by Earle Bergey
No, it’s not a sequel to The Day of the Triffids. Instead, it’s The Day of the Triffids with a new title. I guess Revolt was considered to be more exciting than Day. This cover was done by Earle Bergey.
Artist Unknown
Witches were a popular subject during the pulp era, starring in stories and appearing on covers. Sometimes, they were riding broomsticks and other times, they were just casting spells. Whatever they were doing, they were always ready to work their magic on readers.
Today, it’s time to pay tribute to some of the witches of the pulp era!
Artist Unknown
by Earle Bergey
by Hannes Bok
by Jack Thurston
by Margaret Brundage
by Rudolph Belarski
by Tommy Shoemaker
Unknown Artist
by John Newton Howitt
Are you scared of tentacles?
Whether they’re reaching down from the sky or coming out of the water, the idea of being grabbed and, even worse, squeezed by several slimy tentacles is a scary one! Perhaps that’s why it was such a popular image during the pulp age. Below is just a sampling of some of the era’s tentacle horror, courtesy of some of the best artists to work in the pulps!
by Earle Bergey
by Alexander Leydenfrost
by Edmund Emshwiller
by Hugh Joseph Ward
by L.B. Cole
by Lou Fine
by Rafael DeSoto
by Robert Bonfils
by Ron Embleton
by Rudolph Belarski
by Earle Bergey
This is from 1948. I wonder what she’s being asked. This question mark of a cover was done by Earle Bergey.
“Kate picked up a sailor in Brooklyn and was never the same again.”
There’s so many ways to interpret those words that I don’t know if I should be happy for Kate or scared. Luckily “just 12 hours for love” indicates that I should be happy for Kate, even if she was operating under a time limit. I just like how the blurb makes it a point to say that she picked up the sailor “in Brooklyn.” I guess the story would have been different if he was a Staten Island sailor.
This book and cover are from 1950. The artist is Earle Bergey.
by Earle Bergey
This is one of my favorite pulp magazine covers. She’s got a general, a sailor, a boxer, and Mr. Monopoly all on the same string! Which one is her dream man? I’m guessing Mr. Monopoly because he gets $200 every time he passes go.
La Paree was published from 1930 to 1938. This issue is from October of 1935 and for a quarter, readers could learn how she managed to get all those men on the same string. This cover was done by Earle Bergey, an artist who has been featured on this site many times in the past and who will probably be featured many more times in the future.
by Earle Bergey
This Earle Bergey-illustrated cover features classic sci-fi imagery and action. The Big Eye was originally published in 1949. This cover was for the 1950 edition.
by Earle Bergey
Happy Super Bowl Sunday!
This issue of Sport Story Magazine is from 1936. As you can tell from the Earle Bergey-illustrated cover, football used to look much different. I don’t know if those leather hats provided much protection.
Lt. Col. Gar Davidson, who wrote the featured story “How the Army Plays Football” was the coach of West Point’s football team. He coached from 1933 to 1937 and compiled a 35-11-1 record. Later, from 1956 to 1960, he served as the Superintendent of the United States Military Academy.
Through the Shattered Lens 