full of very subtle moments that suggest the actual human being lurking underneath all of the bluster.  It’s hard not to sympathize with Laughton’s Henry as he struggles to explain what sex is to Anne of Cleves or with his obvious pain when he discovers that he’s been betrayed by the only one of his wives that he actually loved.

(Of course, any similarity between Laughton’s Henry and the real-life Henry is probably a coincidence.)

The Private Life of Henry VIII was the first British film ever nominated for best picture and, perhaps because it wasn’t made by the Hollywood establishment, it hasn’t aged as terribly as most films from the 30s.  While the film does have its slow spots, the performances of Laughton, Oberon, and Lanchester still hold up well and some of the film’s dark comedy almost feel contemporary.  Oddly enough, this British film about English history lost to an American film about English history, Cavalcade

(I should mention that I haven’t seen Cavalcade so I can’t say whether it was a better film.  I’m going to have to see Cavalcade eventually but it’ll be later than sooner as the movie is only available as part of a DVD boxed set that costs close to 300 dollars.  Agck!)

3 responses to “Film Review: The Private Life of Henry VIII (dir. by Alexander Korda)

  1. I saw this as one of the films for a class on film history I took in college and I swear I thought it was a comedy, but the professor made it sound like it was something real serious. I guess we were both correct and it was something of both.


  2. Pingback: Embracing the Melodrama Part II #106: The Queen (dir by Stephen Frears) | Through the Shattered Lens

  3. Pingback: Cleaning Out The DVR, Again #11: Calvalcade (dir by Frank Lloyd) | Through the Shattered Lens

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