Trailer: Sin City: A Dame to Kill For (Official Teaser)


Sin City A Dame to Kill For

Hard to imagine it’s been 9 years since the original Sin City hit the big screen. It was a comic book adaptation that many thought wouldn’t work, especially how Rodriguez envisioned it to be slavishly loyal to not just Miller’s dialogue but also his unique art style.

The original film’s success quickly ramped up rumors that a sequel was already being planned using the second graphic novel in the Sin City series. Rodriguez himself stated he wanted Angelina Jolie for the role of Ava Lord, the titular “Dame to Kill For”, but after years and years of delay the role finally landed on Eva Green‘s lap (not a bad choice and one I fully support).

So, we’re now going back to Basin City for more tales of booze, broads and bullets in this hyper-noir film that should be loved or hated in equal measures by those who have followed Frank Miller’s career. Once again the directing duties have been split between Rodriguez and Miller. Here’s to hoping that Miller has learned how to be a much better directer after his last film, The Spirit, tanked.

Sin City: A Dame to Kill For is set for an August 22, 2014 release date.

2013 In Review: The Best of SyFy


It’s been quite a year for the SyFy network, even if the network’s most widely-seen original film, Sharknado, was actually one of their weaker offerings.  As a proud member of the Snarkalecs and a Snarkies voter, I’ve certainly enjoyed watching, reviewing, and live tweeting all of the films that SyFy and the Asylum have had to offer us this year.

Below, you’ll find my personal nominees for the best SyFy films and performances of 2013.  (Winners are listed in bold.)

End of the World

Best Film

Battledogs

Blast Vegas

*End of the World

Flying Monkeys

Ghost Shark

Zombie Night

Best Actor

Neil Grayston in End of the World

*Greg Grunberg in End of the World

Anthony Michael Hall in Zombie Night

Frankie Muniz in Blast Vegas

Corin Nemec in Robocroc

Tom Everett Scott in Independence Daysaster

Best Actress

Maggie Castle in Blast Vegas

Lacey Chabert in Scarecrow

Kaitlyn Leeb in Grave Halloween

*Maika Monroe in Flying Monkeys

Ariana Richards in Battledogs

Mackenzie Rosman in Ghost Shark

Best Supporting Actor

Barry Bostwick in Blast Vegas

William B. Davis in Stonados

Brad Dourif in End of the World

Dennis Haysbert in Battledogs

John Heard in Sharknado

*Richard Moll in Ghost Shark

Best Supporting Actress

*Shirley Jones in Zombie Night

Nicole Munoz in Scarecrow

Jill Teed in Independence Daysaster

Jackie Tuttle in Flying Monkeys

Dee Wallace in Robocroc

Kate Vernon in Battledogs

Best Director

Griff Furst for Ghost Shark

Robert Grasmere for Flying Monkeys

John Gulager for Zombie Night

W.D. Hogan for Independence Daysaster

*Steven R. Monroe for End of the World

Jack Perez for Blast Vegas

Best Screenplay

Shane Van Dyke for Battledogs

Joe D’Ambrosia for Blast Vegas

*Jason C. Bourque and David Ray for End of The World

Silvero Gouris for Flying Monkeys

Paul A. Birkett for Ghost Shark

Rick Suvalle for Scarecrow

Flying Monkeys

Best Monster

*Skippy from Flying Monkeys

The Shark from Ghost Shark

Robocroc from Robocroc

The Scarecrow from Scarecrow

The Tasmanian Devils from Tasmanian Devils

The Zombies from Zombie Night

Battledogs

Tomorrow, I will continue my look back at 2013 with my picks for the 16 worst films of 2013!

What Lisa Marie and the Snarkalecs Watched Last Night #78: Battledogs (dir by Alexander Yellen)


On Saturday night, the Snarkalecs and I watched the SyFy original movie, Battledogs.  (Also watching was a mentally unstable moron from Buffalo, NY named Michael Conklin.  But more about him later…)

Battledogs

Why Were We Watching It?

Because we’re snarkalecs and that’s what snarkalecs do.

What Was It About?

Donna Voorhees (Ariana Richards) is a nature photographers who visits our friend to the north and gets bitten by a Canadian lycanthrope.  When she returns to New York, she ends up transforming into a werewolf  herself and manages to kill nearly everyone at JFK Airport.  Everyone that she doesn’t kill is infected with the werewolf virus.

Donna and the rest of the infected are captured by the military.  Under the watch of the sinister Lt. Gen. Monning (Dennis Haysbert), the infected are doped up with tranquilizers and left to aimlessly wander around a prison.  With the help of a sympathetic major (Craig Sheffer) and a scientist (Kate Vernon), Donna and the rest of the infected escape the prison and soon New York is overrun by werewolves.

Meanwhile, the U.S. President (Bill Duke) spends a lot of time sitting out in the middle of Central Park and looking depressed…

What Worked?

Battledogs was produced by the Asylum.  As soon as I saw the words “The Asylum Presents…” at the beginning of the opening credits, I knew that Battledogs was going to be a lot of fun.

Battledogs was surprisingly well-cast.  While Craig Sheffer made for a dull hero, Dennis Haysbert was a great villain.  Admittedly, he was one of those villains who spent the whole movie talking about his plans as opposed to actually carrying them out but, fortunately. Haysbert has a great voice.  Haysbert turned Lt. Gen. Monning into a genuinely menacing character.

The scenes in which the tranquilized infected wander about in a daze had a nicely surreal feel to them.  While watching them, I actually compared them to a similar scene from Jean Rollin’s Night of the Hunted.  That’s probably going a bit too far but still, they were handled very well.

On a final note, Bill Duke plays perhaps the most ineffectual president in the history of ineffectual presidents.  Speaking as someone who has little faith in governmental authority, I found Duke’s performance to be the most realistic part of the film.

What Did Not Work?

Oh, I suppose there are things I could complain about.  I could point out that the film may have been set in New York but it was obviously (and I do mean obviously) filmed in Canada.  (Actually, no, it was not!  As Mike Conklin so politely points out in the comments below, Battledogs was filmed in Buffalo and yes, a look at the imdb does confirm that this film — despite seeming very Canadian, was indeed filmed in New York.  I apologize for the careless error. — LMB)   There were also a few plot holes that I could talk about if I felt like being nit-picky.

But you know what?

There is nobody worse than someone who would actually get nit-picky about an Asylum film.  Asylum Films are made for audiences who have a sense of humor and their “flaws” are ultimately a very intentional part of the fun.  The Asylum makes fast-paced, unpretentious films for people who want to be entertained for 90 minutes.  You know what you’re going to get when you see “The Asylum” name and, unlike most major studio films, Asylum films can be counted on to deliver exactly what they promise.  This film promised battle dogs and it delivered.

Therefore, the entire film worked.

“Oh my God!  Just like me!” Moments

To be honest, despite featuring not one but two female leads, Battledogs was a pretty masculine film.  The emphasis was definitely on people either shooting guns or beating each other up.  That’s not necessarily a criticism because, if New York was overrun by werewolves, I imagine there was be a certain amount of societal breakdown.  However, the fact of the matter is that I’m scared of guns and the only fights I’ve ever been in have involved a lot of hair-pulling and little else.  As a result, there really weren’t any “Oh my God!  Just like me!” moments in Battledogs.

That said, Ariana Richards’ character reminded me of my sister, the Dazzling Erin, because they’re both talented photographers.

Lessons Learned

Apparently, the best way to avoid being killed in a nuclear blast is to jump into the Hudson River right when the bomb goes off.  In today’s unpredictable world, that’s a good thing to know.

Scenes I Love: The Shootout from Michael Mann’s “Heat”.


The shootout in Michael Mann’s “Heat” (1995) remains one of the best ever filmed, in my opinion. Mann himself even tried topping it in Miami Vice (which is good in it’s own right), but this scene (which occurs some minutes in) is so loved, Rockstar Games actually developed a mission in Grand Theft Auto 4 to mimic it.

A group of bank robbers, led by Neal McCauley (Robert DeNiro) finally take down their score, only to find that the police squad out to get them has been tipped off. The video starts as the robbery begins. Vincent Hanna (Al Pacino), along with his team arrive just as the crew is coming out of the bank with the money. The rest is mayhem, with the gunfire sounds echoing all around. Elliot Goldenthal’s score for the piece sets the tone for the robbery, a piece called Force Marker (along with Brian Eno).

What I wouldn’t give to catch this in a theatre somewhere. Enjoy.

Trailer: Wreck-It Ralph (Official)


I had heard about this upcoming CG animated film from the Disney Animation Studio but since it wasn’t being done by Pixar I paid no mind to it. This changed today after site co-founder Lisa Marie Bowman linked me to the first official trailer to Wreck-It Ralph.

After watching the trailer to this upcoming animated film that looks to have been created by people who understands the nostalgia gamers of my generation have for the older games of our youth. It seems like the film was made for gamers of my generation. I definitely had a huge grin on my face as well-known video game characters from days past appeared in the trailer. It’s going to be interesting to find out how Disney was able to pull off putting into one film so many characters from so many different video game publishers like Nintendo, Capcom, Atari, etc…

Wreck-It Ralph is set for a November 2, 2012 release date.

Review: Kung Fu Panda 2 (dir. by Jennifer Yuh Nelson)


In 2008, Dreamworks Animation released what many had thought was one of their animated films. Some even went so far as to consider it on the same level as many of the Pixar animated offerings. This was high praise indeed and the praises from critics was awarded by public acclaim as Kung Fu Panda became an instant classic for Dreamworks Animation. It wasn’t a huge surprise that a sequel was quickly greenlit by the studio and now three years has passed and that sequel has finally come out. Kung Fu Panda 2 does one of those rare feats in film-making where it surpasses it’s original predecessor in all things. This was a sequel that was able to take what made the first one so fun and thrilling and build on it without losing the charm that made it so beloved in the first place.

Kung Fu Panda 2 brings back the Dragon Warrior Po (Jack Black returning in the role of the big fat panda) as he continues to live his dream of having become the Dragon Warrior and fighting evil, bandits and criminals with his fellow kung fu masters, the Furious Five. Instead of the film highlighting Po’s size as a detriment and keeping him a buffoonish character like in the beginning of the first film this sequel actually makes him an equal of his heroes, if not, surpassing them. This is a refreshing change since the writers could’ve easily banked on Po as a character who bungled and stumbled his way through most of the film.

This film was a continuation of Po’s journey as a hero which the first film was just the first step. Despite being a kung fu master in his own right his culture becomes threatened by a villain even more devious than the first film’s Tai Lung. Lord Shen (voiced by Gary Oldman) is the mad peacock heir to Gongmen City who has found an ultimate weapon through fireworks that he plans to defeat kung fu and conquer all of China. Kung fu is everything to Po and he journeys with the Furious Five to confront Lord Shen and stop his plans before it’s too late.

It’s during this journey that Po learns more about his true past and where he truly comes from. The sequences where Po’s adopted goose father tells of Po’s past was some of the best animations Dreamworks has done and I’d say surpasses some of Pixar’s own work. After seeing this film I’m sure many kids and some adults would want themselves their very own baby panda. Who would’ve thought that baby pandas sounded like human babies when they cried. It’s knowing his past that Po must now learn to find his inner peace if he’s to ever go beyond just being a kung fu master.

Kung Fu Panda 2 was actually quite a dark film in places as themes of genocide, destructive march of technology against nature, difficulties of adopted children finding their true origins and many others. That’s not to say that this sequel wasn’t fun to watch. The action took the kung fu fight scenes from the first film to a whole new level, but without turning it into all flash and no substance. It’s during some of the thrilling fight sequences that we see Po truly become part of the Furious Five and even affection from some of it’s members. It would be interesting to see how a third film would explore the growing relationship between Po and certain striped-feline.

The story gets a much needed infusion of creative help from one Guillermo Del Toro who served as creative producer. His inclusion in the film’s development was probably why the film had a much darker and serious tone in addition to the charm it continued from the first film. If there was anyone in Hollywood who knows how to further develop a character through a Campbellian hero’s journey then it’s Del Toro. If Dreamworks Animation is able to keep Del Toro on hand to further treat their other projects then it will be quite a coup for the studio.

The animation in this film is a step above the first film and anything Dreamworks Animation has ever done. With each passing year and release it looks like Dreamworks Animation has been able to come to the same level of animated work Pixar has set with their own projects. While I’m sure there’s no animosity between animators fo the two houses there probably is some sort of friendly rivalry which helps push both studios to improve on their animation work. All this means is that the public wins out in the end as we’re treated to better animated features from both Dreamworks and Pixar. It’s a good thing that Dreamworks Animation has also improved their storytelling with each new film that they’re not being called the weaker films when compared to Pixar’s latest.

In the end, Kung Fu Panda 2 more than lives up to it’s predecessor and actually surpasses it in every way. This sequel’s animation and use of stereoscopic 3D was some of the best in CG animation to date. It had a story that continued to explore and build the characters from the first film that they’ve gone beyond simple, basic animated characters but fully realized and complex individuals. Even the ending scene in the film which definitely sets-up a third film doesn’t seem tacked on but looks like something that would further continue Po’s hero’s journey. Sequels and milking of a franchise usually don’t sit well with serious film fans, but this franchise seems to be doing it correctly and using each new film to further an epic tale. Here’s to hoping we see Po and his Furious Five friends back for more in the coming years.