On January 16th, the film critics of Hawaii (and who wouldn’t want to be a member of that group?) announced their picks for the best of 2016! They really, really liked La La Land!
BEST DIRECTOR:
Damien Chazelle, La La Land BEST ACTOR:
Casey Affleck, Manchester by the Sea BEST ACTRESS:
Viola Davis, Fences BEST SUPPORTING ACTOR:
Jeff Bridges, Hell or High Water (tie)
Michael Shannon, Nocturnal Animals BEST SUPPORTING ACTRESS:
Michelle Williams, Manchester by the Sea BEST ORIGINAL SCREENPLAY:
Taylor Sheridan, Hell or High Water BEST ADAPTED SCREENPLAY:
Tom Ford (Based on the Novel by Austin Wright), Nocturnal Animals BEST CINEMATOGRAPHY:
Linus Sandgren, La La Land
BEST EDITING:
Tom Cross,La La Land BEST ART DIRECTION:
Austin Gorg, La La Land BEST COSTUME DESIGN:
Madeline Fontaine, Jackie BEST MAKE-UP:
Bill Corso, Deadpool BEST VISUAL EFFECTS: Arrival(tie) Doctor Strange BEST ORIGINAL SCORE:
Justin Hurwitz, La La Land BEST SONG:
Justin Hurwitz, Benj Pasek and Justin Paul, “Audition (Fools Who Dream),” La La Land (tie)
Lin-Manuel Miranda, “How Far I’ll Go,” Moana BEST ANIMATED FILM: Kubo and the Two Strings(dir. Travis Knight) (tie) Zootopia (dir. Byron Howard, Rich Moore and Jared Bush) BEST DOCUMENTARY: OJ: Made in America(dir. Ezra Edelman) BEST FOREIGN LANGUAGE FILM: The Handmaiden (dir. Chan-wook Park), (South Korea) (tie) Neruda (dir. Pablo Larrain), (Chile) BEST HAWAII FILM: Moana(dir. Ron Clements, Don Hall, John Musker and Chris Williams) BEST NEW FILMMAKER:
Dan Trachtenberg, 10 Cloverfield Lane BEST FIRST FILM: 10 Cloverfield Lane (dir. Dan Trachtenberg) BEST OVERLOOKED FILM: Hell or High Water (dir. David Mackenzie) BEST SCI-FI/HORROR FILM: Arrival(dir. Denis Villeneuve) BEST STUNTS: The Magnificent Seven BEST VOCAL/MOTION CAPTURE PERFORMANCE:
Charlize Theron/ Kubo and the Two Strings WORST FILM OF THE YEAR: Fifty Shades of Black (tie) Zoolander 2
Well, with the Oscar nominations due to be announced next Tuesday, there’s just a few more precursors left to consider. And, since nomination voting has been closed, it’s debatable whether any of these remaining precursors matter.
But you know me. I love three things: movies, lists, and awards.
So, let’s get things started with the Denver Film Critics Society! On the 17th, they announced their picks for the best of 2016. And here they are:
Okay, here’s one more precursor before I call it a night. The North Carolina Film Critics have announced their picks for the best of 2016. You can check out the nominees here and the winners below!
I have to admit that I’m starting to reach the point that I always reach during Oscar season. This is the point where I say, “How many different groups of critics are there!?”
Anyway, the North Texas Critics Association have announced their picks for the best of 2016! There are my people (in that we all live in North Texas and probably make a lot of jokes about pasty yankee tourists coming down from the North and sweating like pigs) and they picked La La Land as the best of the year. I’ll be seeing La La Land this weekend so I’ll let you know if they were right.
Best Actress 1. Natalie Portman (Jackie)
2. Emma Stone (La La Land)
3. Amy Adams (Arrival)
4. Emily Blunt (The Girl on the Train)
5. Ruth Negga (Loving)
Best Cinematography 1. Linus Sandgren (La La Land)
2. James Laxton (Moonlight)
3. Simon Duggan (Hacksaw Ridge)
4. Bradford Young (Arrival)
5. Stephane Fontaine (Jackie)
Manchester By The Sea is the latest Oscar contender to be set in Massachusetts. I’m not exactly sure why but it appears that if you want your film to get some sort of Oscar consideration, it’s always good idea to set it some place in New England.
Consider some of the films nominated for Best Picture since the 1992:
2013’s Captain Phillips featured Tom Hanks speaking with Boston accent.
And, finally, last year’s Spotlight was as much a celebration of Boston as anything else.
As of this writing, it appears that Manchester By The Sea will continue the long tradition of New England-set films being nominated for best picture. Interestingly, of all those films, Manchester By The Sea is probably the most low-key. Though it’s a film that deals with death, it’s a natural death as opposed to the violent executions that dominated The Departed and Mystic River. And though there are two bar fights, there’s very little violence to be found in Manchester By The Sea. As opposed to Spotlight, Manchester By The Sea is not about moral crusaders battling against the corrupt establishment.
Instead, it’s the story of an intelligent but irresponsible man named Lee Chadler (Casey Affleck). When Lee was a young man living in the town of Manchester-By-The-Sea, he was someone. He was a high school hockey star. He made an okay living, he had a lot of friends, and he was very close to his older brother, Joe (Kyle Chandler). He was married to Randi (Michelle Williams) and he had two daughters.
And then he lost everything. He lost his daughters, through a stupid accident for which he blamed himself. Randi divorced him. His friends abandoned him. The only thing that prevented him from shooting himself was the intervention of Joe. Lee eventually ended up in Quincy, Massachusetts, working as a maintenance man and keeping to himself.
And that’s probably what Lee would have done his entire life, if Joe hadn’t died. Lee returns to Manchester-By-The-Sea and, to his shock, he discovers that he’s been named the guardian of Joe’s sixteen year-old son, Patrick (Lucas Hedges). Still struggling with his own feelings of guilt, Lee now finds himself thrust into the role of being a father.
Patrick, of course, doesn’t think he needs a guardian and sometimes, it almost seems as if Patrick might be right. At times, it’s hard not to feel that Patrick is a hundred times more mature than his uncle but occasionally, Patrick’s grown-up mask will slip. When he learns that his father cannot be buried until the spring and the body will be kept in a freezer, Patrick stays calm until he opens up the freezer at home. That’s when the reality of it all hits him and it’s an amazingly powerful moment.
Manchester By The Sea is not an easy film to describe. There’s not much of a plot. Instead, it’s just a portrait of people living from day-to-day, trying to juggle handling tragedy with handling everyday life. Conditioned by previous films, audiences watch something like Manchester By The Sea and wait for some gigantic dramatic moment that will magically make sense of the human condition but, by design, that moment never comes. That’s not what Manchester By The Sea is about. If there is any great lesson to be found in Manchester By The Sea, it’s that life goes on.
Despite being full of funny lines, it’s a sad film but fortunately, it’s also a well-acted one. I have to admit that I’m not as crazy about Manchester By The Sea as some of the critics who are currently declaring Manchester to be the best film of 2016 are but I can’t disagree with those who have praised Casey Affleck’s lead performance. Lucas Hedges also does a good job as Patrick and Michelle Williams gets one revelatory scene in which she happens to randomly run into her ex-husband on the street.
As I said, I liked Manchester By The Sea but I didn’t quite love it. It’s a well-made and well-acted film and, if it’s not as brilliant as some have claimed, it’s still worthy of respect.
The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award: Keith Maitland, Tower
Austin Film Award:Tower (dir: Keith Maitland)
Special Honorary Award: To the ensemble cast ofMoonlight and casting director Yesi Ramirez for excellence as an ensemble.
Special Honorary Award: To honor Anton Yelchin for his contribution to the cinema of 2016, including performances in Green Room and Star Trek Beyond. His was a brilliant career cut profoundly short.
Special Honorary Award: To A24 Films for excellence in production in distribution. Their work gave us Moonlight, Green Room, Swiss Army Man, The Lobster, The Witch, and 20th Century Women, among others.
Special Honorary Award: To filmmaker Keith Maitland and his film Tower for revisiting a tragic event in Austin, Texas history in a sensitive and unique manner.
The Online Film Critics Society announced their nominations today. Along with the usual suspects, the 7 and a half hour documentary OJ: Made in America also picked up a nomination for best picture.
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Pablo Larraín – Jackie
Kenneth Lonergan – Manchester By the Sea
Denis Villeneuve – Arrival
Best Actor
Casey Affleck – Manchester By the Sea
Adam Driver – Paterson
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences
Best Actress
Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land
Best Supporting Actor
Mahershala Ali – Moonlight
Tom Bennett – Love & Friendship
Jeff Bridges – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals
Best Supporting Actress
Viola Davis – Fences
Lily Gladstone – Certain Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester By the Sea
Arrival – Eric Heisserer, Ted Chiang
Elle – David Birke, Philippe Djian
Love & Friendship – Whit Stillman Moonlight – Barry Jenkins, Tarell Alvin McCraney
Nocturnal Animals – Tom Ford
Best Editing
Arrival – Joe Walker
Cameraperson – Nels Bangerter
Jackie – Sebastian Sepulveda La La Land – Tom Cross Moonlight – Joi McMillon, Nat Sanders
Best Cinematography
Arrival – Bradford Young
Jackie – Stéphane Fontaine La La Land – Linus Sandgren Moonlight – James Laxton
The Neon Demon – Natasha Braier
Best Film Not in the English Language
Elle – France
The Handmaiden – South Korea
Neruda – Chile
The Salesman – Iran
Toni Erdmann – Germany
Best Documentary
13th
Cameraperson
I Am Not Your Negro
O.J.: Made in America Weiner
Best Non-U.S. Release
After the Storm
The Death of Louis XIV
The Girl With All the Gifts
Graduation
Nocturma
Personal Shopper
A Quiet Passion
Staying Vertical
The Unknown Girl
Yourself and Yours