Retro Television Review: Baywatch 2.12 “Reunion”

Posted on July 25, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.

This week, Mitch goes to his high school reunion!

Episode 2.12 “Reunion”

(Dir by Gus Trikonis, originally aired on January 27th, 1992)

Mitch gets laid.

That’s pretty much the plot of this incredibly simple episode.

It’s time for Mitch’s 20-year high school reunion but he doesn’t want to go because he’s worried about seeing his ex-wife, Gayle (Wendie Malick). However, at the last moment, Mitch suddenly does decide to go. He meets up with Gayle, who is wearing a blue dress that is simply to die for. With Gayle’s help, Mitch also rescues the class bully (Tim Rossovich) after two former high school outcasts (Tom Villard and Glenn Morshower) bury him in the sand just as the tide starts to come in. And then Mitch and Gayle go back to the Buchanan house and do it like it’s prom night.

Fortunately, Hobie is gone for the weekend. (It’s kind of funny how Hobie is always off with relatives or friends whenever Mitch needs the house to himself.) I will say that, as a child of divorce, there’s nothing more painful than thinking your parents are going to get back together just because one of them was still in the house when you woke up in the morning. Hobie is spared the trauma of Mitch and Gaye’s post-reunion hook-up.

Mitch, however, is disappointed to learn that Gayle has a boyfriend and that she’s going to be marrying him. The only reason Gayle went to the reunion was to work out her feelings about Mitch. Hasselhoff handles the revelation with his trademark emotional earnestness. Left unmentioned is the fact that having sex with Mitch apparently convinced Gayle that she should marry the other guy.

Finally, someone left a baby in Eddie’s lifeguard station. Eddie and Shauni looked after it for the weekend. This led to a lot of, “Wow, sometimes babies smell bad,” humor. In the end, the baby’s father shows up to get the baby but it turns out that he doesn’t actually have custody and that his ex-wife left the baby at the lifeguard station specifically to keep her safe from him. Obviously, this couple has issues that will not be resolved by a high school reunion hook-up.

Even by the standards of Baywatch, this was a remarkably empty episode. Between Mitch quickly getting over the fact that Gayle is getting remarried and Eddie and Shauni taking care of a random baby, it was hard to escape the feeling that nothing really matters on this show. There are no real consequences to anyone’s actions. No one has any sort of emotional conflict that can’t be solved with a musical montage. Eddie and Shauni end the episode thinking about what it would like to be parents. They’ll be over it in a week.

Baywatch was a show where nothing really mattered and that’s probably why it was so popular.

Maniac Cop III: Badge of Silence (1992, directed by William Lustig)

Posted on October 29, 2023 by Jedadiah Leland

Despite finally getting his burial with honors at the end of Maniac Cop 2, Matt Cordell (Robert Z’Dar) returns for one last outing. Raised from the dead by a voodoo houngan (Julius Harris), Cordell invades a hospital to seek vengeance for a comatose policewoman named Katie Sullivan (Gretchen Baker). In a coma due to the wounds she received while thwarting a convenience store robbery, Katie is being framed by unscrupulous reporters and attorneys who claim that Katie was a bad cop who killed a clerk in cold blood. Cordell sees Katie as being a fellow victim of anti-cop bias and he is not going to let anyone treat her with disrespect, which is something that two doctors (Robert Forster and Doug Savant) are unfortunate enough to discover. Sean McKinney (Robert Davi) and Dr. Susan Lowery (Caitlin Dulany) try to figure out how to bring peace to the souls of both Cordell and Katie.

As opposed to the first two films, Maniac Cop III had a troubled production. Lustig and screenwriter Larry Cohen wanted to set the film in a Harlem hospital and bring in an African-American detective to investigate Cordell’s activities. The film’s Japanese producers insisted that Robert Davi return as the lead, even though the script’s lead character had little in common with the way Sean McKinney was portrayed in Maniac Cop 2. Larry Cohen then refused to do any rewrites on the script unless he was paid more. William Lustig filmed what he could and ended up with a 51-minute movie. Extra scenes were directed by one of the film’s producers and the film was also padded out with outtakes from Maniac Cop 2.

The film is disjointed and there’s too much time devoted to Jackie Earle Haley playing a character who has much in common Leo Rossi’s serial killer from the second film. (Haley’s performance is fine but the character feels superfluous). But the movie’s hospital setting leads to some interesting kill scenes and Z’Dar and Davi both give good performances as two different types of maniac cops. The supporting cast is full of good character actors like Haley, Forster, Savant, Julius Harris, Bobby Di Cicco, and Paul Gleason. Despite the film’s flaws, Maniac Cop III is a solid ending for the trilogy.

Robot Without A Cause: Class of 1999 II: The Substitute (1994, directed by Spiro Razatos)

Posted on October 7, 2019 by Jedadiah Leland

There’s a new substitute teacher at a local high school in Oregon and he’s not going to put up with any disrespectful punks. John Bolen (Sasha Mitchell) can educate minds and change lives but only when he’s not busy killing any student with a bad attitude and trying to protect his fellow teacher, Jenna McKenzie (Caitlin Dulany). Jenna is scheduled to testify against the local gang leader so every punk at school is trying to intimidate her and her boyfriend, Emmett (Nick Cassavetes!). It takes Jenna and Emmett a while to realize that John is killing all of their students but soon, a mysterious man named G.D. Ash (Rick Hill) shows up and insinuates that John might be connected to the robot teachers that, two years earlier, terrorized a high school in Seattle.

This sequel to The Class of 1999 is mostly more of the same, with the main difference being that the focus is not on the students being hunted but instead on the teachers being “protected.” If the first Class of 1999 was about the dangers of a no tolerance discipline policy, the sequel is all for it and suggests that maybe the world really would be better off if teachers could just kill some of their more disruptive students. The first film’s director, Mark L. Lester, did not return for the sequel and directing duties were given to stunt coordinator to Spiro Razatos who, not surprisingly, emphasized action and stunts over characterization. Fortunately, Sasha Mitchell was a champion kickboxer so he’s believable in the action scenes and he’s such a stiff actor that you could believe that he might be an android. There’s a good and unexpected twist towards the end of the movie but, ultimately, the victims are too interchangeable and the direction is too flat for this sequel to duplicate the demented pleasures of either Class of 1999 or Class of 1984.

Trailer: Oldboy (Red Band)

Posted on July 10, 2013 by Arleigh

Today saw the release of the red band trailer for the remake of Park Chan-wook’s classic neo-noir Oldboy. This remake by Spike Lee already looks to pay homage (or imitate) the look and feel of Park’s adaptation of the Japanese manga of the same name by Garon Tsuchiya and Nobuaki Mineshigi. We see quick glimpses of the hallway fight scene and a montage of the main character’s 20 years spent locked up in an unknown hotel room.

There’s a great chance for Spike Lee to make this remake his very own by using the Park film as a template but not as gospel. The Park adaptation itself took some liberties with the story told in the manga. Lee and the screenplay by Protosevich could do same to allow this Oldboy a chance to stand on its own instead of becoming another Gus Van Sant Psycho.

Though I wouldn’t mind to see what Lee has in mind as Josh Brolin’s character’s first choice of a meal once getting out.