CRV’s Random Thoughts On Last Night’s Oscars!

Posted on February 25, 2019 by gary loggins

As Alfred Hitchcock (who never won an Oscar!) used to say, “Good ev-en-ing”. Since the Academy Awards ran a little late last night, and I had to get up early to work a twelve-hour shift, I had no time to prepare a post about last night’s ceremony. I know it’s kinda late news already, so I’ve assembled a list of some Random Thoughts On Last Night’s Oscars for your amusement and edification! Hang on, here we go:

If the Academy wants to cut down on show length, I suggest they get rid of the vapid Red Carpet crap and start the ceremony at 7:00 EST. Hey, some of us poor schmucks have to get up in the morning!
Who needs a host when you’ve got Queen kicking things off?
That opening montage of 2018 movies was pretty stunning work. Thanks for including STAN & OLLIE , even though your silly…

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10 Horror Stars Who Never Won An Oscar

Posted on February 24, 2019 by gary loggins

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It’s Oscar night in Hollywood! We all may have our gripes with the Academy over things like the nominating process (see my posts on THE OTHER SIDE OF THE WIND , STAN & OLLIE and THEY SHALL NOT GROW OLD ), but in the end, we’ll all still be watching – I know I will!

One of my gripes over the years has always been how the horror genre has gotten little to no attention from Oscar over the years. Sure, Fredric March won for DR. JEKYLL & MR. HYDE , but there were plenty of other horror performances who’ve been snubbed. The following ten actors should have (at least in my opinion) received consideration for their dignified work in that most neglected of genres, the horror film:

(and I’ll do this alphabetically in the interest of fairness)

LIONEL ATWILL

Atwill’s Ivan Igor in MYSTERY OF THE WAX MUSEUM goes…

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What A Glorious Feeling: On Stanely Donen and SINGIN’ IN THE RAIN (MGM 1952)

Posted on February 23, 2019 by gary loggins

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I constantly tout CASABLANCA as my all-time favorite movie here on this blog, but I’ve never had the opportunity to talk about my second favorite, 1952’s SINGIN’ IN THE RAIN. Sadly, that opportunity has finally arisen with the death today of Stanley Donen at age 94, the producer/director/choreographer of some of Hollywood’s greatest musicals. Donen, along with his longtime friend Gene Kelly, helped bring the musical genre to dazzling new heights with their innovative style, and nowhere is that more evident than in SINGIN’ IN THE RAIN.

The plot of SINGIN’ IN THE RAIN is fairly simple: Don Lockwood (Kelly) and Lina Lamont (Jean Hagen) are a pair of silent screen stars for Monumental Pictures. Lina believes the studio publicity hype about them being romantically linked, though Don can barely tolerate her. At the premiere of their latest film, Don is mobbed by rabid fans, and jumps into a car…

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Confession of a TV Addict #13: Remembering Peter Tork and The Monkees

Posted on February 21, 2019 by gary loggins

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Before the advent of cable and MTV and music videos, there was The Monkees. Now I know some of you are going give me flak about “The Pre-Fab Four”, how they weren’t a real band, just a commercialized, bubblegum TV concept, so let me put this in perspective… if you were an eight-year-old kid like me back in The Monkees’ heyday, you watched the show every week, bought the records, and actually enjoyed them! That’s where I’m coming from, and that’s why I’m writing this tribute to the late Peter Tork, who passed away today of cancer at age 77.

Peter Thorkleson was born in Washington, D.C. on February 13, 1942, and as a child loved music, learning to play piano, guitar, bass, and banjo early on. After college, he shortened his name to Tork and hit New York City, becoming part of the burgeoning Greenwich Village folk scene. He…

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Yukon Gold: THE SPOILERS (Universal 1942)

Posted on February 19, 2019 by gary loggins

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What’s this?? A “Northern” Western set in 1900 Alaska Gold Rush territory starring my two favorite cowboys, John Wayne and Randolph Scott ? With the ever-enticing Marlene Dietrich thrown in as a sexy saloon owner? Count me in! THE SPOILERS is a big, brawling, boisterous film loaded with romance, action, and, most importantly, a sense of humor. It’s the kind of Hollywood entertainment epic that, as they say, “just don’t make ’em like that anymore”. I’ve never been quite sure who “they” are, but in regards to THE SPOILERS, they’re right – and more’s the pity!

Rex Beach’s popular 1906 novel had been filmed three times before (1914, 1923, 1930), and would be one more time after (in 1955), but with The Duke, Rugged Randy, and La Dietrich on board, this has got to be the best of the bunch. Even though audiences were more than familiar with the story…

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Living History: Peter Jackson’s THEY SHALL NOT GROW OLD (Warner Brothers 2018)

Posted on February 17, 2019 by gary loggins

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If you like history as much as old movies, Oscar-winning New Zealander Peter Jackson has a treat for you – THEY SHALL NOT GROW OLD, a World War I documentary utilizing 100+ year old footage from the Imperial War Museum (most of it never viewed outside there) to tell the story of the British Empire’s infantry during The Great War. Jackson was given access to hundreds of hours of actual film and audio and commissioned to create something “unique and original”, and with the aid of modern technology he certainly succeeded in his mission.

Jackson’s narrative is told through the eyes of the young men and boys (some as young as 15) as they go through enlistment and boot camp, training to kill the enemy, then follows them to the Western Front, where they encountered not only battles in the trenches, but dysentery, rats gnawing at their fallen comrades, lice…

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Pre Code Confidential #25: The Stars Are Out for a Delicious DINNER AT EIGHT (MGM 1933)

Posted on February 16, 2019 by gary loggins

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After the success of 1932’s all-star GRAND HOTEL, MGM studio boss Louis B. Mayer kept his sharp eyes peeled for a follow-up vehicle. The answer came with DINNER AT EIGHT, based on the witty Broadway smash written by George S. Kaufman and Edna Ferber. Mayer assigned his newest producer (and son-in-law) David O. Selznick, fresh from making hits at RKO, who in turn handed the director’s reigns to another MGM newcomer, George Cukor. Both would have long, prosperous careers there and elsewhere. Frances Marion and Herman Mankiewicz adapted the play to the screen for the studio with “more stars than there are in heaven”, and those stars truly shine in this film (in the interest of fairness, the stars will be presented to you alphabetically):

John Barrymoreas Larry Renault

The Great Profile plays aging, alcoholic former silent star Larry Renault in a role that surely hit close to home.

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Dark Valentine: THE LOVES OF CARMEN (Columbia 1948)

Posted on February 14, 2019 by gary loggins

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Love takes many strange forms, none more strange than the obsessive love Don Jose has for the Gypsy temptress Carmen in THE LOVES OF CARMEN, Columbia Pictures’ biggest hit of 1948. The film, based on Prosper Merimee’s 1845 novella and Georges Bizet’s famous opera, reunites GILDA stars Rita Hayworth and Glenn Ford with director Charles Vidor, and though it’s in glorious Technicolor and set in 1800’s Spain, it’s got a lot of film noir elements going for it: there’s the protagonist caught in a rapidly moving downward spiral, the amoral femme fatale, crime, murder, and a bleak, downbeat ending. Think I’m stretching a bit? Let’s take a look…

Young nobleman Don Jose arrives in Seville with a dragoon squadron, a corporal with political ambitions and a bright future ahead of him… until he meets Carmen, a gorgeous red-haired Gypsy who is an expert manipulator. Jose is enchanted by this free-spirited…

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One Hit Wonders #24: “Oh, Babe, What Would You Say” by Hurricane Smith (Capitol Records 1972)

Posted on February 12, 2019 by gary loggins

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Ok, so it’s 1972. Rock music dominated the airwaves, until a nearly fifty year old English gent named Hurricane Smith blew into America with a British Music Hall-styled #1 hit called “Oh, Babe, What Would You Say” (take it away, Johnny Carson!):

Who was Hurricane Smith, you ask? Well, first of all, his name isn’t really Hurricane, but Norman Smith, born in 1923. Young Norman served in the RAF during WWII as a glider pilot, and upon war’s end set out to make a go of things as a jazz musician, without much success. By 1959, Norman found steady employment working as a sound engineer for Britain’s EMI Records, located on London’s Abbey Road.

In 1962, EMI signed four lads from Liverpool who had some potential. The Beatles recorded “Please Please Me”, and the song took the U.K. by storm:

The Beatles became a phenomenon in America two short years…

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Necktie Party: Alfred Hitchcock’s FRENZY (Universal 1972)

Posted on February 9, 2019 by gary loggins

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Alfred Hitchcock’s previous two films, TORN CURTAIN (1966) and TOPAZ (1969) weren’t well received by critics, who claimed The Master of Suspense was too old-fashioned and had lost his touch. One wag even suggested that, after fifty years in films, it was time to put Hitch out to pasture! But Hitchcock wasn’t quite ready for a life of tea and crumpets in the garden, and came back with 1972’s FRENZY, complete with all the blatant sex, nudity, gore, and profanity of other early 70’s auteurs, proving he could not only keep up with the times, but surpass them by giving us the blackest of horror comedies.

Hitchcock had returned to his native England before to make a few films, but always with actors who had box office appeal in America (Ingrid Bergman and Joseph Cotten in UNDER CAPRICORN, Marlene Dietrich and Jane Wyman in STAGE FRIGHT). This time around, he…

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