6 Shots From 6 Christopher Lee Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor the legacy of a man who was not just a great horror star but also a great actor. period  Christopher Lee worked with everyone from Laurence Olivier to Steven Spielberg to Peter Jackson to Martin Scorsese.  Though he turned own the chance to play Dr. No, Lee later did go play a Bond villain in The Man with The Golden Gun.  He was one of those actors who was always great, even if the film wasn’t.

That said, it’s for his horror films that Lee is best known.  He was the scariest Dracula and the most imposing Frankenstein’s Monster.  He played mad scientists, decadent aristocrats, and even the occasional hero.  Christopher Lee was an actor who could do it all and today, on what would have been his birthday, we honor him with….

6 Shots From 6 Christopher Lee Films

The Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)

Count Dracula (1970, dir by Jess Franco, DP: Manuel Merino and Luciano Trasatti)

Horror Express (1972, dir by Eugenio Martin, DP: Alejandro Ulloa)

The Wicker Man (1973, dir by Robert Hardy. DP: Harry Waxman)

The Man With The Golden Gun (1974, dir by Guy Hamilton, DP: Ted Moore and Oswald Morris)

Lord of the Rings: The Fellowship of the Ring (2001, dir by Peter Jackson, DP: Andrew Lesnie)

THE WICKER MAN – Somehow it seems appropriate that we’re sitting by the fire tonight.


Long before he was the Equalizer on my TV screen in the 80’s, Edward Woodward was Sergeant Howie, the Christian police sergeant who flies to the island of Summerisle to investigate the case of a missing girl. As he moves around the island, he meets a strange assortment of people who have a penchant for public sex and nudity, singing bad songs, discussing phallic Maypole symbols in grade school classrooms, and wearing rabbit masks. Christopher Lee is Lord Summerisle who presides over this land of loonies while wearing an extremely bad wig. 

THE WICKER MAN is a strange movie. As a matter of fact, it seems to go out of its way to be as strange as possible. But it’s weirdness works in its favor as it definitely keeps you interested while you’re wondering what the hell is going on! Woodward is good as the puritanical policeman who is offended by everything he sees. Our family enjoyed THE EQUALIZER TV series when I was a teenager, and it was nice seeing a younger Woodward in this role. I’ve read that Christopher Lee considers this to be one of his greatest roles. It was sort of a passion project for the iconic actor, and you can certainly tell he’s enjoying himself.  Director Robin Hardy somehow makes it all work right up to the film’s surprising conclusion.

Recommended!

Christopher Lee Reads The Fall of House of Usher


Here to help you get in the mood for the best day of the year is Christopher Lee reading Edgar Allan Poe’s The Fall Of The House Of Usher.  Listening to this will require 40 minutes of your time but it’s totally worth it.  Christopher Lee had an amazing voice and was a wonderful reader and one imagines that it was his voice that Poe heard in his head as he first wrote this short story.

Here is the wonderful voice of Christopher Lee….

Horror On TV: One Step Beyond 3.31 “The Sorcerer” (dir by John Newland)


One tonight’s episode of One Step Beyond, the one and only Christopher Lee plays a German military officer who makes a fatal deal with a sorcerer.

This episode was Christopher Lee’s American television debut.  It originally aired on May 23rd, 1961.

Horror Scenes I Love: Christopher Lee is Dracula: Prince of Darkness


Christopher Lee often went on record about how much he disliked most of the Hammer films in which he played Dracula, feeling that Hammer didn’t really understand the character of Bram Stoker’s famous vampire.  In fact, when Lee agreed to appear in 1966’s Dracula: Prince of Darkness, he did so with the requirement that he would not have any dialogue.

While it’s possible that Lee may have been hoping that his demand would force Hammer to release him from his contract, his requirement actually works to the film’s advantage.  In the scene below, Lee shows that he didn’t need dialogue to make Dracula into a terrifying and malevolent force.  Lee’s otherworldly and dangerous charisma and Dracula’s feral and vicious nature come through without him saying a word.

Robert Englund as Han Solo? A Little May 4th Trivia


Can you imagine how things might have played out if Robert Englund had played Han Solo?

It’s not as far-fetched as it might sound.  In his autobiography, Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams, Englund mentions that he was one of the many actor who, in 1975, auditioned for a role in the first Star Wars film.  It’s often forgotten that, before he became famous as Freddy Krueger in A Nightmare In Elm Street, Englund was a busy character actor who had roles in several big studio productions in the 70s.  He was definitely a part of the “new Hollywood” that included people like George Lucas, Steven Spielberg, and Jon Milius.

Though Englund doesn’t go into much detail, he does say that he read for the roles of both Han Solo and Luke Skywalker.  At the time, Englund didn’t feel that he was right for either role and he went back to his apartment under the correct impression that he would not be cast.  However, he did feel that his friend and then-roommate Mark Hamill would be a good pick for Luke Skywalker and Englund writes that he encouraged Hamill to try out for the role.

Would Mark Hamill have been cast if Robert Englund hadn’t told him about the audition?  Probably.  Given that Star Wars was Lucas’s follow-up to the very popular American Graffiti, it’s probable that every struggling young actor in Hollywood was hoping to audition.  As well, Hamill was not totally unknown to George Lucas, having early read for a role in American Graffiti.  Still, it’s nice to think that, long before he was cast as Freddy Krueger, Robert Englund may have played a role in casting one of the most successful films of all time.

What would Robert Englund have been like as Han Solo?  He definitely would not have been as grouchy as Harrison Ford’s Han.  Indeed, one of the striking things out about Englund’s pre-Nightmare career was how he was usually cast as friendly characters who were almost shy.  Englund would have been friendlier and rather eccentric Han Solo but I think he would have been entertaining in his way.

Because of the film’s success, it can be a bit difficult to know who was actually considered for a role in Star Wars.  Lucas has said that he originally wanted to cast Black actor Glynn Turman as Han Solo but he feared audiences would not accept the possibility of an interracial romance between him and Leia, even in a galaxy far away.  (Lucas’s regret over that decision is one of the things that led to the casting of Billy Dee Williams as Lando Calrissian.)  The film’s IMDb trivia page insists that everyone from Al Pacino to Bill Murray to Marlon Brando to Chevy Chase was considered for the role of Han Solo and I have to say that this is a case where I doubt the accuracy of the IMDb.  Harrison Ford, who had originally been hired only to read with people at the auditions, eventually got the role despite telling Lucas, about the script, “You can type this shit but you can’t say it.”

In several interviews, Christopher Lee expressed regret at having turned down the role of Grand Moff Tarkin, which was instead played by Lee’s best friend Peter Cushing.  Interestingly enough, Cushing was also one of Lucas’s choices for Obi-Wan Kenobi so it’s easy to imagine a universe in which Star Wars reunited two Hammer films legends, along with setting box office records.

Famously, Lucas held joint-auditions with his friend Brian De Palma.  De Palma was casting Carrie and just about everyone who read for one of the films also read for the other.  Reportedly, William Katt came close to getting the role of Luke before instead being cast as Carrie’s doomed prom date.  Amy Irving was also a strong contender for Leia, before instead ending up as Sue Snell in De Palma’s film.  Some source that that Sissy Spacek also read for Leia, though I’ve also read that Spacek was not a part of the joint-auditions.  That’s one thing about collecting trivia about classic films.  It’s often hard to know what’s true and what’s just wishful thinking.

I should mention that another strong contender for Han Solo (and reportedly Luke as well) was Kurt Russell.  It’s actually easy to imagine Kurt Russell as Han and, just as with Englund, it leads to an intriguing game of what if.  Would Kurt Russell have gone on to have Harrison Ford’s career if he had been cast in Star Wars?  Would Russell have gone to play Indiana Jones and Jack Ryan if he had been cast as Han Solo and would Harrison Ford have ended up helping the President to Escape from New York?  Or is it just as possible that Star Wars have not worked without the chemistry of Harrison Ford, Carrie Fisher, and Mark Hamill?  Would a Kurt Russell, Amy Irving, and William Katt version of Star Wars captured the imagination of audiences?

It’s a question to which there is no real answer, a bit like wondering if The Godfather would have been as big a hit if it had starred George C. Scott, Martin Sheen, and Burt Reynolds.  Still, it’s interesting to consider.

Get In The Mood For Halloween With Christopher Lee And The Fall Of The House of Usher


Happy Halloween everyone!

Here to help you get in the mood for the best day of the year is Christopher Lee reading Edgar Allan Poe’s The Fall Of The House Of Usher.  Listening to this will require 40 minutes of your time but it’s totally worth it.  Christopher Lee had an amazing voice and was a wonderful reader and one imagines that it was his voice that Poe heard in his head as he first wrote this short story.

Here is the wonderful voice of Christopher Lee….

Horror Film Review: The Curse of Frankenstein (dir by Terence Fisher)


First released in 1957 and one of the films that put Britain’s Hammer Films on the map, The Curse of Frankenstein opens in Switzerland in the 19th century.  It’s a time of superstitious villagers, judgmental priests, aristocrats who dabble in science, and lots of cleavage.  It’s also a time when justice is harsh.  That’s something that Baron Victor Frankenstein (Peter Cushing) has discovered as he sits in a cell in prison, awaiting his execution date.

Baron Frankenstein has been convicted of the murder of a maid named Justine and the public is eager to see this haughty and eccentric aristocrat put to death.  Victor, however, claims that he is innocent of Justine’s murder.  As Victor explains to a visiting priest (Alex Gallier), he is guilty of many things but he didn’t kill Justine.

The story that Frankenstein tells the priest is a familiar one.  Victor inherited the Frankenstein estate when he was fifteen and, having always been interested in science, his hires a scientist named Paul Krempe (Robert Urquhart) to mentor him and ultimately collaborate with him on his experiments.  Even as he falls in love with and become engaged to his cousin, Elizabeth (Hazel Court), Victor becomes obsessed with the idea of creating a human being from perfect parts collected from the dead.

Victor puts his creation together, piece by bloody piece.  He has no trouble using a the body of a robber and the hands and eyes that purchases from the workers at the local morgue.  But when it come time to pick a brain, he wants to use the mind of a distinguished scientist.  Unfortunately, the scientist is still alive so Victor pushes him over a bannister.  That kills the professor but the removal of the brain does not go quite as smoothly as Victor was hoping.  The brain gets damaged when it’s removed.  The Creature (an intimidating Christopher Lee) is eventually brought to life but, with that damaged brain, all it wants to do is destroy and kill.  Victor isn’t happy about that but soon, he discovers that having a killer Creature has its uses.

As opposed to the well-meaning but obsessed version of the character that Colin Clive played in the original Frankenstein, The Curse of Frankenstein presents us with a Baron who is rather unstable from the start.  It’s not just that the Baron is obsessed with bringing the dead back to life.  It’s that he is fully willing to kill people for his experiment.  Perhaps his only redeeming quality could have been his love for Elizabeth but he screws up even that by having an affair with the ill-fated Justine (Valerie Gaunt).  From the start, the Baron’s main obsession is with his own power.  Elizabeth is ultimately just another pawn for him to control.

Considering how evil this film’s version of Baron Frankenstein is, it’s a good thing that he’s played by Peter Cushing.  Cushing gives an intense but charismatic performance as the Baron, capturing not only the character’s ruthlessness but also his fierce intelligence.  The tragedy of the film’s version of the story is not that the Baron’s experiment goes wrong but that the Baron did actually have the potential to do a lot of good for the world.  He’s smart and he’s determined but he’s lacking a conscience.  If anything, the Creature he builds is a representation of his own dark thoughts and desires.  The Baron is an aristocrat and the Creature is built out of common thieves and people who died in debt but they’re both different sides of the same coin.

Gory and fast-paced, The Curse of Frankenstein was a huge hit and it made stars out of both Cushing and Lee.  I tend to prefer Hammer’s Dracula films to its Frankenstein film but The Curse of Frankenstein holds up well as a portrait of what happens when madness and science collide.