6 Shots From 6 Films: Special Alfred Hitchcock Edition

Posted on August 13, 2022 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

123 years ago, the master of suspense was born in England. Today, we honor the career and legacy of the great Alfred Hitchock with….

6 Shots From 6 Alfred Hitchcock Films

The Lodger (1926, dir by Alfred Hitchcock, DP:Gaetano di Ventimiglia )

Shadow of a Doubt (1943, directed by Alfred Hitchcock, DP: Joseph A. Valentine)

Vertigo (1958, dir by Alfred Hitchcock, DP: Robert Burks)

North by Northwest (1959, dir by Alfred Hitchcock, DP: Robert Burks)

Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)

The Birds (1963, dir by Alfred Hitchcock, DP: Robert Burks)

Film Review: Operation Mincemeat (dir by John Madden)

Posted on August 12, 2022 by Lisa Marie Bowman

Based on a true story, Operation Mincemeat takes place in 1943, during the second World War. The British are planning an invasion of Sicily, both to break Hitler’s hold on Europe and to also knock Italy out of the war. The problem is that the attack on Sicily makes so much strategic sense that the Germans have spent months preparing for it and, even if successful, the invasion will cost an untold number of British lives. Somehow, British intelligence must trick the Germans into thinking that the British are planning to invade Greece instead.

With the help of Lt. Commander Ian Fleming (Johnny Flynn), Ewen Montagu (Colin Firth) and Charles Cholmondeley (Matthew McFayden) come up with the plan to fool the Germans. A dead body will be disguised as a British officer. The body will be transported, via submarine, to Spain, which was technically neutral during the war. The body will wash up on shore and, when the body is examined, a note detailing Britain’s invasion of Greece will be discovered and passed along to the Germans. Because the Germans have been fooled by a similar trick in the past, Montagu and Cholmondeley create a fake backstory for “Maj. William Martin” and soon start to think of him as being a someone who truly did live. Joining them to create a life for Major Martin is Jean Leslie (Kelly MacDonald), a secretary in the office who volunteers a photo of herself to be placed in Martin’s wallet.

Of course, things get complicated. While plotting out the operation, Jean starts to fall in love with Montagu, whose marriage is currently strained by Montagu’s obsession with his work. (Because he knows what will happen to a Jewish family in the UK if Germany invades, Montagu has sent his wife and his children to the U.S.) Cholomondeley is in love with Jean and soon finds himself growing jealous of the man that he’s been assigned to work with. Meanwhile, the head of British Intelligence (Jason Isaacs) wants to investigate Montagu’s brother for being a communist. As for Ian Fleming, he keeps himself busy by writing a book. In fact, so many members of British Intelligence are identified as being aspiring novelists that it becomes a bit of a running joke.

I have always appreciated a good World War II film and I enjoyed Operation Mincemeat. It’s a bit of an old-fashioned film, of course. The F-word is used exactly once (which makes this a rarity amongst modern British films) and there’s one scene in which a member of British intelligence discreetly gives an informant a handjob in return for information. Otherwise, this is pretty much a film that you could safely show your grandma without having to worry about her getting depressed over how much movies have changed since her day. Old-fashioned or not, it’s a well-made film, full of good performances and sharp dialogue. It’s not a flashy film but it’s very nicely put together and it’s hard not to admire the craftsmanship responsible for it. Operation Mincemeat is all the more interesting for being, more or less, true. While the love triangle was invented for the film, it is true that Ian Fleming was a part of Operation Mincemeat and the film’s use of him as a character works surprisingly well. The scene where a young Fleming tours the World War II version of Q Branch provides some nice comic relief, particularly when Flemings comes across a wristwatch that doubles as a mini-saw.

What elevates Operation Mincemeat is its theme of loss. Almost all of the major characters have lost someone or something to the war. Jean Leslie is a widow. Cholomendely’s brother was killed in action and his body is still in Europe. Montagu has had to send his family away for their own safety. For them, the Major Martin becomes a stand-in for all of the people that they’ve lost. The effort to make Martin into a real person allows all of them one final chance to honor their loved ones. Major Martin becomes a stand-in for all British soldiers and civilians who sacrificed their lives to battle Hitler’s war machine. Operation Mincemeat becomes about more than just fooling the Germans. It becomes about being worthy of the sacrifice that it took to defeat them.

As is shown in the film, the real Major Martin was a vagrant named Glyndwr Michael, who died after eating rat poison. The film suggests that Michael deliberately killed himself but no one will ever know for sure what led to him eating that poison. After his death, he was given the uniform of a British officer and his pockets were filled with things that would identify him as being Major William Martin. Though he never knew it, Glyndwr Michael become one of the greatest heroes of World War II. Operation Mincemeat serves a worthy tribute to both Glyndwr Michael and Major William Martin.

Scenes That I Love: Norma Desmond visits Cecil B. DeMille in Sunset Boulevard

Posted on August 12, 2022 by Lisa Marie Bowman

Today, the Shattered Lens observes the 141st birthday of filmmaker Cecil B. DeMille.

Today, if Cecil B. DeMille is known at all, it’s for directing Biblical epics like The Ten Commandments. However, there was much more to DeMille’s career than just that one film. DeMille got his start during the early silent era and he quickly established himself as one of Hollywood’s first superstar directors. Unlike many of his contemporaries, he survived the transition to sound and he remained a force in Hollywood at a time when many of the other silent directors were fading into obscurity. DeMille played a key role in the founding of what would become the American film industry. He began his career in 1914 and he made his last film in 1958. That’s quite a legacy.

In 1950, when filming Sunset Boulevard, Billy Wilder needed someone to play the key role of one of Norma Desmond’s former directors. Who better to represent the old style of Hollywood than Cecil B. DeMille? In the scene below, DeMille plays himself. Norma Desmond is, of course, played by Gloria Swanson, an actress whom DeMille had directed in the past.

From Sunset Boulevard, here’s a scene that I love.

4 Shots From 4 Films: Special Sam Fuller Edition

Posted on August 12, 2022 by Lisa Marie Bowman

On this date, 110 years ago, Samuel Fuller was born in Massachusetts. Before he became a filmmaker, Fuller was a crime reporter and a pulp novelist. His films were often melodramatic and unapologetically sordid. They were also often dismissed when they were initially released but almost all of them were subsequently rediscovered by audiences who appreciated Fuller’s striking visuals and the often subversive subtext to be found underneath the surface of his genre films.

Today, we celebrate Fuller’s legacy with….

4 Shots From 4 Sam Fuller Films

Pickup on South Street (1953, dir by Samuel Fuller, DP: Joseph MacDonald)

Shock Corridor (1963, dir by Samuel Fuller, DP: Stanley Cortez)

The Naked Kiss (1964, dir by Samuel Fuller, DP: Stanley Cortez)

The Big Red One (1980, dir by Samuel Fuller, DP: Adam Greenberg)

A Blast From The Past: Lucy (dir by Paul Glickman)

Posted on August 11, 2022 by Lisa Marie Bowman

In the picture above, you can see Lucy (played by Olga Soler), the title character of the 1975 educational short, Lucy. Lucy is 15 years old and she spends almost all of her time with her boyfriend, Joe (Michael D’Emidio). As Lucy herself explains her narration (which is provided by an actress named Marilyn Gold), her entire life revolved around Joe. Since Joe dropped out of school, Lucy dropped out of school too. Since Joe wanted to spend all of his time walking around New York City, Lucy did the same. They thought they were in love. One discreet sex scene later and Lucy’s pregnant!

Lucy is a bit different from some of the other educational films that I’ve seen about teenage pregnancy. Though initially shocked and angered, Lucy’s parents are eventually supportive. Joe doesn’t run away but instead promises to do whatever he can to help, though Lucy ruefully acknowledges that it won’t be much as Joe doesn’t even have a high school diploma. Though a friend offers to help Lucy get an abortion, Lucy decides to have her baby and social services shows up to help her. At the end of the film, Lucy is still not sure whether she’s going to keep her baby or give it up for adoption. She just knows that her life will never be the same. Compared to just about every other educational film that I’ve seen about this subject, Lucy takes a rather low-key and matter-of-fact approach to its story. It’s well-made but rather depressing.

It’s also a rather obscure film. I couldn’t find much about the film on the IMDb. Is the Paul Glickman who is credited as the film’s director the same Paul Glickman who edited some of Larry Cohen’s best films? Who knows?

Now, I know I’ve probably made this film sound really depressing to sit through but there is a dance scene towards the start of the film. That helps.

Film Review: The Stranger (dir by Fritz Kiersch)

Posted on August 11, 2022 by Lisa Marie Bowman

In the desert of Arizona, there sits a town.

That town is named Lakeview, despite the fact that there is no lake nearby. There aren’t many buildings in the town. There’s a service station. There’s a diner. There’s a sheriff’s office. There’s a general store. There are a few houses. Lakeview is a place that people rarely visit and which no one can escape.

There is a sheriff. His name is Cole (Eric Pierpoint) and he spends most of his days in an alcoholic stupor. He’s been depressed ever since his girlfriend, Bridget, was murdered. Now, Bridget’s younger sister, Gordet (Robin Lyn Heath), is living like a feral animal while the local shopkeeper, Sally (Ginger Lynn Allen), is determined to have Cole for herself. Cole’s deputy (Ash Adams) is in love with Sally and wants Cole’s job for his own. That’s a lot of drama for a small town.

Of course, the real drama in Lakeview comes from the fact that the town is run by a group of bikers! The head biker is named Angel (Andrew Divoff). By terrorizing the citizens, Angel and his gang make their own wishes come true without ever asking anyone else if that’s something they would be interested in. Cole is too drunk and depressed to stand up to them. The other townspeople are …. well, I don’t know what their problem is. One assumes that they have to be tough, as they’re living in a harsh and inhospitable desert. But none of them them are willing to stand up for themselves. Maybe they’ve recently moved to Arizona from California and they’re not used to the idea of self-defense. But, for whatever reason, Angel controls Lakeview.

But then the Stranger (Kathy Long) rides up on her motorcycle. Dressed in black leather and wearing a corset that looks like it would actually be really uncomfortable in the desert heat, The Stranger has no name but she does know how to kick ass. She has come to kill all the members of Angel’s gang. Unfortunately, the majority of the gang is out-of-town when The Stranger arrives. So, the Stranger waits in Lakeview and kills who she can. The townspeople, led by Sally, want her to leave before things get too violent. Meanwhile, Cole comes out of his drunken stupor just long enough to notice that the Stranger looks a lot like his dead girlfriend….

1995’s The Stranger was an attempt to a modern-day spaghetti western, with a woman playing the type of mysterious figure who would traditionally have been played by Clint Eastwood or Charles Bronson. That, in itself, is a pretty good idea. Unfortunately, The Stranger itself is abysmally paced and the filmmakers seem to have overlooked that, in the best spaghetti westerns, the silent, nameless heroes were usually paired with a more talkative (and often much more amusing) partner. The Good, The Bad, and the Ugly had Eli Wallach. Once Upon A Time In The West had Jason Robards. In The Stranger, there’s not really anyone around to fill that role. (Cole is too full of self-pity to be amusing. Gordet spends most of the movie running from one abandoned car to another.) As such, The Stranger becomes fairly grim and slow. Things are only livened up when The Stranger beats people up. Kathy Long was a kickboxing champion and she’s strong enough in the action scenes that it makes up for the fact that she doesn’t have a particularly compelling screen presence. She and Eric Pierpoint also have next to no romantic chemistry, making the whole question of whether or not she’s Bridget’s ghost seem a bit moot.

The best reason to see the film is to watch Andrew Divoff play Angel. Divoff is always a good villain and he’s memorably unhinged in The Stranger. Unfortunately, he’s not in the film as much as the viewer might hope. Watching the film, I half expected the Wishmaster to ask if I wanted Andrew Divoff’s role to be larger. I would have said no while thinking yes. You know how that Wishmaster is.

Film Review: Running Red (dir by Jerry P. Jacobs)

Posted on August 10, 2022 by Lisa Marie Bowman

I have to admit that I feel a little bit cheated by the 1999 film, Running Red.

I figured that, with a name like Running Red, the film would be about a redhead who did a lot of running. Since I am a redhead that does a lot of running, I figured that I would be able to relate to this film. Unfortunately, while it’s true that the film does feature a redhead, she doesn’t get to do much running. In fact, she doesn’t really get to do much of anything. Katherine (Angie Everhart) is mostly just there to support her husband, except for those moments that she thinks he’s cheating on him because he’s lied to her about being a former mercenary.

Her husband, who is played by Jeff Speakman, goes by the name of Greg. He’s got a beard and he sells real estate and he has to go on a lot of business trips. However, before he grew the beard, Greg’s name was Grigori and he was apparently a Russian even though, even in the flashbacks that open the film, he never had a Russian accent. Grigori was a part of some sort of weird Russian military unit but he grew disgusted with the ruthlessness of the unit’s leader, Alexi (Stanley Kamel). After one particularly brutal mission, Grigori dropped his submachine gun to the ground. In the movie, this is shown to us in slow motion so we know what that this isn’t just a standard shot of a soldier carelessly dropping a loaded weapon. No, this shot is significant. This is the …. SLO MO OF DISILLUSIONMENT!

Anyway, a few years pass and Grigori is now Greg and he’s married to Katherine and they have a daughter. When two meth addicts steal Greg’s SUV (with his daughter in the backseat), Greg promptly steals an ambulance and chases them down. Using his Russian combat training, Greg beats up the two men. He thinks that no one has seen him but it just so happens that some old busy body was outside with a video camera. Greg makes the news!

Unfortunately, the news report is seen by Alexi. Alexi tracks Greg down and demands that Greg help him out with a few more missions. Wishing to protect his family, Greg agrees. He winds up not only lying to his wife about why he suddenly has to go to Detroit but he also misses her high school reunion! (She even had her old cheerleading outfit cleaned for the special occasion.) Greg really should know better than to lie to a redhead. He also should have known better than to think Alexi was ever going to leave him alone. Greg soon discovers that Alexi isn’t going to be satisfied with just a few missions. In fact, Alexi wants Greg to assassinate a city councilman who either supports or opposed the construction of a stadium. To be honest, I kind of had a hard time keeping straight how everyone felt about the stadium.

It may seem as if the filmmakers weren’t that concerned with coming up with a coherent plot and that’s because they weren’t. The entire film has a make-it-up-as-you-along feel to it. That makes the plot impossible to follow but it also leads to a few moments that are so over-the-top and weird that you can’t help but kind of love then. At one point, Jeff Speakman steals a bus and uses it for a high-speed chase. A little later, he ends up getting into multiple fights on a luxury yacht. I’m not sure who he was fighting or why they were fighting but it really didn’t matter. All that matters is that most of the fights were well-choreographed and the action was quick-paced and didn’t have too many slow spots. Jeff Speakman was a professional martial artist. Judging by this film, he couldn’t act worth a damn but he could throw a convincing punch and he looked good hitting people. It’s best not to demand too much from a film like this. After all, Running Red never said it was going to be anything other than a silly action movie.

That said, I’m a bit disappointed that Katherine didn’t get to do more because, as played by Angie Everhart, she had the potential to be an interesting character and, like me, she was lucky enough to be one of the 2% of the population that has naturally red hair. That said, Running Red is both frequently dumb and often entertaining. It delivers what the majority of viewers will be watching it for (i.e., mindless action) and there’s something to be said for a film that is at peace with what it is.

On a personal note (and yes, I’m aware that it’s kind of silly for me to say that when all of my reviews are, more or less, personal notes), I watched Running Red on YouTube as a part of this week’s #MondayActionMovie live tweet. The version that I saw featured French opening credits and the first few minutes of dialogue were also in French before abruptly switching over to English. I have to admit that I was a little disappointed when everyone suddenly started speaking English. I was looking forward to tweeting along in French! Oh well!

Scenes I Love: Billy Jack Defends Children And Other Living Things

Posted on August 10, 2022 by Lisa Marie Bowman

Today would have been the 91st birthday of Tom Laughlin, the independent film pioneer who gave the world Billy Jack.

In honor of the day of his birth, here’s a scene that I love from Billy Jack. The townspeople think that they can get away with humiliating the students from the Freedom School. Well, Billy Jack’s got something to say about that and, as always, it starts with him taking off his shoes.

Film Review: Fortress: Sniper’s Eye (dir by Josh Sternfeld)

Posted on August 9, 2022 by Lisa Marie Bowman

Fortress: Sniper’s Eye is a sequel to the 2021 film, Fortress.

If you haven’t seen Fortress, the plot goes something like this. A group of mercenaries take over a resort that is populated by retired spies. Robert Michaels (Bruce Willis) and his son, Paul (Jesse Metcalfe), have to set aside their difference and work together to defeat Frederick Balzary (Chad Michael Murray).

Meanwhile, the plot of Fortress: Sniper’s Eye goes something like this. A group of mercenaries take over a now-closed resort that was once populated by retired spies. Robert Michaels (Bruce Willis) and his son, Paul (Jesse Metcalfe), have to continue to set aside their difference and work together to defeat Frederick Balzary (Chad Michael Murray).

Now, to the film’s credit, Sniper’s Eye does admit that it’s largely recycling the plot of the first film. When Balzary and his henchmen show up for a second time, Paul exclaims, “Didn’t any of you die!?” It’s a funny line and one that shows that Sniper’s Eye is aware that it’s all a bit ludicrous. Whatever other faults the film may have, you can’t complain that it’s not self-aware.

Unfortunately, when Balzary and his people invade for the second time, Paul is hosting a gathering with his fiancée and his future mother-in-law. They’re all taken hostage. Because Robert was wounded while rescuing Balzary’s wife from some killer Russians, he spends most of the the movie providing encouragement from a hospital bed. Fortunately, towards the end of the movie, he is able to get out of bed and help out his son. Paul is obviously happy to see his father and the viewers are happy to see Bruce Willis actually doing some action stuff.

Needless to say, Willis is going to be the main attraction for most viewers. (I imagine a few One Tree Hill fans will be watching for Chad Michael Murray.) Sniper’s Eye was one of the film that Willis completed before announcing his retirement from acting. Knowing what we now know about Willis’s health and the conditions under which he made his final films, watching something like Fortress: Sniper’s Eye can feel awkward. I cringed when I saw Willis in the hospital bed, looking tired and talking about how he was getting too old to play the hero. At that moment, it felt as if the character and the actor became the same and it was a bit difficult to watch.

That said, Bruce Willis gives a convincing performance in Fortress: Sniper’s Eye. He may not have the same charismatic swagger that he had when he was healthy but Willis does still look credible sneaking down a hallway while carrying a gun. Even though the action scenes all use a rather obvious stunt double, Willis is still convincing in his role.

As for the rest of the film, the pacing is abysmal and the performances are uneven, with Jesse Metcalde making a bland hero and Chad Michael Murray going overboard as the main villain. This is another film with a jumbled timeline so I feel sorry for anyone who is looking away from the screen whenever the “Two weeks later” title card flashes by. On the plus side, the resort scenery was nice to look at and Natali Yura gave a convincing performance as Balzary’s wife. As far as Bruce Willis’s later films are concerned, Fortress: Sniper’s Eye is superior to American Siege but comes in far below both Gasoline Alley and A Day To Die.

4 Shots From 4 Films: Special Robert Aldrich Edition

Posted on August 9, 2022 by Lisa Marie Bowman

On this date, 104 years ago, Robert Aldrich was born in Cranston, Rhode Island. The first cousin of New York Governor and Vice President Nelson Rockefeller, Robert Aldrich eschewed business and politics to pursue a career in film. Though his wonderfully melodramatic films were often undervalued when first released, Aldrich is now seen as one of the most influential filmmakers of all time. Tarantino loves him.

In honor of Aldrich’s career and legacy, here are….

4 Shots From 4 Robert Aldrich Films